Retro Television Review: The Love Boat 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, we have a special two-hour episode!

Episodes 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”

(Dir by Alan Rafkin, originally aired on February 5th, 1983)

The Love Boat is going to Greece!

This is another one of those two-hour Love Boat episodes.  The crew is assigned to work a Greek cruise.  Love and sight-seeing follow.  Isaac, for instance, falls in love with a passenger named Reesa (Debbie Allen) and even resigns from the crew so that he can spend the rest of his life in Greece with her.  Unfortunately, Isaac forgets to ask Reesa ahead of time and, when Isaac returns to Reesa’s Greek flat, he discovers that she had reconciled with her husband (James A. Watson, Jr.).  It’s back to the Love Boat for Isaac!

Meanwhile, the graduating class of Captain Stubing’s old college is holding their graduation ceremony at the ruins of a Greek temple.  The class  valedictorian (Jameson Parker) give a speech in which he shows appreciation to his Greek aunt (Eva Marie Saint), even though he’s discovered that she’s not as a wealthy as he originally assumed she was.  The Dean (Eddie Albert) is finally convinced to give a makeup exam to a student (Leigh McCloskey) who missed his history final.  A teacher (Shirley Jones) finally agrees to marry the dean.  And Vicki briefly falls in love with a 16 year-old prodigy (Jimmy McNichol) and she gets engaged to him for about an hour or two.  Captain Stubing wonders how Vicki would be able to continue her education if she got married.  I’m wondering how she’s continuing her education while living and working on a cruise ship.

There was a lot going on in this episode but the true star of the show was the Greek scenery.  This episode was filmed on location and, as such, it’s basically a travelogue.  Fortunately, Greece looks beautiful!  Seriously, the 2-hour, on-location episodes of The Love Boat must have been a blast to shoot.

This week?  This week was probably a 10 out of 10 on the How Coked Up Was Julie Scale but hey, she was in Greece.  She had every right to live a little.

Now, I want to take a cruise!

Retro Television Review: The American Short Story #15: The Sky Is Gray


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a 1963 short story.

Episode #15: The Sky Is Gray

(Dir by Stan Lathan, originally aired in 1980)

This adaptation of an Ernest Gaines short story takes place in Louisiana during the 1940s.  James (James Bond III) is a young black child who lives on a farm.  His father is overseas, serving in the Army during World War II.  His mother (Olivia Cole) is a stern but loving woman who is trying to raise the sensitive James in a world where one often has to depend on their inner strength to survive.  When James comes down with a toothache, he and his mother travel to a nearby town so he can see the dentist.  From having to stand in the back of the bus to listening to a debate between a priest and a militant in the dentist’s office, it’s an eye-opening journey for James.  When the white receptionist at the dentist’s office arbitrarily cancels James’s appointment and tells him and his mother to come back tomorrow, the two of them seek shelter.  James discovers how strong his mother is when they’re harassed by a pimp (Reuben Collins).  He also learns that there is unexpected kindness in the world when a white store owner invites him and his mother inside to give them shelter from the cold and windy day.  During one trip to the dentist, James learns that the world is far more complicated than he originally knew.

This was an okay adaptation of Gaines’s acclaimed short story.  Young James Bond III gave a good performance as James and the episode was full of scenes that visually captured the feel of being an outsider.  That said, as was often the case with this series, the adaptation was so straight-forward that it didn’t really capture the nuance of Gaines’s writing.  In the short story, Gaines put the reader right into James’s head.  The adaptation doesn’t really do that.  A heavy-handed musical score doesn’t help matters but, with all that in mind, this was still an effective coming-of-age tale.

Embracing the Melodrama Part II #59: Hardcore (dir by Paul Schrader)


Hardcore_(1979_film)

“Turn it off…turn it off…turn it off…TURN IT OFF!” — Jake Van Dorn (George C. Scott) in Hardcore (1979)

Jake Van Dorn (George C. Scott) is a businessman who lives in Grand Rapids, Michigan.  He’s a deeply religious man, a sincere believer in predestination and the idea that only an elite few has been prelected to go to Heaven.  Jake is divorced (though he occasionally tells people that his wife died) and is the father of a teenage girl named Kristen (Ilah Davis).

One of the first things that we notice about Jake is that there appears to be something off about his smile.  There’s no warmth or genuine good feeling behind it.  Instead, whenever Jake smile, it’s obvious that it’s something he does because that what he’s supposed to do.  Indeed, everything Jake does is what he’s supposed to do and he expects his daughter to do the same.

When Kristen goes to a church camp in California, she soon disappears.  Jake and his brother-in-law, Wes (Dick Sargent), fly down to Los Angeles and hire a sleazy private investigator, Andy Mast (Peter Boyle), to look for her.  A few weeks later, Andy shows Jake a pornographic film.  The star?  Kristen.

Jake is convinced that Kristen has been kidnapped and is being held captive.  Wes tells Jake that he should just accept that this is God’s will.  Andy tells Jake that, even if he does find Kristen, Jake might not want her back.  Finally, Jake tells off Wes, fires Andy, and ends up in Los Angeles himself.  Pretending to be a film producer and recruiting a prostitute named Nikki (Season Hubley) to serve as a guide, Jake searches for his daughter.

The relationship between Jake and Nikki is really the heart of the film.  For Jake, Nikki becomes a temporary replacement for his own daughter.  For Nikki, Jake appears to be the only man in the world who doesn’t want to use her sexually.  But, as Jake gets closer and closer to finding his daughter, Nikki realizes that she’s getting closer and closer to being abandoned.

Hardcore is a pretty good film, one that was shot in location in some of the sleaziest parts of 70s Los Angeles.  Plotwise, the film is fairly predictable but George C. Scott, Season Hubley, and Peter Boyle all give excellent performances.  (The scenes were Scott pretends to be a porn producer are especially memorable, with Scott perfectly capturing Jake’s discomfort while also subtly suggesting that Jake is enjoying himself more than he wants to admit.)  And, even if you see it coming from miles away, the film’s ending will stick with you.