Halloween Resurrection: ALT Title: Big Brother in Hell, but boring


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Dearest Gentle Readers, we have reached the last installment of the Halloween review series- there have been peaks and there have been subterranean valleys. Halloween Resurrection is a valley that hides under a viaduct that is peed in constantly by drunken hobos; it’s not good.  Sorry to end on a low note, but Resurrection really shit the bed. Halloween H20 was a throwback to suspense and cleverness and Resurrection is a throwback to sitting in the DMV and hoping you’ll have a cardiac event.  It is obvious to me that the writing sunk this film.  The actors in both films were pretty good.  In fact, the second film had Katee Sackhoff of BSG fame, but terrible writing can sink the greatest performances.  In this case, Halloween Resurrection had the unholy mixture of being boring and preachy.  Not a huge shocker that the person who wrote Resurrection was Larry Brand who went on to bore us by writing the script for “Girl on the Train.”  Rick Rosenthal, the Resurrection director, is very talented, but when your script is garbage, you can’t expect miracles, but you can expect a terrible movie.

We begin by learning that JLC didn’t kill her brother; It was a setup.  BLECHHH! JLC is in an asylum and MM comes in, kills her, and gives the knife to a mental patient – framing him.  I’m not writing more than that because it sucked so bad.  This opening pissed me off because it negated the better previous film and did it in a shitty way. RAGE GROWING!!! The opening sequence deserves capital punishment and then to be dug up and shot.  RAGE!

HOW I FEEL ABOUT THIS OVER LONG COLD OPEN:

rage

*Breathes into paper bag*

Busta Rhymes and Tyra Banks are making an Internet reality show.  Sarah, the heroine, is ambivalent.  Katee Sackhoff plays a fame whore.  There’s a guy from American Pie.  There’s a very attractive Ginger.  A guy who looks like Booger from Revenge of the Nerds.  A guy named Rudy.  Deckar is a 15 year old who is Sarah’s Internet Boyfriend and likely the first Internet catfish who never sees Sarah, but helps her along the way like Al in Quantum Leap (Quantum Leap was a show about how Presidents practiced nude decoupage….PROVE ME WRONG … by watching the show).

Busta and Tyra have set up all of the Internet participants to stay at the Haddonfield home of MM with crazy evil props everywhere – think if Big Brother took a psychopathic, yet boring left turn.

Deckar is convinced by his friend to go to a party and get offline because then they can meet people IRL and get laid.  Deckar’s friend has a point, but it gets belaboured because this movie sucks.  They go to a Halloween party dressed like Pulp Fiction characters because their 14 year old peers would totally get the reference somehow to a movie that came out when they were 4.  Deckar – a fifteen year old boy – sneaks away from the party, goes into a room alone, shuts the door, turns on the homeowner’s computer, gets comfy in swivel chair, goes onto the Internet, and totally does NOT engage in self-abuse….OKAY, that’s his story and he’s sticking to it! He watches the Big Brother from Hell and starts to think that there might be some real murdering going on in the BB From Hell House.

American Pie guy pervs on Katee Sackhoff and nearly gets some where, but is soon killed.

Teens walk in on Deckar, seeing him on the computer alone in the room and the teen boy shouts, PERV!  Finally, some honesty in this film in re: onanism! 

BB From Hell:  Booger tries to convince Ginger to have sex with him.  We learn that she is a”Critical Studies” major.  CRITICAL STUDIES?!!! CAN’T ANYTHING BE REAL?! Seriously movie, fuck off!  You’re not even trying!  Initially, Ginger spurns Booger’s moves, but then out of nowhere, Ginger needs to pork Booger.  FINE. 

Wait…I’m calling the police:

9-1-1: What is your emergency?

Me: I want to report an ongoing theft and assault.

9-1-1: What is being stolen and who is being assaulted?

Me: All viewers of this terrible film are having their valuable time stolen.

9-1-1: Sir, who is being assaulted?

Me: Art Itself!  FIND HIM…LARRY BRAND!

9-1-1:  Oh yeah, he did that terrible train movie thing…We’re inbound.

Sarah and the others confront Busta Rhymes about the BB House from Hell.  He admits that it’s all fake.  Soon after, all of the moderately interesting people are killed: Booger, Ginger, Katee Sackhoff, Rudy, and Tyra Banks (she’s killed off screen).

