The Eric Roberts Collection: The Wrong Mr. Right (dir by David DeCoteau)

Posted on April 3, 2026 by Lisa Marie Bowman

“Girl, you picked the wrong Mr, Right,” Sandra (Vivica A. Fox) says towards the end of 2021’s The Wrong Mr. Right and she’s absolutely correct.

Sandra’s best friend is Tracy (Krista Allen), whose new boyfriend Paul (Rob Hillis) has recently moved into her huge home. (The house should be familiar to anyone who has seen a David DeCoteau film.) Tracy’s daughter, Jessica (Anna Marie Dobbins), is suspicious of Paul and she has every right to be. Paul is not only a con artist and a murderer but he’s also so dumb that he leaves a box full of all the evidence of his wrong doings sitting in his office, where anyone could easily find it and go through it.

In general, I enjoy the “Wrong” films but I have to admit that even I couldn’t suspend my disbelief long enough to buy that Tracy would not only trust Paul but also continue to trust him even after it was revealed that his name was actually Michael O’Neill. I shared Jessica’s frustrations and, to her credit, Anna Marie Dobbins went through the film with a “What the heck!?” expression on her face that made Jessica very relatable.

The usual DeCoteau suspects all make appearances in this film. Dominique Swain, Meredith Thomas, Kirstine DeBell, and Michael Gaglio all have small roles. Best of all is Eric Roberts, who plays a jaunty private detective. He doesn’t get much screentime but this is still one of Roberts’s better cameo appearances. I’m going to guess that he must have been in a good mood on the day he shot his scenes. His character is definitely one of the highlights of the film.

In closing, I should mention that this film takes place in Texas. While I’m pretty sure that the house was located in Canada, there were at least a few scenes that were apparently shot in Austin. That was nice to see. The Wrong films are branching out!

Previous Eric Roberts Films That We Have Reviewed:

13 for 13: Witchouse (dir by David DeCoteau)

Posted on March 13, 2026 by Lisa Marie Bowman

When I first started writing for Through the Shattered Lens, I wasn’t sure how long my reviews should be. I went over to Rotten Tomatoes and I read their guidelines for reviews and I discovered that a review should be, at minimum, 300 words long.

300 words? I thought, I can do that!

Truth be told, sometimes I can’t. Sometimes, you see a movie where it’s a struggle to even come up with 300 words. When that happens, I resort to filler. I’ll tell you about my weekend. I’ll tell you about a funny thing that happened to me in high school. I’ll give you a long-winded story about my early days as a TSL reviewer. I’ll do whatever I need to do to make sure that I can reach at least 300 words.

The importance of filler was clearly on the mind of David DeCoteau when he directed the 1999 film, Witchouse. (And yes, that’s how the title is spelled.) Typically, a film has to run a minimum of 65 to 70 minutes for it to be considered a feature film. Witchouse features three minutes of opening credits, three minutes of closing credits, and a lot of stock footage from a film called Dark Angel: The Ascent. In fact, the film uses the Dark Angel stock footage not once but twice. The finished film runs 72 minutes so obviously David DeCoteau and Full Moon Pictures got what they needed out of all that filler. Fortunately, the audience gets what it needs as well. Witchouse is a film that announces from the start that it shouldn’t be taken too seriously.

The film takes place at a mansion in Dunwich, Massachusetts on a stormy night. Elizabeth (Ashley McKinney) has gathered together a group of friends for a party. When her friends arrived, I assumed they had all gone to high school together. Imagine my surprise when I learned that the characters were all supposed to still be in high school! Elizabeth wants to hold a seance so that she can contact the spirit of her ancestor, a witch named Lilith (Ariauna Albright). Centuries ago, Lilith was burned at the stake. Elizabeth is hoping to bring Lilith back from the dead and she’s willing to sacrifice her friends to do it. Her friends, for the most part, just want to have sex in a big creepy mansion and who can blame them?

If this plot sounds familiar, it’s probably because the story itself was largely lifted from Night of the Demons, with the horribly burned Lilith even resembling the decaying Angels from Kevin Tenney’s classic shocker. Witchouse is never quite as much fun as Night of the Demons. For instance, there’s nothing in Witchouse that can match the subversive oddness of the lipstick scene from Night of the Demons. At its best, Witchouse is occasionally atmospheric and it features decent performances from Ashley McKinney and Monica Serene Garnich. At its worst, the film is kind of boring.

That said, I will give Witchouse credit for totally frustrating my autocorrect. How does one pronounce Witchouse?

