Lisa Marie’s Week In Television: 2/9/25 — 2/15/25

Posted on February 15, 2025 by Lisa Marie Bowman

Abbott Elementary (Wednsesday Night, ABC)

I loved the science fair episode, which I watched on Hulu on Wednesday afternoon! Ava is my favorite character so I enjoy any episode that deals with her troubled past, her unique principal style, and the moments where she actually turns out to be good at her job.

I also enjoyed the latest episode of Abbott, with Ava helping out the other schools and Jacob giving an impassioned speech to the school board that will probably come back to haunt him at some point in the future. After the previous season’s somewhat uneven mix of episodes, it’s nice to see Abbott Elementary going strong again!

Be My Valentine, Charlie Brown (Apple TV+)

Erin and I watched this on Thursday. It’s a holiday tradition! You can read Erin’s review here!

Dark (Netflix)

Case and I finished up season two this week. Onward to the season three next week!

Extracted (Monday Night, Fox)

In this new reality show, out-of-shape people go into the wilderness and try not to die. From a control room, their family members watch and debate whether or not to pull them out of the game. On Wednesday, I watched the first two episodes on Hulu. The show is ludicrous but it’s entertaining, as most good reality shows are. I would hope that my family would pull me out after the first ten minutes.

Kitchen Nightmares (Tuesday Night, Fox)

Finally leaving the ugly restaurants of New Orleans, Chef Ramsay helped out an ugly restaurant in Houston. Seriously, how does the show find these ugly places? This time, the restaurant owner got mad at Ramsay and even called him into the storeroom for a talk. Ramsay was still able to get through to her and save the restaurant. Yay!

Scamanda (Hulu)

On Tuesday, I watched the second episode of Scamanda, which revealed a bit about Amanda’s background and also her husband. The episode suggested that Amanda based her scam off of her husband’s stepdaughter from his first marriage and her very real battle with Leukemia. Not only does this show how twisted Amanda was but it also indicates that her husband was very much a part of her scheme. The second episode was marked improvement over the first. I’m looking forward to the third.

The Story Behind (Tubi)

I watched two episodes. One featured the story behind Beverly Hills 9o210. The other was the story behind Full House. Neither really told me anything that I didn’t already know.

Super Bowl LXI (Sunday Night, Fox)

The only thing more boring than the game were the commercials. A lot of people are making a big deal about Taylor Swift getting booed at the game. The Swifties are in an uproar but, honestly, it’s an American tradition to boo celebs at sporting events, especially ones who are only there because they’re dating a player. Taylor’s apparent shock at being booed has become a meme but it was actually a very relatable and human moment. I prefer Taylor’s “What’s going on?” to the celebs who either pretend to not to care or the ones who go into a rage mode the minute they have to deal with public opinion.

Watched and Reviewed Elsewhere:

Late Night Retro Television Review: Friday the 13th: The Series 3.3 “Demon Hunter”

Posted on February 14, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, a bunch of new characters show up! What the Hell!?

Episode 3.3 “Demon Hunter”

(Dir by Armand Mastroianni, originally aired on October 14th, 1989)

I have read that one of the biggest mistake that aspiring screenwriter make when they attempt to create a compelling spec script for their favorite show is that they’ll often introduce new characters. Instead of focusing on the established stars of the show, they’ll have a new character show up and suddenly become the center of the story. It’s a mistake because, no matter how good the script may be, it doesn’t work as an episode of the series that the writer is trying to get a job with. Showrunners don’t want a writer who can write about new characters. They want a writer who can work within the framework of what the show has already established.

This week’s episode of Friday the 13th feels very much like a failed spec script.

Make no mistake. Jack and Micki are in it. They spend the entire episode at Curious Goods, where they are originally seen putting a cursed dagger in the vault. With Ryan having been transformed into a child in the previous episode, Micki makes Jack a partner in the shop. Johnny Ventura (played by new series regular Steve Monarque) is also in this episode, though he’s called to the store a bit later than Micki and Jack. I guess Johnny is now a part of the group, even if he doesn’t have a job at the shop. For all the time the show spent establishing Johnny as being an edgy delinquent during the second season, this episode finds Johnny as a rather conventional leading man. He listens to a baseball game and, at one point, he’s seen making a model ship.

