Horror Book Review: By Reason of Insanity by Shane Stevens


By Reason of Insanity, a novel from 1979, tells the story of a truly terrifying killer.

Institutionalized for murdering his own mother, Thomas Bishop manages to escape from the asylum and proceeds to travel across the United States, murdering almost every woman he meets.  For all of Bishop’s attempts to justify his homicidal impulses, it mostly appears that he kills because he enjoys it.  It’s what he’s good at.  It’s what comes naturally to him.  Bishop is a clever and meticulous killer but he’s hardly super human.  That’s what makes him so disturbing.  Unlike someone like Dr. Hannibal Lecter or any of the fictional killers that have been spawned by his popularity, Bishop isn’t some sort of erudite, witty genius with a gimmick and a tendency to only kill the unsympathetic.  He’s just someone who is very good at what he does.  He’s a believable killer and all the more frightening because of it.

The novel, however, isn’t just about Thomas Bishop.  Thank God for that because Bishop is such a nihilistic and misogynistic character that, if this rather lengthy novel took place entirely in his head, it would probably be almost impossible to actually get through it.  The novel also explores the lives of the people who are effected by Bishop’s crimes.  We meet the reporter that follows his crime spree and the detectives who want to stop him.  We meet the ambitious politician who thinks that he can use Bishop’s notoriety as a stepping stone to the White House.  New characters are constantly entering the narrative, some staying for the entire length of the novel and some ducking out almost as quickly as they arrived.  Sometimes, it can be difficult to keep track of everyone but their presence reminds us that the actions of someone like Thomas Bishop do not occur in a vacuum.  They create a ripple effect that eventually touches everyone.

Throughout the book, Bishop obsesses on the identity of his father.  He believes that his father was Caryl Chessman, a real-life criminal who, in the 50s, became a cause celebre for some when he was sentenced to death after being convicted on 17 counts of kidnapping and rape.  (Though Chessman confessed to being the infamous “Red Light Bandit,” he later said that he did so only after being beaten and tortured by the cops.)  From his cell in San Quentin, Chessman protested his innocence and wrote books about his life both outside and inside of prison.  Chessman was eventually executed in 1960.  Bishop, who has spent his entire life under the impression that Chessman was his father, feels that he’s continuing the family legacy.  However, the book’s brilliant final line leaves it to the reader to decide not only whether Bishop was correct in his belief but also as to whether it would have made any difference.  If Thomas Bishop had grown up believing that his father was Pat Brown, the governor who eventually oversaw Chessman’s execution, would he have still become a murderer or would he have instead felt he was destined for a career in politics?  It’s an interesting question.

By Reason of Insanity is a well-written and nightmare-inducing serial killer novel.  With its straight-ahead approach and refusal to try to turn Bishop into an antihero, it’s quite a contrast to the serial killer novels that would follow.  Read it but keep the lights on.

International Horror Film Review: #Alive (dir by Cho Il-hyung)


My feelings on the zombie genre are so mixed.

On the one hand, zombies are scary and zombie movies, when done well, can be genuinely disturbing.  Zombie movies deal with the inevitably of death.  Whenever someone dies, we always say that they’re at peace.  “At least, they’re not suffering anymore,” we say.  Zombie movies suggest that there is no peace after death.  Instead, the suffering of life is just replaced with nonstop hunger and savagery of death.  Meanwhile, the living don’t even get a chance to mourn their dead before they’re forced to kill them again.  Zombies are relentless and they used to be our friends and family.  That’s one reason why zombies haunt us in a way that certain other monsters never will.

At the same time, when it comes to zombie movies, there’s just so many of them!  Seriously, it seems like there must be at least a hundred zombie movies released every year.  We’ve seen so many scenes of the dead running through empty city streets that it’s hard not to get cynical.  The first time you see a reanimated corpse eat its parents, it’s disturbing.  But, by the hundredth time you’ve seen it, it’s just expected.  We now live in an age where every disaster is compared to a “zombie apocalypse.”  Even non-horror fans know about zombies.  The days of zombies being obscure are over.  They’re now firmly a part of pop culture and, as a result, they’ve become a bit annoying.

