Film Review: Kelly’s Heroes (dir by Brian G. Hutton)


1970’s Kelly’s Heroes takes place in France during the Second World War.  The American army is moving through the country, liberating it town-by-town.  Private Kelly (Clint Eastwood) is a former lieutenant who was busted down in rank after leading a disastrous raid on the wrong hill.  (It was the fault of the generals but Lt. Kelly was set up as a scapegoat.)  When Kelly learns that the Germans are hiding a huge amount of gold in an occupied town, he gathers together a team of weary soldiers, misfits all, and plans to go AWOL to steal the gold for themselves.

Kelly’s Heroes was one of the big budget studio films that Eastwood made after finding stardom in Europe with Sergio Leone’s Spaghetti westerns.  This is very much an ensemble film, in the vein of The Dirty Dozen.  Indeed, Eastwood’s co-star, Telly Savalas, was in The Dirty Dozen.  Here, Savalas plays Big Joe, the sergeant who isn’t sure that he wants to put his men in danger for gold that may or may not exist.  Don Rickles plays Crapshoot who is …. well, imagine Don Rickles in the middle of World War II and you have a pretty good idea of who Crapshoot is.  Stuart Margolin, Harry Dean Stanton, Perry Lopez, Gavin MacLeod shows up as soldiers.  Carroll O’Connor plays the bombastic general who mistakes Kelly’s attempts to go AWOL for a brilliant tactical maneuver,  Like all of the senior officers in this film, O’Connor’s general is a buffoon.  Kelly’s Heroes was made during the Vietnam War and, much like Patton (released the same year), it attempts to appeal to both the establishment and the counterculture by making the heroes soldiers but their bosses jerks.

And that brings us to Donald Sutherland, who plays a tank commander named Oddball.  You may not have know this but apparently, there were hippies in the 40s!  Actually, I don’t think that’s true but there’s really no other way to describe Oddball than as a Hollywood hippie.  He’s a blissed-out, spacey guy who thinks nothing of accidnetally driving his tank through a building.  The films ask us to believe that the long-haired and bearded Oddball is a World War II tank commander and Sutherland is such a likable presence that it’s temping to just go with it.  Oddball was obviously included to bring in “the kids” but he does generate some needed laughs.  This is a very long movie and the comedic moments are appreciated.

Kelly’s Heroes is two-and-a-half hours long and it definitely could have been shorter.  Director Brian Hutton allows some scenes to drag on for a bit too long and he sometimes struggles to balance the moments of comedy with the moments of violent drama (quite a few character dies) but he does get good performances from his ensemble.  Eastwood’s taciturn acting style is nicely matched with Savalas’s more expressive style and it’s hard not smile at Don Rickles, insulting everyone as if they were guests at Joe Gallo’s birthday party.  The film, at times, doesn’t seem to know if it wants to be a satire or a straight heist film but the cast keep things watchable.  Eastwood even gets to show a few hints of the dry sense of humor that always hid behind the perpetually bad mood that often seemed to hang over him in his early films.  Whatever flaws the film may have, it was a box office success.  One year after this release of Kelly’s Heroes, Eastwood would make history as Dirty Harry.

VIOLENT CITY (1970) – starring Charles Bronson, Telly Savalas & Jill Ireland!


VIOLENT CITY opens with Jeff Heston (Charles Bronson) and Vanessa Shelton (Jill Ireland) living it up on a tropical island. They boat, they make love, and then spend some time enjoying the local island culture. Unfortunately, this is all a mirage and Jeff can’t escape the effects of his day job, that of a professional assassin. Soon a group of men are after him in a high speed chase on the narrow streets of paradise. Just when he thinks he’s gotten away, he’s double crossed and shot by his former associate, Jerry. Even worse, Vanessa gets in the car with Jerry and the two speed off. Waking up in jail, Jeff is visited by Steve (Umberto Orsini), the lawyer of his former boss Weber (Telly Savalas). Steve and Weber want him to come back and work for their organization. Jeff is more interested in finding Jerry and Vanessa, so when he finally gets out of jail, he turns their job offer down and continues on his odyssey into New Orleans. Jerry’s not too hard to find because he’s a professional race car driver. Jeff goes to his next race and shoots his tire out from long distance with a high powered rifle and watches as his car explodes in flames of death! Vanessa’s not so easy, not because he can’t find her, but because he loves her. He’d much rather make love to her than kill her, so that’s exactly what he does a couple of more times when he locates her. Even when he finds out she’s actually married to Weber, she’s able to convince Jeff that she only married him so she could be safe and that she despises him. She convinces Jeff that for them to be happy together that he should kill Weber. Does she really love him, or is she just using his badassery again? 

In honor of Jill Ireland’s birthday (April 24, 1936), I thought I’d review a Charles Bronson film that features a strong performance from his beautiful wife. And speaking of beautiful, she has never been any more beautiful than she is in VIOLENT CITY. I mentioned earlier that the film opens in a tropical paradise. Let’s just say that Bronson and Ireland are in peak physical condition and absolutely striking as they walk the island streets. With his chiseled features and mustache, Bronson is the perfect image of masculinity. With her blonde hair, curvaceous figure and perfect tan, she’s a vision of feminine beauty. Bronson’s Jeff Heston is as tough as it gets, and we soon find out that no man can get the better of him. It’s a tribute to Ireland’s performance that we don’t necessarily blame him for continuing to give her second and third chances, even to his own peril. And she saves her best work for the end, when we all find out that she has more going for her than just beauty. 

VIOLENT CITY was directed by the Italian filmmaker Sergio Sollima, whose other credits include the excellent spaghetti western, THE BIG GUNDOWN with Lee Van Cleef, and the solid “Polizziotteschi” crime film REVOLVER, with Oliver Reed. He gets more sensual performances from the stars than we’d get in future years, as they do lots and lots of loving on each other throughout the course of the film. The musical score is from the master composer himself, Ennio Morricone. It’s not quite ONCE UPON A TIME IN THE WEST level, but it’s really good stuff and quite memorable. If I had one complaint it would be that I wish Telly Savalas had more screen time as Weber. His character added life to the film whenever he appeared. He could be a real asshole, but he seemed to have a lot of fun, and he makes one hell of a cocktail (the moonlight passion)!

My final word on VIOLENT CITY is that it’s a solid Italian crime film, with a lean, mean Bronson, good action sequences, and a more than adequate Jill Ireland as a beautiful femme fatale. I certainly recommend it. Happy Birthday, Jill! 

VIOLENT CITY was initially released in America under the name THE FAMILY in hopes of drafting off the THE GODFATHER. See the trailer below.

Horror on TV: Kolchak: The Night Stalker 1.19 “The Youth Killer” (dir by Don McDougall)


Tonight on Kolchak….

There’s a new dating service in Chicago!  It’s only for the hot, single, and young!  So, why are some of the members turning up dead and suddenly old?  Could it be that the owner of the dating service has a less-than-ethical way of remaining young!?

Carl Kolchak is going to find out!

This episode aired on March 14th, 1975.  It’s not one of the better episodes but, as always, Darren McGavin is a lot of fun in the role of Kolchak.

Enjoy!