The Chicago Indie Film Critics Honor Train Dreams and Sinners!


The Chicago Indie Critics have announced their picks for the best of 2025!  The winners are listed in bold!

BEST INDEPENDENT FILM
If I Had Legs I’d Kick You – Producers: Sara Murphy, Ryan Zacarias, Ronald Bronstein, Josh Safdie, Eli Bush, Conor Hannon, Richie Doyle
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
The Life of Chuck – Producers: Trevor Macy, Mike Flanagan
Sorry, Baby – Producers: Adele Romanski, Mark Ceryak, Barry Jenkins
Train Dreams – Producers: Marissa McMahon, Teddy Schwarzman, Will Janowitz, Ashley Schlaifer, Michael Heimler

BEST STUDIO FILM
Hamnet – Producers: Liza Marshall, Pippa Harris, Nicolas Gonda, Sam Mendes, Steven Spielberg
Marty Supreme – Producers: Eli Bush, Ronald Bronstein, Josh Safdie, Anthony Katagas, Timothée Chalamet
One Battle After Another – Producers: Adam Somner, Sara Murphy, Paul Thomas Anderson
Sinners – Producers: Zinzi Coogler, Sev Ohanian, Ryan Coogler
28 Years Later – Producers: Andrew Macdonald, Peter Rice, Bernie Bellew, Danny Boyle, Alex Garland

BEST INTERNATIONAL FILM
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
No Other Choice – Producers: Park Chan-wook, Back Jisun, Michèle Ray-Gavras, Alexandre Gavras
The Secret Agent – Producers: Emilie Lesclaux, Kleber Mendonça Filho
Sentimental Value – Producers: Maria Ekerhovd, Andrea Berentsen Ottmar
Sirât – Producers: Domingo Corral, Oliver Laxe, Xavi Font, Pedro Almodóvar, Agustín Almodóvar, Esther García, Oriol Maymó, Mani Mortazavi, Andrea Queralt

BEST DOCUMENTARY
John Candy: I Like Me – Producers: Colin Hanks, Johnny Pariseau, George Dewey, Shane Reid, Ryan Reynolds, Sean Stuart, Glen Zipper
Orwell: 2 + 2 = 5 – Producers: Raoul Peck, Alex Gibney, George Chignell, Nick Shumaker
The Perfect Neighbor – Producers: Alisa Payne, Geeta Gandbhir, Nikon Kwantu, Sam Bisbee
Secret Mall Apartment – Producers: Jeremy Workman, Jesse Eisenberg
Zodiac Killer Project – Producers: Charlie Shackleton, Anthony Ing, Catherine Bray

BEST ANIMATED FILM
Elio – Producers: Madeline Sharafian, Domee Shi, Adrian Molina, Mary Alice Drumm
KPop Demon Hunters – Producers: Maggie Kang, Chris Applehans, Michelle Wong
Looney Tunes: The Day the Earth Blew Up – Producers: Peter Browngardt, Sam Register, Alex Kirwan
Predator: Killer of Killers – Producers: John Davis, Dan Trachtenberg, Marc Toberoff, Ben Rosenblatt
Zootopia 2 – Producers: Jared Bush, Byron Howard, Yvett Merino

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Chloé Zhao – Hamnet

BEST ORIGINAL SCREENPLAY
Eddington – Ari Aster
Marty Supreme – Ronald Bronstein, Josh Safdie
Sinners – Ryan Coogler
Sorry, Baby – Eva Victor
Weapons – Zach Cregger

BEST ADAPTED SCREENPLAY
Bugonia – Will Tracy
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
One Battle After Another – Paul Thomas Anderson
28 Years Later – Alex Garland

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Eva Victor – Sorry, Baby

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

BEST SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Hailee Steinfeld – Sinners
Teyana Taylor – One Battle After Another

BEST ENSEMBLE (Casting Director Award)
Black Bag – Carmen Cuba
It Was Just an Accident – Jafar Panahi
Marty Supreme – Jennifer Venditti
One Battle After Another – Cassandra Kulukundis
Sinners – Francine Maisler

BREAKOUT PERFORMER
Odessa A’zion
Miles Caton
Indy the Dog
Chase Infiniti
Jacobi Jupe

BREAKOUT BEHIND-THE-SCENES
Clint Bentley
Harris Dickinson
Scarlett Johansson
James Sweeney
Eva Victor

SIGHT UNSEEN PERFORMANCE
Jason Bateman – Zootopia 2
Oona Chaplin – Avatar: Fire and Ash
Nick Offerman – The Life of Chuck
Will Patton – Train Dreams
Alan Tudyk – Superman

BEST CINEMATOGRAPHY
F1 – Claudio Miranda
Frankenstein – Dan Laustsen
One Battle After Another – Michael Bauman
Sinners – Autumn Durald Arkapaw
Train Dreams – Adolpho Veloso

