Retro Television Reviews: The Love Boat 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the third season of The Love Boat comes to a conclusion with an extra-long episode!

Episode 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”

(Dir by Gordon Farr and Richard Kinon, originally aired on May 3rd, 1980)

The finale of The Love Boat‘s third season features stage legend and two-time Oscar winner, Helen Hayes.  Hayes was considered to be such a big “get” for the show that she receives the zoom lens treatment when she steps onto the ship and all of the action seems to stop for a few minutes, presumably so the audience at home can give her a standing ovation.

Personally, I think Helen Hayes was pretty cool.  Along with being a hell of an actress (one whose career extended for over six decades), she was also the wife of Charles MacArthur, an acquaintance of the Algonquin round table, an outspoken Republican, a strong supporter of many charities, and a major benefactor of the Helen Hayes Hospital, a rehabilitation clinic in New York that has made major strides in treating physical disabilities.  To say that there are people in the world who can walk because of Helen Hayes is not hyperbole.

That said, Helen Hayes’s story is the dullest one on this cruise.  It’s not Hayes’s fault.  She is her usual outspoken and likable self.  It’s just the storyline itself doesn’t offer up much in the way of drama or comedy.  Hayes plays Agatha Winslow, a widow who was married to a friend of Stubing’s.  Stubing asks Julie to set Agatha up with someone but then they see Agatha hugging a younger man and Julie says that it won’t be necessary.

AGCK!  I HOPE NOT!  The younger man is played Helen Hayes’s son, James MacArthur!

No worries.  MacArthur is playing Scott Burgess, who is Agatha’s nephew.  Scott is a member of the protestant clergy who has never married because he feels that he has to take care of Agatha.  Scott and Beatrice Dale (Mildred Natwick) hope that Agatha will fall in love with and marry Beatrice’s brother, a businessman named Hollister (Maurice Evans).  Hollister owns a carpet company and he spends most of the episode look down at and commenting on the quality of the ship’s floor.  Agatha does not marry Hollister but she does realize that it’s time for her to move on and live her own life.  It’s all very pleasant but not very extremely interesting.

Far more interesting is the story of Gail Padgett (Christopher Norris), a woman who is boarding the ship because she needs to get away from her landline phone.  As she explains to Julie, someone has been calling and harassing her for months.  At no point does Julie suggest what I would suggest, which is that Gail should call the cops.  Indeed, when Gail starts to get calls on the boat, Julie never suggests calling the police or going to the captain or anything else.  Instead, Gail tells her stalker that she’ll meet him at the Pirate’s Cove Bar.  She tells Julie that she has a plan to humiliate him.  And again, you would think Julie might say, “How about we just arrest him when he comes in the bar?”  But instead, Julie smiles.  It’s the Love Boat!  No one is murdered on The Love Boat!  (Not yet, anyway.)

Gail’s stalker is a nerdy fellow named Melvin, who is played by a young Martin Short.  Before Melvin can arrive, Gail is approached by Jack Stander (Larry Breeding).  “Hi, I’m Robert Redford,” Jack says before admitting that he’s not Robert Redford and that he spent hours coming up with that opening line.  Thinking that Jack is her stalker, Gail takes Jack to her cabin where she get him to undress and then tosses all of his clothes out the porthole.  So now, Gail has not only flirted with and then stood up her stalker but she’s also committed theft.  WAY TO GO, GAIL!

Anyway, Gail eventually realizes that Jack is not her stalker and they fall in love.  Melvin is eventually revealed to be the caller but everyone laughs it off because he’s so nerdy.  (Because we all know how harmless nerdy stalkers are….)  This was a really weird story but, despite the stupidity of their characters, Christopher Norris and Larry Breeding made for a cute, likably vapid couple.

Maybe Gail should have gone to Wayne Dobson (Larry Wilcox) for help.  Wayne is an uptight assistant D.A. who has spent the last two months in a hotel room with Pat Bigelow (Catherine Bach), a witness to a crime who is in protective custody.  Even when Pat boards the cruise, Wayne has to come with her and stay in an adjoining cabin.  Pat is annoyed but she understand that Wayne is just doing his job. 

