4 Times The Academy Got It Right: 1920s


In previous years, I’ve used Oscar Sunday as a chance to write about what the Academy has gotten wrong over the years, the snubbed classics and the unworthy winners.  This year, though, I want to do something a little different.

I want to take a look at the time that the Academy made the right decision, either by picking the best film for Best Picture or even just by giving a nomination to someone who actually deserved it.  Consider this to be my attempt to add some positivity to what has otherwise been a pretty negative awards season!  We all love to criticize the Academy and goodness knows that much of that criticism has been deserved over the years but occasionally, they do get it right!

Here are 4 times the Academy got it right during the 1920s!

(Before anyone thinks that I’m condemning the Academy with faint praise, the first Oscars were handed out in 1928 so, for this decades, there are really only a handful of winners and nominees to choose from.)

  1. All Quiet On The Western Front Wins Best Picture

All Quiet On The Western Front was the third film to win the Oscar for Best Picture and it was the first truly great film to win the award.  If Wings and Broadway Melody were rewarded largely because of internal politics, All Quiet On The Western Front won because it truly deserved it.

2. Sunrise Wins The Academy Award For Unique And Artistic Picture

At the first Oscar ceremony, two awards for Best Picture were given out.  Best Picture went to Wings, which is good but not great.  The award for Unique and Artistic Picture, however, went to F.W. Munrau’s sublime Sunrise.

3. The Racket Is Nominated For Best Picture

The Racket was one of the three films to be nominated for the very first Best Picture Oscar in 1928.  It’s nearly forgotten today but it still remains significant because it was the first gangster film to be nominated for Best Picture and it was also the first genre film.  The Racket started a long tradition of American movies about organized crime, one that includes The Godfather, Goodfellas, The Irishman, and so many other films.  As well, The Racket was long considered to be a lost film until someone stumbled across the last remaining copy in the 70s.  Never stop searching for those lost films!

4. Warner Baxter Win Best Actor For In Old Arizona

The 2nd Academy Awards ceremony was a strange one, largely because only the winners were announced and no one is quite sure how the Academy settled on those winners.  That said, Warner Baxter’s award for starring in In Old Arizona does feel historically significant.  He was the first actor to win for appearing in a western and he won for playing not a lawman but an outlaw.  In fact, his amoral character served as a template for many of the characters who would populate the Spaghetti westerns of the 60s and the 70s.

Up next: the 1930s!

My Oscar Predictions


Well, since the big show is tomorrow, I guess it’s time for me to try to predict what I think will win. Up until four weeks ago, I would thought Power of the Dog would be the obvious front runner but CODA seems to be the film that people are responding too. The same is true of Penelope Cruz, who went from being an also-ran to the new front runner in just a matter of days.

In short, this Oscar race is up in the air. Almost anything could happen. It should be exciting, though I think most people will be tuning in not to see who wins but to see how bad the show is.

Anyway, here are my predictions! We’ll see how right I am (or how wrong I am) tomorrow night!

Best Picture — CODA

Best Director — Jane Campion, The Power of the Dog

Best Actor — Will Smith, King Richard

Best Actress — Penelope Cruz, Parallel Mothers

Best Supporting Actor — Troy Kostur, CODA

Best Supporting Actress — Ariana DeBose, West Side Story

Best Original Screenplay — The Worst Person In The World

Best Adapted Screenplay — CODA

Best Animated Feature Film — Encanto

Best International Film — Drive My Car

Best Documentary Feature — Attica

Best Documentary Short Subject — Audible

Best Live Action Short Film — The Long Goodbye

Best Animated Short Film — Affairs of the Art

Best Original Score — Dune

Best Original Song — Dos Origuitas from Encanto

Best Sound — West Side Story

Best Production Design — Dune

Best Cinematography — The Power of the Dog

Best Costume Design — Nightmare Alley

Best Makeup and Hairstyling — The Eyes of Tammy Faye

Best Film Editing — Don’t Look Up

Best Visual Effects — Spider-Man: No Way Home

 

6 Classic Trailers For March 25th, 2022


Since it’s Oscar week, it seems like a good idea to devote the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers to 6 classic films that received not a single Oscar nomination. That’s the way the Oscars are unfortunately. Sometimes, the best films are totally ignored.

For instance….

  1. Chappaqua (1967)

1967 was a great year for the movie so perhaps it’s understandable that the Academy somehow overlooked Chappaqua.  Still, this film was far more deserving a nomination than Doctor Doolittle.

2. Beyond the Valley of the Dolls (1971)

Valley of the Dolls received an Oscar nominations for its score.  However, it’s unofficial sequel didn’t even receive that.  Not a single nomination went to Beyond the Valley of the Dolls, not even Best Original Song.  In 1970, the Academy just wasn’t ready.

3. Coffy (1973)

Ellen Burstyn certainly deserved the Oscar for Alice Doesn’t Live Here Anymore but still, how could the Academy not nominate Pam Grier for her work in Coffy?

4. Dawn of the Dead (1978)

The Academy will probably never embrace the zombie genre.  They certainly weren’t prepared to do so in 1978.  That said, it’s way past time to give Tom Savini an honorary award.

5. The Warriors (1979)

The Warriors is another classic that went unnominated.  Not even the music got a nomination.  David Patrick Kelly was totally snubbed.  The Baseball Furies should have been sitting in front row on Oscar night.  It’s a true shame.

6. Death Wish 3 (1985)

Give the Giggler an Oscar!

4 Shots From 4 Films: Special David Lean Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth and the legacy of the great British director, David Lean!  He was born 114 years ago today and went on to become one of the most important and influential directors of all time.  Lawrence of Arabia is still held up as one of the best adventure films ever made.  My personal favorite Lean film remains Brief Encounter.  Here are….

4 Shots from 4 David Lean Films

Brief Encounter (1945, dir by David Lean, DP: Robert Krasker)

The Bridge on the River Kwai (1957, dir by David Lean, DP: Jack Hildyard)

Lawrence of Arabia (1962, dir by David Lean, DP: Freddie A. Young)

Doctor Zhivago (1965, dir by David Lean, DP: Freddie A. Young)

4 Shots From 4 Films: Special Akira Kurosawa Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens honors both the birth and the legacy of the great filmmaker, Akira Kurosawa!  It’s time for….

4 Shots From 4 Akira Kurosawa Films

Throne of Blood (1957, dir by Akira Kurosawa, DP: Asakuza Nakai)

Yojimbo (1961, dir by Akira Kurosawa, DP: Kazuo Miyagawa)

Kagemusha (1980, dir by Akira Kurosawa, DP: Takao Saito and
Masaharu Ueda )

Ran (1985, dir by Akira Kurosawa, DPs: Takao Saito, Masharu Ueda, and Asakazu Nakai)

4 Shots From 4 Films: Special Stardom Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

With the Oscars approaching, it seems appropriate to pay tribute to stardom with 4 shots from 4 films!

4 Shots From 4 Films About Being A Star

Mulholland Drive (2001, dir by David Lynch, DP: Peter Deming)

Chicago (2002, dir by Rob Marshall, DP: Dion Beebe)

Maps to the Stars (2014, dir by David Cronenberg, DP: Peter Suschitzky)

The Neon Demon (2016, dir by Nicolas Winding Refn, DP: Natasha Braier)

4 Shots From 4 Films: Special Russ Meyer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

100 years ago, on the very day, Russ Meyer was born in San Leandro, California.  Meyer would get his start filming newsreels during World War II (many of his newsreel footage were used in the 1970 Oscar winner, Patton).  When he returned to the United States, he continued to make films.  Meyer was one of the pioneers of the adult film industry, though his films seem rather quaint and innocent when compared to the industry’s later films.  Meyer’s strong visual sense and his intentionally over-the-top plots made him a favorite amongst underground critics.  In the 70s, he was briefly embraced by mainstream Hollywood but, unhappy with having to deal with studio bosses, Meyer returned to making the type of independent, grindhouse films that made him famous.

Russ Meyer was 82 years old when he died in 2004.  He was acclaimed as one of America’s first and greatest independent filmmakers.

Here are 4 Safe-For-Work Shots From 4 Russ Meyer Films.

4 Shots From 4 Films

Faster, Pussycat! Kill! Kill! (1965, dir by Russ Meyer, DP: Walter Schenk)

Motorpsycho (1965, dir by Russ Meyer, DP: Russ Meyer)

Cherry, Harry, & Raquel! (1970, dir by Russ Meyer, DP: Russ Meyer)

Beyond The Valley Of The Dolls (1970, dir by Russ Meyer, DP: Fred J. Koenekamp)

The PGA Names CODA The Best of 2021


I’m a little late in reporting this but last night, the Producers Guild of America announced their picks for the best of 2021 and they promptly threw the Oscar race into chaos by selecting CODA, instead of the Power of the Dog.  Today, there’s a lot of people talking about the possibility of DGA winner Jane Campion taking Best Director while CODA, which also won the SAG Ensemble Award, takes Best Picture.

It could happen.  We’ll find out for sure next Sunday!

The Award for Outstanding Producer of a Feature Theatrical Motion Picture
Being The Ricardos
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
The Power Of The Dog
Tick, Tick…Boom!
West Side Story

The Award for Outstanding Producer of Animated Theatrical Motion Pictures
Encanto
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon
Sing 2
 
The Award for Outstanding Producer of Documentary Motion Pictures 
Ascension
The First Wave
Flee
In The Same Breath
The Rescue
Simple As Water
Summer Of Soul (…Or, When The Revolution Could Not Be Televised)
Writing With Fire

4 Shots From 4 Films: Special David Cronenberg Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to one of our favorite directors, David Cronenberg!  Cronenberg has a new film coming out later this year, one that we’re all looking forward to.  Crimes of the Future (which shares its name with one of Cronenberg’s early, experimental films) will be Cronenberg’s first film since 2014’s Map of the Stars and it will also reunite him with Viggo Mortensen.

For now, here are….

4 Shots From 4 David Cronenberg Films

The Brood (1979, dir by David Cronenberg, DP: Mark Irwin)

The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)

Dead Ringers (1988, dir by David Cronenberg, DP: Peter Suschitzky)

A History of Violence (2005, dir by David Cronenberg, DP: Peter Suschitzky)

 

The DGA Honors Jane Campion


Last night, the Directors Guild of America awarded their top prize to Jane Campion and The Power of the Dog.  This is definitely good news for the film, as far as the Oscars are concerned.  With West Side Story now on HBO and so many people rediscovering how important a director Steven Spielberg really is, it seemed as if the momentum may have been shifting.  But, thanks to the DGA and the recent controversy over Sam Elliott’s comments about the film, The Power of the Dog is once again the front runner.

(To be honest, as far as Spielberg is concerned, it wouldn’t surprise me if a lot of Academy voters are currently of the “In just a few month, he’s going to get another chance with The Fabelmans” mindset.)

Here are the film winners from the DGA:

NARRATIVE FEATURE FILM
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Steven Spielberg – West Side Story
Denis Villeneuve – Dune

FIRST TIME NARRATIVE FEATURE FILM
Maggie Gyllenhaal – The Lost Daughter
Rebecca Hall – Passing
Tatiana Huezo – Prayers For The Stolen
Lin Manuel-Miranda – Tick, Tick…BOOM!
​Michael Sarnoski – Pig
Emma Seligman – Shiva Baby

DOCUMENTARY
Jessica Kingdon – Ascension
Stanley Nelson – Attica
Raoul Peck – Exterminate All The Brutes
Questlove – Summer of Soul
Elizabeth Chai Vasarhelyi & Jimmy Chin – The Rescue