13 From 13: Totem (dir by David DeCoteau)

Posted on March 13, 2026 by Lisa Marie Bowman

1999’s Totem opens with a young woman named Alma Groves (Marissa Tait) running through the wilderness.

She runs until she reaches an isolated cabin. Entering the cabin, she finds five other people have already arrived. She doesn’t know who they are and they don’t know her. In fact, she doesn’t even know why she suddenly felt the need to stop eating lunch and to run until she found the cabin. She’s not even sure how she found herself in the wilderness to begin with. Everyone else at the cabin has a similar story. They were all going about their day until, suddenly, an image of the cabin entered their mind and they felt compelled to run until they found it.

At first, Paul (Jason Faunt) comes across as being a chivalrous and friendly jock type. Leonard McKinney (Eric W. Edwards) is a cocky womanizer who is upset that he was compelled to leave in the middle of having sex (or so he claims). Robert Cole (Tyler Anderson) is the angry rebel who is reluctant to talk about his past. As for the other women, Roz (Sacha Spencer) is sarcastic while Tina (Alicia Lagano) is a seemingly innocent high school student. Along with Alma, the six of them are trapped in the area by an invisible force field.

While trying to determine where the invisible barriers have been placed, the six of them come across a cemetery and three sinister-looking statues. As the night continues, it becomes clear that, whenever someone dies, one of the statues comes to life. But why are there six people and only three statues? “Three to be killed and three to kill!” Robert says.

Directed by David DeCoteau and produced by Charles Band’s Full Moon Pictures, Totem is about as incoherent as you would probably expect from this production team. However, it’s a cheerful sort of incoherence, one where the confusing story is at least told with some energy and the entire thing has a “make it up as you go along” sort of feel to it. It’s remarkable how the people in the cabin keep figuring out all of the extra rules that determine how the three killer statues work. Myself, I sat through all 68 minutes of this film and I’m still not quite exactly sure what was going on. That said, the confusing nature of the story works to the film’s advantage. At its best, Totem manages to achieve a sort of dream-like intensity. Who hasn’t had that dream about finding yourself in the middle of nowhere with absolutely zero clue how you got there or how to get home?

You know what else works to this film’s advantage? That 68 minute running time. The film essentially feels like an extended episode of an old horror anthology show. Think of it as being a bloody episode of something like Night Gallery or Tales From The Crypt. It’s a piece of gory fun that doesn’t really require too much of the audience. It’s cinematic junk food and that is definitely meant as a compliment.

Cleaning Out The DVR, Again #40: The Wrong Child (dir by David DeCoteau)

Posted on July 11, 2016 by Lisa Marie Bowman

(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June. She’s trying to get it all done by the end of July 11th! Will she make it!? Well, I guess she did since this is the 40th review!!! YAY!)

Finally, we have reached the end. Two and a half weeks ago, I started the process of reviewing all forty of the films that I recorded between the start of March and the end of June. It hasn’t always been easy, within the two and a half week time frame that I set for myself, to watch and review all of these films but I’ve managed to do it. As soon as I publish the review that you’re reading right now, I will be able to say that I have officially cleaned out my DVR.

So, what was the final film waiting to be watched on my DVR? It was The Wrong Child, which originally aired on June 26th on the Lifetime channel.

In The Wrong Child, Vivica A. Fox plays Renee. Like many Lifetime heroines, Renee would appear to have it all. She has money, glamour, a teenage daughter, and a tragic backstory. (Her first husband was killed several years ago in a traffic accident.) She also has a wonderful house, which regular Lifetime viewers might recognize as being the same house from The Wrong Roommate. She has recently remarried. Her new husband is Charles (Gary Daniels), an architect who may or may not have a few secrets of his own lurking in the past.

One day, Andrew (Robbie Davidson) shows up at the house. Andrew is a handsome and apparently normal teenager. He explains that his mother has recently died of stomach cancer but, before she passed, she informed him that Charles is his father. Charles is skeptical but Renee and her daughter welcome Andrew into the family.

Of course, it turns out that Charles was correct to be suspicious. Andrew is a sociopath, the type of guy who takes pictures of strangers while they’re out jogging and who also is totally willing to murder anyone who might have any evidence that his name is not actually Andrew. Andrew may be crazy but he has a very specific reason for tracking down Charles and his new family.

The Wrong Child is a pretty standard Lifetime B-movie but director David DeCoteau always brings a certain flair to even the most predictable of thrillers. You know that Andrew is crazy as soon as you see him but Robbie Davidson still gives a really good and rather chilling performance.

Add to that, there’s the house! I loved the house when it appeared in The Wrong Roommate and I loved it even more in The Wrong Child. Here’s hoping that the house appears in another wrong film soon!