Can AI be used to make an entertaining horror short? We have a parking garage security guard searching the property because he hears a noise. He finds his coworker slain. A zombie starts rewiring the fuse box and turns off the lights in the garage. The zombie is smart He encounters the zombie and starts shooting and shooting, killing more and more zombies to heavy metal and that is the whole film. I enjoyed it. So, AI can make a fun horror short and actors will become a thing of the past. If you have 2.6 minutes to spare, check it out.
This is the last weekend of my vacation! I’ll be back on Monday. Here are a few film recommendations, inspired by both my vacation and the upcoming patriotic holiday!
Keeping The World Safe
Whenever anyone asks me what the best film ever made about Hawaii is (and it happens all the time, let me tell ya), I always reply with From Here To Eternity. Then I smile and say, “Or maybe it’s Hard Ticket To Hawaii!” Directed by Andy Sidaris, Hard Ticket to Hawaii (1987) has it all. A mutant snake, a sex doll-carrying assassin on a skateboard, a killer frisbee, the Molokai cops, a single-engine airplane, and Ridge from the Bold and the Beautiful! This is the film that taught me that the proper way to reply to a guy saying, “Nice ass!” was to smile and say, “You too, Pilgrim.” Hard Ticket To Hawaii is one of the most deliriously strange and entertaining films ever made and you can view it on Tubi!
After viewing Hard Ticket to Hawaii, be sure to check out Andy Sidaris’s other great film, Guns (1990). Guns not only features a tropical paradise but it also stars Erik Estrada, giving a totally over-the-top performance as the villain. Guns can be viewed on Tubi.
As a resident of Dallas, I will always have a soft place in my heart for Sidaris’s Day of The Warrior (1996), in which it is established that the world’s most evil secret organization is headquartered on top floor of the Bank America Plaza and that the evil mastermind lives in “North Dallas.” You probably have to be from Dallas to get the joke but it’s a good one. Day of the Warrior can be viewed on Tubi.
Finally, The Dallas Connection (1994)was directed by Andy’s son, Christian Drew Sidaris. I have to recommend this one because it not only takes place in Dallas but it’s actually named after the city as well! Filmed on location, this film features plenty of action and exploding toy boat. The Dallas Connection can be viewed on Tubi.
If you want your action stars to have a bit more of a social consciousness, Born Losers (1967) features Billy Jack (Tom Laughlin) in his first film appearance. In three subsequent films, Billy Jack would go on to fight for pacifism and Native American rights and would eventually becomes a U.S. Senator but, in this film, he just kills a bunch of bikers who have been harassing tourists in California. Born Losers can be viewed on Tubi.
God Bless America
Next Friday will be the Fourth of July. USA! USA! USA!
Invasion USA (1952)takes a look at what happens when a bunch of people take America for granted. Fortunately, Dan O’Herlihy is on hand to hypnotize everyone and force them to experience what life would be like if the communists took over America. Thank you, mysterious hypnotist! This film can be viewed on Tubi.
Years later, those commies were still trying to invade and divide America. Fortunately, Chuck Norris was available to stop them. Invasion U.S.A. (1985) features one of Richard Lynch’s greatest performances and it can be viewed on Tubi.
I Was A Communist For The FBI (1958) claims to tell the true story of a man who spent years working undercover as a communist. His family rejected him. His neighbors scorned him. This film is a real time capsule of the time it was made. That said, it’s portrayal of communists as being a bunch of upper class bigots who manipulate a working class that they have no interest in being a part of still feels relevant today. I Was A Communist For The FBI can be viewed on YouTube.
Odds and Ends
Cold In July (2014) is one of the best neo-noirs of the best ten years and it features an excellent performance from Don Johnson, whose weathered toughness gives him a gravitas that he was occasionally lacking in his younger years. It can be viewed on Tubi.
Finally, Jeff and I watched Smokey and the Bandit (1977) earlier this week. It’s one of Jeff’s favorites and, whenever I watch it, I’m always surprised to re-discover how much I enjoy it myself. Fast cars, a truck that looked a lot like the one my Dad used to drive, Southern scenery, and a theme song that gets stuck in your head, what’s not to like? I related to Sally Field’s confusion as to why anyone would want to eat at a “choke-n-puke.” It’s available on Netflix!