However, Wayne has fallen in love with Pat and he is upset to receive a telegram saying that the crooks have decided to plead guilty and that Pat can be released from protective custody.  Isaac, who was perhaps a bit too excited when he earlier thought Wayne was a male gigolo who was being paid to escort Pat, suggests that Wayne just lie and not let Pat know that her life is no longer in danger.  Wayne agrees and Isaac takes Wayne off to give him a makeover that will be so impressive that Pat will fall in love with him and reject notorious Love Boat lothario Mark Bridges (John McCook).

(Of course, any relationship that Wayne and Pat could ever have would be built on lies but whatever….)

Pat does fall for Wayne, though less because of the makeover and more because Wayne finally stops being so uptight.  She’s a bit miffed when she finds out that Wayne has been lying to her but she forgives him easily because this is The Love Boat.

Finally, after a night of skinny dipping leads to him losing his clothes and money, Doc announces that he’s through with women.  (And again, it doesn’t seem to occur to anyone that maybe Doc should call the police.)  That should be a relief to the crew because Doc really is a lawsuit waiting to happen.  Instead, they takes bets on how long it will take Doc to go back on his word.  It doesn’t take long.  Any story that centered around Doc being a Casanova just felt silly.  Bernie Kopell was likable as Doc but he was also a bit too naturally mild-mannered to be believable as a legendary lothario.

And so ends the third season of The Love Boat.  Vicki is now firmly a member of the crew.  Julie has given up on finding love.  Isaac and Gopher are as silly as ever.  And Doc is going to get the cruise line sued.  The 90-minute finale was a bit overextended and had some weak story elements but, overall, the third season was a lot of fun.  

Next week …. SEASON 4!

Retro Television Review: The Love Boat 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is actually a pretty good one.

Episode 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”

(Dir by Gordon Farr, originally aired on February 9th, 1980)

This week’s episode opens with Gopher in a panic.  His mother, Roz (Ethel Merman), is going to be on the cruise.  It’s her first big trip after the death of Gopher’s father and Gopher wants her to have fun because she’s been so depressed.  However, when Roz boards the ship, Gopher is stunned to see her laughing, singing, and hanging out with a male passenger named Lyle (Gene Rayburn).  Roz seems so happy that Gopher starts to worry that she didn’t love his father.

Of course, the opposite is true.  Roz is miserable but she doesn’t want Gopher to know how sad she’s feeling.  She doesn’t want Gopher to worry about her and she also doesn’t want to make Gopher feel any worse about losing his father.

This storyline handled loss and sadness with an intelligence and a maturity that I don’t think most people would ever expect to see on the show like The Love Boat, with both Fred Grandy and Ethel Merman giving sensitive performances as two people struggling to come to terms with their grief.  Gopher comes to realize that he’s been focusing on Roz’s grief so he’ll have an excuse to not think about his own and Roz comes to realize that she’s been doing the same thing to Gopher.

Now, of course, this is still The Love Boat so, of course, Roz ends up performing during the ship’s Passenger Talent Show.  And, yes, Gopher doe show up at the last minute and, in order to let her know that he now understands her feelings, sings a duet with her.  It’s a bit of goofy ending for an otherwise poignant story but, in its way, it definitely works.  It’s a sweet scene.

The Gopher/Roz storyline is so poignant and so well-handled that it pretty much overshadows everything else that happens on the boat.

Korean comic Jimmy Kim (Johnny Yune) finds romance with a reporter named Kendall Park (Momo Yashima) but Kendall is offended by Jimmy’s act (which is full of jokes about life in Korea).  However, after Roz talks about how much she enjoyed Jimmy’s humor, Kendall  changes her mind and she and Jimmy leave the ship as a couple.  This was an interesting story to watch and consider in the midst of our current, scolding, “That’s not funny” culture of 2023.  If anything, it showed that debates about what one can or should joke about are hardly new to this century.  But it just felt strange that it took a white woman appreciating Jimmy’s humor for Kendall to no longer be offended by jokes about Korea.  If anything it would seem that Roz saying that she enjoyed hearing jokes about Korea would leave Kendall feeling even more offended by Jimmy’s act.  I’m just glad that all of this didn’t lead to Captain Stubing doing his “I see you’ve been reading about your history” speech again.