BEST PRODUCTION DESIGN
The Fantastic Four: First Steps – Kasra Farahani, Jille Azis
Frankenstein – Tamara Deverell
Sinners – Hannah Beachler, Monique Champagne
28 Years Later – Carson McColl, Gareth Pugh
Wicked: For Good – Nathan Crowley, Lee Sandales

BEST EDITING
F1 – Stephen Mirrione
Marty Supreme – Ronald Bronstein, Josh Safdie
One Battle After Another – Andy Jurgensen
Sinners – Michael P. Shawver
Weapons – Joe Murphy

BEST COSTUME DESIGN
The Fantastic Four: First Steps – Alexandra Byrne
Frankenstein – Kate Hawley
Hedda – Lindsay Pugh
Sinners – Ruth E. Carter
Wicked: For Good – Paul Tazewell

BEST MAKEUP
Frankenstein – Mike Hill, Jordan Samuel, Cliona Furey
Sinners – Mike Fontaine, Ken Diaz, Shunika Terry
The Smashing Machine – Kazu Hiro, Felix Fox, Mia Neal
28 Years Later – Flora Moody, John Nolan
Weapons – Leo Satkovich, Melizah Wheat, Jason Collins

BEST VISUAL EFFECTS
Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett
F1 – Ryan Tudhope, Keith Alfred Dawson, Nicholas Chevallier, Robert Harrington
Frankenstein – Dennis Berardi
Sinners – Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean
Superman – Stephane Ceretti, Enrico Damm, Stephane Naze, Guy Williams

BEST STUNTS
Ballerina – Jackson Spidell, Stephen Dunlevy
F1 – Gary Powell, Luciano Bacheta
Mission: Impossible – The Final Reckoning – Wade Eastwood
One Battle After Another – Brian Machleit
Superman – Wayne Dalglish

BEST SOUND
Avatar: Fire and Ash – Gwendolyn Yates Whittle, Brent Burge, Gary Summers, Michael Hedges, Alexis Feodoroff, Julian Howarth
F1 – Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John
Sinners – Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco
28 Years Later – Johnnie Burn
Warfare – Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner

BEST ORIGINAL SCORE
Frankenstein – Alexandre Desplat
Hamnet – Max Richter
Marty Supreme – Daniel Lopatin
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson

BEST ORIGINAL SONG
“Clothed by the Sun” – The Testament of Ann Lee (Written by Daniel Blumberg, Mona Fastvold; Performed by David Cale, Lewis Pullman, Matthew Beard)
“Golden” – KPop Demon Hunters (Written by EJAE, Mark Sonnenblick, IDO, 24, Teddy; Performed by EJAE, Audrey Nuna, Rei Ami)
“Highest 2 Lowest” – Highest 2 Lowest (Written and Performed by Aiyana-Lee)
“I Lied to You” – Sinners (Written by Raphael Saadiq, Ludwig Göransson; Performed by Miles Caton)
“Pale, Pale Moon” – Sinners (Written by Brittany Howard, Ludwig Göransson; Performed by Jayme Lawson)

THE IMPACT AWARD
Elizabeth Arnott – Programmer of “Sapphopalooza”
Tyler Michael Baletine – Programmer of “Life Within the Lens: Juneteenth Edition”
Matthew C. Hoffman – Programmer and Host at the Pickwick Theatre
Anna Pattinson – Editor-in-Chief of Cinema Femme
Michael Phillips – Former Film Critic of The Chicago Tribune

Here Are The 2025 Nominations of the Chicago Indie Film Critics


The Chicago Indie Critics have announced their nominations for the best of 2025!  And here they are:

BEST INDEPENDENT FILM
If I Had Legs I’d Kick You – Producers: Sara Murphy, Ryan Zacarias, Ronald Bronstein, Josh Safdie, Eli Bush, Conor Hannon, Richie Doyle
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
The Life of Chuck – Producers: Trevor Macy, Mike Flanagan
Sorry, Baby – Producers: Adele Romanski, Mark Ceryak, Barry Jenkins
Train Dreams – Producers: Marissa McMahon, Teddy Schwarzman, Will Janowitz, Ashley Schlaifer, Michael Heimler

BEST STUDIO FILM
Hamnet – Producers: Liza Marshall, Pippa Harris, Nicolas Gonda, Sam Mendes, Steven Spielberg
Marty Supreme – Producers: Eli Bush, Ronald Bronstein, Josh Safdie, Anthony Katagas, Timothée Chalamet
One Battle After Another – Producers: Adam Somner, Sara Murphy, Paul Thomas Anderson
Sinners – Producers: Zinzi Coogler, Sev Ohanian, Ryan Coogler
28 Years Later – Producers: Andrew Macdonald, Peter Rice, Bernie Bellew, Danny Boyle, Alex Garland

BEST INTERNATIONAL FILM
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
No Other Choice – Producers: Park Chan-wook, Back Jisun, Michèle Ray-Gavras, Alexandre Gavras
The Secret Agent – Producers: Emilie Lesclaux, Kleber Mendonça Filho
Sentimental Value – Producers: Maria Ekerhovd, Andrea Berentsen Ottmar
Sirât – Producers: Domingo Corral, Oliver Laxe, Xavi Font, Pedro Almodóvar, Agustín Almodóvar, Esther García, Oriol Maymó, Mani Mortazavi, Andrea Queralt

BEST DOCUMENTARY
John Candy: I Like Me – Producers: Colin Hanks, Johnny Pariseau, George Dewey, Shane Reid, Ryan Reynolds, Sean Stuart, Glen Zipper
Orwell: 2 + 2 = 5 – Producers: Raoul Peck, Alex Gibney, George Chignell, Nick Shumaker
The Perfect Neighbor – Producers: Alisa Payne, Geeta Gandbhir, Nikon Kwantu, Sam Bisbee
Secret Mall Apartment – Producers: Jeremy Workman, Jesse Eisenberg
Zodiac Killer Project – Producers: Charlie Shackleton, Anthony Ing, Catherine Bray

BEST ANIMATED FILM
Elio – Producers: Madeline Sharafian, Domee Shi, Adrian Molina, Mary Alice Drumm
KPop Demon Hunters – Producers: Maggie Kang, Chris Applehans, Michelle Wong
Looney Tunes: The Day the Earth Blew Up – Producers: Peter Browngardt, Sam Register, Alex Kirwan
Predator: Killer of Killers – Producers: John Davis, Dan Trachtenberg, Marc Toberoff, Ben Rosenblatt
Zootopia 2 – Producers: Jared Bush, Byron Howard, Yvett Merino

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Chloé Zhao – Hamnet

BEST ORIGINAL SCREENPLAY
Eddington – Ari Aster
Marty Supreme – Ronald Bronstein, Josh Safdie
Sinners – Ryan Coogler
Sorry, Baby – Eva Victor
Weapons – Zach Cregger

BEST ADAPTED SCREENPLAY
Bugonia – Will Tracy
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
One Battle After Another – Paul Thomas Anderson
28 Years Later – Alex Garland

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Eva Victor – Sorry, Baby

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

BEST SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Hailee Steinfeld – Sinners
Teyana Taylor – One Battle After Another

BEST ENSEMBLE (Casting Director Award)
Black Bag – Carmen Cuba
It Was Just an Accident – Jafar Panahi
Marty Supreme – Jennifer Venditti
One Battle After Another – Cassandra Kulukundis
Sinners – Francine Maisler

BREAKOUT PERFORMER
Odessa A’zion
Miles Caton
Indy the Dog
Chase Infiniti
Jacobi Jupe

BREAKOUT BEHIND-THE-SCENES
Clint Bentley
Harris Dickinson
Scarlett Johansson
James Sweeney
Eva Victor

SIGHT UNSEEN PERFORMANCE
Jason Bateman – Zootopia 2
Oona Chaplin – Avatar: Fire and Ash
Nick Offerman – The Life of Chuck
Will Patton – Train Dreams
Alan Tudyk – Superman

BEST CINEMATOGRAPHY
F1 – Claudio Miranda
Frankenstein – Dan Laustsen
One Battle After Another – Michael Bauman
Sinners – Autumn Durald Arkapaw
Train Dreams – Adolpho Veloso

BEST PRODUCTION DESIGN
The Fantastic Four: First Steps – Kasra Farahani, Jille Azis
Frankenstein – Tamara Deverell
Sinners – Hannah Beachler, Monique Champagne
28 Years Later – Carson McColl, Gareth Pugh
Wicked: For Good – Nathan Crowley, Lee Sandales

BEST EDITING
F1 – Stephen Mirrione
Marty Supreme – Ronald Bronstein, Josh Safdie
One Battle After Another – Andy Jurgensen
Sinners – Michael P. Shawver
Weapons – Joe Murphy

BEST COSTUME DESIGN
The Fantastic Four: First Steps – Alexandra Byrne
Frankenstein – Kate Hawley
Hedda – Lindsay Pugh
Sinners – Ruth E. Carter
Wicked: For Good – Paul Tazewell

BEST MAKEUP
Frankenstein – Mike Hill, Jordan Samuel, Cliona Furey
Sinners – Mike Fontaine, Ken Diaz, Shunika Terry
The Smashing Machine – Kazu Hiro, Felix Fox, Mia Neal
28 Years Later – Flora Moody, John Nolan
Weapons – Leo Satkovich, Melizah Wheat, Jason Collins

BEST VISUAL EFFECTS
Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett
F1 – Ryan Tudhope, Keith Alfred Dawson, Nicholas Chevallier, Robert Harrington
Frankenstein – Dennis Berardi
Sinners – Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean
Superman – Stephane Ceretti, Enrico Damm, Stephane Naze, Guy Williams

BEST STUNTS
Ballerina – Jackson Spidell, Stephen Dunlevy
F1 – Gary Powell, Luciano Bacheta
Mission: Impossible – The Final Reckoning – Wade Eastwood
One Battle After Another – Brian Machleit
Superman – Wayne Dalglish

BEST SOUND
Avatar: Fire and Ash – Gwendolyn Yates Whittle, Brent Burge, Gary Summers, Michael Hedges, Alexis Feodoroff, Julian Howarth
F1 – Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John
Sinners – Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco
28 Years Later – Johnnie Burn
Warfare – Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner

BEST ORIGINAL SCORE
Frankenstein – Alexandre Desplat
Hamnet – Max Richter
Marty Supreme – Daniel Lopatin
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson

BEST ORIGINAL SONG
“Clothed by the Sun” – The Testament of Ann Lee (Written by Daniel Blumberg, Mona Fastvold; Performed by David Cale, Lewis Pullman, Matthew Beard)
“Golden” – KPop Demon Hunters (Written by EJAE, Mark Sonnenblick, IDO, 24, Teddy; Performed by EJAE, Audrey Nuna, Rei Ami)
“Highest 2 Lowest” – Highest 2 Lowest (Written and Performed by Aiyana-Lee)
“I Lied to You” – Sinners (Written by Raphael Saadiq, Ludwig Göransson; Performed by Miles Caton)
“Pale, Pale Moon” – Sinners (Written by Brittany Howard, Ludwig Göransson; Performed by Jayme Lawson)

THE IMPACT AWARD
Elizabeth Arnott – Programmer of “Sapphopalooza”
Tyler Michael Baletine – Programmer of “Life Within the Lens: Juneteenth Edition”
Matthew C. Hoffman – Programmer and Host at the Pickwick Theatre
Anna Pattinson – Editor-in-Chief of Cinema Femme
Michael Phillips – Former Film Critic of The Chicago Tribune

Sinners Wins In Michigan


The Michigan Movie Critics Guild has announced it picks for the best of 2025.  The winners are listed in bold!

Best Picture
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Joel Edgerton – Train Dreams
Leonardo DiCaprio – One Battle After Another
Brendan Fraser – Rental Family
Michael B. Jordan – Sinners

Best Actress
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Cynthia Erivo – Wicked: For Good
Jessie Buckley – Hamnet
Emma Stone – Bugonia

Best Supporting Actor
Miles Caton – Sinners
Jacob Elordi – Frankenstein
Benicio del Toro – One Battle After Another
Paul Mescal – Hamnet
Sean Penn – One Battle After Another

Best Supporting Actress
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Wunmi Mosaku – Sinners
Hailee Steinfeld – Sinners
Teyana Taylor – One Battle After Another

Best Animated Film
Arco
Dog Man
K-Pop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best Documentary
Orwell: 2+2=5
Pee-Wee as Himself
Put Your Soul on Your Hand and Walk
The Perfect Neighbor
The Tale of Silyan

Best Ensemble
Avatar: Fire And Ash
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man
Wicked: For Good

Best Screenplay
Hamnet
Marty Supreme
One Battle After Another
Sorry, Baby
Sinners

Best Cinematography
Avatar: Fire And Ash
Frankenstein
One Battle After Another
Sinners
Train Dreams

Breakthrough
Miles Caton – (Actor) Sinners
Chase Infiniti – (Actress) One Battle After Another
Jacob Elordi – (Actor) Frankenstein
Jacobi Jupe – (Actor) Hamnet
Eva Victor – (Writer, Director, Actor) Sorry, Baby

Best Stunts
Avatar: Fire And Ash
Ballerina
Mission: Impossible – The Final Reckoning
Nobody 2
One Battle After Another

The MMCG Award for Film Excellence
Paul Feig – (Director) The Housemaid / Another Simple Favor
Judy Greer – (Actress) The Long Walk
Paul Walter Hauser – (Actor) The Naked Gun / Fantastic Four: First Steps
Tim Robinson – (Actor/Writer) Friendship
J.K. Simmons – (Actor) The Accountant 2

Here Are The Michigan Movie Critic Guild Nominations For 2025


The 2025 nominations of the Michigan Movie Critics Guild were announced on Friday.  And here they are:

Best Picture
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Joel Edgerton – Train Dreams
Leonardo DiCaprio – One Battle After Another
Brendan Fraser – Rental Family
Michael B. Jordan – Sinners

Best Actress
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Cynthia Erivo – Wicked: For Good
Jessie Buckley – Hamnet
Emma Stone – Bugonia

