Horror Film Review: Invaders From Mars (dir by William Cameron Menzies)


The aliens have arrived!  They landed one night in the middle of a thunderstorm and now, they’re hiding underground in a sandpit.  Only David McClean (Jimmy Hunt) was awake to witness their arrival.  He was supposed to be asleep but who could sleep through all that thunder and lightning?  (Not to mention the sound of the flying saucer!)  Unfortunately, no one’s going to believe David because he’s only 12 years old!

That’s the premise at the heart of Invaders from Mars, a nicely surreal science fiction film from 1953.

In order to humor David, a few people do go to the sandpit to look for this supposed UFO.  They include his scientist father (Leif Erickson) and a few local cops.  They all return saying that they found nothing.  They also all return in a really bad mood.  David’s formerly loving and humorous father is suddenly distant and rather grumpy.  And he no longer speaks like himself.  Instead, he is now rigidly formal, like someone still getting used to speaking a new language.  Maybe it has something to do with the strange mark on the back of his neck….

David goes into town and soon discovers that several townspeople are acting just like his father.  It’s almost as if something is controlling them!  Well, what else can David do but go to the local observatory and get the U.S. Army involved!?

Invaders from Mars may be disguised as a children’s film about a flying saucer but it actually deals with some very adult issues.  What do you do when you know that you’re right but no one is willing to listen to you?  Do you stubbornly cling to what you believe or do you just become a mindless and unquestioning zombie like everyone else?  Do you remain independent or do you get the mark on your neck?  Of course, it should also be pointed out that Invaders From Mars was made at a time when people were very much worried that America was being invaded from within by communists and subversives, all of whom would rob Americans of their individual freedoms just as surely as the aliens in David’s town.  Invaders From Mars came out two years before Invasion of the Body Snatchers but they both deal with very similar issues.

What sets Invaders From Mars apart is that it’s told from a child’s point of view.  It plays out like a nightmarish fairy tale.  The film was directed by the famous production designer, William Cameron Menzies and he gives the entire film a nicely surreal look.  The town is just a little bit too perfect while the inside of the spaceship is a maze of corridors, all overseen by a ranting head in a crystal ball.

The film’s ending was probably chilling to audiences in 1953.  For modern audiences, it’s a bit of groan-inducing cliché.  Still, the ending itself makes sense when viewed in the context of the entire film.  (It’s literally the only ending that makes sense.)  Still, ending aside, Invaders From Mars is a classic sci-fi film and one well worth watching this Halloween season.

 

Horror on the Lens: Robot Monster (dir by Phil Tucker)


Today’s horror film is a true classic of its kind, the 1953 science fiction epic Robot Monster.

Now, I should admit that this is not the first time that I’ve shared Robot Monster in October.  I share it every year and, every year, YouTube seems to pull the video down in November.  That sucks because Robot Monster is one of those weird films that everyone should see.  So, I’m going to share it again.  And, hopefully, YouTube will let the video stay up for a while.

As for what Robot Monster is about…

What happens with the Earth is attacked by aliens?  Well, first off, dinosaurs come back to life.  All of humanity is killed, except for one annoying family.  Finally, the fearsome Ro-Man is sent down to the planet to make sure that it’s ready for colonization.  (Or something like that.  To be honest, Ro-Man’s exact goal remains a bit vague.)

Why is Ro-Man so fearsome?  Well, he lives in a cave for one thing.  He also owns a bubble machine.  And finally, perhaps most horrifically, he’s a gorilla wearing a diver’s helmet.  However, Ro-Man is not just a one-dimensional bad guy.  No, he actually gets to have a monologue about halfway through the film in which he considers the existential issues inherent in being a gorilla wearing a diver’s helmet.

Can humanity defeat Ro-Man?  Will Ro-Man ever get his intergalactic supervisor to appreciate him?  And finally, why are the dinosaurs there?

All of those questions, and more, are cheerfully left unanswered but that’s a large part of this odd, zero-budget film’s considerable charm.  If you’ve never seen it before, you owe it to yourself to set aside an hour and two minutes in order to watch it.

You’ve never see anything like it before.

Enjoy!