That said, the majority of the episode is dominated by a bunch of new characters. The Cassidys are a family of militia types who, having rescued Bonnie Cassidy (Allison Mang) from a bunch of cultists, are now on the run from a demon that is determined to kill them. The Cassidys have some sort of demon tracker device that leads both them and the demon to Curious Goods, where Micki, Jack, and Johnny join in the effort to destroy the demon. The Cassidys are so prominently featured in this episode and take up so much screentime that the episode almost feels like a backdoor pilot about them. The Cassidys are even featured in black-and-white flashbacks that show us how they rescued Bonnie.

The problem, of course, is that we don’t know the Cassidys so its a bit jarring to see them take over the episode. After what happened in the previous episode, I think most viewers would have a lot of questions about what happened after Jack, Micki, and Johnny returned from France. For instance, what did they do with Ryan? Did they drop Ryan off with his mother? Did they leave him in France? We don’t find out in this episode and it’s actually kind of insulting to anyone who has spent the previous two seasons getting wrapped up in Ryan and Micki’s adventures. Instead of answering the questions that they had to know that viewers would be asking, the show’s writers expect us to care about the Cassidys.

Even without John D. LeMay, Robey and Chris Wiggins had a likable chemistry. Micki and Jack were the strongest thing this series had gone for it as the start of season 3. Why push them to the side for a family that we’ve never seen before and will probably never see again? As far as guessing what the rest of Season 3 will be like is concerned, it’s not a good sign.

Hopefully, I’ll be proven wrong in the weeks to come.

Late Night Retro Television Review: Friday the 13th: The Series 3.1 and 3.2 “The Prophecies”

Posted on February 7, 2025 by Lisa Marie Bowman

This week, we start season 3!

Episode 3.1 and 3.2 “The Prophecies”

(Dir by Tom McLoughlin, originally aired on October 7th, 1989)

The third season starts with a 90-minute episode, one that was split into two parts when the show was later re-aired. It’s a rather strange episode, one that takes the Curious Goods crew far from Canada and one that also see Ryan transformed into a…. well, we’ll get to that.

When the episode starts, Ryan is in a state of shock because he recently ran into his mother (Jill Frappier) while visiting the grave of his brother. His mother walked out on Ryan and his father after the death of Ryan’s brother and the reunion between the two leaves Ryan feeling conflicted. As he blames himself for both the death of his brother and his father, he can’t help but wonder what he would do if he had the opportunity to do everything over again.

Meanwhile, Micki is running the antique store with none other than Johnny Ventura. Last season, Micki disliked Johnny and she had ever right to as Johnny tended to be a little bit stalker-ish in his behavior towards her. But, with the start of this season, it appears that all has been forgiven.

As for Jack, he’s in a small town in France. He received a letter from Sister Adele (Marie-France Lambert) telling him about some apocalyptic visions that she’s been having. Those visions are largely the result of fallen angel Asteroth (Fritz Weaver), who is determined to bring the AntiChrist into the world by following the step laid out in the Books of Lucifer. He has to kill a nun and he’s decided that Adele is that nun. However, Asteroth cannot get to her.

But then Jack gets shoved down a flight of stairs and ends up in the hospital. Ryan, Micki, and Johnny fly over to France. Ryan is promptly possessed by the Devil and he murders Sister Adele! But now, for some reason, Asteroth also needs to murder a young girl who seems to know Ryan and whose presence in the episode is never really explained. In order to free Ryan from being possessed, it’s necessary to transform him back into a small child. Eventually, God gets tired of all this and Asteroth bursts into flame.