Best Supporting Actor
Miles Caton – Sinners
Jacob Elordi – Frankenstein
Benicio del Toro – One Battle After Another
Paul Mescal – Hamnet
Sean Penn – One Battle After Another

Best Supporting Actress
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Wunmi Mosaku – Sinners
Hailee Steinfeld – Sinners
Teyana Taylor – One Battle After Another

Best Animated Film
Arco
Dog Man
K-Pop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best Documentary
Orwell: 2+2=5
Pee-Wee as Himself
Put Your Soul on Your Hand and Walk
The Perfect Neighbor
The Tale of Silyan

Best Ensemble
Avatar: Fire And Ash
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man
Wicked: For Good

Best Screenplay
Hamnet
Marty Supreme
One Battle After Another
Sorry, Baby
Sinners

Best Cinematography
Avatar: Fire And Ash
Frankenstein
One Battle After Another
Sinners
Train Dreams

Breakthrough
Miles Caton – (Actor) Sinners
Chase Infiniti – (Actress) One Battle After Another
Jacob Elordi – (Actor) Frankenstein
Jacobi Jupe – (Actor) Hamnet
Eva Victor – (Writer, Director, Actor) Sorry, Baby

Best Stunts
Avatar: Fire And Ash
Ballerina
Mission: Impossible – The Final Reckoning
Nobody 2
One Battle After Another

The MMCG Award for Film Excellence
Paul Feig – (Director) The Housemaid / Another Simple Favor
Judy Greer – (Actress) The Long Walk
Paul Walter Hauser – (Actor) The Naked Gun / Fantastic Four: First Steps
Tim Robinson – (Actor/Writer) Friendship
J.K. Simmons – (Actor) The Accountant 2

Brad’s emotional response to SINNERS (2025)!


I love Ryan Coogler and Michael B. Jordan, and it really goes back to their collaboration on CREED. No movie has stirred my emotions in the past decade as much as CREED. I laughed, I cried, and I got pumped up even though I watched the film in the theater by myself. I would go on to tell every person I knew that they had to see the film. I couldn’t imagine that any other combination of writer, director or actor could have created a better continuation of the world that began with Stallone’s original story. CREED is a classic of its own as far as I’m concerned. 

I had not heard about SINNERS until Arleigh shared the trailer here on The Shattered Lens a couple of weeks ago. That’s when I saw that it was a Ryan Coogler film starring Michael B. Jordan. That caught my interest even though I didn’t stop and actually watch the trailer as I was in the crunch of tax season. And then Leonard dropped a review of the film on April 17th.

I don’t go to the theater often these days but I decided that I just had to see the film over the Easter weekend. I talked Sierra into going with me on Saturday morning, and all I told her was that it is a vampire movie from the guy who did CREED. I purposely read nothing else about the film because I know that Coogler and Jordan make magic on the screen when they work together. I didn’t want anything else influencing my initial experience with the film in any way. 

Rather than spend any time on the plot of the film, I just wanted to spend a little time talking about how the movie made me feel. First, watching Michael B. Jordan interpret the Smoke-Stack characters in such different ways was pure joy for me. Any person who has read my articles knows that I have a tendency to obsess over the actors I really like. I don’t believe there is an actor under 40 years of age that enjoy watching perform more than Jordan. I’ll watch anything he does throughout his career. Second, there is something so interesting about Miles Caton in the part of the singer and guitarist Sammie Moore, aka Preacher Boy. That deep voice of his almost didn’t seem to go with those fresh face features. I can see why the other characters reacted to his singing and playing the way they did because the man has real talent. I was surprised that this was his first film based on the confidence he carried throughout. Third, it’s always fun to see Delroy Lindo in any role. Fourth, I liked the relationship between Smoke and Annie (Wunmi Mosaku). When I first saw Annie standing in the doorway and looking at him by the small grave, my first inclination would not have been that those two had been in a relationship together and that he was at the grave of their child. To me it was a nice surprise that the painful history being shown was shared between those two and that they still loved each other. I also really wished I could try her fried catfish. I also liked certain aspects of some of the other characters including Mary (Hailee Steinfeld), the Chow family and Cornbread. 

The music is incredible in SINNERS. I won’t pretend to be an expert on the blues, but I know what I like, and I liked what I heard. I’ve always been a fan of the movie CROSSROADS with Ralph Macchio and Joe Seneca. Both movies are in awe of the power of the blues, and I was somewhat surprised that Ryan Coogler’s “vampire movie” was showing such an interest in the music as a character and not just a soundtrack. I liked the scene where Stack introduces Miles to Lindo’s character Delta Slim. I like the music at the juke joint, and the out of left field trip through the musical decades was a unique and powerful choice that showed a director not afraid to go wherever his intuition takes him. My “joint” would probably feature country music, but I’ve always said I can like any music as long as it’s good. The music in SINNERS is great. 