Music Video of the Day: Shame by Stabbing Westward (1996, directed by Paul Cunningham)


“Who was the girl in Stabbing Westward’s video for Shame?”

For those of us who grew up in the 90s, that is question that we’ve been asking ourselves for 22 years.  Who played Julie, the leggy brunette who found herself threatened by her ex-boyfriend while the band ate popcorn and watched from the couch?

It only took me a minute of research to discover that Nick was played by an actor named Clint Curtis.  If he seems familiar, you may have seen him in movies like Deep Rising, The Mexican, or Splatter: Love, Honor, and Paintball.  But no one seems to know who played Julie, though a lot of people still wonder.  I’ve seen speculation that she was a model or maybe she was dating a member of the band.  On one message board, someone even thought that she may have been played by the actress, Alana Urbach.  (She’s wasn’t.)

Even if we don’t know who played Julie, Shame is a smart video from an underrated band.  It was directed by Paul Cunningham, who is probably best known for directing the video for Radiohead’s High & Dry.

Horror On TV: One Step Beyond 2.14 “Make Me Not A Witch” (dir by John Newland)


In tonight’s episode of One Step Beyond, Emmy (Patty McCormack) makes the mistake of telling her parents (Eileen Ryan and Leo Penn) that she can read minds.  Needless to say, the news does not go over as well as Emmy might have hoped.  Her parents have a farm to run!  The last thing they need is a witch in their midst!

Emmy runs to the church and prays, “Make me not a witch!”

But what if the world needs a witch?

As with every episode of One Step Beyond, this episode is supposedly based on fact.  Patty McCormack is best-remembered for her Oscar-nominated performance in The Bad Seed while Eileen Ryan and Leo Penn are best remembered as being the parents of Sean and Chris Penn.

This episode originally aired on December 22nd, 1959.

Enjoy!

The TSL’s Horror Grindhouse: Rasputin, The Mad Monk (dir by Don Sharp)


In turn of the century Russia, there lived a man named Grigori Rasputin.

He was a monk, though some considered him to be more a servant of the devil than of God.  Legend has it that he was a man who rarely bathed and who made it a point to live in the wild, a part of nature.  His hair was long and unkempt and he was known for his wild eyes.  Depending on who is telling the story, Rasputin’s stare is described as either being seductive or frightening.  Rasputin had a reputation for being a great healer, as well as a great seducer.  (It is said that Rasputin offered up as his defense that it was necessary to sin so that he could be forgiven by God.)

Despite being a controversial figure (and, in the eyes of same, an instrument of the devil), the charismatic Rasputin became well-known in Russian social circles.  In fact, the stories of his powers as a healer eventually reached the household the Tsar.  The Tsar’s son suffered from hemophilia and was frequently ill.  Rasputin was brought into the royal palace to cure him and, according to contemporary accounts, he was somehow able to do just that.  It was said that only Rasputin could stop the boy’s bleeding.

It was also said that Rasputin grow to have a good deal of influence over the Tsarina.  In fact, he was seen as having so much influence that certain members of the royal court started to view him as being a threat to their own power.  On December 30th, 1916, Rasputin was murdered.  There are many stories about how Rasputin was murdered but it’s generally agreed that the conspirators first tried to poison him, just to discover that Rasputin was apparently immune to cyanide!  Eventually, Rasputin was shot twice and then dumped in the Malaya Nevka River.  Stories about how difficult it had been to kill Rasputin only added to his legend.

After his death (and the subsequent communist revolution that led to the murders of the Tsar and his family), Rasputin became a legendary figure.  Because of his connection to the occult, it’s perhaps not surprising that he’s also been the subject of a number of biopics.  Everyone from Klaus Kinski to Lionel Barrymore to Alan Rickman has played the mad monk.  (Apparently, Leonardo DiCaprio has been attached to an up coming film about Rasputin.)

And then there’s Christopher Lee.  Christopher Lee played Rasputin in the 1966 Hammer Film, Rasputin, The Mad Monk.  It’s probably one of Lee’s best performances, as well as one of his most lively.  Lee plays Rasputin as being a cunning charlatan, one who may act like a madman but who always know exactly what he’s doing.  The film makes perfect use of Lee’s imposing physical presence and, when Rasputin uses his powers of hypnotism, Lee stares with such intensity that you never doubt that he’s a man who knows how to get exactly what he wants.  Lee makes you believe that, through sheer willpower, Grigori Rasputin very well could have become one of the most important men in Russia.