The ending is a bit ambiguous about what this all means but I do know that this was John D. LeMay’s last episode and that Johnny Ventura will become a series regular as well. (Steven Monarque, who played Johnny, is still listed as a guest star in this episode.) So, I guess Ryan, who no longer has any memory of Micki or any of his Curious Goods adventures, is going to go live with his mother and grow up again and I’d love to know how Jack and Micki are going to explain that to his mom.

This was a weird way to write Ryan out of the show. (If anything, Ryan sacrificing himself to save Micki and/or Jack would have made much more sense and been just as powerful an ending.) But, with all that mind, this was still a good episode. While the episode did not film in France, it does feature some location work in Quebec and those scenes are full of ominous atmosphere. Fritz Weaver was an appropriately creepy Asteroth. Speaking of being creepy, John D. LeMay did a great job playing possessed Ryan. This episode was not always easy to follow but it was scary and atmospheric and it worked surprisingly well.

Bye, Ryan! I’ll miss you.

Lisa Marie’s Week In Television: 1/26/25 — 2/1/25

Posted on February 1, 2025 by Lisa Marie Bowman

My sinuses were really bothering me this week so I didn’t watch much, other than the shows that I review for this site. I mean, it was literally a struggle for me to look at a screen, whether it my phone, a laptop, or a television for more than a few minutes without getting a headache.

I did watch two more episodes of Dark with Case. This intriguing German show gets more and more creepy with each episode.

On Sunday, Jeff and I watched a football game. It was Taylor Swift’s team vs someone else. Taylor Swift won.

I watched Kitchen Nightmares. This week’s restaurant was boring. I’m hoping for another Amy’s Baking Company style fiasco.

And I watched Hell’s Kitchen. Really? They eliminated Egypt? First Brandon and then Egypt? Weakest final two ever!

Finally, I watched and reviewed Miami Vice, CHiPs, Fantasy Island, Pacific Blue, The Love Boat, Monsters, Malibu CA, Highway to Heaven, St. Elsewhere, Friday the 13th, Welcome Back Kotter, and Check It Out!

And that’s it, thanks to my sinuses. Bleh!

Late Night Retro Television Review: Friday the 13th: The Series 2.26 “Coven of Darkness”

Posted on January 31, 2025 by Lisa Marie Bowman

This week, the second season comes to an end.

Episode 2.26 “Coven of Darkness”

(Dir by George Bloomfield, originally aired on June 12th, 1989)

Jack and Ryan have recovered a “witch’s ladder,” and they’ve put it in the vault. However, Lysa Redding (Maria Ricossa) is a witch who wants the ladder back. Lysa (and I do always enjoy hearing my name, even if it is misspelled) is the head of a coven that was connected to evil old Uncle Lewis. Lysa performs a ceremony that causes Ryan to become possessed so Micki has to become a white witch so that she can battle the dark witches.

Now, I should mention that Micki has never had magical powers before. In the past, she’s usually been the down-to-Earth skeptic of the group so Jack suddenly announcing that Micki is actually a powerful witch took me by surprise. But anyway, Micki is able to use her powers to break Lysa’s spell. It’s such a grueling experience that Jack says its possible that she’s used up all of her magic powers. What? Really? I guess …. okay, I don’t know what to say about that. They suddenly gave Micki magic powers and then took them away.

This was a weird episode. Based on this episode and Prisoner, I’m going to guess the production was nearly out of money at the end of season two. Coven of Darkness takes place over three different locations and it’s mostly just continual jump cuts between Lysa spellcasting and Ryan freaking out and Micki looking intense. It all feels very cheap and basic and not at all like a typical episode of Friday the 13th. Instead of using their wits to defeat evil, Chris and Micki use magic. It just doesn’t feel right.

I’m going to guess, though, that this was an attempt to reboot the show for the third season. I’ve seen enough of the third season to know that the reboot didn’t stick around but I can kind of see what they were going for. With John D. LeMay not planning on being a part of the third season, it perhaps seemed like it would be a good idea to turn the show into the Micki Witchcraft Hour. And it probably would have been interesting but it definitely wouldn’t have had the same feel as classic Friday the 13th.