I recently reviewed John McTiernan’s classic scifi action Predator. It is a film that many kids both young and those young at heart loved watching on the bigscreen. The 1980’s some would consider the golden years of action filmmaking.
It was a decade where action instead of dialogue ruled. Where muscle-bound stars like Arnold Schwarzenegger and Sylvester Stallone dominated the box-office. Even with the resurgence and current renaissance of the action film genre, many still reminisce about the action flicks of the 80’s and how they truly didn’t make them like they used to.
If there’s ever a great example of just how over-the-top and testosterone-fueled the action films were of this decade of the 80’s (also known as the decade of excess) then one can’t go wrong with showing the uninitiated the jungle shootout scene from Predator.
One doesn’t need to be into guns to appreciate the majesty of this scene.
As you can probably tell by looking at the poster at the top of this review, the 1990 film Guns was Andy Sidaris’s attempt to make a Bond film. Not only does the poster feature a man in a tuxedo and two gun-wielding women but the tag line even reads, “James Never Had This Kind of Help!”
Much like a Bond film, Guns features a secret agent fighting to defeat an international conspiracy. The agent’s efforts lead her and her allies to several different cities in several different … well, really only one country. Being a Sidaris film, it’s doubtful the Guns really had the budget to film anyplace other than the United States but still, the action does move from Lake Huvasa, Arizona to Hawaii to Las Vegas. That’s about as close as a Sidaris film ever gets to featuring exotic locations.
(If Lake Havusa sounds familiar, that’s because Jimmy Kimmel gave away at trip to Lake Havusa during the Oscars.)
And like any good Bond film, Guns has a flamboyant and almost comically evil villain. Juan “Jack of Diamonds” Degas (telenovela star and future reality tv mainstay Erik Estrada) is an international gun dealer and an all-around sociopath. He’s the type who shoots someone and then smirks about it. He’s so evil that he’s even got Danny Tejo working as his main henchman! That’s really evil! Estrada gives a surprisingly good performance in the role. Especially when compared to the forgettable villains who appeared in Sidaris’s previous films, Juan Degas feels like a worthy opponent. It’s not just that he’s evil. It’s that he’s so damn smug about it. You can’t wait to see him get taken down.
Degas is planning on smuggling a bunch of Chinese weapons into America through a base on Hawaii. The only problem is that Donna (Dona Speir) and her new partner, Nicole Justin (Roberta Vasquez), are based in Hawaii! Degas knows that he has to get rid of them if he’s going to have any hope of succeeding. (For whatever reason, it never occurs to Degas to smuggle the weapons through Guam or American Samoa. I mean, there are other islands out there.) When Degas sends two cross-dressing assassins to kill Nicole, they end up not only shooting the wrong woman but also killing a friend of Dona’s as well.
Now, it’s personal!
Except, it was already personal. In a typical example of Sidaris’s make-it-up-as-you-go-along style of plotting, it turns out that Degas previously killed Donna’s father. And now, it appears that it might get even more personal because Degas has kidnapped the Attorney General of Nevada, who happens to be Donna’s mother!
Obviously, this means that it’s time to gather together another group of misfit agents and take down the bad guys. That means that Savage Beach‘s Shane Abilene (Michael J. Shane) and Bruce Christian (Bruce Penhall) both show up again. It also means that a lovable magician named Abe (Chuck McCann) gets to help out as well. Unfortunately, one member of the team is eventually blown up by a remote control boat.
That’s right! A remote control boat! For some reason, remote control vehicles were a Sidaris obsession and it’s not a Sidaris film without someone getting blown by either a remote control boat or helicopter.
Anyway, there’s a lot of explosions to be found in Guns but the good thing is that it’s women blowing stuff up and it’s women who are in charge of the entire operation. That’s the thing with a Sidaris film like this one. For all of the nudity and the double entendre-filled dialogue, Guns was an action film where women got to shoot the guns, beat up the bad guys, and ultimately save the world from a smirking misogynist. When Donna picked up that rocket launcher, it was both ludicrous and empowering at the same time.
Guns is one of Sidaris’s better films. For once, despite all of the usual Sidaris red herrings, the plot can actually be followed and Estrada is an appropriately hissable villain. While the film may not be able to compete with the best of the Bond films, it’s still more fun that SPECTRE.
Through the Shattered Lens 