So, I Watched The Descent Part 2 (2009, Dir. by Jon Harris)


The Descent Part 2: Back to the Cave!

That’s what I would have called it.

Sarah (Shauna Macdonald) goes back to the caves that she barely escaped from during the first Descent to help the police look for the remains of her friends.  Sarah is suspected of killing all of them so I don’t think the police would have gone into a narrow cave with her.  Sarah was also traumatized by what happened in the cave so I don’t think she would voluntarily go back down there either.  As soon as they enter the cave, they get attacked by the crawlers.  What did they think would happen?

I loved the first Descent because it was a horror film that featured interesting and multi-layered women who weren’t just put on screen to be whimpering victims.  When I watched The Descent, I was just as invested in the personal drama as I was the horror in the caves.  I also liked that the first Descent left it open to interpretation about what actually happened in the cave.  The sequel didn’t really do that and it also didn’t add anything to the story.  Juno (Natalie Mendoza) returns but I’m not sure how considering what happened during the first movie.

The Descent Part 2 also shows a lot more of the crawlers than the first film did.  They’re much more visible and much more busy but they aren’t as scary once you can actually see them.  Plus revealing the crawlers as much as this movie does also ruins the ambiguity that I loved about the first Descent.

The Descent Part 2: More Splatter, Less Heart.

I should get a job writing tag lines.

 

Hidden Assassin (1995, directed by Ted Kotcheff)


After the Cuban ambassador to the United States is assassinated, the CIA worries that someone is trying to create trouble between the USA and Cuba.  With another Cuban-American summit due to be held in Prague, CIA Agent Dolph Lundgren is sent to arrest the assassin and bring her back to America to be tried before she can cause anymore trouble.  The CIA claims that the assassin is a sniper-turned-club owner named Simone (Maruschka Detmers) but, once it becomes obvious that whoever wants to keep her from going to America want to not only kill him but also her as well, Dolph starts to suspect that there’s a bigger conspiracy at work.

Hidden Assassin was the last feature film to directed by Ted Kotcheff and, while it’s definitely a direct-to-video action flick, it’s still a cut above similar films that were being released at the time.  Not surprisingly, the director of First Blood and Uncommon Valor knew how to shoot action films but he also did a good job directing the actors and everyone gives it their all in this film.  Amongst the lower-tier action films of the 90s, Dolph Lundgren was always a better actor than Van Damme and he also more likable than Seagal.  (Of course, a rabid bobcat is more likable than Steven Seagal.)  Lundgren is at his best here, believable as both an action star and a spy.  John Ashton of Beverly Hills Cop fame plays his partner and Gavan O’Herlihy plays his superior.  They’re both pros who know exactly how to handle the material.

Hidden Assassin has some plot holes, the least of which anyone would go through that much trouble to sour relations between America and Cuba.  America and Cuba haven’t gotten along for a very long time.  Still, the movie makes great use of Prague as a location and Lundgren is characteristically strong as the film’s hero.  There’s even some moments of deliberate humor that work surprisingly well.  Lundgren and Kotcheff were a killer combination and it’s too bad they didn’t do more movies together.

Top Of the World (1997, directed by Sidney J. Furie)


Ray Mercer (Peter Weller) has just gotten out of prison and already, he and his wife Rebecca (Tia Carrere) are heading to Nevada for a quicky divorce.  However, a stopover in Las Vegas leads to Ray having a run of luck in a casino owned by Charles Atlas (Dennis Hopper).  Ray and Rebecca start to reconsider their divorce but their reconciliation is temporarily put on hold when the casino is robbed by a bunch of thieves led by Martin Kove.  Because of Ray’s criminal history, the police (led by David Alan Grier) consider Ray to be the number one suspect.  Ray and Rebecca try to escape from the casino and clear Ray’s name, leading to a night on nonstop action and an explosive climax at the Hoover dam.

One thing that you can say about Top of the World is that it certainly isn’t boring.  The action starts earlier and lasts nonstop until the end of the movie.  No sooner has Ray escaped from one scrape than he finds himself in another.  Despite the low-budget, the action scenes are often spectacularly staged and exciting to watch.  Another thing that you can say about Top of the World is that, for a B-movie, it certainly has a packed cast.  Along with Weller, Carrere, Hopper, Grier, and Kove, the movie also finds room for Peter Coyote, Joe Pantoliano, Ed Lauter, Gavan O’Herlihy, Eddie Mekka, Cary-Hiroyuki Tagawa, and even Larry Manetti of Magnum P.I. fame.  This movie paid off a lot of mortgages and probably funded more than a few vacations.

One thing you can’t say about Top of the World is that it makes any sense.  It doesn’t.  There are so many holes in the plot that you could fly a helicopter through them and that’s exactly what this film does.  But with the nonstop action and the entertaining cast, most people won’t mind.  I certainly didn’t!

DEATH WISH 3 – The movie I’ve watched more than any other!


I’m on Day 3 of my discussion of Charles Bronson’s DEATH WISH series in chronological order. This series has brought me countless hours of entertainment over the last 40 years, so enjoy and let me know your thoughts!

DEATH WISH 3 is a very important movie to me. I recently closed my celebration of Charles Bronson’s 103rd birthday movie marathon on November 3rd with another viewing of DEATH WISH 3, the film that turned me into the only Charles Bronson superfan in Toad Suck, Arkansas. After a day of celebratory viewings of CHATO’S LAND, 10 TO MIDNIGHT (on VHS), FROM NOON TIL THREE, COMBAT: HERITAGE (on VHS), THE SEA WOLF (on VHS), and the original DEATH WISH, I had no choice but to watch DEATH WISH 3, a movie I have watched well over 100 times over the course of my life. DEATH WISH 3 is one of only four Charles Bronson films that I have seen on the big screen, as I was able to watch it at the Mahoning Drive-In in Lehighton, PA in June of 2022.

The third entry in the DEATH WISH franchise begins with Paul Kersey (Charles Bronson) riding a Go Big Red Trailways bus into New York City. Since this is an odd numbered DEATH WISH film, it takes place in New York. The even numbered films take place in Los Angeles. Kersey looks kind of grumpy as he rides into town. I would definitely avoid sitting next to him if I was a passenger on the same bus that day. We learn that Kersey’s coming into town to visit his old buddy, Charlie. Unfortunately, his arrival coincides with members of a violent street gang breaking into Charlie’s apartment and beating him to death. Just after the punks go running away from the scene of the crime, Kersey walks into Charlie’s apartment to find the man clinging to his last breath of life and asking Kersey to “take care of his things, until I get back.” Some of Charlie’s neighbors had called the police a little earlier, and they arrive just in time to find Kersey standing over the body, so they arrest him for his old buddy’s murder. This seems reasonable since Kersey is the only person wearing a sports jacket and button up shirt in this gang infested area. Kersey is taken to the police station where a group of cops commence to beating the crap out of him in hopes of getting a confession. After a few punches to the gut by the cops and the old “you can have water if you tell us what we want to know” routine, Lt. Richard Shriker (Ed Lauter) enters the room and promptly asks “Who’s this dude?” You see, Kersey is going under the alias Paul Kimble, but Shriker recognizes the dude as Paul Kersey, the vigilante from the original DEATH WISH. Shriker goes on to explain that he was with the New York PD the night they brought in a vigilante with a bullet in his leg who was out like a light. Having the vigilante in town again, light bulbs immediately go off over Shriker’s head and he quickly hatches a plan. It seems a gang of criminals, led by Mandy Fraker (Gavan O’Herlihy) has taken over the community and police have been powerless to stop them. First, it’s really hard to catch the gang members because some of them can run really fast, and second, when they finally do catch them, the gang members have lawyers who can get them off. Lt. Shriker decides he’ll let Kersey out of jail, but only if Kersey is willing to resume his vigilante ways, shoot some of the creeps, and even throw some street info the police department’s way so they can get a few busts. Paul Kersey immediately agrees even though he seems kind of tired. You can’t help but wonder if Kersey might be needing the release that only can be achieved through violence against creeps. In short order, Kersey sets up shop in his old buddy’s apartment so he can take care of his things, gets to know the local residents, waits for an arsenal of African big game pistols and rocket launchers to arrive via UPS, makes love to public defender Kathryn Davis (Deborah Raffin), and eats all sorts of local delicacies like stuffed cabbage and broiled chicken. As an added bonus, the neighborly Bennett (Martin Balsam) just happens to have a couple of Browning machine guns in his closet that he was somehow able to smuggle home from World War II. It’s against this backdrop that Kersey sets out to wage a one-man war against the violent gang that has turned the corner of Sutter and Belmont into hell on earth!

There’s not much I can say about DEATH WISH 3 that hasn’t already been said.  It’s a wild, over the top action film that would mark the 6th and final film that Bronson would work on with director Michael Winner.  It would also be Charles Bronson’s last film that would rise to #1 at the U.S. box office when it premiered on November 1st, 1985.  It features some fun performances, especially from Ed Lauter as Lt. Shriker, Gavan O’Herlihy as gang leader Mandy Fraker, and Kirk Taylor as the gang member known as the Giggler who “can really move,” but who’s still not fast enough to outrun a bullet! A pre-Bill and Ted’s Alex Winter also plays a gang member named Hermosa, continuing the series tradition of casting actors as street creeps who would go on to be a bigger star a few years down the road. DEATH WISH 3 is not a great movie in the traditional sense, but it’s one of the most enjoyable movies ever made if you’re in the right frame of mind. 