I will say that the things that interested me the most, mainly the development of the characters, took a back seat once the vampires were revealed. I wanted to get to know these characters even more. The action was well filmed and there were some surprises along the way, but once the vampires emerged, I felt like I was watching a movie I had seen before. Even though it was extremely well done, the film’s special quality seemed a little less. With that said, Smoke’s late stand against the Klan was exciting and emotionally satisfying.

Overall, I would give SINNERS a solid 4 stars out of 5 based on my initial viewing. I will revisit the movie at some point, but I’m letting the film seep into my bones at the moment. Coogler seems to be a filmmaking genius and I haven’t stopped thinking about his latest movie over the last few days. I have a feeling this movie will continue to grow on me with repeated viewings.  

Sinners (dir. by Ryan Coogler)


I’m on a 2 day Vacation from my DayJob, for a four day Easter Weekend. I caught Sinners earlier Thursday afternoon, having purchased a ticket the Sunday before. That I stood up and slow danced with the credits and mid/post credit scenes of the film says a lot for me. It says I need to frequent more packed showings so that I don’t do such things. More importantly, it says the blues was as seductive as most of the movie, playing a crucial part in every scene. I dare say that Sinners could almost be a musical in the same way that the Coen Brothers’ O Brother, Where Art Thou? was. There was not a musical moment in this movie where I wasn’t bobbing my knee or nodding my head (thanks to either Academy Award Winner Ludwig Goransson or whoever had the vocals at any particular moment). I even sang along at one point with a song I recognized. I’m kicking myself in the pants for not staying at the movie theatre for another showing. I really should have. That just felt so good.

I like to think I knew a lot about Vampires. I mean, I’ve been a fan for like 3 decades now, but Sinners puts a spin on the genre through myth and music that caught me off guard. Granted, if you’ve watched all of the trailers, you’ve seen most of the film already (trailers being what they are these days), but I’ll try to keep it as vague as possible. Despite what’s shared, there’s a lot left out. 

Ryan Coogler’s Sinners takes us to Mississippi in 1932, where two brothers, Smoke & Stack (both played by longtime Coogler associate Michael B. Jordan) return home with a plan to open up a juke joint. It involves picking up a few friends and associates along the way, particularly their guitarist cousin Sammie (Miles Caton, in his Introductory role). Sammie’s father, a Preacher, wants him to turn away from the music he makes and join the Church, proclaiming that the blues will lead to the Devil. Sammie, however, loves what he does and he’s damn good at it. 

The brothers are smooth talkers and quick dealers, a pair of gangsters working off the notion that anything’s possible at the right price. They also have some unresolved relationships with the women in their lives. Grief drove a stake through Annie (Wunmi Mosaku, Deadpool & Wolverine) and Smoke’s relationship, while Stack can’t seem to get rid of Mary (Hailee Steinfeld (Spider-Man: Through the Spider Verse), no matter how hard he tries. Take all that and add living in Mississippi as a person of color in the 1930s, and things are kind of rough all around. There’s a scene that suggests life in Chicago could be brighter, but “better the devil you know”, suggests otherwise.

Granted, Coogler isn’t shy in showing the effects of racism (as Fruitvale Station showed), and Sinners doesn’t detour from that. For it to be historically accurate (even if fictional), shades of that darkness have to exist in the film, though it may not seem as heavily showcased at first. At best, one could say that any racism or segregation elements take a back seat to the bloodsuckers prowling the night. 

Jordan’s twin set up is really good. Both Smoke and Stack have their distinctive styles, though there are a few moments where you may get lost in figuring who’s who. Jayme Lawson (The Batman‘s Bella Real, who I didn’t even realize until this write up) also did well here. Li Jun Li (Babylon) and Delroy Lindo’s provided some the more comedic moments than anything else. Although every actor does well in Sinners, it wouldn’t be half as powerful as it was without Miles Caton’s Sammie. He felt like the audience’s lens through all this, and when he sings, it’s rich, kind of reminiscent of Aloe Blacc’s style a decade ago. Another stand out is Jack O’Connell (Ferrari28 Years Later), whose character has all the best of intentions, yet may not have everyone’s best interests at heart. 

I unfortunately didn’t get a chance to see the film in the Panavision 70 or IMAX formats it was filmed in. To do that means a trip into Manhattan, which I simply don’t really do much anymore since moving out (though I may make an attempt before the weekend’s out). Coogler makes some fantastic use of space, framing the camera for some beautiful wide shots when needed, along with a nice one shot, but the real magic happens during the 2nd half. The party sequence itself is worth the price of admission, possibly rivaling the one in Damian Chazelle’s Babylon. The camera flows just as well as did during the fight sequences of the Black Panther films. I’d imagine those sequences must look really awesome in those formats. 