As for the film itself, it’s a briskly paced retelling of Rasputin’s final years, hitting all of the expected points without ever digging too far beneath the surface.  Rasputin cures the sick and seduces their mothers, wives, and sisters and uses his powers of hypnotism to hold most of St. Petersburg under his control.  Many of the usual Hammer performers (including Barbara Shelley, as the Tsarina’s servant and Joss Ackland as a bishop) make an appearance and the fact that no one makes the least bit of effort to sound Russian just adds to the film’s charm.  It’s an entertaining look at a fascinating historical story and, most importantly, it features Christopher Lee at his chilling best.

Rock and Roll Creation: Zombie Nightmare (1986, directed by Jack Bravman)


When muscle-bound teen baseball player Tony (Jon-Mikl Thor) does a good deed by stopping a grocery store robbery, he’s rewarded by getting run down by a bunch of stupid teenage joyriders.  Luckily, there’s a voodoo priestess in the neighborhood and, while she can’t revive Tony permanently, she can bring him back as a zombie so he can kill those who killed him.  Soon, Zombie Tony is killing all of the teens (including Tia Carrere) and Detective Tom Churchman (Adam West) is on the case.  Detective Churchman, however, has a previous connection to both the voodoo priestess and the murder of Tony’s father.

Zombie Nightmare is best known for later being shown on Mystery Science Theater 3000.  It was one of the best episodes of MST 3K but Zombie Nightmare is just as great even without commentary from Mike and the Bots.  This film features Jon-Mikl Thor, Adam West, Tia Carrere, zombies, and a heavy metal soundtrack that features Girlschool, Virgin Steel, Thor, and Motorhead!  What more do you need?  Jon-Mikl Thor is actually really convincing as the zombie and it’s always interesting to see Adam West play a role straight.  West even gets to be the bad guy here, and he does it without winking at the camera once.

Jon-Mikl Thor followed up Zombie Nightmare with the even better Rock ‘n’ Roll Nightmare.  He was also the subject of a recent and revealing documentary, I Am Thor, which should be required viewing for anyone who thinks they want to be a star.

Scenes That I Love: The Witch Melts In The Wizard Of Oz


I’ve reviewed two movies about witches today and I should be posting a review of a movie about Rasputin in a few more hours.  Needless to say, all of this witch talk might be disturbing to some.  Well, fear not!  Today’s scene that I love is for you!

Book Review: Rapture by Thomas Tessier


Like 666, Rapture is a novel that I read after coming across the cover in Grady Hendrix’s Paperbacks From Hell….

“Ah!” you’re saying, “so this is all Grady Hendrix’s fault!”

Well, kind of but not really.  Unlike 666, Rapture was actually a well-written and legitimately frightening book.  I mean, I probably wouldn’t have ever heard of this book if it wasn’t in Paperbacks from Hell but it’s not like anyone owes me an apology for inspiring me to read it or anything.

Anyway, Rapture deals with a guy named Jeff.  Jeff grew up in Connecticut but then he left for California, where he made a fortune in computers and suffered through one bad marriage.  Now, he’s nearly 40 and he can’t escape the feeling that maybe something is missing from his life.

When Jeff’s father dies, Jeff returns to Connecticut and accidentally on purpose runs into Georgianne.  Jeff grew up with Georgianne.  They were best friends in high school but they were never more than friends.  Now, years later, Jeff thinks that was a missed opportunity.  In fact, he soon convinces himself that he and Georgianne were meant to be together.  The only problem is that Georgianne is happily married and has a teenage daughter, Bonnie.  In fact, as Jeff observers, Bonnie looks almost exactly the same way that her mother did at that age….

It looks like Jeff is going to have to murder a few people if he wants to find true love.  Jeff turns out to be surprisingly skilled when it comes to killing people.  Either that or the police are just totally incompetent.  (Rapture was written in 1987, which might explain some of Jeff’s success.  If it was written today, DNA, texting, and social media would have rendered the entire story implausible.)  But is Jeff really as clever as he thinks he is?

While I was reading Rapture, I kept thinking that it would make a good Lifetime miniseries.  (I then checked the imdb and I discovered that Rapture apparently was turned into a made-for-TV movie in 1991.)  It’s a shamelessly sordid little tale, one that is all the more disturbing because Thomas Tessier tells almost the entire story from Jeff’s twisted point of view.  Though Tessier wisely resists the temptation to use a first person narrator, he still puts you in the head of a madman.  It’s more than a little icky.  At the same time, it’s undeniably effective and creepy.

In fact, I would say that it’s time for Lifetime to remake Rapture.  Pair it up with the latest episode of YOU.  It’ll be great, I promise!

Italian Horror Showcase: The Long Hair of Death (dir by Antonio Margheriti)


This 1964 Italian horror film takes place in a feudal village in the 15th century.  It’s a time of fear, corruption, and ignorance, which is a dangerous combination.  The village is ruled over by the corrupt Count Humboldt (Giulliano Raffaelli).  With his villagers panicking about every day problems like poor crops, banditry, and disease, the Count understand that the best thing to do is just blame it all on a witch.  Of course, it doesn’t do much good to blame a witch unless you also burn her and that’s exactly what the count decides to do Adele Karnstein.  When Adele’s daughter, Helen (Barbara Steele), goes to the castle to make an appeal for her mother’s life, the Count responds by raping her and then tossing her over the edge of a cliff.

Adele’s other daughter, Lisabeth (Halina Zalewska), is adopted by the Count and grows up in his castle.  Eventually she is married off to the count’s evil and greedy nephew, Kurt (George Ardisson).  Knowing fully well what Kurt’s family did to her mother and her sister, Lisabeth is not all happy about the arrangement but what can she do?  She has absolutely no one to help her.

And then, one night, lightning strikes Helen’s grave.  Not only does the grave fly open but Helen is now suddenly walking around the village and heading for the castle.  Except, of course, she is now calling herself Mary.  When Mary arrives at the castle, Kurt is immediately taken with her, so much so that he starts to plot the murder of Lisabeth.  However, is it possible that this is all a part of Mary’s plan?

Meanwhile, the black plague has once again struck the village and again, the villagers are starting to demand a sacrifice….

Obviously, the main reason to see The Long Hair of Death is for Barbara Steele’s performance in the dual roles of Helen and Mary.  In the early 60, Steele appeared in several Italian gothics and she almost inevitably always seemed to play a character who, after being unjustly killed by a member of the upper class, returned from the dead to get revenge.  (This was a template that was set down by her best-known Italian film, Mario Bava’s Black Sunday.)  While I’ve read that it’s a role that Steele got tired of playing, that doesn’t change the fact that she was very good at it.  Steele’s characters always returned to punish the men who had previously used and abused her, which is one reason why her performances remain popular to this day.

That’s certainly the case with The Long Hair of Death, in which the entire film is basically leading up to Kurt being punished for both his sins and the sins of his uncle.  George Ardisson gives a wonderful performance as Kurt, effortlessly going from arrogant and lecherous to terrified and helpless without missing a beat.  Director Antonio Margheriti plays up the story’s gothic atmosphere, giving the film an occasionally dream-like feel.  He emphasizes not just the villainy of the Humboldts but also the superstition of the villagers, making clear that evil cannot prosper without ignorance.

The Long Hair of Death is hardly perfect.  The middle part of the film drags and the low-budget is occasionally a hindrance.  (The village often looks like it’s made out of cardboard.)  But the film comes alive whenever Barbara Steele is on-screen and the ending is a brilliantly macabre.  Lovers of Italian gothic horror will find much to appreciate about The Long Hair of Death.

4 Shots From 4 Witchy Films: Burn, Witch, Burn, Season of The Witch, The Craft, Maleficent


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we celebrate witches everywhere with….

4 Shots From 4 Witchy Films

Burn, Witch, Burn (1962, dir by Sidney Hayers)

Season of the Witch (1973, dir by George Romero)

The Craft (1996, dir by Andrew Fleming)

Maleficent (2014, dir by Robert Stromberg)