Tag Archives: Horror

Live Tweet Alert: Watch The Texas Chainsaw Massacre Part 2 with #ScarySocial

Posted on by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1986’s The Texas Chainsaw Massacre Part 2!

That’s right!  It’s Tobe Hooper’s classic sequel to his classic horror film!  It’s Dennis Hopper vs. Leatherface!  It’s Caroline Williams vs Chop Top!  It’ll make you laugh.  It’ll make you scream.  And the ending …. well, the ending always make me cry.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Live Tweet Alert: Watch Shaun of the Dead with #ScarySocial

Posted on by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, @TimBuntley will be hosting 2004’s Shaun of the Dead!

That’s right!  It’s Edgar Wright’s classic zombie comedy, starring Simon Pegg, Nick Frost, and a zombiefied London!  It’ll make you laugh.  It’ll make you scream.  And the ending …. well, the ending always make me cry.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

A24 releases the trailer for X’s Prequel, Pearl

Posted on by Leonard Wilson

Anyone who watched Ti West’s X since it’s release in March were given a glance at Pearl, it’s prequel. I saw the sneak peek teaser when X was featured in A24’s Screening Room, the company’s digital showcase. I thought it was just something tacked to the end of the film, like Albert Pyun’s announcement for Tales of the Ancient Empire at the end of The Sword and The Sorcerer. I thought they were kidding.

Sure enough, here we are.

Pearl takes place years before the events of X, where we get to find out how things progressed to where they ended up. Mia Goth (Luca Guadagnino’s Suspiria) returns for this tale, and I’m a little curious to see what they come up with here.

Pearl is set to release this September.

The TSL’s Grindhouse: The Incredible Melting Man (dir by William Sachs)

Posted on by Lisa Marie Bowman

What goes up must come down
What goes ’round must come ’round
What’s been lost must be found

As the song says, what goes up must go down.  The 1977 film, The Incredible Melting Man, is about a man who went up and then came back down and …. AGCK!  What a mess!

The Incredible Melting Man opens with the launch of the first manned spaceflight to Saturn.  That’s right, Saturn.  The film takes place in the 70s, when mankind was still lucky to just be able to make it to the Moon and back.  But somehow, this rocket and its three passengers are going to fly all the way to Saturn, land, and then return to Earth.  And speaking of landing, how exactly do you land on a planet that doesn’t have a solid surface?  And, even more importantly, why do all of the shots of Saturn look like the sun?  How come there aren’t any rings?  WHAT IS GOING ON!?  Could it be that the rocket went off track and went to the sun instead?  It’s possible, I suppose.  Mistakes cannot be avoided, much like a spinning wheel turning around.

Anyway, the rocket eventually returns from Saturn or the sun or wherever it went.  Unfortunately, most of the crew is dead.  The only survivor is Steve West (played by Alex Rebar).  Apparently, West was so physically strong that he was able to survive whatever killed the other astronauts.  Unfortunately, West was still infected with Saturn microbes and now he’s slowly melting.  Steve doesn’t react well to that news so he escapes from the hospital and goes on a poorly-defined rampage.  He kills a nurse.  He rips the head off a fisherman.  He kills two old people who were trying to steal oranges.  Steve loses an eye.  His arm falls off.  He leaves behind a trail a radioactive goo.  Apparently, Steve has to consume human flesh to slow down the melting process but make no mistake, there’s no way he’s not going to end a puddle of goo.

Steve’s friend, Dr. Ted Nelson (Burr DeBenning), decides to try to track down Steve so that he can get Steve to stop eating people and just melt away in peace.  Ted can’t even tell the local authorities what he’s doing because that information is classified and Ted’s boss is like a total jerk.  Ted does tell his wife, Judy (Anne Sweeny).  Judy and Ted then get into an argument because Judy forgot to buy crackers the last time she went to the grocery store.  Some may scoff that the lengthy and not very relevant cracker discussion was included just to pad this film’s running time but I think it adds a level of reality to the proceedings.  People like crackers, even when they’re looking for a friend who is melting.

Anyway, The Incredible Melting Man is a weird little movie but I always kind of enjoy it.  As played by Burr DeBenning, Dr. Ted Nelson is one of the least likable heroes to ever show up in a movie.  He always seems to be annoyed about everything.  Even when Steve West is killing people, Ted mostly just seems to be annoyed by the fact that he’s having to go outside to deal with it.  Fortunately, Ted’s unlikability makes it fun to watch as absolutely nothing goes right for him over the course of the film.  Ted is beyond surly and Steve is beyond melty.  As bad as most of the dialogue and the acting may be, the melting man makeup is actually really effective and Alex Rebar does about as good a job as anyone cast as a melting man could.  Let’s give this one two and a half star and wonder how many people in 1977 saw it on a double bill with Saturday Night Fever.

Happy Friday the 13th From The Shattered Lens

Posted on by Lisa Marie Bowman

Happy Friday the 13th, y’all!

Usually, I am inevitably seem to end up spending Friday the 13th up at the Lake, sitting out on the deck of the lake house and suspiciously looking over at the nearby woods for movement.  This week, however, I’m spending Friday the 13th at home so I should be safe!

(For the record, the Lake is next week.)

Anyway, everyone knows that Tuesday the 13th is a far more dangerous day than Friday the 13th but, for whatever reason, Friday the 13th is what gets all the attention.  In fact, I’ve written several posts all about Friday the 13th.  Here they are, for your reading enjoyment:

Friday the 13th

Friday the 13th Part 2

Friday the 13th Part 3

Friday The 13th: The Final Chapter

Friday the 13th: A New Beginning

Friday the 13th: Jason Lives

Friday the 13th Part VII: A New Blood

Friday the 13th Part VIII: Jason Takes Manhattan

Jason Goes To Hell: The Final Friday

Jason X

Freddy vs Jason

Friday the 13th: The Pointless Remake

12 Thing You May Not Have Known About Friday the 13th

My review of Camp Crystal Lake Memories!

Anyway, have a good Friday the 13th!  I would tell you to stay out of the woods but …. you know what?  We, as a society, need to be willing to take more chances.  So, go into the woods.  Skinny dip in the lake.  Ignore the signs that say stay out.  Make love in a deserted cabin.  Smoke weed at the deserted summer camp.  Laugh at the camp fire stories about Jason.  Strip down to your underwear and then wander around in the rain as if that’s the most sensible thing that you’ve ever done.  Yes, Jason might get you.  But you also might have a lot of fun.  It’s worth the risk.

TV Review: The Walking Dead 11.9 “No Other Way” (dir by Jon Amiel)

Posted on by Lisa Marie Bowman

Well, so much for The Reapers.

The Walking Dead‘s 11th season returned last Sunday.  As you can probably guess from the fact that it’s taken me until Friday to get around to watching and reviewing it, it didn’t exactly arrive with the type of fanfare that previously greeted every premiere of The Walking Dead.  Not to belabor a point that I’ve been making since this season began but it’s been a while since The Walking Dead was really a big deal.  It definitely had a good run, especially during the early seasons.  However, I don’t think anyone will deny that the later seasons have been frustratingly uneven.  Season 11 is the show’s last, though the future does hold the promise of Walking Dead movies and perhaps a Walking Dead anthology series.  The Walking Dead may be coming to an end but it’s definitely not dead yet.

When Season 11 started, it appeared that the majority of the episodes were going to center around the Alexandrians battling The Reapers.  I wasn’t particularly looking forward to that, as the Reapers weren’t really that interesting.  Beyond all of the babbling about religion, there wasn’t that much to separate them from The Whisperers or the Saviors.  So, as you can imagine, I was happy that this episode featured what appeared to be the nearly complete and total destruction of the Reapers.  Maggie and her group ruthlessly and systemically destroyed every Reaper that they came across, with the exception of Leah.  Gabriel killed a sniper, which leads me to wonder why Gabriel still wears his collar when its obvious that it means nothing to him.  Negan watched as Maggie killed every Reaper that she saw and he wisely decided that it was probably time for him to head off on his own before Maggie got around to killing him.  Indeed, the interesting thing about Maggie is that we really only cheer for her because we know her and we’ve been conditioned to be on her side.  She’s just as ruthless as the show’s bad guys and she uses the exact same justifications that were previously used by everyone from The Governor to Negan to Pope.  Even the fact that she’s mourning Glenn doesn’t really make her all that different from those she’s attacked.  In the world of The Walking Dead, everyone has lost someone.

(And really, it was pretty much Rick’s fault that Glenn died.)

Meanwhile, Alexandria was hit by a violent storm and a walker invasion but, as usual, everyone there managed to survive.  Afterwards. Maggie, Darryl, and the gang finally returned home.  However, also approaching Alexandria were Eugene and the Commonwealth.

The show then jumped forward 6 months.  Maggie was still in charge of Alexandria but it was impossible not to notice that Alexandria no longer looked as clean and peaceful as it once did.  Surrounding the town were the soldiers of Commonwealth.  And leading the soldiers was …. DARYL DIXON!

Now, that is an effective cliffhanger!

So, what’s going on here?  Is this yet another case of Daryl going undercover (booo!) or has Daryl truly changed sides?  I’m hoping that he actually did change sides, just because the whole undercover Daryl thing has been done to death and I think that Maggie and Darryl have a more interesting dynamic as rivals than as allies.  Given the history of the characters, it’s easy to imagine a scenario where Daryl might chafe at Maggie’s leadership style.  Or perhaps Darryl truly believes that the Commonwealth is offering up a better society than what’s going on at Alexandria.  I mean, honestly, Alexandria does require a bit of commitment on the part of its citizens.  I probably would chose not to live in Alexandria.

So, which is it?  Is Daryl a friend or a foe?  We’ll find out over the upcoming weeks!

International Film Review: Don’t Kill Me (dir by Andrea De Sica)

Posted on by Lisa Marie Bowman

Don’t Kill Me, an Italian film that is currently available on Netflix, opens with two teenagers in a car.  Robin (Rocca Fasano) is driving.  His girlfriend, Mirta (Alice Pagani), is in the passenger’s seat.  Robin is driving fast and erratically.  In fact, he nearly crashes the car more than a few times.  This is because Robin is driving with his eyes closed, forcing Mirta to shout directions at him.  It’s almost as if Robin wants Mirta to come to a violent end.

Eventually, they end up in a quarry.  Having taken a break from attempting to crash the car, Robin wants Mirta to take a drug with him.  Mirta’s never tried the drug before.  She’s nervous, even though Robin assures her that it will be a wonderful experience.  Mirta finally agrees but requests, “Please don’t kill me.”

Yeah, good luck with that.

Of course, Mirta dies.  Mirta’s body is sealed up in her family’s vault.  A few hours after the funeral, a very confused and angry Mirta smashs her way out of the vault.  Dazed, she wanders back to her old house.  She’s definitely not alive but she’s not completely dead either.  Instead, she is one of what the film calls “the Overdead.”  She’s nearly immortal.  At one point, she gets shot several times and, while it’s not a pleasant experience, it also doesn’t come anywhere close to killing her.  She still has her memories of what life was like before she died and, to judge from the other members of the Overdead who she meets, it appears that she won’t ever age.  Unfortunately, being one of the Overdead also means that if she doesn’t regularly drink the blood of the living, she’ll start to decay.  Starvation is the only way to destroy a member of the Overdead.  There’s a secret group of men who have spent centuries tracking down and starving the Overdead.  Those men are soon chasing after Mirta.

Don’t Kill Me is at its strongest during its first half, when the film skips through time and the emphasis is on atmosphere and ennui.  The scene where Mirta breaks through the crypt carries hints of Jean Rollin’s Living Dead Girl and, much like Rollin’s best films, the first half of Don’t Kill Me often focuses on both the importance and the mystery of how we recall things.  Meanwhile, the scenes of Mirta wandering through the countryside and prowling the clubs for food are reminiscent of Jess Franco’s Female Vampire.  The first half of the film feels like a tribute to the wonderful Eurohorror of the past.  Unfortunately, the film starts to lose its way once Mirta is captured by the secret society that’s trying to destroy her.  In its second half, it just becomes another film about escaping from a military base.  Don’t Kill Me is based on a YA novel and it’s obviously meant to be the first in a series of films about Mirta’s life as one of the Overdead.  As a result, the film’s ending is a bit unsatisfactory.  For all the build-up, it sputters to a “to be continued” style conclusion.