This brings season two to an end. It was, overall, a good season, though I think the show lost its way a little towards the end. The introduction of Johnny Ventura was rather clumsily handled and a few too many episodes seemed to forget that the show was supposed to center on finding Lewis’s cursed antiques. The highlight of the show was the chemistry between the three leads. I’m curious to see how the upcoming season will play without Ryan.

We’ll find out starting next week!

Lisa Marie’s Week In Television: 1/19/25 — 1/25/25

Posted on January 25, 2025 by Lisa Marie Bowman

Here are just a few (admittedly, very few) thoughts on what I watched this week!

Abbott Elementary (Wednesday Night, ABC)

Unlike the characters in Abbott Elementary, I’m not a fan of the American Labor Movement but I still enjoyed this week’s episode about a bus strike. The remote learning stuff was definitely the highlight of the episodes.

Dark (Netflix)

Case and I are continuing to watch this German show on Netflix. It’s a very intriguing saga of time travel and murder.

Hell’s Kitchen (Thursday Night, Fox)

Without Brandon in the competition, who cares? It seems kind of obvious that Egypt’s going to win.

Kitchen Nightmares (Tuesday Night, Fox)

Chef Ramsay saved another restaurant in New Orleans. That’s good and all but I still wouldn’t want to eat anywhere that’s been featured on Kitchen Nightmares. Once a mess, always a mess. At least, that’s the way that I view things as far as food preparation is concerned.

The Oscar Nominations (Thursday Morning, Hulu)

The nominations didn’t do much for me this year. Honestly, I have to wonder how long it’s going to be until ABC dumps the Oscars and the ceremony is reduced to just streaming on Hulu. It’s going to happen sooner or later.

The Presidential Inauguration (Monday, C-Span)

I’m thankful for C-Span. I was able to watch the whole thing without any commentary for either side.

I also watched and reviewed:

Late Night Retro Television Review: Friday the 13th: The Series 2.25 “The Prisoner”

Posted on January 24, 2025 by Lisa Marie Bowman

This week, Johnny goes to prison!

Episode 2.25 “The Prisoner”

(Dir by Armand Mastroianni, originally aired on June 5th, 1989)

After Johnny Ventura’s father is killed by an invisible man….

Wait, what’s Johnny doing here?

No, don’t get me wrong. I understand why Johnny’s there, mostly because I have the benefit of hindsight. I know that Johnny is going to replace Ryan during the third season and this episode was obviously designed to get the audience used to the idea of Johnny being a part of the show. The majority of the episode follows Johnny as he’s sent to prison, having been framed for murdering his own father. The culprit is another prisoner, Dayton Railsback (Larry Joshua). Dayton has a kamikaze pilot’s jacket that allows him to turn invisible whenever blood is spilled on it. Whenever Dayton’s invisible, he sneaks out of the prison and searches for some money that he stole ten years earlier. Johnny is the only person in the prison who knows what Railsback is doing so soon, he’s being targeted by the invisible man.

While Johnny is dealing with life in prison, Micki, Ryan, and Jack are attempting to prove that Railsback is the murderer. It’s a bit odd because the three of them — our stars! — are barely in the episode and, when they do appear, they’re just hanging out in the antique shop. They talk about all of the investigating that they’ve been doing but we don’t actually see them doing it. Watching the episode, one gets the feeling that John D. LeMay, Robey, and Chris Wiggins all shot their scenes in one day and then left on an extended vacation. They showed up just long enough to establish this as being an episode of Friday the 13th, despite the fact that almost the entire episode is about Johnny.