Only Busta and Sarah are left to save the day.  They battle MM and electrocute him, but he opens his eyes at the end, so whatever.

There are times when writers should be failed.

Wait, I just got a letter from Larry Brand. He apologizes for being just awful.

4 Shots From Horror History: Halloween, Paranormal Activity, Colverfield, The House of the Devil


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we complete to the aughts!

4 Shots From 4 Films

Halloween (2007, dir by Rob Zombie)

Halloween (2007, dir by Rob Zombie)

Paranormal Activity (2007, dir by Oren Peli)

Paranormal Activity (2007, dir by Oren Peli)

Cloverfield (2008, dir by Matt Reeves)

Cloverfield (2008, dir by Matt Reeves)

The House of the Devil (2009, dir by Ti West)

The House of the Devil (2009, dir by Ti West)

Even Ant-Man Had To Start Somewhere: Halloween: The Curse of Michael Myers (1995, directed by Joe Chappelle)


halloween6coverLong before he was either Ant-Man or Judd Apatow’s favorite leading man, Paul Rudd was just another young actor looking for his first break.  He got it in 1995 when he was cast in the latest entry in the Halloween franchise.  Though Clueless was released first, the man who would be Brian Fantana got his introducing credit for Halloween: The Curse of Michael Myers.  (He’s credited as Paul Stephen Rudd.)

Halloween: The Curse of Michael Myers was Miramax’s attempt to reboot the franchise by ignoring everything that made the first Halloween such a success in the first place.  John Carpenter’s Halloween was the epitome of simplicity, with Michael Myers portrayed as being an almost entirely motiveless killing machine.  One reason why Michael was scary was because he didn’t have any reason for killing other than he was evil.  (It was not until Halloween II that Laurie was discovered to be Michael’s sister and Samhain came into play.)

In Halloween 6, Michael (played by stuntman George P. Wilbur) is suddenly revealed to be afflicted with the Curse of the Thorn.  Because of the curse, he is required to serve as some sort of indestructible hit man for a cult of Druids (!) who are operating out of the basement of Smith Grove’s Sanitarium (!!), the same mental hospital that Michael escaped from at the start of the first film.  The head of the cult is Dr. Wynn (Mitchell Ryan), who was Sam Loomis’s boss in the first movie.

963589_032Donald Pleasence is back as Dr. Sam Loomis but it is not a happy return.  This was Pleasence’s final film and, in his few scenes, it is obvious that he was not in good health and his famous voice had been reduced to a hoarse rasp.  Pleasence died shortly after filming his scenes, which meant that he wasn’t available for the reshoots that Miramax demanded after the first cut of the film tested badly.  Add that to the fact that director Joe Chapelle reportedly had not seen any of the previous Halloweens, did not find the Loomis character to be interesting, and cut him out of several scenes and Dr. Loomis is barely in The Curse of Michael Myers.

Instead, most of the film is centered around Tommy Doyle (Rudd).  Yes, the same Tommy Doyle for whom Laurie babysat in the first Halloween.  Tommy has figured out that, because of the curse, Michael has to kill his next of kin every Halloween.  How did Tommy figure that out?  I don’t know and the film doesn’t know.  It’s like trying to figure out how Sean Connery knew where the Holy Grail was in Indiana Jones and The Last Crusade.

Michael’s next of kin was Jamie Lloyd but, at the end of Halloween 5, she was kidnapped by the Cult of Thorn and held prisoner for six years.  For some reason, Michael did not kill her while she was being held captive.  Instead, Jamie was impregnated, gave birth to a baby boy named Stephen, and then escaped.  Though she was eventually killed by Michael, Tommy found the baby and has to protect the baby from Michael and the Cult.

list12Why does the Cult want the baby?  Why do birds suddenly appear whenever you are near?  There is no explanation, it’s just something that happens.

 

Michael comes back to Haddonfield to track down his grandnephew.  He also finds time to kill more members of the dysfunctional Strode family.  Luckily, Kara Stroe (Marianne Hagan) and her son, Danny, survive.  Danny is having dreams about killing people which would seem to suggest that he has inherited the Curse of the Thorn, except that the Strodes are not actually related to the Myers family so it doesn’t make any damn sense.