Meanwhile, four blue collars friends board the ship.  Three of them (played by the Hudson Brothers) announce that they’re going to pretend to be wealthy professionals.  However, Paul Stockwood (Nicholas Hammond) announces that he is not going to pretend to be anything than the waiter that he is.  That’s before Paul realizes that the wealthy Leila Stanhope (Haley Mills) is on the boat.  Paul has waited on Leila several times at the Manhattan restaurant in which he works.  When Leila tells Paul that he seems familiar, Paul lies and says that he’s a wealthy writer.

It all seems to be working well, until Paul decides to bring Leila breakfast.  The sight of Paul carrying a tray of food is all it takes for Leila to remember who he is.  At first, Paul calls Leila a snob and Leila calls Paul a liar.  But then they fall in love anyway, which means that Paul will probably never have to work as a waiter again.  Yay!  Unfortunately, this storyline was hampered by the lack of chemistry between Nicholas Hammond and Hayley Mills.  They were both attractive but they were also difficult to buy as a couple.

Even though two of the storylines were somewhat flawed, the story about Gopher and his mother elevated this entire episode and it made it one of the best episodes of The Love Boat that I’ve watched so far.  This was a cruise to remember!

Retro Television Reviews: The Love Boat 3.16 “Making the Grade/The Gift/Doc’s ‘Ex’ Change”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Doc Bricker gets his moment in the spotlight.

Episode 3.16 “Making The Grade/The Gift/Doc’s “Ex” Change

(Dir by Gordon Farr, originally aired on December 15th, 1979)

Since the very first episode of The Love Boat, viewers have continually been told that Doctor Adam Bricker is a notorious swinger, a lothario was has been married numerous times and to whom almost every woman is immediately attracted.  There’s really not much about Bernie Kopell’s likable but rather mild-mannered performance as Doc that would lead anyone to think that any of that would be true but the show insists that Dr. Bricker is a legend of the high seas.

On this week’s episode, Doc’s most recent wife, Samantha (Juliet Prowse), boards the ship.  She and Doc split up a few years ago and they have a friendly relationship.  However, when Samantha informs Doc that her crooked lawyer never actually filed their divorce papers, Doc realizes that they are technically still married!  Will they get a quickie divorce in Mexico (which is Doc’s first idea) or will the give marriage another try?  (That’s Doc’s second idea.)  In the end, they realize that they are just too different to make a marriage work.  Samantha is smart and practical, while Doc is …. well, actually, Doc is the exact same way.  Doc insists that he and Samantha don’t have much in common but actually, they have a lot in common.  I think Doc is kind of fooling himself into thinking that he’s more of an impulsive wild man than he really is.  Anyway, at the end of the cruise, they decide to get divorced but at least they still like each other.  Doc never quit gets his heart broken like the rest of the cast does.  I guess that’s why he’s a legend.

Meanwhile, Vicki finally gets someone her own age to hang out with when Danny Harris (Johnny Timko) boards with his mother, Madeline (Jessica Walter).  Unfortunately, Danny is also kind of a spoiled brat and he’s really not happy when he discovers that his teacher, John Hurley (Dick Gautier), is also on board.  And then Danny is even more upset when John starts to romance Madeline.  And really, Danny has a point.  No one wants to see their teacher (or their boss) while they are on vacation.  And seriously, no one wants to deal with the idea of their teacher (or, again, their boss) suddenly becoming their stepfather.  That said, Danny eventually makes peace with the idea of his mom dating his teacher and everyone leaves the boat happy.

The final storyline features one of those plots that drives me crazy, because it could have easily been resolved by everyone not acting like an idiot.  Buddy Redmond (Red Buttons) boards the boat with his wife, Joan (Kaye Ballard).  Buddy claims that it’s been years since he last gambled but actually, he’s lying.  He has $2,000 in his suit pocket, money that he got from his bookie.  Joan doesn’t know about it.  When Joan hears that two other passengers, Benny Carter (frequent Love Boat guest star Sonny Bono) and Sally (Ronee Blakely), have lost their luggage, she donates Buddy’s jacket so that Benny will have something to wear at dinner.  When the envelope containing the money falls out of the jacket, Benny and Sally think that all of their financial problems have been solved.  Meanwhile, Buddy desperately wants to get back both the jacket and the money but he doesn’t want his wife to find out why.  Meanwhile, Benny and Sally need the money but they don’t want to steal it if it actually did fall out the jacket so they try to convince themselves that the envelope could have been left in their cabin by a previous passenger who is no longer on the boat.  Seriously, it’s exhausting to try to keep up with these people.  Fortunately, once Buddy discovers that Benny and Sally really need the money, he lets them keep it.  Joan is so touched that she totally forgets about the fact that her husband is apparently still a degenerate gambler.

Even by Love Boat standards, this was a silly episode.  At the same time, it was a pleasant diversion.  Juliet Prowse and Bernie Kopell made a nice couple, even if you never quite bought the idea of Doc being a playboy.  Red Buttons wisely underplayed his role and therefore, Buddy remained sympathetic even while demanding the return of his jacket.  Even Sonny Bono and Ronee Blakely were likable as a nice couple who found themselves in over their heads.  This cruise was silly but pleasant.

Retro Television Reviews: The Love Boat 3.9 “Trial Romance/Never Say Goodbye/A New Woman”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat gets a new member of the crew!

Episode 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

(Dir by Gordon Farr, originally aired on November 3rd, 1979)

This episode is a big one for Captain Stubing so let’s quickly get the non-Stubing storylines out of the way.

First off, Barney Briscoe (Louis Nye) and Rose Kennycott (Gale Storm) are two older passengers who board the ship looking for love.  Since they’re both kind of old-fashioned and not a fan of public displays of affection, Julie thinks that they would be perfect together.  Unfortunately, while Barney does like Rose, he also thinks that Julie is hitting on him while Rose thinks that the man Julie says likes her is Doc Bricker!  Rose decides to take matters into her own hands and heads to Doc Bricker’s office.  Thinking that she’s feeling ill, Doc tells her to go in the exam room and remove her clothes.  Rose, fearing that things are moving too quickly, flees from Bricker’s cabin.  Fortunately, she and Barney do end up together but Barney is always in such a cranky mood that you can’t help but feel that Rose is going to get tired of dealing with him after a week or two.

Meanwhile, Harry Stewart (Vic Tayback) boards the ship, fresh from getting finished with jury duty.  He was a part of jury that heard a case that drew national attention.  A woman was accused of poisoning her husband and the trial ended with a hung jury.  Harry explains to Gopher and Isaac that 11 men were ready to convict but the one woman on the jury refused to vote guilty.  That woman is Ann Noyce (Jo Ann Pflug) and — surprise! — she’s also a passenger.  Harry and Ann spend the entire cruise arguing the facts of the case before eventually falling in love. It’s a typical Love Boat storyline and Tayback and Pflug don’t exactly have the greatest romantic chemistry.  It’s easy to believe them when they’re arguing but not quite as easy to buy them as sudden lovers.

But really, the only storyline that matters is the one involving Captain Stubing and his daughter Vicki (Jill Whelan, who is listed as a guest star for this episode but joins the regular cast next week).  Now 11 years old, Vicki has been writing to Stubing on a regular basis and telling him about how much she wishes she could see him again.  However, Stubing tells Bricker that he has resolved never to see Vicki again because it would be too painful for him to have to say goodbye to his daughter all over again.  However, Vicki has discovered that Stubing is her father and she decides to take matters into her own hands by running away from home and boarding the ship in Acapulco.  Stubing finally admits that he is Vicki’s father but he still feels that a ship is not the right place for a child.  He returns her home to her aunt, just to discover that her aunt is in the middle of a divorce and she feels that Vicki should be with her father.  Stubing and Vicki return to the ship, where Vicki will now live.

Awwwwww!