Needless to say, it was a bit of a disjointed episode. The show kept jumping from Johnny in prison to Railsback killing people outside of prison to everyone hanging out in the antique shop and it was a bit difficult to keep track of who was planning what. Myself, I was surprised at how quickly the show went from Johnny’s father being murdered to Johnny getting tossed into prison. We don’t even see Johnny’s trial. Johnny was passed out when his father was shot and, quite frankly, it seems like he could have made a very credible argument that he was framed. (The invisible Railsback puts the gun in Johnny’s hands but he doesn’t manipulate Johnny into pulling the trigger so it’s not like there would have been any powder residue on Johnny’s fingers.) Johnny and his father appeared to have a pretty good relationship so you really have to wonder what type of case the prosecution made. The episode ends with Johnny killing Railsback and then being released from prison. So, is Johnny going to have to on trial again? I mean, he just stood there while Railsback burned to death.

Weird episode. It didn’t do too much for me. I’m going to miss Ryan once season 3 starts.

Late Night Retro Television Review: Friday the 13th 2.24 “The Shaman’s Apprentice”

Posted on January 17, 2025 by Lisa Marie Bowman

This week, Micki is faced with a moral dilemma.

Episode 2.24 “The Shaman’s Apprentice”

(Dir by William Fruet, originally aired on May 29th, 1989)

Micki’s friend, Blair (Isabelle Mejias) is in the hospital. She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them. Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live. Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies. All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.

However, Blair has found a reason for hope. There is a Native American doctor named John Whitecloud (Paul Sanchez). He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved. Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn. However, Whitecloud appears to be capable of saving anyone. Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.

Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving. It’s not a cursed antique. Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis). Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else. Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it. When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….

….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die. Why, Micki wonders, should Lamar get to live while Blair dies? Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way. Jack says that their job is not to play God.

Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife. Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault. (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.) Micki is angry and depressed that Blair is probably going to die. Blair stands on a street corner and stares at Whitecloud’s now empty clinic. Roll the end credits!

Wow, that was depressing! But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note. Not many shows would have had the courage to resist coming up with some sudden, miracle solution. This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always. This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas. This was a depressing episode but it was a good one.

Lisa Marie’s Week In Television: 1/5/25 — 1/11/25

Posted on January 11, 2025 by Lisa Marie Bowman

Here’s some thoughts on what I watched this week as I waited for the snow to arrive.

Abbott Elementary (Wednesday Night, ABC)

The idea of the dark and cynical It’s Always Sunny In Philadelphia crossing over with the earnest Abbott Elementary sounds like something that shouldn’t work but, instead, it worked brilliantly. Dee becoming Janine’s best friend and then trying to steal away Gregory was brilliant. I was so proud of Charlie, learning how to read at a kindergarten level. Barbara is a wonderful teacher.

Check It Out (Tubi)

Look for my review later tonight.

Dark (Netflix)

As the snow fell in Texas, Case and I watched two more episodes of Dark. We’ll have to get around to reviewing this intriguing German show soon.

Degrassi High (Tubi)

Look for my review tomorrow!

Doc (Tuesday Night, Fox)

This is a new show about a doctor who has amnesia. I feel like this show is going to be limited by the fact that she’s going to have to get her memory back at some point. I watched the premiere but I don’t remember much about it. Maybe I’ve got amnesia!

Fantasy Island (YouTube)

You can read my review here!

Friday the 13th: The Series (YouTube)

You can read my review here!

Going Dutch (Thursday Night, Fox)

The second episode of Going Dutch, much like the pilot, didn’t do much for me. I doubt I’ll be watching the third episode.

Hell’s Kitchen (Thursday Night, Fox)

It’s black jacket time! I felt sorry for Amanda, who I would have kept over the eternally aggrieved Whit. That said, it’s pretty obvious that Brandon’s going to win.

Highway to Heaven (Tubi)

You can read my review here!

Kitchen Nightmares (Tuesday Night, Fox)

Kitchen Nightmares has returned for another season. Chef Ramsay is in New Orleans, helping terrible restaurants prepare for the Super Bowl. This week featured part one of the two-part season premiere. I think that the restaurant that Ramsay is trying to help is a lost cause but we’ll see what happens next week. Nothing kills my appetite quicker than a cockroach-filled episode of Kitchen Nightmares.

The Love Boat (Paramount Plus)

You can read my review here!

Monsters (YouTube)

You can read my review here!

Pacific Blue (Tubi)

I started reviewing Pacific Blue this week. I have a feeling I’m going to regret this decision.

Shifting Gears (Wednesday Night, ABC)

Tim Allen will always be Buzz Lightyear to me and I like Kat Dennings but the first episode of their new sitcom didn’t do much for me. They really should just call it Last Auto Mechanic Standing.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

A bunch of middle-aged celebs are put through special forces training and are ridiculed when they drop out. Telling 50-somethings Stephen Baldwin and Denise Richards that they failed themselves by not completing the training feels a bit silly. Baldwin dropped out because he didn’t want to get hurt because it would cost him an acting job he had lined up. (As far as I can tell, that’s a totally understandable concern.) Richards was accused of being a princess because she didn’t want to drown. Unless the goal is to actually put together a unit of out-of-shape commandos, how about giving it a rest with the whole, “The Corp doesn’t want quitters!” routine?

St. Elsewhere (Hulu)

You can read my review here!

Welcome Back, Kotter (Prime)

You can read my review here!

Late Night Retro Television Review: Friday the 13th: The Series 2.23 “The Maestro”

Posted on January 10, 2025 by Lisa Marie Bowman

This week, it’s personal for Jack!

Episode 2.23 “The Maestro”

(Dir by Timothy Bond, originally aired on May 22nd, 1989)

Famed choreographer Anton Pascola (Colm Feore) is fond of saying that great art requires pain and he would know. A former dancer, Anton was injured in an accident and now walks with a pronounced limp. He has devoted his life to choreography and he has a small company of dancers who are devoted to him, despite his fearsome temper. Because Anton’s dancers tend to be accident prone and also suicide-prone, there are frequent openings in his company.

Pascola’s newest dancer is Grace Cowell (Cynthia Preston). Grace is young and naive and she thinks her dreams are about to come true. She is also the daughter of one of Jack’s best friends. When she takes Jack, Ryan, and Micki to a Pascola-choreographed performance of Romeo and Juliet, they are shocked to hear that the lead actors recently leapt out of a window together. When Jack discovers that one of the cursed antiques is a Victorian music box that plays an amazing symphony but also forces the listeners to dance until they die, he realizes that Grace is in danger.

For all the time that they spend searching for cursed antiques, it’s amazing how often Jack, Ryan, and Micki just happen to stumble across one being used by someone they know. I understand, of course, that it’s meant to add an extra personal element to their adventures. Trying to save the daughter of his (never-seen) best friend adds something to the story that wouldn’t be there if Jack was trying to save someone he wasn’t personally close to. But, at times, the way that this show depends on coincidence can get to be a bit much.

That said, Jack’s personal connection to this week’s antique does lead to one of the show’s most devastating endings. Proving that he practices what he preaches, Anton dances to the music box’s symphony while an audience watches. He dances until he dies. Unfortunately, Grace is dancing with him and she dies as well. This is not the first time that someone close to the main characters has died on this show. What makes this episode unique is Jack’s reaction. Jack has always been the wise father figure who helps to keep Micki and Ryan strong. But when Grace dies, Jack has a breakdown. He goes from obsessively trying to clean Grace’s blood off the music box to throwing antiques across the shop. For once, it’s Micki and Ryan who have to calm down the distraught Jack.

The episode has more than a few plot holes and Grace’s actions often don’t make sense. Even after she discovers that Pascola is killing his dancers, she still wants to work with him. The implication is that she’s been brainwashed by his claims that art requires pain but there’s a difference between pushing yourself and killing yourself. If Grace had previously acted like someone who had a death wish, the episode would not only make more sense but it would actually be a good deal more interesting. That said, as someone who grew up going to dance classes and rehearsing and performing, I’ve certainly known my share of Anton Pascolas. This was an episode to which I could relate.