DEATH WISH 3 is the movie most responsible for my obsession with Charles Bronson. I received it as a Christmas present in 1986 when I was thirteen years old, and I proceeded to watch it almost daily for months. It was the only Bronson film I owned on VHS so I would watch it almost every night unless I had a basketball game, or I had been able to rent a different Bronson film from the video store.  I know every line in the film and no other movie holds more nostalgic value in my life. DEATH WISH 3 is a 5-star movie in my book in so many ways that have nothing to do with critical acclaim. As long as I’m breathing, long live DEATH WISH 3!!!

BONUS: We completed a roundtable a few weeks back on the THIS WEEK IN CHARLES BRONSON PODCAST, where we spend the entire episode discussing what we love about DEATH WISH 3. I had a blast on the episode with my partner in crime Eric Todd, as well as fellow “Buchinsky Boys” Chris Manson & David Mittelberg. We even throw some love TSL’s way during the episode. Give it a listen if you get the chance!

Automotive Stardom: The California Kid (1974, directed by Richard T. Heffron)


In 1973, a customized 1934 Ford three-window coup appeared on the cover of the November issue of Custom Rod.  The car had been created by legendary customizer Pete Chapouris and it was called The California Kid.  The cover caught the attention of television producer Howie Horowitz, who thought that maybe the car could become a star.

A year later, the car starred in it’s own made-for-TV movie.  Naturally, that movie was called The California Kid.

The California Kid takes place in 1958 in the small town of Clarksberg.  Clarksberg is known for being a town that does not tolerate speeders.  Sheriff Roy Childress (Vic Morrow) lost his wife and daughter to a speeder and, ever since, he’s become a fanatic about making sure that people respect the speed limits.  He’ll give a ticket to anyone who he sees going too fast.  He’ll even impound your car.  And if you don’t learn your lesson or if you try to outrun him, he’ll get behind your car, give it a push, and send both you and your vehicle plunging over the side of a mountain.

That’s what happens to Don McCord (Joe Estevez), a Marine who was just trying to get back to back to his base on time.  After Don and his car go over the side of a cliff, the official ruling is that it was an accident.  However, Don’s brother, Michael (Martin Sheen, real-life brother of Joe Estevez), doesn’t buy that.  Determined to prove that his brother was murdered, Micheal rolls into town, behind the wheel of the California Kid.

The California Kid is a typical 70s car chase movie.  There’s not much going on other than the sheriff chasing the Michael and the California Kid.  Martin Sheen coasts through the movie, doing the James Dean impersonation that he perfected in the previous year’s Badlands and Vic Morrow plays his thousandth sadistic authority figure.  The supporting cast is full of familiar names who don’t get to do much.  Michelle Phillips plays the waitress who falls in love with Martin Sheen.  (It’s always a waitress.)  Stuart Margolin is Morrow’s deputy and keep an eye out for Nick Nolte, playing a mechanic.  Interestingly, The California Kid was written by Richard Compton who, a year later, would direct Notle in his first starring role in the 1975 car chase film, Return to Macon County.  Of course, the real star of the movie is the car and the California Kid earns its star billing.  The movie might not be anything special but there’s no way you can watch it and not want to drive that car.

This is a made-for-TV movie so you won’t hear any profanity and the characters are all as simple can be.  However, there are enough shots of cars going over cliffs to keep chase enthusiasts entertained.

Bronson’s Old: Death Wish 3 (1985, directed by Michael Winner)


To quote Roger Murtaugh, “I’m too old for this shit.”

It has been ten years since Paul Kersey (Charles Bronson) left New York City and the place has gone to Hell.  It’s no longer just muggers that you have look out for.  Now, there are roving street gangs of directionless teenagers, terrorizing the elderly and forcing them to live like prisoners in their own apartment building.

One street corner now looks like a war zone, controlled by spiky-haired, face-painting punks who look like something from a Mad Max movie.  Manny Fraker (Gavan O’Herlihy) rules this street corner, supported by a gang that worships him as if he was some sort of god.  Manny thinks that he is immortal but he’s just targeted the wrong person.  The gang may think that Charley (Francis Drake) is just a defenseless old man but what they don’t know is that, when Charley served in Korea, his best friend was Paul Kersey.

The past few years have been busy for Paul.  He’s killed muggers and rapists in Los Angeles, Chicago, and Kansas City and now he’s returned to New York City, to visit his old friend Charley.  Paul arrives at Charley’s apartment just in time to witness Fraker’s gang murdering him.  The gang flees and when the police arrive, they take Paul into custody.