Actually, I’m not totally sure how this thing with Vicki living on the ship is supposed to work.  She’s 11 years old, which is a bit young to be working on a cruise ship.  Does the Love Boat have a school on one of its decks?  Is Vick really going to be happy living on a boat that is largely populated by elderly people?  There’s a lot of questions to be considered but it really doesn’t matter.  Gavin MacLeod gives such a sincere and emotional performance that it feels almost churlish to obsess on the specifics of how Vicki is going to be raised.  Captain Stubing has always been more interesting of character than one might assume.  Though he’s often a bit goofy and it’s hard not to cringe whenever he gets a storyline that requires him to flirt, Gavin MacLeod always did a wonderful job of showing Stubing’s more vulnerable side.  Whether he was talking about Vicki’s mother or his own struggles with alcoholism, there was always an undercurrent of melancholy with Captain Stubing and MacLeod always seemed to make the most of those scenes that allowed Stubing to open up about his life and regrets.

In the end, the viewer is just happy that Captain Stubing has finally been reunited with his daughter.

Next week: The Dallas Cowboy Cheerleaders board the ship!

Retro Television Reviews: The Love Boat 2.27 “Third Wheel/Grandmother’s Day/Second String Mom”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the second season of The Love Boat comes to a close.

Episode 2.27 “Third Wheel/Grandmother’s Day/Second String Mom”

(Dir by Gordon Farr, originally aired on May 12th, 1979)

 It’s time for a special Mother’s Day cruise!

Gopher is excited because his mother, Roz (Ethel Merman), and his father, Eliot (an unwell-looking Robert Cummings), will be on the ship.  As quickly becomes clear, Gopher takes after his mother.  Like her son, Roz is impulsive, loves show business, and has issues with recognizing boundaries.  As soon as she boards the boat, she and Gopher are singing songs and imitating the Marx brothers.  Eliot, on the other hand, is quiet and reserved.  Interesting enough, Eliot has quite a bit in common with Captain Stubing.  Seeing Eliot and Stubing interact, the viewer suddenly understands why Gopher is always looking for the Captain’s approval.  Gopher and Eliot have a distant relationship and Gopher now sees Stubing as being more of a father figure to him than his own father.  Awwwww, how sad!

What’s even more sad is that it is easy to see that Eliot would like to be closer to his son.  He just doesn’t know how to go about it and he knows that he can’t compete with Roz’s carefree personality.  When Gopher and Roz agree to perform a number at a special Mother’s Day variety show, Eliot becomes jealous.  He claims that he’s worried that Roz is somehow going to embarrass Gopher in front of his co-workers but it’s obvious that Eliot is the one who is embarrassed by his lack of a relationship with his son.  It all works out in the end, of course and Gopher becomes closer to both of his parents.

Meanwhile, Mac O’Brian (Barry Nelson, best-known for being the first actor to play James Bond and for playing Mr. Ullman in Kubrick’s The Shining) is looking forward to a life of retirement.  Except, his wife, Maggie (Nanette Fabray), keeps having dizzy spells.  Doc examines her and announces that, despite the fact that she’s nearly 60, Maggie’s pregnant!  Maggie worries about how tell her husband, who has made it clear that he feels that he’s earned a rest from worrying about children.  At first, Mac doesn’t take the news well but never fear.  Things work out in the end because it’s The Love Boat!

Finally, Mary Noble (Michele Tobin) and her sister, Judy Noble (Shelly Juttner), are on their cruise with their father (Ken Berry) and his new wife (Beth Howland).  At first, they go out of their way to be rude to their new stepmother but eventually, they realize how happy she makes their father and they come to accept her.  Once again, everyone gets a happy ending on The Love Boat.

Despite the fact that it featured Gopher’s parents and offered up some insight into what made one of the show’s main characters tick, this episode of The Love Boat was pretty forgettable.  The success or failure of a show like this all comes down to chemistry and none of the guest stars on this particular episode seemed to have any.  Robert Cummings, in particular, looked absolutely miserable throughout the entire cruise while Barry Nelson and Nanette Fabray seemed more like strangers having a random hook-up than a longtime married couple.  I did like the storyline about the stepparent but that’s just because I could relate to the two sisters because I know me and my sisters had a tendency to get a bit bratty whenever we felt anyone was trying to take our mom away from us.  But, in the end, even this storyline felt like something The Love Boat had done better in the past.

Sadly, the second season of The Love Boat came to end with not a bang but a whimper.  Next week, we start season 3!