That said, there was enough that worked about Don’t Kill Me that I’m willing to forgive what didn’t work.  I may be alone in that as most of the online reactions that I’ve seen towards this film have been overwhelmingly negative.  Well, so be it.  There was enough atmosphere to keep me interested.  Alice Pagani gave a pretty good and sympathetic performance as the conflicted Mirta and Fabrizio Ferracane, as the man determined to capture and starve her, was enjoyably villainous.  Don’t Kill Me may not be for everyone but it worked for me.

TV Review: Fear the Walking Dead 7.3 “Cindy Hawkins” (dir by Ron Underwood)

Posted on by Lisa Marie Bowman

I finally watched the latest episode of Fear the Walking Dead earlier today and, believe it or not, I’ve actually come to like this show.

Considering that I originally stopped watching Fear the Walking Dead because I got bored with it during its first season, I’m as surprised as anyone to realize that the seventh season of Fear The Walking Dead has won me over.  But what can I say?  The first three episodes of the show’s final season have been so weird that it’s been impossible not to enjoy them.  Everything, from the radiation-scarred landscape to Colman Domingo’s wonderfully odd performance as Strand, has come together to make this show a rather lively look at a world dominated by the walking dead.  It also helps, of course, that most of the boring characters from season one are no longer on the show.  AMC figured out that audiences didn’t care about an emergency room doctor and her drug addict son.  They cared about Morgan and nuclear fallout.

Morgan showed up during the final minutes of the latest episode of Fear the Walking Dead, just long enough to discover that two of his allies had been, depending on how you look at it, either rescued or abducted by Strand.  He and Strand had a little argument over the radio.  Strand says that he’s going to remake the world, something that Morgan could never figure out how to do.  Morgan and Strand both appear to be batshit insane, which is what made the scene so compelling.  Would you want to live in a world created by either of them?

The majority of the episode revolved around John Dorie (Keith Carradine) and his daughter-in-law, June (Jenna Elfman), living in an underground bunker.  (Before I go any further, I should mention that is the first season of Fear the Walking Dead that I’ve regularly watched since the first one.  So, if I misinterpret anything that was established in a previous season, feel free to correct me in the comments but be kind about it.)  The bunker was formerly the lair of Teddy, who I assume was a serial killer who John pursued and framed during his previous life as a cop.  With June insisting that it was too dangerous to leave the bunker and John suffering from DTS, John became very interested in a hidden room that he and June discovered in the bunker.  The room was where Teddy used to embalm his victims and John soon found himself having conversations with the spirit of one of his victims, Cindy Hawkins.  Cindy’s body was never recovered and John became obsessed with finding it.  Apparently, he made a promise to Cindy’s mother,  The fact that Cindy’s mother was probably dead either as a result of zombies or radiation did not seem to matter with John.

The show left it ambiguous as to whether or not Cindy’s spirit was real or just a product of John’s delirious state.  But ultimately, it didn’t matter whether or not Cindy’s spirit was real.  Cindy was a symbol.  Finding Cindy’s body would bring John some sort of peace.  It would be a sign that there was still a place for men like John in the world of the walking dead.  Keith Carradine did a great job of portraying John’s torment and his single-minded determination to find some shred of hope, even while trapped in a combination of a zombie and a nuclear apocalypse.

It was a good episode, full of enjoyably weird imagery and distinguished by fine performance from both Keith Carradine and Jenna Elfman.  Both John and June ended the episode as guests of Strand.  Hopefully, they’ll both survive.  It’d be a shame for either one of them to exit the season early.

AMV of the Day: Monster (Various)

Posted on by Lisa Marie Bowman

And with Halloween and the annual horrorthon nearly completed, how about one last AMV for the month of October?

Anime: Another, Re:Zero kara Hajimeru Isekai Seikatsu, Tokyo Ghoul, School Days, Ib Witch House and Mad Father, Shiki, Elfen Lied, Hell Girl. Umineko No Naku Koro Ni, Corpse Party, Happy Sugar Life, Gakkou Gurashi ,Higurashi No Naku Koro Ni, The Promised Neverland, Mononoke

Song: Monster (Meg and Dia)

Creator: グリッチュ

(As always, please consider subscribing to this creator’s YouTube channel!)

Past AMVs of the Day