The Eric Roberts Collection: Joker’s Poltergeist (dir by Christopher S. Lind)


In 2020’s Joker’s Poltergeist (also known as Joker’s Wild), Eric Roberts plays James Jennings.  Jennings was a part-owner of the Palace Theater Chain until his partner, Rand Place (Martin Kove), forced him out and gave the business to his daughter, Aurora Place (Lacie Marie Meyer).  After apparently filming himself discussing how he is going to be starting a movement and how no one is ever going to forget him, James dresses up like a clown, goes down to the theater, and guns down the audience of a film called Joker’s Wild.  He also kills Rand before being shot himself by another theatergoer, William Remmington (Ari Boyland).

Clips of James’s final message are shown throughout Joker’s Poltergeist but we never actually see Roberts interacting with the rest of the cast.  (When James starts shooting people at the theater, he does so under a mask that he never removes and the end credits indicate that an actor other than Roberts played James in those scenes.)  This is obviously one of those films where Roberts filmed his scenes over the course of an hour or two, probably in his own office.  He certainly wasn’t on the set.  The same can be said of Martin Kove, who only appears as a part of a video message that Rand taped for Aurora before the shooting.  For that matter, Dustin Diamond appears for a few brief seconds and again, only as a part of a filmed message that Aurora watches.

Instead, the majority of the film takes place a year after the shooting.  Aurora is fighting to not only re-open her theater but to also keep concealed carry legal in her state.  She is now dating William and is a part of a support group made up of other survivors of the massacre.  From the moment Aurora reenters the old theater, she starts to have strange visions of killer clowns, demonic doctors, and sleazy politicians.  “You shouldn’t like guns….” the evil doctors chant at her.  At one point, she and her friends are trapped in the theater and being taunted by the spirits of the dead and, at another point, Aurora is suddenly in a hospital and being menaced by killer nurses.  Aurora struggles to figure out what is real and what is a dream, with the film suggesting that theater itself has become a separate dimension that is populated by James’s victims.  At its best, the film plays out like an unsettling nightmare, the type that doesn’t necessarily cause you to wake up screaming but which still remains fresh in your mind throughout the day.

On the one hand, the film is obviously based on the 2012 Dark Knight Rises shooting that it feels more than a little distasteful.  On the other hand, the film is intriguingly surreal and Lacie Marie Meyer gives a really good performance as Aurora.  (Yes, it would appear that she was named after Aurora, Colorado, which is one reason why the film feels so distasteful even though it has a handful of effective moments.)  The film does attempt to say something about guns, with Aurora being a proponent of the 2nd amendment and the gun-grabbing mayor and his wife being behind the efforts to tear down the theater.  It’s hard to really say which side the film comes down on, though I think it’s ultimately more pro-gun control than anything else.  That said, the film’s portrayal of the mayor and his wife as being vapid politicians who want to keep their own guns while taking away everyone else’s felt true to life.

Joker’s Poltergeist is ultimately a bit too icky and exploitive to really work but it still has its moments.  It’s a movie that keeps you guessing, if nothing else.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Doctor Who (1996)
  9. Most Wanted (1997)
  10. Mr. Brightside (2004)
  11. Six: The Mark Unleased (2004)
  12. Hey You (2006)
  13. In The Blink of an Eye (2009)
  14. The Expendables (2010) 
  15. Sharktopus (2010)
  16. Deadline (2012)
  17. Miss Atomic Bomb (2012)
  18. Lovelace (2013)
  19. Self-Storage (2013)
  20. This Is Our Time (2013)
  21. Inherent Vice (2014)
  22. Road to the Open (2014)
  23. Rumors of War (2014)
  24. A Fatal Obsession (2015)
  25. Stalked By My Doctor (2015)
  26. Stalked By My Doctor: The Return (2016)
  27. The Wrong Roommate (2016)
  28. Stalked By My Doctor: Patient’s Revenge (2018)
  29. Monster Island (2019)
  30. Seven Deadly Sins (2019)
  31. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  32. The Wrong Mommy (2019)
  33. Free Lunch Express (2020)
  34. Her Deadly Groom (2020)
  35. Top Gunner (2020)
  36. Just What The Doctor Ordered (2021)
  37. Killer Advice (2021)
  38. The Poltergeist Diaries (2021)
  39. My Dinner With Eric (2022)

Film Review: Darkest of Lies (dir by Kelly Schwarze)


Travis (Christopher Brown) is a military veteran who is struggling with both PTSD and an addiction to pills.  After some unspecified troubles in New York City, Travis and Rochelle (Hailee Lipscomb) move into a new home.  The house isn’t particularly fancy and Travis isn’t really sure who Rochelle is renting it from but it does seem like a place where they can start to rebuild their lives.  Rochelle has a job at a law firm and is excited that the house has a pool.  “I’m going to swim everyday,” she says.  Travis, meanwhile, can work on his sculptures in the basement.  Travis has a show coming up and it’s important that he get his work done.  Perhaps not surprisingly, he spends most of his time sculpting replicas of heads.  Perhaps he feels that if he can create someone else’s head, he can figure out what is going on inside of his.

From almost the moment that Travis moves into the house, he starts to feel that there is something wrong with the place.  He is haunted by nightmares of finding a body in the pool and of Rochelle calling out for help.  He has sudden bursts of rage and paranoia and he soon becomes convinced that Rochelle is cheating on him.  It doesn’t help that Rochelle’s friends from college, the materialistic Linda (Sabrina Cofield) and the douchey Tom (Michael Forsch), keep coming by the house.  Rochelle is always happy to see her friends but Travis doesn’t feel that he has much in common with either of them.  As well, it’s hard not to notice that Tom seems to be obsessed with trying to get Travis, a recovering addict, to drink wine.  With Travis convinced that Rochelle is cheating on him with almost everyone that he sees, it doesn’t take much to set him off.  Even a simple card game is not a safe activity when Travis is around.

Early on, we discover that Travis and Rochelle’s house is sitting on a street called Shining Way and I imagine that was a deliberate decision on the part of the director.  The film has much in common with Stephen King’s classic novel and the subsequent Kubrick film version.  Much like Jack Torrance, Travis struggles with addiction and the dark memories of the past.  Jack Torrance tried to escape his demons through writing while Travis tries hold them at bay with his sculpting.  Much like Jack, Travis has to deal with people who seem to be intent on forcing him to drink despite the fact that they know that Travis has issues with substance abuse.  The viewer is left to wonder whether it’s the house that’s driving Travis mad or if Travis was always mad and the house just provided him with an excuse to embrace that madness.

It’s a deliberately paced film, one that occasionally feels a bit too slow for its own good.  The movie has a nearly 2-hour running time and it’s hard not to feel that some of the nights with Tom and Linda could have been trimmed down a bit.  That said, the overall film did hold my interest (which is no small accomplishment when you consider just how short my attention span actually is) and the film created a suitably ominous atmosphere of growing dread.  Travis, bearing both the physical and mental scars of his service, become a symbol of the damage that the horrors of war and addiction can do to both the individual and to society as whole.  Darkest of Lies is currently streaming on Tubi.

Live Tweet Alert: Watch The Odds with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2018’s The Odds!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Film Review: M3GAN (dir by Gerald Johnstone)


Gemma (Allison Williams) is a roboticist who works for America’s most successful Seattle-based toy company, Funki.  Funki is the company behind the Purrpetual Pets, the really annoying Furby rip-offs that every child wants to have.  Gemma has developed a child-sized humanoid robot that she calls M3GAN.  She thinks that it could be the new big toy but her boss, David (Ronny Chieng), disagrees.  David says to stick with what works and develop a new Purrpetual Pet.

While Gemma is trying not to lose her job, she also has to deal with a new arrival in her home.  Following the tragic deaths of her parents and the destruction of her Purrpetual Pet, Gemma’s eight year-old niece moves in with her.  From the minute that Cady (Violet McGraw) shows up, things are awkward.  Gemma is more comfortable dealing with technology than with other humans.  When Cady attempts to play with a toy on Gemma’s bookshelf, Gemma quickly explains that it’s not a toy.  “It’s a collectible.”  In fact, it’s not until Gemma introduces Cady to M3GAN (played by Amie Donald with Jenna Davis providing her voice) that Cady finally starts to become comfortable in her new home.  M3GAN is the friend, older sister, and maternal figure that Cady is desperately looking for.  And even though Gemma knows that M3GAN is still being developed and could possibly malfunction, Gemma is kind of happy that Cady finally has someone other than Gemma to look after her.

And, of course, M3Gan is happy too.  M3GAN proves to not only be a quick learner but she also takes her duty to look after Cady very seriously.  When the neighbor’s dog bites Cady, the dog vanishes shortly afterward.  When the neighbor suggests that either Cady or Gemma had something to do with the dog’s disappearance, the neighbor ends up getting attacked in her garage.  When a bully tries to push Cady around before then attacking M3GAN, M3GAN reacts by ripping off his ear.  It may seem like it’s good to have M3GAN on your side but what about when M3GAN decides that Gemma isn’t doing a good enough job raising Cady?  What about when M3GAN herself starts to suspect that Cady needs to be disciplined?

M3GAN came out in January and it was, to the surprise of many, the first big critical and commercial success of 2023.  Some of that, of course, is because there really wasn’t much competition back in January.  Audiences that didn’t want to rewatch the Avatar or Black Panther sequels really didn’t have many other options other than M3GAN and Plane.

That said, M3GAN is an undeniably effective mix of satire and horror.  It works precisely because it captures what we all secretly fear, that AI is eventually going to kill us.  M3GAN may look adorable and she gets to show off some pretty good dance moves towards the end of the film but she’ll kill anyone who gets on her nerves and, as both Gemma and Cady find out, it’s pretty much impossible to turn her off.  It’s not just that M3GAN replaces Gemma as Cady’s primary caregiver.  It’s that the viewer knows that it’s totally possible that there’s an army of M3GANs out there, waiting to replace all of us.  At this point, I wouldn’t be surprised if, in the future, at least 50% of the reviewers over on Rotten Tomatoes will actually be advanced AIs, programmed to overpraise studio productions while only giving negative reviews to films that don’t necessarily need good reviews to sell tickets.

M3GAN works as both a satire and a horror flick.  The movie opens with a macabre  Purrpetual Pet commercial that’s cringey specifically because it feels so accurate.  As brought to life by Amie Donald and Jenna Davis, M3GAN is a wonderfully creepy character who is occasionally made sympathetic by the fact that, much like HAL in 2001 and the robots in Creation of the Humanoids, M3GAN seems to have more genuine feelings than the humans around her.  Indeed, with the exception of Violet McGraw’s Cady, there are no sympathetic human characters.  Gemma, for instance, is a very familiar type, someone who knows how to write code but who has no idea how to relate to anyone on an actual emotional level.  In many ways, her relationship with Cady is just as a manipulative and destructive as M3GAN’s.

M3GAN is a strong movie up until the final 20 minutes, when M3GAN suddenly starts to target people who she really doesn’t have any reason to go after.  But, overall, it’s an effective look at the future that we may have waiting for us.

Live Tweet Alert: Watch Garden of the Dead with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1972’s Garden of the Dead!  What happens when a bunch of deceased prisoners come back to life?  

 

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

 

Live Tweet Alert: Watch Breakdown with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 1997’s Breakdown, starring Kurt Russell, Kathleen Quinlan, and J.T. Walsh!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

 

Live Tweet Alert: Watch The Burning with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Burning!

It looks like a red hot classic to me!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

And don’t watch alone!

Live Tweet Alert: Watch Event Horizon with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 1997’s Event Horizon!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Retro Television Reviews: The Screaming Woman (dir by Jack Smight)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Screaming Woman!  It  can be viewed on YouTube!

In this made-for-tv movie from 1972, the great Olivia de Havilland plays Laura Wynant. Laura is a wealthy woman who has just been released from a mental institution. She goes to her country estate to recuperate but, as soon as she arrives, she starts to hear a woman’s voice in the back yard.

“help me …. help me….” the voice cries.

Laura looks around and she soon realizes that the voice is coming from the ground! A woman has been buried alive in the backyard and will soon die if not rescued! At first Laura tries to dig up the woman on her own but her hands are crippled by arthritis. An attempt to get a neighborhood child to help her dig just leads to Laura being confined to her home, under doctor’s orders. No matter how much Laura tries to get the people around her to listen for the sound of the woman crying for help, everyone just assume that Laura must be imagining things.

Further complicating things is the fact that the person who put the woman in the ground is still out there. And, when he discovers that Laura has been hearing voices, he decides that maybe he needs to do something about both Laura and the screaming woman….

The Screaming Woman is an effective psychological thriller and, considering that it was made for early 70s network television, surprisingly suspenseful. If the film were remade today, I imagine it would try to keep us guessing as to whether or not Laura was hearing an actual woman or if it was all in her mind.  However, by revealing early on that Laura actually is hearing what she thinks she’s hearing, The Screaming Woman puts us right into Laura’s shoes and we share her frustration as she desperately tries to get someone — anyone — to take her seriously. It helps that Laura is played by Olivia de Havilland, who gives a very sympathetic and believable performance. De Havilland, who started her career appearing in Errol Flynn movies back in the 30s and who most famously played Melanie in Gone With The Wind, was one of the longest-lived stars of Hollywood’s Golden Age, living to the age of 104 and winning two Academy Awards for Best Actress.

The film is based on a short story by Ray Bradbury. In the story, it’s a little girl — as opposed to an old woman — who hears the voice. I haven’t read the short story so I don’t know how else it compares to this adaptation but, as a film, The Screaming Woman is an entertaining and creepy thriller and, when viewed today, it serves as a reminder of what a good actress Olivia De Havilland truly was.  She takes a simple thriller and turns it into a meditation on aging and the one person’s determination to do the right thing even when the entire world seems to be against her.

Live Tweet Alert: Watch Creature From Black Lake with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1976’s Creature From Black Lake!

It looks like a classic to me!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

And don’t watch alone!