Horror Song of the Day: Main Title Theme From Alien By Jerry Goldsmith


Today, the Shattered Lens wishes a happy birthday to the one and only Sigourney Weaver.  Seen here with Jonesy the Cat, Weaver will always be best-remembered for bringing to life Ellen Ripley and totally revolutionizing both horror and science fiction!

Today’s song of the day comes from Jerry Goldsmith’s iconic score for Alien.

HAWKINS: Death and the Maiden (1973) – starring Jimmy Stewart!


In this pilot episode of the TV-Movie series HAWKINS, Jimmy Stewart plays Billy Jim Hawkins from the fictional town of Beauville, West Virginia, who just happens to be the best defense lawyer in the business. A former prosecutor who changed sides, he has a perfect record for getting his clients off. Billy Jim gets a call to come out to Los Angeles when an heiress, Edith Dayton-Thomas (Bonnie Bedelia), is charged with the murder of her dad, stepmom, and stepdaughter. Billy Jim and his team, which is basically just his cousin R.J. Hawkins (Strother Martin), set about getting to know all the people in her life. There’s the family lawyer Carl Vincent (Robert Webber) who’s been dipping his hand in the family till while also carrying on an affair, much to the chagrin of his wife Vivian (Antoinette Bower). There’s Edith’s aunt Julia (Kate Reid), who doesn’t seem to have a very strong opinion of her now deceased brother in law and was seen arguing with him on the day of his murder. And there’s Edith herself, whose diary would indicate that she hated her dad and her stepmom so much that she wanted them dead. She also just happens to have the reputation for being a little strange and / or crazy. The evidence seems to be stacked against Edith, but Billy Jim doesn’t get to charge those extremely high legal fees for nothing. If anyone can get to the bottom of the case, it’s him. 

I’ll just go ahead and say that Jimmy Stewart and the character of Billy Jim Hawkins are a match made in heaven. Any person who has seen him in the classic Otto Preminger film ANATOMY OF A MURDER (1959) knows how great he is at playing a down home defense attorney. He excels in the role, and he’s reason alone to invest in the DVD collection from Warner Brothers Archive like I did several years back. It’s so fun watching him question people in his easy going, slow talking, country boy way which almost always leads to the discovery of exactly what he needs to know. And Strother Martin is perfect as his cousin and associate, one of 174 first cousins, according to Billy Jim himself. You see, one of the interesting things about Billy Jim’s family is that he’s one of 14 kids, with 52 nieces and nephews to go along with all those first cousins. That’s some fun character history for a guy like me, whose mom is one of 15 kids, and I also have tons of first cousins. Stewart and Martin are a perfect duo, and their sharing of different theories as the episodes progress make up some of the best scenes. Add to Stewart and Martin a solid group of guest stars in this episode including Bonnie Bedelia (DIE HARD), Robert Webber (THE DIRTY DOZEN), Kate Reid (THIS PROPERTY IS CONDEMNED), and Antoinette Bower (THE EVIL THAT MEN DO), and you can’t help but have an entertaining show. There’s never any doubt that Stewart is going to uncover the murderer, but the fun of course is in seeing how he puts all the clues together. 

HAWKINS: Death and the Maiden is the first of eight “Hawkins” TV movies starring Jimmy Stewart in 1973 and 1974. The character of Billy Jim Hawkins is a clear pre-cursor to the character of Matlock that Andy Griffith would have so much success with a little over a decade later. In a strange move at the time, CBS chose to alternate HAWKINS on Tuesday nights with a series of SHAFT TV movies. Imagine wanting to watch SHAFT only to turn on your TV to discover Jimmy Stewart and Strother Martin solving murder mysteries, or Vice-Versa. Conventional wisdom suggests that this release strategy was probably confusing to the respective audiences for the shows based on their vastly different demographics. I personally think they both sound awesome, but I can see how pairing such different shows in this way could have been a problem for the ratings. Regardless of its short lived tenure, if you’re a fan of Jimmy Stewart, you need to watch HAWKINS. Each episode is a joy to behold. 

Song of the Day: The Hunt by Jerry Goldsmith


The late composer Jerry Goldsmith was born 96 years ago today.  Over the course of his long career, he composed many classic film scores.  He was nominated for 18 Oscars and won for his score for The Omen.

Today’s song of the day comes from Goldsmith’s score for 1968’s Planet of the Apes!  Listen to this and try not visualize Charlton Heston being chased by a bunch of gorillas on horseback.

Horror Song of the Day: Ave Satani by Jerry Goldsmith


Today’s horror song of the day is the only hymn to Satan to have been nominated for an Oscar.  From 1976’s The Omen, here is Ave Satani.  Don’t sing along as much as you may be tempted too.  We’ve all seen Hellraiser.

Composed by Jerry Goldsmith, this version of this song was performed by the Tenerife Film Orchestra and Choir.

Horror Song of the Day: Ave Satani (by Jerry Goldsmith)


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One cannot think of horror and not bring up Richard Donner’s The Omen. A film made during the turbulent late 1970’s when the world was literally on the brink of ripping itself apart. The Omen was a film that told the tale of the birth of the Anti-Christ which would herald the coming of the Apocalypse. Outside of William Friedkin’s The Exorcist there wasn’t a film during this era which put the fear of God’s Judgment on the faithful than The Omen.

It helped that it’s own film score was determined to hammer the point of it’s blasphemous subject matter by taking one of the most holy rituals in Roman Catholicism and inverting it to praise Satan instead of the Virgin Mary. Jerry Goldsmith took the rite of consecration and came up with what one could call the rite of desecration for a purported Black Mass.

One must say that “Ave Satani” was all the creation of Jerry Goldsmith and a fellow choir-master in London. This was a work of art created to accompany a film that some would label art as well, but for some whose own faith has superseded all thoughts of art appreciation “Ave Satani” was very real and was a real danger to one’s eternal soul.

I will say that it’s an effective use of the Gregorian chant and more than just a tad hair-raising.

Ave Satani

Sanguis bibimus
Corpus edibus
Sanguis bibimus
Corpus edibus
Sanguis bibimus
Corpus edibus
Rolle corpus Satani, ave
Sanguis bibimus
Corpus edibus
Rolle corpus Satani, ave

Ave, ave, versus Christus
Ave, ave, versus Christus
Ave, ave, versus Christus

Ave Satani
Sanguis bibimus
Corpus edibus
Rolle corpus Satani,
Satani, Satani

Ave, ave, Satani