The only real complaint I have over Sinners is that I felt that some of the decisions made in the 2nd half didn’t fully make sense to me, which ironically was some of the same issues I had with Robert Rodriguez’ From Dusk Till Dawn, which moves along similar lines. I get why the decisions were made, but at the same time, I kind of hoped for a little more there. That might be more of a nitpick than anything else. It’s has horror, someone’s bound to make a decision that threatens everyone else. Additionally, not every loop is closed. Most of the important ones were from a story standpoint, but there were one or two elements I would have like to have found out about. It’s not a total loss.

Oh, while you’re going to watch this, it may be best to send the little ones off to watch Minecraft. Sinners is seductive in a number of ways, and there are a few steamy scenes that aren’t for their eyes. Additionally, there’s also a copious amount of blood, that may also be a little off putting. Parental Guidance suggested, indeed. 

Overall, I loved Sinners. I’ve already scooped up Ludwig Goransson’s Score (which should be be available in about an hour, as of this writing) and would happily watch it again. Note that if you are going to see it, there is an extended Mid Credits scene that is longer that I expected it to be. Really, when it starts, you might as well sit back down if you stood up to go. There’s also a post credit scene as well, which isn’t as impactful, but fun to watch, all the same.

Trailer: Sinners (2nd Official)


Ryan Coogler and Michael B. Jordan have become their generations director-actor duo. Films like Fruitvale Station, Creed, Creed 2, Black Panther and Black Panther: Wakanda Forever has the two working together for over a decade and they continue with a new film that brings the two into a new genre with the period action horror Sinners.

We haven’t had a good horror film set in the Deep South and this one takes it a layer deeper by setting it during Jim Crow era. Knowing Coogler there’s bound to be more than just visceral action and horror for audiences to sink their teeth on.

Michael B. Jordan will be joined by other MCU alumni Hailee Steinfeld and Wunmi Mosaku and his frequent collaborators Ludwig Göransson, Autumn Durald Arkapaw and Michael Shawver.

Sinners is set for release on April 18, 2025.

Spider-Man: Across the Spider Verse (dir. by Joachim Dos Santos, Kemp Powers and Justin K. Thompson)


I broke a few rules with Spider-Man: Across the Spider Verse last Thursday at my local theatre. It was near empty, so thankfully, I didn’t disrupt things too much. I became that guy down in front that needed to be shushed because he was either finger pointing at something or exclaimed “Oh crap!” a little too loud. 2023 has given us many great films so far, but right now, Spider-Man: Across the Spider Verse is the frontrunner for the any awards for animation. As the ending credits rolled, I took a deep breath & rose on shaky legs, an experience that only hits me when I’m up very high staring over a ledge or adrenaline kicks in. I lost myself in that movie.

Or perhaps I’m just growing old.

Either way, Across the Spider Verse takes everything great about the Academy Award Winner Into the Spider Verse and turns it up a notch. The best experience is to go in as blind as you can. There are no real spoilers here (or at least, only a few), though times are changing. Within 20 hours of the film’s release, we already had videos on YouTube to help understand the ending and tons of Tiktokers posting in-theatre video. There’s almost no real reason to ever have to watch a movie in the theatre or maybe even write about one, although the experience is worth it. I’m somewhat jaded, though writing about movies is still fun, at least. Across the Spider Verse and it’s message of doing one’s own thing is inspiring. This is less of a review and more of just my experience with the movie.

Across the Spider Verse continues the tale of Miles Morales (Shameik Moore, Dope), the Official Spider-Man for his universe. Where the first story helped to flesh out the notion that anyone can put on the mask and use their abilities, this film focuses on the weight of responsibility that comes with it. Miles is doing great for himself. He’s come into his own with his powers, and does good with the city. He’s okay with his grades, but his relationship with his parents Rio (Luna Lauren Velez, The First Purge) and Jefferson (Brian Tyree-Henry, Bullet Train) could use some help since he’s keeping his other identity a secret . When Miles is visited by Gwen (Hailee Steinfeld, Bumblebee) on a mission of her own, he finds himself thrust into an adventure he’s not quite ready for. I missed the main trailers for this, which does give away some major plot points. That could also be a factor in why I enjoyed it so much. Everything, or most of it was new to me.

Three new directors are taking on the mantle for this sequel. This time around we have Avatar: The Legend of Korra’s Joachim Dos Santos, Cloudy With a Chance of Meatballs Producer Justin K. Thompson (who also was a producer for Into the Spider Verse) and One Night In Miami’s Kemp Powers (who also wrote Disney/Pixar’s Academy Award Winner, Soul). The story still belongs to Christopher Miller and Phil Lord, who are best known for the 21 Jump Street , The Lego Movies and most recently, The Mitchells vs. The Machines. I still argue that Lord Miller’s version of Solo could have been magic, but that’s another story.