I say all this because, in many ways, #Alive is a standard zombie film.  This South Korean film opens with Joon-woo
(Yoo Ah-in) in his apartment, playing video games.  When reports come in of something strange happening in the streets of Seoul, Joon-woo goes out to his balcony to see what’s happening.  What he sees is a world gone mad, one in which hordes of growling people run through the streets, biting down and feeding on anyone who gets to close to them.  Yes, the zombie apocalypse has begun and Seoul is apparently right in the middle of it.

And don’t get me wrong.  The zombies are indeed frightening and there’s an exciting sequence where Joon-woo has to force one out of his apartment.  It’s all very well-directed and well-acted by Yoo Ah-in but it’s not anything that we haven’t seen before.  At this point, audiences have seen so many zombie rampages that if a real one ever breaks out, the uninfected will probably start bitching about how different it is from what the movies led them to expect.

What sets #Alive apart is the way it captures the feeling of being totally isolated and alone.  Trapped in his apartment with only a limited amount of food and with no way of knowing whether or not his family is still alive, Joon-woo tries to maintain his sanity.  Joon-woo is isolated from the outside world.  He’s quarantied himself.  Occasionally, he steps out on the balcony and sees if the zombies are still outside.  (They are.)  Occasionally, he checks the news to see if there’s an end in sight.  (There’s not.)  As the days pass, Joon-woo finds himself tempted to surrender to his despair.

But what if Joon-woo isn’t the only person left alive in his apartment complex?  What if, on the other side of the complex, there’s a woman named Kim Yoo-bin (Park Shin-hye) who is trying to catch Joon-woo’s attention so that he’ll know that he’s not alone and that she’s willing to help?  And just how much of a risk is Joon-woo willing to take to end his isolation?

That’s a question that feels especially relevant today, at a time when so many people are isolated, either voluntarily or by doctor’s orders.  When a newscaster describes the zombies as being infected, it’s impossible not to think about what’s currently going on in the world.  When Joon-woo discovers how truly difficult it is to be alone and unable to leave your home …. well, that’s the way many people have felt this entire year.  Though #Alive was filmed before the pandemic lock-downs, it feels like a movie about our current times.  As such, it has a power to it that it might not have had if it had been released at a different time.  Like everyone, Joon-woo struggles with fear and despair.  But, at the same time, he never allows himself to forget that he’s not dead yet.  He’s still alive and there’s still hope.

#Alive is a film about how difficult it can be to live while everyone around you is obsessing on death but it’s also a film that encourages its viewers to embrace life, no matter how difficult or frightening the situation.  It’s a film about the dead that ultimately has a lot to say about what it means to be alive.

4 Shots From 4 Ken Russell Films: The Devils, Crimes of Passion, Gothic, The Lair of the White Worm


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using this feature to recognize and honor some of our favorite horror directors!  Today, we honor the legendary Ken Russell!

4 Shots from 4 Films

The Devils (1971, dir by Ken Russell)

Crimes of Passion (1984, dir by Ken Russell)

Gothic (1986, dir by Ken Russell)

The Lair of the White Worm (1988, dir by Ken Russell)

 

 

Horror Film Review: Host (dir by Rob Savage)


Host tells the story of the Zoom meeting from Hell.

Actually, that description is a case of me being a bit too glib.  Though this hour-long film, which can currently be viewed on Shudder, has received a lot of attention for its Zoom call format, there’s a good deal more going on in Host.  It’s the first film of the COVID-19 era and, when this era finally ends, it’s a film that will remind viewers of what it was like to be locked down and afraid that, even behind closed door and with a mask ready to go, there was truly no escape from the virus.

Host is a British film about six friends, one psychic medium, and one very destructive spirit.  Locked down due to COVID, the friends have weekly Zoom meetings.  Some of them drink wine during the meetings.  One of them smokes a good deal of weed.  The important thing that they’re staying in contact and not allowing the separation to drive them apart.  As so many others have done over the course of 2020, they’ve tried to find some sort of normalcy in a situation that is anything but.  Even though the viewer only spends an hour with these characters, it’s impossible not to relate to what they’re going through.