While public defender Kathryn Davis (Deborah Raffin) tries to figure out why Paul is being held in jail, Paul has a conversation with Lt. Shriker (Ed Lauter).  Shriker remembers Paul as being the New York vigilante and he has a proposition for him.  Paul can kill as many members of Fraker’s gang as he wants, as long as he allows the police to take the credit and reports everything that he discovers to Shriker.  Paul agrees.

In the neighborhood, Paul starts to put Fraker and his gang (one of whom is played by pre-Bill and Ted Alex Winter) in their place.  In a scene borrowed from Brian Garfield’s original Death Wish novel, he uses a used car as bait to gun down two aspiring car thieves.  When Paul gets a new gun, he tests it out on a depraved mugger known as the Giggler.  Though some might call him a serial killer, Paul is soon a hero to the entire neighborhood.  Though Charley may be gone, Paul befriends the other residents of the apartment.  He shows the elderly Kaprovs how to catch anyone trying to climb through their window.  He protects Maria Rodriguez (Marina Sirtis) from the gang.  Best of all, he befriend Bennett Miller (Martin Balsam), a World War II vet who still remembers how to load a machine gun.

(Balsam and Bronson previously co-starred in The Stone Killer, though in that one Bronson was a cop and Balsam was on the other side of the law.)

He also finds time to pursue a relationship with Kathryn Davis.  This is one recurring element in the Death Wish franchise that has never made sense to me.  Paul always has a new girlfriend, despite the fact that almost every woman that he ever gets involved with ends up getting killed.  Paul also only seems to go out with women who would be upset to discover that they were dating a notorious vigilante.  In Death Wish II, he went out with a crusading journalist who was against the death penalty.  In Death Wish 3, he falls for a public defender whose job is to provide legal counsel to the very people that Paul is trying to kill.  After Death Wish 3, Paul would date yet another crusading journalist and, finally, the ex-wife of a notorious mobster.  Maybe Paul should just give up and concentrate on mourning his wife.

Michael Winner returned to direct Death Wish 3 and, this time around, he imagines New York City as being a post-apocalyptic wasteland, full of abandoned buildings and murderous scavengers.  Imagine A Clockwork Orange if Charles Bronson suddenly showed up to shoot Alex and the Droogs.  As played by Gavan O’Herlihy, Manny Fraker is the type of seemingly indestructible bad guy who can actually give Paul Kersey a challenge, something that was missing from the previous films.

The other thing that distinguishes Death Wish 3 is that it was one the only film in the franchise to directly confront an obvious truth.  Charles Bronson was 53 when the first Death Wish was released.  By the time he made Death Wish 3, he was 64 and decades older than the typical action star.  (As way of comparison, Clint Eastwood was 55 when Death Wish 3 was released and was already experimenting with less action-orientated roles.)  By partnering him with Martin Balsam and the other elderly residents of the neighborhood, Death Wish 3 not only acknowledged Bronson’s advanced age but also took advantage of it.  Death Wish 3 is a film where the old folks finally get to teach the young punks a thing or two.  If the other Death Wish films were about one man fighting a lonely war, Death Wish 3 is about a community refusing to be silenced.  The chance to put those kids in their place even seems to perk up Charles Bronson, who gives one of his best performances in Death Wish 3.

Death Wish 3 may have been roundly despised by the critics but it’s the best of the Death Wish sequels.  It made a fortune at the box office so naturally, another sequel would follow.

Tomorrow: Death Wish 4: The Crackdown!

TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland)


Welcome back to Twin Peaks!

This episode starts with Major Briggs (Don S. Davis) explains what happened the night that he disappeared.  He says that he remembers “stepping from the flame, seeing a vague shape in the darkness, and then nothing until I found myself standing next to the cooled remains of our campfire the next morning.”  While Briggs is saying this, he’s sitting on a stone throne in the middle of what appears to be a lush rain forest.  Briggs says that hypnotism will not help him conquer his amnesia because his memories are “immune to regression.”  He does, however, remember seeing a giant owl.

Suddenly, Briggs is in the conference room at the sheriff’s office, describing the owl to Cooper (Kyle MacLachlan), Doctor Hayward (Warren Frost), and Harry (Michael Ontkean).  Harry asks Briggs what exactly his work involves.  Briggs replies that information is classified but some information has to be revealed for the good of the soul.  Briggs asks if they are familiar with Project Blue Book, the Air Force investigation into UFOs.  Briggs explains that Project Blue Book was officially disbanded in 1969 but it still continues in an unofficial capacity.  Briggs says that they are looking for a place called “The White Lodge.”

At that exact moment, two MPs step into the room and announce that they have arrived to take the major back to the base.  “Colonel O’Reilly’s orders,” they say.  (Colonel O’Reilly or The Cigarette Smoking Man?)  Despite Harry’s objections, Briggs leaves with the MPs.

In another office, Denise (David Duchovny, who would later continue the work of Project Blue Book in Twin Peaks‘s spiritual successor, The X-Files) is pressuring Ernie (James Booth) to make the call to Jean Renault.  Cooper comes in and eats doughnut while Ernie finally makes the call.

(This episode was directed by Todd Holland, who also directed several episodes of another show famous for its David Duchovny guest spots, The Larry Sanders Show.)

With the call having been made, Cooper checks with Lucy (Kimmy Robertson), who says that she checked all of the personal ads in all of the national newspapers that Cooper listed and she did not find any mention of Windom Earle or any chess moves.

At the diner, Ed (Everett McGill) gives Norma (Peggy Lipton) a five dollar tip and also slips her a note telling her that they need to talk.

At the Johnson house, Leo (Eric Da Re) is still spitting up on Shelly (Madchen Amick) and Shelly is still complaining to Bobby (Dana Ashbrook) about having to do all the work.  Bobby tells Shelly that she is looking at Ben Horne’s new apprentice and that he has better things to do than hang out with her and give Leo bubble bath.  Shelly slaps him.  Bobby leaves.

As the Marsh house, James (James Marshall) finally calls Ed and lets him know that he’s okay.  James says that he needs a favor.  As Evelyn (Annette McCarthy) listens, James says that he needs Ed to get all of the money out of his savings account.

“That’s only $12, James,” Ed says.

Once James has arranged to receive all twelve of his dollars, Evelyn asks him to tell her about his life in Twin Peaks.  James talks about Laura and, how after she died, he felt as if she had stolen his life.  James and Evelyn kiss and James notices that Evelyn is wearing sunglasses to hide a bruise on her face.  Evelyn tells James that she needs his help.

Back at the diner, Nadine (Wendy Robie) sits down at the counter next to Mike (Gary Hershberger) and asks him if he wants to share a piece of cherry pie with her.  “Oh Lord!” a horrified Mike shouts.  Mike explains that he wants nothing to do with Nadine.  He doesn’t want to talk to her.  He doesn’t want to walk with her.  He doesn’t want to see her.

Nadine replies with, “Mike Nelson, you are the handsomest boy I know and I would really like it if you and I could go out on a date.”  She kisses him, leaving Mike stunned.

After being questioned by a suspicious Hank (Chris Mulkey), Norma leaves to see Ed.

Harry comes to the Martell house and demands to know why Josie (Joan Chen) did not move into his place and why she is working as Catherine’s maid.  Josie says she is no good for Harry.  Harry disagrees and soon, they’re kissing as passionately as Nadine tossing a teenager at wrestling practice.

At the Great Northern, Audrey (Sherilyn Fenn) discovers Ben (Richard Beymer) on the floor of his office,  wearing a gray Confederate uniform and recreating the Civil War with miniature army men.  Ben explains that a war has broken out between the States and that he can not do anything until the war is over.

Norma arrives at the Hurley house and tells Ed that he is the last thing she thinks of before she goes to bed and the first thing that she thinks of when she wakes up.  She wants to be with him.  Ed has no problem with that.

At the Sheriff’s station, Cooper and Harry watch as Hawk (Michael Horse) gets Ernie wired up for his meeting with Jean Renault.  Ernie talks about serving in the Korean War.  Cooper tells him to focus on the here and now and they talk about how they’re going to set up Jean Renault.  Cooper says that he wishes he could take part in the operation but he’s been suspended by the FBI.  Harry deputizes Cooper.  Denise steps into the office and is now wearing a suit.  “You can call me Dennis,” he announces.

Andy (Harry Goaz) and Dick (Ian Buchanan) are breaking into an orphanage, searching for information on Little Nicky’s parentage.  Dick finds Nicky’s file but then a happy couple step into the office.  They are the Burnstons and they have arrived to see Donnie, the child that they will be adopting.

“Where is Donnie?” Mr. Bursotn asks.

“Little Donnie is dead,” Dick replies.  “Dead-tired, I mean!  I’m afraid Little Donnie isn’t feeling up to snuff.”

Andy suggests that maybe they should leave but Dick insists on “helping out these nice people.”

While this is going on, Donna (Lara Flynn Boyle) is knocking on the door of the Hurley house.  When Ed answer, Donna says that she needs his help.  She says that she can’t find James.  Ed says that James has left town but not to worry because he will soon have $12.

Donna leaves and then Norma slips out the back door.  No sooner has Ed finished saying goodbye to Norma then Hank pops up and punches Ed.  Nadine comes home from cheerleading practice, just in time to see Hank beating up Ed.  Since Nadine is now She-Hulk, she has little difficulty beating the crap out of Hank.