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After six films, it not always easy to keep track of how everyone is related.  Let’s see if I can do it:

Laurie Myers is the younger sister of Michael Myers and Judith Myers.  In 1963, when Michael is 6 and Laurie is 2, Michael murders Judith.  Michael goes to Smith’s Grove Sanitarium, where he is treated by Dr. Loomis and secretly raised by the Cult of the Thorn.  Mr. and Mrs. Myers die in 1965 and Laurie is adopted by the Strodes.  Laurie has no memory of being a Myers.

jamie-lee-curtis-mar-5-2011-2-600In 1978, Michael “escapes” from Smith’s Grove and tries to kill Laurie.  Both he and Dr. Loomis get blown up at the hospital.

Between 1978 and 1988, Laurie marries someone named Lloyd and they have a daughter named Jamie.  But then Laurie and her husband die in a traffic accident and Jamie is raised by her foster family, the Carruthers.  Except Laurie didn’t really die but instead faked her death and abandoned her daughter which seems like a shitty thing to do.

In 1988, it turns out that both Michael and Dr. Loomis survived being blown up and consumed by a raging inferno.  Michael again escapes from custody and goes to Haddonfield.  He tries to kill Jamie but instead ends up falling down a mine shaft.  Jamie goes home and tries to kill her foster mother.

In 1989, Michael turns out to be alive again and tries to kill Jamie for a second time.  The Man In Black, who is somehow connected to the the Cult of Thorn, shows up and breaks Michael out of jail and kidnaps Jamie.

Then, six years later, Jamie has a son named Stephen and is finally killed by Michael.  Meanwhile, Laurie’s uncle, John Strode (Bradford English), has moved into the old Myers house because why not live in the house formerly inhabited by a serial killer who tried to murder your family?  Living with them is Laurie’s cousins, Kara and Tim (Kieth Bogart) and Kara’s son, Danny.

Meanwhile, Laurie is in the witness protection program and teaching school but you don’t have to worry about that until Halloween: H20.

Got all that?

halloween-6

I haven’t even gotten to the sleazy radio DJ who wants to do a live Halloween broadcast from inside the old Myers House.  There’s not much to say about him beyond noting that the role was originally offered to Howard Stern.

There are two versions of The Curse of Michael Myers floating around.  There’s the producer’s cut, which goes into more detail about the druids and attempts to fill some of the continuity gaps in the franchise.  Then there’s the theatrical edition, which was what Miramax released into theaters.  I have only seen the theatrical cut, which is a confusing mess.

While the producer’s cut features Michael being defeated by Celtic magic (which sounds stupid but would actually go with what’s already been established in the movie), the theatrical cut ends with Michael, who has previously survived being shot six times by Dr. Loomis, falling down a mine shaft, and literally blowing up, somehow being beaten into submission by Paul Rudd and a lead pipe.  Is there nothing that Paul Rudd cannot do?

Mr. Rudd, the town of Haddonfield owes you a debt of gratitude.

You stay classy, Haddonfield.

You stay classy, Haddonfield.

 

Horror Film Review: Halloween 5: The Revenge of Michael Myers (dir by Dominique Othenin-Girard)


Oh … dammit.

Hi everyone!  We are currently in the process of our annual horrorthon here at the Shattered Lens so I thought it would be a good idea if me and some of my fellow writers reviewed all of the Halloween films!  Arleigh already reviewed the original Halloween back in 2010 and I took a look at the first sequel in 2012.  So, it just made perfect sense to me that we go ahead and take a look at the rest of the films in the series!

Yesterday, Case reviewed Halloween 4 and, later, he’ll be taking a look at Resurrection and H20.  Jedadiah Leland is taking look at Halloween 6 tomorrow.  So, that leaves me with … *sigh* Halloween 5.

BLEH!

Before we dive into the crapfest that was Halloween 5, let’s take a look at the trailer!  It’ll be fun!

The trailer’s actually fairly effective.  I have to wonder how many people, way back in 1989, were fooled into seeing this film as a result of this trailer?  I imagine probably more than who are willing to admit it.  Paying money to see Halloween 5 doesn’t seem like something anyone would want to brag about.

