Today’s horror song of the day comes from Dario Argento’s Deep Red!
Deep Red features the first collaboration between Argento and Goblin and the score remains a classic and one that I listen to every October.
Here’s Goblin performing Profondo Rosso on Italian television in 1975.
This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we start the savage 70s!
4 Shots From 4 Horror Films
The Shiver of the Vampires (1970, dir by Jean Rollin)
The Abominable Dr. Phibes (1971, dir by Robert Fuest)
The Last House On The Left (1972, dir by Wes Craven)
The Exorcist (1973, dir by William Friedkin)
For today’s horror on the lens, we have 1958’s The Brain Eaters!
In this noir-influenced tale of science fiction horror, a con-shaped ship crashes near a small town. Soon, the residents of the town are vanishing, just to return as mind-controlled zombies! This one clocks in at 61 minutes and it’s an enjoyable little B-movie. Like many films from the 50s, the main message seems to be that you should never totally trust anyone. They could be a communist. They could be an alien. They could be a Brain Eater!
Keep an eye out for Leonard Nimoy in an early role. Or actually, it might be better to keep an ear open. Nimoy isn’t easy to spot but you’ll recognize his voice towards the end of the film.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? In Fear!
If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
The film is available on Tubi!
by Rudolph Zirm
What big teeth you have! This cover is about as scary as you can get.
The music video for Quiet Riot’s The Wild and The Young takes place in a future that’s controlled by the military and the Parents Resource Music Center (PRMC), the Tipper Gore-led organization that campaigned for albums and CDs to come with warning labels. There were actually Senate hearings on obscene lyrics in 1985, with everyone from Dee Snider to Frank Zappa coming together to make the elected officials look stupid.
Director Jeff Stein has directed several TV shows, along with doing videos for The Who, Weezer, Tom Petty and the Heartbreakers, George Clinton, Cinderella, Warrant, and Wilson Phillips.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
This week …. oh, who knows?
Episode 1.12 “Deadline”
(Dir by Michael Lange, originally aired on January 29th, 1989)
This week’s first story is about Peter (Aaron Harnick), whose father owns the local Springwood paper and who is given a job for the summer. He’s assigned to write the obits so that he can hang out around the newspaper office and learn from the veteran writers. Peter would rather be in Europe. That’s especially true when he starts to visualize the obits that he’s writing and somehow comes to realize that he’ll die unless he meets his deadline.
This story was the epitome of a good premise that was sloppily executed. Peter hates writing obits but if he doesn’t write the obits, he’ll die in the same way as the person that he’s writing about. He has visions. He has dreams. Unfortunately, both his boss and his girlfriend tell him to stop working on his current obit and to get some rest. But if Peter stop writing, he’ll die! Uhmm …. how long does it take to type up an obituary? I mean, doesn’t he just have to type up whatever dead person’s loved ones sent to the paper?
There’s a clever moment where Peter deletes an old article about Freddy Krueger from the newspaper’s computer system. The episode implies that maybe Peter’s visions are in some way Freddy’s revenge but, as was so often the case with this show, it doesn’t really do much to explore the idea.
The first story ends with Peter dead. The episode’s second story deals with Emily (Page Hannah), a friend of Peter’s girlfriend. Emily has been dating an older college student (Timothy Brantley) and she continually has dreams where her friends — including Peter’s girlfriend — get mad at her for not spending more time with her. In her dreams, her friends all die in a car accident. At the end of the story, it turns out that Emily was just daydreaming. Seriously, that’s the entire story.
What a terrible episode. I usually try to be positive about even the lesser episodes but I have to admit that I’m kind of ticked off that I wasted 50 minutes watching this week’s episode of Freddy’s Nightmares. It felt as the show’s writers didn’t even try this week. Instead, they just came up with some weird scenes and then dismissed them by shrugging and saying, “Hey, it was all a dream. Nothing means anything!”
This episode was just lazy.
Tonight, I’ve decided to share a bonus hour of televised horror. Tonight, we present to you an episode of Baywatch Nights that originally aired on February 9th, 1997. In this one, two 900 year-old Vikings are causing chaos in Los Angeles! Who can stop them?
David Hasselhoff, of course!
(You can read my review of this beautifully odd episode here. Valhalla!)
Oh no! Halloween might be canceled because people just aren’t scared of the old monsters! Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum. Be more scary! It turns out to be easier said than done.
This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel. It’s a cute show. It might seem a little bit corny today but that’s a large part of its appeal. It’s a reminder of a more innocent time.
Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.
In 1958’s Giant From The Unknown, something strange is happening in a California mountain town. Animals are being killed. Property is being destroyed. People are being murdered.
Sheriff Parker (Bob Steele) suspects that the murderer might be Dr. Frederick Cleveland (Morris Ankrum), mostly because Dr. Cleveland spends a lot of time in the mountains looking at fossils with his daughter, Janet (Sally Fraser). When a younger scientist named Wayne (Ed Kemmer) shows up to help Dr. Cleveland out with his research, Sheriff Parker is even more suspicious. Meanwhile, the local citizenry suspects that it might be a member of the local Native American community.
It turns out that everyone’s wrong!
The murderer is a formerly dead conquistador (Buddy Baer), who was brought back to life by a bolt of lightning and who is now wandering around the mountains and killing people. The conquistador walks around in his full conquistador uniform, which is in pretty good shape when you consider the fact that he’s been dead for over two hundred years, maybe longer.
The odd thing about the conquistador is that he’s regularly described as being a giant, even though he’s clearly not. I mean, he’s tall. He appears like he might be 6’5. That makes him taller than the average person but shorter than the average professional basketball player. The filmmakers regularly attempt to shoot him from a lower angle in order to make him look taller but there’s nothing that can be done to disguise the fact that he’s just a 6’5 guy wearing what appears to be a fake beard and mustache. If anything, he looks like the frozen-faced Burger KIng mascot. Maybe he would stop killing people if the sheriff would just order a cheeseburger and fries. I mean, seriously, his whole rampage could have been avoided.
The title is also incorrect about the giant being from the unknown. He’s very obviously from Spain. All one has to do is look at his uniform. I think the unknown element of this film is how the conquistador has spent centuries underground without losing any skin. For someone who has been dead for as long as this conquistador was, his hair is very clean and well-groomed. Watching this film, it’s hard not to feel that Dr. Cleveland should have spent some time researching conquistador embalming techniques because whoever preserved the “giant” did a very good job! Everyone should be so lucky to look that good for being dead for that long.
Giant From The Unknown attempts to do the usual thing where the monster falls for the only woman in the entire film. (Indeed, it was hard not to notice that town’s population seemed to be 99% male.) Unfortunately, the giant was a pretty silly monster so it was difficult to get wrapped up in his emotional journey. There are some monsters that you feel sorry for and there are other monsters that you just wish would go away. The giant is a monster who probably had a lot of good haircare tips and who could have probably helped out the entire town …. if only they had been willing to listen!
Through the Shattered Lens 