The story in Across the Spider Verse builds off of the original in a number of ways, and the cast helps to flesh things out. New additions include Oscar Isaac’s (Triple Frontier) Miguel O’Hara, a Spider Man charged with protecting the Spider Verse. We also have Issa Rae (HBO’s A Black Lady Sketch Show, Little) as the motorcycle riding Jessica Drew, Academy Award Winner Daniel Kaluuya (Judas and the Black Messiah) as a punk rock Spider-Man named Brodie. As everyone’s seen in the trailers, Jake Johnson (Tag) is back as Peter B. Parker with a new addition in his life. The film is peppered with other cast members and cameos – much like the party sequence in The Lego Batman Movie, but ultimately, it’s Moore and Steinfeld’s characters that carry the most weight. It felt great and nerve wracking to worry about the fates of these characters.

My cousin would be particularly happy to find that the film passes what she refers to as the “Supernatural” Test. From her point of view, when Bela Talbot was introduced to the series Supernatural, Sam and Dean Winchester were rendered stupid in her presence. It was almost as if they just discovered hunting monsters. Miles and Gwen make for a great pair while still managing to be amazing at what they do separately. This doesn’t mean there’s a lack of vulnerability and/or quirkiness between the two, but when it counts, they both manage to bring something to the table.

There’s love and creativity flowing through every frame of Across the Spider Verse. Much like the original, colors are vibrant, and you truly feel as if you’re moving through the pages of your favorite comic book (dots and all). There are tons of blink-and-you’ll-miss-them moments thoughout the movie that warrant a 2nd (or 3rd) viewing or at least a major scrub through when the film reaches streaming. The cities are full of life and the action sequences are wonderful to behold. I can’t begin to wonder how any of it looks on an IMAX screen.

Composer Daniel Pemberton (The Bad Guys) also deserves a lot of love, as well as as the additional side music. He builds on the original themes, while adding some new ones in the process. If anything, some of the music may have been too loud.

Overall, Spider-Man: Across the Spider Verse is a near perfect sequel that had me cheering on the heroes and biting my nails at the unfolding story.

It’s the little things that has Sony Pictures Animation and Spider-Man: Across the Spider Verse working some magic.

Hailee Steinfeld and Jeremy Renner hit their marks in the Hawkeye Trailer


Hawkeye finds Clint Barton (Jeremy Renner) back in the spotlight when a vigilante similar to the Ronin appears in NYC. This leads him to Kate Bishop (Hailee Steinfeld, Bumblebee), an archer who’s just as good as our Avenger. What she’s into, we don’t know, but it makes for an excellent team up. The show bridges the character we know with the 2005 comic counterpart (with some changes to tie things into the current Marvel Cinematic Universe). With a Christmas setting, part of me hoped that Shane Black had a hand in it some where. Not to worry, as Mad Men and Bridgerton writer/producer Jonathan Igla is the showrunner here.

Hawkeye also stars Brian d’Arcy James (Spotlight), Vera Farmiga (The Conjuring), Zahn McClarnon (Doctor Sleep), Ava Russo (Avengers: Endgame), and Florence Pugh (Black Widow).

Hawkeye premieres on Disney Plus on November 24th.

The Women Film Critic Circle Honors Hidden Figures And Ghostbusters!


ghostbusters-2016-cast-proton-packs-images

The Women Film Critics Circle has announced their picks for both the best and the worst of 2016! And here they are:

BEST MOVIE ABOUT WOMEN
Hidden Figures
BEST MOVIE BY A WOMAN
13TH
BEST WOMAN STORYTELLER [Screenwriting Award]
13TH, Ava DuVernay
BEST ACTRESS
Natalie Portman, Jackie
BEST ACTOR
Casey Affleck, Manchester By The Sea
BEST YOUNG ACTRESS
Hailee Steinfeld, The Edge Of Seventeen
BEST COMEDIC ACTRESS
Kate McKinnon, Ghostbusters
BEST FOREIGN FILM BY OR ABOUT WOMEN
The Handmaiden
BEST DOCUMENTARY BY OR ABOUT WOMEN
13TH
BEST FEMALE IMAGES IN A MOVIE
Hidden Figures
WORST FEMALE IMAGES IN A MOVIE
Neighbors 2
BEST MALE IMAGES IN A MOVIE
Loving
WORST MALE IMAGES IN A MOVIE
Dirty Grandpa
WOMEN’S WORK/BEST ENSEMBLE
Hidden Figures
SPECIAL MENTION AWARDS COURAGE IN FILMMAKING
Ava DuVernay, 13TH
COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]
Rebecca Hall, Christine
*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women
American Honey
*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
Hidden Figures
*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
Hidden Figures
*THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
The women of Hidden Figures
BEST SCREEN COUPLE
Loving
BEST FEMALE ACTION HERO
The women of Ghostbusters