For this week’s meeting, a medium named Seylan (Seylan Baxter) had been hired to lead the friends in an online séance.  Everyone has a different reaction to Seylan, which I liked.  Jemma (Jemma Moore) seems to be struggling not to laugh as Seylan tells everyone to light their candles.  (I related to Jemma, as I probably would have had the same reaction.)  Emma (Emma Louise Webb) and Caroline (Caroline Ward) are both obviously taking the séance a bit more seriously and are concerned about what will happen when they contact the other side.  Haley (Haley Bishop) tries to keep the group focused while Radina (Radina Drandova) and Teddy (Edward Linard) deal with interruptions from their significant others.

Well, needless to say, the séance doesn’t exactly lead to the best of results.  That doesn’t count as a spoiler because first off, this film is on Shudder and secondly, since when has it ever been a good idea to try to contact the dead?  If there’s anything that I’ve learned from the movies, it’s that the dead are extremely touchy and prone to violence.

Host makes great use of its format.  Every time someone drops out of the meeting, we’re left to wonder if they’ve just temporarily lost their connection or if they’ve been attacked by something from beyond.  When we watch the interaction between the six friends — who feel like a group of real friends, though I don’t know how well everyone knew each other before production began — we find ourselves constantly looking over everyone’s shoulder, searching for any sign of an unexpected presence.  Sometimes, we think we see something just to then discover that it was just our overactive imagination.  Sometimes, we think we something and …. well, we actually do.

Host works because it’s a horror film to which everyone can relate.  It gets to a truth that gets beyond the usual horror movie mechanics.  There’s an interesting scene where one of the zoom participants is forced to flee from her flat.  Even with an evil presence chasing her, she still makes sure to mask up before leaving.  If it’s not the demons waiting to get you while you’re in quarantine, it’s the COVID waiting to get you as soon as you exit.  The greatest fear that many people have had over the past few months is that, even if you isolate and wear your mask and stay inside, the disease is still going to somehow get you.  Much like a demon from the other side, the coronavirus can’t be seen but it could be anywhere.  The evil spirit in Host is not named COVID but it might as well be.

Horror on the Lens: Bloodlust! (dir by Ralph Booker)


In this 1961 version of The Most Dangerous Game, two vacationing couples find themselves trapped on a tropical island and hunted by the insane Dr. Albert Balleau (Wilton Graf).  Dr. Balleau loves to hunt people.  Why, you could even say that Dr. Balleau has a …. BLOODLUST!

Anyway, this is an undeniably low-budget film and it’s kind of silly but that’s actually what makes it watchable.  There’s a thousand different versions of The Most Dangerous Game out there but this is the only one to feature Robert Reed, the dad from The Brady Bunch, being hunted through the jungle.  If you’re like me and you think that Mike Brady was an authoritarian fascist, this film is for you.

Enjoy!

Horror on TV: Baywatch Nights 2.3 “The Rig” (dir by Jon Cassar)


On tonight’s episode of Baywatch Nights, David Hasselhoff and Angie Harmon investigate yet another sea monster.

Let’s see.  The first episode of Baywatch Night featured a sea monster.  And then the 2nd episode featured a killer mermaid.  And then this episode features yet another monster living in the sea.  Could it be that after just 3 episodes, the writers of Baywatch Nights were running out of ideas?  Fortunately, later episodes would involve various land monsters.

That said, I do find the green blob to be kind of creepy.  In general, blobs are just scary.

Enjoy!

The TSL’s Horror Grindhouse: Die Cheerleader Die! (dir by Jerry Patterson)


Hey, what do you think this film is about?

Die Cheerleader Die! is a film that was first released in 2008. It’s an independent film out of Chicago and it’s about cheerleaders. It’s also about someone who is murdering all of the cheerleaders at a …. well, I’m not sure if they were supposed to be in high school or college. All of the cheerleaders appeared to be grad student age but all the classrooms looked like they belonged in a high school.

Anyway, Tiffany (Inga Draper) is in charge of the cheerleading squad at this high school or college and she basically runs it like a dictator. She tells everyone what they can and cannot do. For instance, she orders Robin (Maria Perez) to starve herself, even though Robin is not overweight at all. Robin finds herself being tempted away from the cheerleaders by a group of body acceptance activists who are referred to as being “Pretty Intelligent Girls” or …. well, you can figure out the acronym for yourself. When cheerleaders start to turn up dead, the Pretty Intelligent Girls are the number one suspects but could it be someone else?

Who knows? This film is a difficult one to sit through, largely because it was shot on video with amateur actors, fluorescent lighting, and natural sound. That’s another way of saying that Die Cheerleader Die is essentially a 90-minute YouTube video and it’s perhaps appropriate that that’s where I saw it. There’s no suspense, the kills aren’t particularly interesting, and the whole thing just gets kinda boring pretty quickly.  As I always do whenever watching a horror film about cheerleaders, I forced my sister to watch it with me so that I could get her thoughts on whether or not the film accurately captured the high school cheerleader experience.  Erin abandoned the film after about seven minutes but I stuck with it because I though it might turn out to be a Coen Brothers-style commentary on high school films.  It wasn’t.

But, I don’t like being totally negative in any review so I am going to point out two good things. Number one, Inga Draper gave a pretty good performance as Tiffany. She was like every aspiring dictator that you ever knew in high school. Secondly, regardless of whether the film is any good or not, you can’t deny that it actually got made. The filmmakers may have made some poor production choices but they still got their film made and, 11 years later, it’s still being watched and reviewed. That’s more than most people who have, at some point, said, “I’m going to make a movie!” have accomplished.

Finally, cheerleaders always seem to be at a disadvantage in horror movies. I’ve always found that pretty strange because most of the cheerleaders that I’ve known were tough-as-nails athletes who, because they were constantly having to deal with snarky comments and pervy flirtation, knew how to take care of themselves. In a real life horror movie, the cheerleaders would probably be the only ones to survive.

Trust me, when the apocalypse hits and the world is burning all around you, you’re going to be looking to the cheerleaders to not only keep up your spirits but save the world as well.

Game Review: The Sock Puppet Killer (2019, Jason Cantalini)


In this diabolically clever work of interactive fiction, the narrator needs you to track down the Sock Puppet Killer!

Who is the Sock Puppet Killer?  A killer who kills sock puppets, of course!  And why are you the only one who can stop him?  Because that narrator says that you’re former Chief Inspector Caine Slade, the brilliant detective who has been a pathetic drunk ever since the tragic death of your family!

You can tell the narrator that you’re not interested in catching the Sock Puppet Killer.  You can say that you won’t even “do it for the children!”  (Yes, that is an option.)  You can say that you have no memory of ever being Caine Slade.  You can tell the narrator, in detail, why his story doesn’t make any sense.  But eventually, you’re going to end up in a bar, approaching a beautiful woman who you’ve been told is the Sock Puppet Killer.

This is one weird game and winning it going to require more than one try.  Fully understanding everything that is happening is going to take probably a dozen tries.  There are a variety of different decisions to be made throughout the game.  Make the wrong decision and you’ll end up dead.  Make the right decision and you very well could still end up dead.  The best piece of advice that I can give you (without spoiling the game, of course) is to avoid pissing off the narrator.  At one point, I very adamantly told him that I wasn’t going to approach the Sock Puppet Killer and I suddenly found myself drowning in the ocean.  It’s accepted in almost all Interactive Fiction games that the narrator is basically God but The Sock Puppet Killer is remarkable for featuring an easily angered and very vengeful God.

The Sock Puppet Killer is well-written and often loud out loud hilarious.  It’s not an easy game but that just makes it all the more rewarding if you manage to get through the entire thing without dying.

The game can be played by clicking here.