At the Great Northern, Ben is discussing Confederate war strategy with Bobby.  Bobby leaves the office and tells Audrey that her father has gone insane.  Audrey says that Dr. Jacoby is going to see Ben tomorrow.  “Don’t worry, baby,” Bobby says, “Bobby’s on the case.”  While they talk, Catherine sneaks past them and enters Ben’s office.  Ben recognizes Catherine and asks if she’s come to gloat.  “Well, go ahead and gloat,” Ben says, “I have defeated General Meade.”  Catherine says that, despite the whole attempted murder/insanity thing, she still loves Ben.

At the Marsh mansion, James reveals that he has fixed Evelyn’s car.  They drink champagne to celebrate.  Evelyn tells James that she can always tell what he’s thinking and then asks him for his plans.  She asks where he will go and James says he doesn’t know.  Evelyn tells him not to leave.  They kiss, with James not realizing that they are being watched by Evelyn’s brother, Malcolm. (Nicholas Love).

Outside of a farmhouse, Cooper watches through a pair of binoculars as Ernie and Dennis talk to Jean Renault (Michael Parks) and Preston King (Gavan O’Herlihy).  Renault notices that Ernie is sweating, like a man wearing a wire.  Ernie explains that he is naturally a heavy sweater.  However, the sweat causes the wire to short circuit and soon, smoke is coming from Ernie’s shirt.

Realizing that Cooper is watching, Renault comes out of the farmhouse, holding Dennis and Ernie as hostages.  He demands that Cooper show himself.  When Cooper steps out from hiding, Renault demands safe passage across the border.  Cooper offers a trade.  If Jean releases Dennis and Ernie, Cooper will agree to take their place as the hostage.  While this goes on, Harry orders Hawk to call in the state police.

That night, at the Marsh mansion, Evelyn leaves behind a sleeping James and goes to Malcom.  “How’s our baby boy?” her brother asks, “Lucky baby boy.  Lucky lucky lucky lucky lucky lucky….”

Back at the hostage standoff, the state police have arrived and even Andy is aiming a gun at the farmhouse.  Inside the farmhouse, King tells Jean that he wants to make a deal and then make a run for it.  Cooper, who has been beaten up, replies that the police will not make a deal and they will not let them run.  Surrender is the only option.

“Okay,” Jean says.  The only question is whether they give up quietly or if they kill Cooper first.

“Then we both die,” Cooper says.

Jean says he doesn’t care if he dies.  He just wants to avenge his two brothers.  He explains that everything was quiet until Cooper showed up.  After Cooper showed up, Bernie was shot in the woods and Jacques was smothered in a hospital.  Jean knows that Cooper did not kill either one of them but he suspects that Cooper brought “the nightmare” with him.  Maybe, Jean explains, the nightmare will stop if Cooper dies.

King says that he doesn’t know what Jean’s talking about but that they have a problem and it has to be solved.  King looks outside and sees a waitress approaching the farmhouse.  Is it Norma?  Could it be Shelley?  No, it’s Denise and, as soon as she entered the farmhouse, she reveals that she has a gun in her garter.  As Denise slams King against the wall, Cooper grabs the gun and kills Jean.

At the Johnson house, Shelly lies on the couch while the power goes on and off.  When Shelly gets up to investigate, she discovers that Leo is not in his bed or his wheelchair.  Instead, Leo’s standing in a corner, smiling at her and saying her name.  Shelly screams as the lights go out.

At the Sheriff’s office, Cooper, Harry, Hawk, and Andy arrive and Lucy tells them that someone called in to say that there was a bomb hidden in the woods.  Then there was a huge explosion and all of the lights went out.  As Hawk goes to turn on the backup generator, Cooper steps into the darkened station.  Using his lighter for illumination, Cooper discovers something.  He calls Harry into the station and tells him to come alone.

In Harry’s office, a dead man (played by Kyle MacLachlan’s brother, Craig) has been propped up in front of Harry’s desk.  On the desk, in front of the man, is a chess game.

Windom Earle has come to Twin Peaks!

This was an okay episode.  I can’t bring myself to care about anything that’s happening with James but “Checkmate” did a good job of wrapping up the Jean Renault plot and setting up the show’s next big storyline, Windom Earle.  Again, I was surprised to see that the whole Nadine goes to high school subplot holds up a lot better than I thought it would.

Tomorrow, I’ll be back with “Double Play,” in which the history of Windom Earle will be revealed!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson

A Movie A Day #102: Space Riders (1984, directed by Joe Massot)


Since today’s episode of Twin Peaks featured Gavan O’Herlihy, I decided that today’s Movie A Day would also feature him.  I nearly reviewed O’Herlihy’s best known film, Death Wish 3, but then I remembered that, at some point in the future, I am going to review all of the Death Wish films together.  Instead of reviewing Death Wish 3, I watched Space Riders on YouTube.

