The Pulps Have The Halloween Spirit! Do You?


By Jack Davis

Halloween is right around the corner!  Are you ready?  I’m disappointed because my neighborhood really hasn’t decorated much for Halloween this year.  It’s supposed to rain for the next three days so my neighbors better hurry up and put up some ghosts and some pumpkins and get in the holiday spirit!

Do you need help getting in the holiday spirit?  Here’s some help from the pulps!

Artist Unknown

By Earle Bergey

Artist Unknown

 

by Doris Stanley

artist unknown

By Frank Frazaetta

by Rudolph Zirn

Artist Unknown

by Rafael De Soto

by Robert Stanley

by Rudolph Belarski

The Pulps Go To The Moon


by John Melo

56 years ago today, the first manned spaceflight to the Moon touched down on the lunar surface.  Let’s celebrate this wonderful anniversary with a little help from the pulps!  Not only were these covers illustrated by some of the finest artists working in the business but they also show how people imagined life on the Moon before Neil Armstrong took his one small step.

by Joe Orlando
by Roger Kastel
by Frank Frazetta
by Edmund Emshwiller
by Albert Drake
by Lawrence Sterne Stevens
by Robert Graef
by Howard V. Brown
by Walter Popp
by Enoch Bolles

 

Celebrate Moon Day With The Pulps


by Enoch Bolles

54 years ago today, the first manned spaceflight to the Moon touched down on the lunar surface.  Let’s celebrate this wonderful anniversary with a little help from the pulps!  Not only were these covers illustrated by some of the finest artists working in the business but they also provide a clue as to how people imagined life on the Moon before Neil Armstrong first stepped out of the capsule.

by Albert Drake

by Edmund Emshwiller

by Frank Frazetta

by Howard V. Brown

by Joe Orlando

by Lawrence Sterne Stevens

by Robert Graef

by Roger Kastel

by Walter Popp

by John Melo

 

Halloween Havoc! Extra: The CREEPY Artwork of Frank Frazetta


gary loggins's avatarcracked rear viewer

Illustrator Frank Frazetta (1923-2010) is well known among fans for his brilliant artwork in the fantasy/horror/sci-fi genres, especially his covers for the paperback reissues of CONAN THE BARBARIAN in the 60’s. Frazetta did a lot of covers for Warren Publications’ black and white horror comic line, and here is a gallery of his work from the covers of CREEPY:

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Art Profile: The Creepy Covers


Creepy was an horror magazine from Warren Publishing that was originally published from 1964 to 1983.  An anthology magazine, it featured stories introduced by Uncle Creepy himself.  Below are a few of Creepy‘s famous and sometimes sordid covers, all of which are perfect for Halloween!  When known, the artist has been credited.

By Jack Davis

By Jack Davis

By Frank Frazaetta

By Frank Frazaetta

1929

By Bernie Wrightson

By Bernie Wrightson

4445

By Richard Corben

By Richard Corben

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Artist Profile: Frank Frazetta


FRANK FRAZETTA

For the latest “Artist Profile” I have picked one of the icons and giants in the realm of fantasy art. This artist has influenced many artists who looked up to him as a mentor and inspiration. His work has also fired up the imaginations of writers and filmmakers the world over. The artist I speak of was the great Frank Frazetta.

Frank Frazetta is one of those artists whose work has become so recognizable that people know it’s his artwork even without any sign pointing it out. He has been in the forefront of fantasy artwork since he switched from doing comic strips and comic books during the 40’s and 50’s to painting covers for Warren Comics such as Vampirella, Creepy and Eerie. It was during this same time period that he began to create some of his most iconic pieces when he painted the covers for the paperback editions of Edgar Rice Burroughs classic character such as Conan and John Carter of Mars. In fact, one of the Conan paintings he did, Conan the Destroyer, sold for $1.5million dollars at an auction this past Summer of 2010.

He would add to his body of work during the 1970’s by painting album covers for such rock bands as Dust, Nazareth, Molly Hatchert, Wolfmother and Yngwie Malmsteen. One such album cover was an earlier original painting Frank used for the band Molly Hatcher. It would introduce a character who has spawned it’s own industry of comic books, posters, novels, games and collectible statues. This painting is The Death Dealer (the picture above) and it has become the one piece of Frazetta artwork which a majority of his fans around the world consider his best work.

Frank Frazetta passed away on May 10, 2010 in a Florida hospital near his home. Frank’s legacy is not just the hundred or so of paintings he had kept through the decades of his career, but also the uncounted artists he had influenced. Fantasy artists of renown themselves such as Boris Vallejo, Julie Bell, Joseph Vargo, Ken Kelly and Brom. The pieces of work chosen for this profile are just the tip of the work Frank left behind for future generations to study and admire.

The Daily Grindhouse: The Sword and The Sorcerer (dir. by Albert Pyun)


It’s been awhile since I picked a film for the Grindhouse of the Day feature. For this go-round I will go into the little-known grindhouse fantasy subgenre.

Grindhouse flicks seem to always deal with horror, blaxploitation, Italian murder mysteries and scifi, but the fantasy subgenre has always been kept from the conversation. This is a shame since there’s been some very good (in grindhouse terms) flicks in the fantasy genre that could qualify as grindhouse. I would especially point out the ones made after the release of the very popular Conan the Barbarian. The one I chose is from that grindhouse master of the 1980’s: Albert Pyun. I speak of his 1982 sword and fantasy flick, The Sword and the Sorcerer.

The film definitely riffs-off of the Schwarzenegger-Milius fantasy epic. We have a kingdom conquered and destroyed by an evil tyrant who uses black-armored soldiers in addition to getting the help of an undead sorcerer. This time around the Conan-archetype is played by 80’s TV star Lee Horsley who does a valaint effort to affect a Shakespearean speech pattern (for some reason when people think fantasy they instantly try to speak like they were in a Shakespearean production). Baddie icon Richard Lynch plays the evil tyrant and he definitely looked like he was having the time of his life in the film despite the corny dialogue. There’s an abundance of graphic violence, nudity and magic spells (done in early 80’s heavy metal effects).

One thing this flick does have which made it a cult classic for fans of the fantasy genre is the sword in the title. The main character of Talon wielded a three-bladed sword. Let me repeat that: A THREE-BLADED SWORD. The sword wasn’t just sporting three blade but the wielder has the ability to shoot two of the blades at someone. Definitely puts to shame those sissy Spetnaz ballistic knives. Arnold may have had an Atlantean-forged blade in Conan the Barbarian, but Lee Horsley definitely outsworded him in his flick.

Another thing about this flick which makes it a favorite of mine is the poster art created for it. The producers of the film did one other thing right outside of populating the film with a kick-ass sword, much nudity and violence. I talk of the Frank Frazetta painted posters done up for the flick. More than one version were done depending on the region. The one above which was the original was the best and the film definitely lives up to what Frazetta painted.