Halloween 5 is the one that has the dumb cops.  Now, I know that every Halloween film seems to feature at least a few dumb cops but the ones in Halloween 5 are really dumb.  And they get their own theme music!  That’s right — whenever these two dumb cops show up on screen, comedic circus music plays.  Needless to say, it’s woefully out of place in a horror movie.  I read that this was apparently meant to be an homage to the dumb cops from the original Last House On the Left.  This despite the fact that … EVERYONE HATED THE DUMB COPS IN LAST HOUSE ON THE LEFT!!!  Even Wes Craven later said that the dumb cops were a mistake!  If you’re going to rip off (or pay homage) to another movie, don’t pay homage to the part that sucked!

Anyway, you may remember that Halloween 4 ended with Jamie (Danielle Harris) attacking her mother and holding a knife.  Uh-oh, looks like Jamie’s going to be a murderer!  Well, no — that would have been too interesting.  Halloween 5 finds Jamie being committed to a mental hospital for a year while Michael Myers (Don Shanks) is in a coma.  Michael eventually comes out of his coma and starts stalking Jamie all over again.

Once again, Dr. Loomis (a depressingly frail Donald Pleasence) is one of the few people who realizes that Michael is still alive and once again, nobody is willing to listen to him.  Here’s the thing: Dr. Loomis may be kinda crazy and yes, all the scars are kinda disturbing but he’s been right every single freaking time in the past.  I understand that the people of Haddonfield are kind of in denial about Michael but this is just getting ridiculous.

Rachel Carrathurs (Ellie Cornell) returns for this movie but she gets killed early on.  Apparently, she was killed so that the audience would know that anyone could be killed and that nobody was safe but Rachel was such a strong character and Ellie Cornell did such a good job playing her in the previous film that you really feel her absence in Halloween 5.  Her death leaves a void that the film fails to adequately fill.  Add to that, if you insist on killing a kickass character like Rachel, at least give her a memorable death scene.  Don’t just have her blithely wandering around the house half-naked until she suddenly gets stabbed, as if she was just some generic slasher victim and not the lead of the previous movie.

With Rachel dead, it now falls to her amazingly annoying best friend, Tina (Wendy Kaplan), to serve as Jamie’s protector.  Tina is hyperactive and talkative and quirky and blah blah blah.  Basically, she’s like that person who is really annoying but since you’ve known her since the third grade, you feel obligated to hang out with her.

It all leads to another big Halloween party and few rather bloodless deaths.  It’s all pretty boring, to be honest.  There is one good scene where Michael chases Jamie in a car (the headlights cutting through the darkness create a wonderfully eerie effect) but, otherwise, it’s depressingly generic.

In the end, Michael is captured and put in a jail cell.  Fortunately, a mysterious man in black shows up and breaks him out.  Gee, I wonder what that’s about?

Halloween 5 is undoubtedly the worst of the Halloween films.

Bleh!

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Reblog: Arleigh’s Review Of The Original Halloween (dir. by John Carpenter)


Hi everyone! Lisa here! As Halloween approaches, now is the perfect time for us to take a look back at the infamous and trend-setting career of Michael Myers. In about 90 minutes, Case will be posting his review of Halloween 4. However, before reading that, why not re-read Arleigh’s thoughts on the one that started it all, the original Halloween! From 2010, here’s Arleigh’s review…

Arleigh's avatarThrough the Shattered Lens

What better way to bring back a new daily grindhouse than the film which started the teen slasher genre. I speak of John Carpenter’s Halloween.

The film was truly a child of 1970’s independent filmmaking. With a budget of just $320,000 (even adjusting for inflation it’s still quite low) Carpenter made what’s considered one of horror’s defining films. Carpenter’s film was a smash hit when it was released in 1978. It played mostly in drive-in’s, grindhouse cinema houses before finally appearing in more mainstream venues. By then the film had become one of those must-see titles that many films both independent and mainstream try for but fail to do.

Some have commented that since Halloween was such a success in the box-office then it shouldn’t be considered grindhouse. I look at such thinking as quite narrow. Grindhouse was never synonymous with bad filmmaking. If one said the term meant…

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