In Space Riders, Gavan O’Herlihy plays Ron Harris, a Grand Prix motorcycle racer who is lured out of retirement (and away from Marina Sirtis, who also appeared with O’Herlihy in Death Wish 3) to join a racing team sponsored by a Japanese motorcycle company.  Also on the team are Japanese racer Masao Yamashta (played by Toshiya Ito) and 2-time Grand Prix champion, Barry Sheene.  Sheene plays himself and Space Riders even opens with a recreation of an accident that nearly cost Sheene his life in 1982.  (In the movie, Sheene is trying to make a comeback after the accident.  In real life, the accident eventually led to Sheene’s retirement from the sport.)

There is no real plot to Space Riders.  It’s just one race after another, with the emphasis on the motorcycles and less on the men riding them.  The racing scenes are occasionally exciting and there’s some spectacular stunt work but it is nearly impossible to tell who is on each motorcycle until the race is over and everyone takes off their helmets.  There is an interesting scene where Yamashta imagines that he is being chased by a samurai on a motorcycle but that is pretty much it as far as character development is concerned.  O’Herlihy does okay with the role Ron, playing one of his few good guy roles.  (Even on Happy Days, the main thing that stuck out about O’Herlihy’s Chuck Cunningham was that no one liked him.  After O’Herlihy left the show, Chuck was never mentioned again, leading everyone to wonder what terrible fate has befallen Richie’s older brother.)

One thing that does distinguish Space Riders is the classic 80s soundtrack.  Who would have guessed that Hungry Like The Wolf would turn out to be perfect racing music?  Even though it’s no On Any Sunday, Space Riders will be enjoyed by motorcycle racing enthusiasts.

TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone)


The 10th episode of the 2nd season of Twin Peaks opens with a shot of Laura and Leland Palmer’s pictures on the mantle and a title card telling us that it has been three days since Leland’s death.

At the Palmer house, Mrs. Palmer (Grace Zabriskie) is preparing to bury her husband.  Doctor Hayward (Warren Frost) tries to give her a shot, which she refuses.  Agent Cooper (Kyle MacLachlan) assures her that Leland did not actually kill her daughter.

(It’s interesting to note that this episode was directed by Tina Rathone, whose last episode also featured a funeral.)

At Leland’s wake, the entire cast has shown up and they’ve all brought food.  Nadine (Wendy Robie) is dressed like a 1950s teenager.  Audrey (Sherilyn Fenn) wonders if people are invited to wakes or if they just show up.  Hank (Chris Mulkey) grabs all the food that he can.  Donna (Lara Flynn Boyle) tells Ed (Everett McGill) that James is blaming himself for everything that happened.  Ed promises Donna that James will eventually come back.  Speaking of coming back, Doctor Jacoby (Russ Tamblyn) has finally returned from Hawaii and arrived just in time for the wake.

Cooper tells Harry (Michael Ontkean) and Major Briggs (Don S. Davis) that he has some vacation time coming up so he will be sticking around town for at least a few more days.  The Major invites Cooper to go night fishing.

Twin Peaks’s elderly mayor, Dwayne Milford (John Boylan) throws a swing at his equally elderly brother, Dougie (Tony Jay), the owner of the town’s newspaper.  As Harry and Ed pull them apart, Pete (Jack Nance) tells Cooper that Dougie and Dwayne have had a running feud for over 50 years.  Cooper says he’s really going to miss Twin Peaks.

Fade to commercial.

When the show returns, Ed and Jacoby are at Twin Peaks High School and trying to talk the vice principal (Don Calfa) into admitting 35 year-old Nadine as a member of the senior class.  Nadine runs into the office and tells them to hurry up because class is about to start and she wants to try out for cheerleader.

Cooper is in his hotel room, packing.  Audrey comes in, says that she’s from customer relations, and asks if his stay has been satisfactory.  Audrey asks if Cooper’s just going to leave and break her heart.  Cooper explains that he can’t get involved with anyone who was involved in any of his cases.  Cooper explains that he once fell in love with a material witness.  He was supposed to protect her but, when the attempt was made on her life, he was not prepared and she died in his arms.

At the Johnson house, Bobby (Dana Ashbrook) is trying on Leo’s (Eric Da Re) suit.  Bobby is going to try to convince Ben into giving him a job.  Shelly (Madchen Amick) is already getting bored with her new life.

At the sheriff’s station, Harry walks into his office and finds Catherine (Piper Laurie) waiting for him.

“Hello, Harry,” Catherine says.

“Forgive me for saying so, Catherine,” Harry replies, “but aren’t you dead?”

Catherine shrugs.  She explains that, after the explosion at the mill, she woke up in the woods with no knowledge of how she got there.  She says that a guardian angel must have rescued her.  She spent a week living in the woods, eating only tuna fish.  Harry asks what made her come back.  Catherine says that she ran out of tuna fish.

In the lobby, Dick (Ian Buchanan) tells Lucy (Kimmy Robertson) that he wants to talk about their “bambino.”  Dick says he wants to be a father, he believes the child is his, and that he’s enrolled in parenting classes.  After hiding around the corner and listening to the conversation, Andy (Harry Goaz) walks into the lobby and says that, for the sake of the baby, they should all be friends.  As Andy later explains to Hawk (Michael Horse), the key to Lucy’s heart lies in “morals and manly behaviors.”

Cooper stops by Harry’s office to say goodbye.  Harry gives Cooper a parting gift of a special fishing lure and a Book House Boy patch.  Cooper then says goodbye to Hawk, Andy, and Lucy.  However, the goodbyes are interrupted by the arrival of FBI Agent Roger Hardy (Clarence Williams IIIand Preston King (Gavan O’Herlihy) of the Royal Canadian Mounted Police.

(Long before they both appeared on Twin Peaks, Clarence Williams III and Peggy Lipton co-starred on The Mod Squad.  Gavan O’Herlihy is the son of Dan O’Herlihy.  Best known for playing Conal Cochran in Halloween III, Dan will join the cast of Twin Peaks in one more episode.  As for Gavan, he is probably best known for playing Chuck Cunningham during the first season of Happy Days and getting shot by Charles Bronson in Death Wish II.)

Roger tells Cooper that he has been suspended from the FBI.  Cooper’s raid on One-Eyed Jack’s was a violation of FBI policy because it involved crossing the border into Canada.  Roger says that there are other allegations as well but they’re waiting for the evidence to arrive.  Roger explains that King was involved in a sting operation to capture Jean Renault and that Cooper’s actions screwed it up.  Also, the cocaine that King was using as a part of the operation disappeared after Cooper’s raid.  Roger tells Cooper that he has 24 hours to assemble his defense.

At the Great Northern, Audrey helps Bobby get into Ben’s office but Ben (Richard Beymer) immediately has Bobby tossed out.  Audrey saves Bobby from Ben’s goons.  In order to thank her, Bobby buys Audrey an ice cream cone.  “I like to lick,” Audrey says.

At Twin Peaks High School, Nadine tries out for cheerleader.  Nadine now has Hulk-like super strength now, which she demonstrated by picking up a student and throwing him through the air.

Bobby calls Shelly to tell her about the meeting.  While Shelly talks on the phone about how they have to put Leo in a home, Leo moves forward in his wheel chair.  “He moved!” Shelly says, shocked.

At the diner, Norma (Peggy Lipton) takes the fancy table cloths off the tables and complains to Vera (Jane Greer) about a bad review that the Double R got from the mysterious travel writer, M.T. Wentz.  Vivian reveals that she’s M.T. Wentz and she gave her own daughter’s diner a negative review.  Vera says that she can’t violate her professional ethics.

At One-Eyed Jack’s, Hank and Ernie (James Booth) are chasing women and acting like fools.  Hank is pressuring Ernie to steal Vera’s money.  Ernie says he could never do that, he’s gone straight.  That’s when Hank introduces Ernie to his new employer, Jean Renault (Michael Parks).  Jean is looking for someone to serve as a money launderer and Ernie agrees, bragging that he has set up deals for everyone from the Colombians to the Bolivians.  Jean is pleased and introduces Ernie to his other partner, Preston King of the Royal Canadian Mounted Police.

That night, Harry is woken up by someone knocking on the door to his cabin.  When he opens the door, Josie (Joan Chen), who was supposed to be in Seattle, stumbles in and collapses.

In the woods, Cooper and Major Briggs are camping, roasting marshmallows, and discussing right and wrong.  Briggs says that it is some men’s fate to face great darkness.  Briggs asks if Cooper has ever heard of the White Lodge.  Cooper says he hasn’t but he looks forward to hearing more about it.  Cooper then goes off to relieve himself.  There is a flash of white light.  “Cooper!” Briggs shouts as a hooded man appears in the woods.  Cooper runs back to the camp, just to discover that Briggs has vanished.

This uneven episode finds Twin Peaks struggling to establish an identity after the conclusion of the Laura Palmer storyline.  For me, the highlight was Leland’s wake, which showed Twin Peaks as a community.  Nadine’s adventures in high school may be cartoonish but they hold up better than I thought they would.  Finally, this was the first episode to mention that all-important White Lodge.

Tomorrow, both David Duchovny and Dan O’Herlihy join the cast in Masked Ball.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman