Catching Up With The Films of 2021: After We Fell (dir by Castille Landon)


After We Fell continues the story of Tessa and Hardin, the world’s most boring couple.

If you’ve seen After and After We Collided, you know the story of Tessa (Josephine Langford) and Hardin (Hero Fiennes-Tiffin).  You know that Tessa has an alcoholic father and that she met and fell in love with Hardin during her first semester of college.  You know that Hardin is a British bad boy with a lot of really lame tattoos but he also really likes The Great Gatsby.  Hardin’s from a wealthy family and he’s a recovering alcoholic.  Hardin may come across like a sullen jerk but that’s just because no one but Tessa understands who he truly is.  Blah blah blah.

Hardin and Tessa spent the first two movies having a bunch of boring relationship problems and that’s pretty much what they spend the third movie doing, as well.  There’s a lot of tastefully filmed sex scenes but no one’s going to mistake these films for Fifty Shades of Grey.  Whenever Hardin and Tessa have sex in After We Collided, there’s a close-up of Hardin grabbing a condom.  The one time that Hardin doesn’t grab a condom, it leads to one of the film’s few plot developments.  It’s the rule of Chekhov’s Condom.  If a condom is used in the first act, a condom will not be used in the second act, and there will be consequences in the third act.

There’s not really much of a plot to this one.  Tessa takes a job in Seattle.  Hardin doesn’t want her to go to Seattle.  Tessa’s drunk dad shows up.  Hardin bonds with the drunk dad.  Hardin’s mother gets married so the film’s action moves to London.

When Hardin and Tessa visit his mom, Hardin’s mom says, “I set your bed up, Hardin.”

“I was expecting to stay on the floor,” Hardin replies.

OH, SHUT THE FUG UP, HARDIN!  JUST SAY THANK YOU FOR ONCE!

The After films wouldn’t be so bad if Hardin wasn’t such an annoying douchebag.  And it would help is Tessa actually had a personality that went beyond her relationship with Hardin.  They’re a boring couple.  Whatever chemistry Fiennes-Tiffin and Langford had in the first two films is totally missing in After We Fell.  When they have phone sex, you feel bad for whoever at the NSA is having to transcribe their conversation.  They have no interests outside of each other and listening to middlebrow music.  Hardin continually fears that Tessa is going to leave him but Tessa wouldn’t exist if she wasn’t half of a couple and neither would Hardin.  They’re not individuals.  They have no personality outside of worrying about each other, fighting with each other, and talking about each other.  One gets the feeling that they are the couple that everyone tries to avoid at a party.  “Don’t get stuck in a corner with those two unless you’re ready to spend the entire night listening to the story about that time Hardin was reading The Great Gatsby in the student union….”

The film ends with the promise of “To be continued.”  I’m looking forward to After The Divorce.

Here Are The 2021 Nominations of The North Carolina Film Critics Association!


The North Carolina Film Critics Association will be announcing their winners on January 5th!

Here are their nominees:

BEST NARRATIVE FILM
Drive My Car
Dune
The French Dispatch
The Green Knight
Licorice Pizza
Mass
Pig
The Power of the Dog
West Side Story
The Worst Person in the World

BEST DOCUMENTARY FILM
Flee
The Sparks Brothers
Summer of Soul
Val
The Velvet Underground

BEST ANIMATED FILM
Encanto
Flee
Luca
The Mitchells vs. The Machines
Raya and the Last Dragon

BEST FOREIGN LANGUAGE FILM
Drive My Car
A Hero
Riders of Justice
Titane
The Worst Person in the World

BEST DIRECTOR
David Lowery – The Green Knight
Denis Villeneuve – Dune
Jane Campion – The Power of the Dog
Paul Thomas Anderson – Licorice Pizza
Steven Spielberg – West Side Story

BEST CINEMATOGRAPHY
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story

BEST ACTOR
Andrew Garfield – tick, tick… BOOM!
Benedict Cumberbatch – The Power of the Dog
Dev Patel – The Green Knight
Nicolas Cage – Pig
Will Smith – King Richard

BEST SUPPORTING ACTOR
Alex Wolff – Pig
Jason Isaacs – Mass
Jeffrey Wright – The French Dispatch
Kodi Smit-McPhee – The Power of the Dog
Woody Norman – C’mon C’mon

BEST ACTRESS
Alana Haim – Licorice Pizza
Jessica Chastain – The Eyes of Tammy Faye
Kristen Stewart – Spencer
Olivia Colman – The Lost Daughter
Renate Reinsve – The Worst Person in the World

BEST SUPPORTING ACTRESS
Aunjanue Ellis – King Richard
Ann Dowd – Mass
Ariana DeBose – West Side Story
Kirsten Dunst – The Power of the Dog
Ruth Negga – Passing

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Abbi Jacobson – The Mitchells vs. The Machines
Danny McBride – The Mitchells vs. The Machines
Jacob Tremblay – Luca
Kelly Marie Tran – Raya and the Last Dragon
Stephanie Beatriz – Encanto

BEST ACTING ENSEMBLE
Dune
The French Dispatch
Licorice Pizza
Mass
The Power of the Dog

BEST ORIGINAL SCREENPLAY
C’mon C’mon
The French Dispatch
Licorice Pizza
Mass
Pig

BEST ADAPTED SCREENPLAY
Drive My Car
Dune
The Green Knight
Passing
The Power of the Dog

BEST EDITING
Dune
The French Dispatch
The Last Duel
The Power of the Dog
West Side Story

BEST SPECIAL EFFECTS
Dune
The Green Knight
The Matrix Resurrections
Spider-Man: No Way Home
The Suicide Squad

BEST STUNT COORDINATION
Black Widow
The Matrix Resurrections
No Time To Die
Shang Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

BEST COSTUME DESIGN
Cruella
Dune
Last Night in Soho
Nightmare Alley
Spencer

BEST HAIR & MAKE-UP
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley

BEST PRODUCTION DESIGN
Dune
The French Dispatch
The Green Knight
Nightmare Alley
West Side Story

BEST SCORE
Don’t Look Up
Dune
No Time To Die
The Power of the Dog
Spencer

BEST ORIGINAL SONG
Every Letter – Cyrano
Guns Go Bang – The Harder They Fall
Just Look Up – Don’t Look Up
No Time To Die – No Time To Die
So May We Start – Annette

BEST SOUND DESIGN
Dune
Nightmare Alley
No Time To Die
tick, tick… BOOM!
West Side Story

BEST DIRECTORIAL DEBUT
Fran Kranz – Mass
Lin-Manuel Miranda – tick, tick… BOOM!
Maggie Gyllenhaal – The Lost Daughter
Michael Sarnoski – Pig
Rebecca Hall – Passing

BEST BREAKTHROUGH PERFORMANCE
Alana Haim – Licorice Pizza
Cooper Hoffman – Licorice Pizza
Emilia Jones – CODA
Woody Norman – C’mon C’mon
Rachel Zegler – West Side Story

KEN HANKE MEMORIAL TAR HEEL AWARD
Anthony Mackie (Falcon and the Winter Soldier; Synchronic; Outside the Wire; The Woman in the Window) – Studied at the University of North Carolina School of the Arts
Ariana DeBose (West Side Story; Schmigadoon) – From Raleigh, North Carolina
Brian Tyree Henry (Eternals; The Woman in the Window; Godzilla vs. Kong) – From Fayetteville, North Carolina
Jonathan Majors (The Harder They Fall, Loki) – Studied at the University of North Carolina School of the Arts
Stephen McKinley Henderson (Dune; Bruised) – Studied at the University of North Carolina School of the Arts

Catching-Up With The Films of 2021: Fear and Loathing in Aspen (dir by Bobby Kennedy IIII)


The year is 1970 and big business has all the power in Aspen, Colorado.  The landscape is being bulldozed to make room for time-shares.  The once pristine ground is being covered in asphalt.  The rich are using Aspen as their own personal playground while the hippies, drawn to the town by the beautiful landscape, are regularly used as scapegoats for every problem that the town encounters.

A struggling journalist named Hunter S. Thompson (Jay Bulger) wants to change that.  When Thompson first declares that he will be running a third party, “freak power” campaign for Sheriff of Pitkin County, his main concern is getting paid to write about it and perhaps becoming a regular contributor to Rolling Stone Magazine.  But, as the campaign starts to grow and Thompson finds success in motivating the hippies to actually register to vote, he starts to realize that he could actually win this thing.  Despite the efforts of Aspen’s mayor (Cheryl Hines, the stepmother of the film’s director), “freak power” is on the verge of turning the establishment upside down.

Fear and Loathing in Aspen is based on the true story of Thompson’s campaign.  Thompson did not win but he did go on to write Fear and Loathing in Las Vegas and to cover the 1972 presidential election for Rolling Stone.  Thompson was an iconoclast, a writer who as open about his love for drugs as he was for his love of guns.  He committed suicide in 2005.  If he were still with us, one imagines that he would probably love Bernie while hating Trump, Biden, and Twitter.  There have been a few, generally uneven attempts to bring Thompson and his writing to cinematic life, the most famous probably being Terry Gilliam’s adaptation of Fear and Loathing in Las Vegas, starring Johnny Depp as Thompson.

Fear and Loathing Aspen stars Jay Bulger as Thompson and it should be said that Bulger does a good job in the role.  While he doesn’t quite have the movie star charisma of Johnny Depp, he is believable as a sincere prankster, as someone who is genuinely torn between whether or not to burn it all down or to try to make people’s lives better by participating in the system.  Unfortunately, the rest of the film doesn’t really rise up to the level of Bulger’s performance.  Cheryl Hines, Laird Macinstosh, and Paul Morgan all give such cartoonishly evil performances as Thompson’s political opponents that it makes Steve Carell’s performance as Donald Rumsfeld in Vice look nuanced and intelligent by comparison.  The film’s director tends to rely a bit too much on obvious tricks, like split screens and shaky hand-held footage.  It gets distracting.

The director, by the way, is Bobby Kennedy III, the son of Robert F. Kennedy, Jr.  There’s some irony to be found in a film about outsiders being directed by a member of the Kennedy family, particularly the son of someone who would probably just be another Facebook conspiracy troll if not for the circumstances of his birth.  Fear and Loathing in Aspen may tell the story of an outsiders revolt but it doesn’t feel authentic.  With the exception of a few scenes, it feels like counterculture cosplay.

Let’s Celebrate Christmas By Watching Santa Claus Conquers The Martians On The Shattered Lens!


Watching the 1964 holiday sci-fi epic, Santa Claus Conquers The Martians, is a Christmas Eve tradition here at the Shattered Lens!  So, sit back, turn on Kid TV, and get ready to sing!

S

A

N

T

A

C

L

A

U

S

HOORAY FOR SANTY CLAUS!

Scenes That I Love: The Cemetery Scene From It’s A Wonderful Life


Over the past 11 years, I’ve shared so many scenes from It’s A Wonderful Life that I’m a bit worried that I’m gong to run out of moments to share. It’s A Wonderful Life is one of my favorite films of all time, along with being a Christmas tradition. I watched it earlier this month and I’ll be watching it tonight with my family.

Below is one of the more somber but important scenes in It’s A Wonderful Life. George and Clarence go to what would have been Bailey Park if George had been born. Instead, it’s now a cemetery and buried there is George’s brother, who would have died if George hadn’t been born. And, as Clarence explains, every man that George’s brother saved would have died as well. “Each man’s life touches so many other lives,” as Clarence puts it.

Here is a scene from a wonderful movie called It’s A Wonderful Life.

Here Are The 2021 Nominations of the Greater Western New York Film Critics Association!


Here are the nominations of the Greater Western New York Film Critics Association!  The winners will be announced on December 31st!

BEST PICTURE
C’mon C’mon
CODA
Dune
The Green Knight
Judas and the Black Messiah
The Last Duel
Licorice Pizza
Pig
The Power of the Dog
Spencer

BEST FOREIGN FILM
Drive My Car (Japan)
Flee (Denmark)
Parallel Mothers (Spain)
Titane (France)
The Worst Person in the World (Norway)

BEST DOCUMENTARY
Flee
No Ordinary Man
Procession
The Sparks Brothers
Summer of Soul (…Or, When the Revolution Could Not Be Televised)

BEST ANIMATED FILM
Belle
The Boss Baby 2: Family Business
Flee
Luca
The Mitchells vs. the Machines

BEST LEAD ACTRESS
Olivia Colman – The Lost Daughter
Jodie Comer – The Last Duel
Emilia Jones – CODA
Renate Reinsve – The Worst Person in the World
Kristen Stewart – Spencer

BEST LEAD ACTOR
Nicolas Cage – Pig
Benedict Cumberbatch – The Power of the Dog
Andrew Garfield – tick, tick … BOOM!
Joaquin Phoenix – C’mon C’mon
Will Smith – King Richard

BEST SUPPORTING ACTRESS
Jessie Buckley – The Lost Daughter
Ariana Debose – West Side Story
Ann Dowd – Mass
Aunjanue Ellis – King Richard
Ruth Negga – Passing

BEST SUPPORTING ACTOR
Robin de Jesús – tick, tick … BOOM!
Mike Faist – West Side Story
Jason Isaacs – Mass
Daniel Kaluuya – Judas and the Black Messiah
Troy Kotsur – CODA

BEST DIRECTOR
Jane Campion – The Power of the Dog
Pablo Larraín – Spencer
Ridley Scott – The Last Duel
Michael Sarnoski – Pig
Denis Villeneuve – Dune

BEST ORIGINAL SCREENPLAY
Paul Thomas Anderson – Licorice Pizza
Will Berson & Shaka King and Kenneth Lucas & Keith Lucas – Judas and the Black Messiah
Julia Ducournau – Titane
Fran Kranz – Mass
Mike Mills – C’mon C’mon

BEST ADAPTED SCREENPLAY
Ben Affleck, Matt Damon & Nicole Holofcener – The Last Duel
Jane Campion – The Power of the Dog
Maggie Gyllenhaal – The Lost Daughter
Rebecca Hall – Passing
Tony Kushner – West Side Story

BEST CINEMATOGRAPHY
Bruno Delbonnel – The Tragedy of Macbeth
Andrew Droz Palermo – The Green Knight
Greig Fraser – Dune
Claire Mathon – Spencer
Ari Wegner – The Power of the Dog

BEST EDITING
Peter Sciberras – The Power of the Dog
Sebastián Sepúlveda – Spencer
Claire Simpson – The Last Duel
Joe Walker – Dune
Andrew Weisblum – The French Dispatch

BEST ORIGINAL SCORE
Carter Burwell – The Tragedy of Macbeth
Jonny Greenwood – The Power of the Dog
Jonny Greenwood – Spencer
Alberto Iglesias – Parallel Mothers
Hans Zimmer – Dune

BREAKTHROUGH PERFORMANCE
Mike Faist – West Side Story
Alana Haim – Licorice Pizza
Emilia Jones – CODA
Agathe Rousselle – Titane
Rachel Sennott – Shiva Baby

BREAKTHROUGH DIRECTOR
Maggie Gyllenhaal – The Lost Daughter
Rebecca Hall – Passing
Fran Kranz – Mass
Michael Sarnoski – Pig
Emma Seligman – Shiva Baby

Scenes that I Love: The Post Office Proves Santa Claus Does Exist from Miracle on 34th Street


This is from the original, 1947 version of Miracle of 34th Street, starring Edmund Gwenn as the one and only Kris Kingle.  Yes, the scene below is colorized.  I’m not a fan of colorization but at least it’s not as poorly done here as it’s been in some other films that I’ve recently watched.

Anyway, on to the scene!  Kris Kringle is on trial.  His lawyer (John Payne) is attempting to prove the Kris really is Santa Claus and he gets some help from the U.S. Postal Service.

I love this scene and I love this movie.  It always puts me in the mood for Christmas.  And, if nothing else, it shows that postal service has gotten at least one thing right over the years.  Anyone who has ever seen Edmund Gwenn as Kris Kringle know that there’s no way he isn’t Santa Claus!

The North Texas Film Critics Crown The Green Knight


The North Texas Film Critics have announced their picks for the best of 2021!  All hail The Green Knight!

Best Picture
Dune
The Green Knight
Spencer
West Side Story

Best Director
Joel Coen, The Tragedy of Macbeth
David Lowery, The Green Knight
Steven Spielberg, West Side Story
Denis Villenueve, Dune

Best Actor
Nicolas Cage, Pig
Dev Patel, The Green Knight
Joaquin Phoenix, C’mon C’mon
Will Smith, King Richard

Best Actress
Jessica Chastain, The Eyes of Tammy Faye
Noomi Rapace, Lamb
Kristen Stewart, Spencer
Rachel Zegler, West Side Story

Best Supporting Actor
Barry Keoghan, The Green Knight
Troy Kotsur, CODA
Jeffrey Wright, The French Dispatch

Best Supporting Actress
Ariana DeBose, West Side Story
Rita Moreno, West Side Story
Tilda Swinton, The French Dispatch

Best Animated Film
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon

