The Covers of Imagination


From 1951 through 1958, Imagination magazine brought stories of science fiction and horror to eager readers.  Among the writers who appeared in Imagination were Philip K. Dick, Robert Heinlien, Robert Sheckley, and John Wyndham.  Today, the magazine is well-remembered for its exciting covers, which were done by some of the best artists working in the pulps.  You can’t have art without Imagination.

Below is a sampling of The Covers of Imagination: Stories of Science and Fantasy.

1950, October, by Hannes Bok

1951, April, by Malcolm Smith

1952, May, by Malcolm Smith

1953, January, by Harold W. McCauley

1954, June, by Malcolm Smith

1954, July, by Harold W. McCauley

1954, September, by Bill Terry

1955, June, by Harold W. McCauley

1956, February, by Lloyd Rognan

1956, December, by Lloyd Rognan

1957, December, by Malcolm Smith

The Futuristic Covers of Future Science Fiction


January, 1954. Artwork by Alex Schomburg

Future Science Fiction was a magazine that started in 1939 and was initially published until 1943.  The World War II paper shortage brought the magazine to a temporary end but, in 1950, the magazine was relaunched and ran for another ten years.  Future featured stories about aliens, different worlds, and future wars.  Writers such as Arthur C. Clarke, Isaac Asimov, Poul Anderson, and Philip K. Dick appeared in the magazine.  Today, though, the magazine is best remembered for covers that brought a distinct pulp sensibility to the science fiction genre.

Here are just a few of the covers of Future Science Fiction.

March, 1939. Artwork by Frank R. Paul

August, 1942. Artwork by John Forte, Jr.

October, 1942. Cover by Hannes Bok

August, 1950. Artwork by Earle Bergey

October, 1950. Artwork by Leo Morey

March, 1951. Artwork by Milton Luros

1952, September. Artwork by Peter Poulton

1954, March. Artwork by Alex Schomburg

Summer, 1957. Artwork by Frank Kelly Freas

February, 1959. Artwork by Edmund Emshwiller

June, 1959. Artwork by Virgil Finlay

February, 1960. Artwork by Paul Orban

The Stirring Covers of Stirring Science Stories


Stirring Science Stories was one of the many adventure and science fiction-themed pulp magazines to be published in the 40s.  Among those who contributed stories to Stirring Science Stories were Frederik Pohl, Cyril Kornbluth, Robert W. Lowndes, and Donald Wollheim.  Unfortunately, the stories did not stir readers and the magazine only ran for four issues, from February 0f 1941 to March of 1942.  Though the magazine did not last for long, it’s remembered for its four distinctive covers.

To me, it appears that the covers got progressively darker as the series continued.  Take a look at them below and see if you agree.

by Leo Morey

by Hannes Bok

by Hannes Bok

by Hannes Bok

Cast A Spell With The Witches Of The Pulp Era


Artist Unknown

Witches were a popular subject during the pulp era, starring in stories and appearing on covers.  Sometimes, they were riding broomsticks and other times, they were just casting spells.  Whatever they were doing, they were always ready to work their magic on readers.

Today, it’s time to pay tribute to some of the witches of the pulp era!

Artist Unknown

by Earle Bergey

by Hannes Bok

by Jack Thurston

by Margaret Brundage

by Rudolph Belarski

by Tommy Shoemaker

Unknown Artist

Artist Profile: Hannes Bok (1914 — 1964)


The artist known as Hannes Bok was born Wayne Woodward in Kansas City, Missouri.  His early childhood was fraught with turmoil.  His younger sister died with he was only four years old.  His mother had a nervous breakdown and was committed to an asylum.  With the family in desperate need of money, Wayne’s older brother, Irving, was sent away to a “work house” where the 9 year-old Irving was taught to do housework.  Meanwhile, Wayne’s parents divorced and his father married a much younger woman.  By the time that Wayne started high school, he was estranged from both his father and his stepmother.

As soon as Wayne graduated high school, he left home and ended up in Seattle, where he lived with his brother, Irving.  Despite having no formal training, Wayne began to send illustrations to small sci-fi magazines.  He used the named Hannes Bok, as a tribute to composed Johannes Bach.

Hannes Bok sold his first illustration to Weird Tales in 1939 and he worked continuously for them until 1954.  During that time, Bok was responsible for some of the most imaginative covers of the pulp era.  However, Bok also grew obsessed with the astrology and the occult.  He became a recluse, one whose erratic behavior alienated many of his friends and colleagues.  Poverty-stricken, Bok died of a heart attack when he was only 49 years old.

His work speaks for itself: