Greta Scacchi | Through the Shattered Lens

Harrison Ford stars as Rusty Sabich, a smart and ambitious prosecutor who is accused of murdering his former mistress, Carolyn Polhemus (Greta Scacchi).

A lot of people were taken by surprise when Presumed Innocent first came out in 1990. After a career of always being the hero and the type of person who took his fate into his own hands, Presumed Innocent featured a passive Harrison Ford whose fate was in the hands of his lawyer, Sandy Stern (Raul Julia) and in the prosecutors who are trying to send him to prison. For most of the movie, the audience doesn’t know if Rusty is innocent and a lot of what Rusty does makes him seem to be guilty. Just the fact that Harrison Ford was playing someone who would cheat on his wife (played by Bonnie Bedelia, who everyone had last seen sticking up for Bruce Willis in Die Hard) was considered to be shocking at the time. It says a lot about Ford’s appeal as an actor that he remains sympathetic even though he’s playing a character who does a lot of bad things. He remains compelling, even though Rusty is forced to spend a good deal of the movie as a passive spectator. To anyone who underrates Harrison Ford an actor, this is the film to show them.

Presumed Innocent is a murder mystery but it’s also a sad-eyed look at a corrupt judicial system. Rusty is accused of murder largely due to the whims of fate. If Raymond Horgan (Brian Dennehy), Rusty’s former patron, had been reelected as district attorney, Rusty would never have been charged. When the trial moves to the courtroom, the Judge (Paul Winfield) himself is revealed to have been compromised by his own relationship with Carolyn, something that Sandy is willing to use to the defense’s advantage. John Spencer plays a detective who is willing to hide evidence to protect Rusty. Joe Grifasi plays a former detective who is motivated less by the evidence in the case and more by a personal grudge against Rusty. The idea of getting justice for Carolyn is pushed to the side by everyone’s personal drama. The ending challenges all of our preconceived notions about Rusty and the meaning of guilt and innocence.

Intelligently directed by Alan J. Pakula and featuring an excellent cast, Presumed Innocent is a top-notch legal thriller and also one of Harrison Ford’s best films.

1992’s The Player tells the story of Griffin Mill (Tim Robbins).

It’s not easy being Griffin Mill. From the outside, of course, it looks like he has the perfect life. He’s a studio executive with a nice house in Hollywood. He’s young. He’s up-and-coming. Some people, especially Griffin, suspect that he’ll be the president of the studio some day. By day, he sits in his office and listens to pitches from respected screenwriters like Buck Henry. (Henry has a great idea for The Graduate II!) During the afternoon, he might attends dailies and watch endless takes of actors like Scott Glenn and Lily Tomlin arguing with each other. Or he might go to lunch and take a minute to say hello to Burt Reynolds. (“Asshole,” Burt says as Griffin walks away.) At night, he might go to a nice party in a big mansion and mingle with actors who are both young and old. He might even run into and share some sharp words with Malcolm McDowell.

But Griffin’s life isn’t as easy as it seems. He’s constantly worried about his position in the studio, knowing that one box office failure could end his career. He fears that a new executive named Larry Levy (Peter Gallagher) is after his job. Two new screenwriters (Richard E. Grant and Dean Stockwell) keep bugging him to produce their downbeat, no-stars anti-capitol punishment film. His girlfriend (Cynthia Stevenson) wants to make good movies that mean something. Even worse, someone is sending Griffin threatening notes.

It doesn’t take long for Griffin to decide that the notes are coming from a screenwriter named Dave Kahane (Vincent D’Onofrio). Griffin’s attempt to arrange a meeting with Dave at a bar so that Griffin can offer him a production deal instead leads to Griffin murdering Dave in a parking lot. While the other writers in Hollywood mourn Dave’s death, Griffin starts a relationship with Dave’s artist girlfriend (Great Scacchi) and tried to hide his guilt from two investigating detectives (Whoopi Goldberg and Lyle Lovett). Worst of all, the notes keep coming. The writer, whomever they may be, is now not only threatening Griffin but also seems to know what Griffin did.

After spend more than a decade in the industry wilderness, Robert Altman made a critical and commercial comeback with The Player. It’s a satire of Hollywood but it’s also a celebration of the film industry, featuring 60 celebrities cameoing as themselves. Everyone, it seems, wanted to appear in a movie that portrayed studio execs as being sociopathic and screenwriters as being whiny and kind of annoying. The Player both loves and ridicules Hollywood and the often anonymous men who run the industry. Largely motivated by greed and self-preservation, Griffin may not love movies but he certainly loves controlling what the public sees. In the end, only one character in The Player sticks to her values and her ideals and, by the end of the movie, she’s out of a job. At the same time, Griffin has a social life that those in the audience can’t help but envy. He can’t step out of his office without running into someone famous.

The Player is one Altman’s most entertaining films, with the camera continually tracking from one location to another and giving as a vision of Hollywood that feels very much alive. Tim Robbins gives one of his best performances as Griffin Mill and Altman surrounds him with a great supporting cast. I especially liked Fred Ward as the studio’s head of security. With The Player, Altman mixes melodrama with a sharp and sometimes bizarre comedy, with dialogue so snappy that the film is as much a joy to listen to as to watch. That said, the real attraction of the film is spotting all of the celebrity cameos. (That and cheering when Bruce Willis saves Julia Roberts from certain death.) Altman was a director who often used his films to explore eccentric communities. With The Player, he opened up his own home.

Previous entries in 2025’s 14 Days Of Paranoia: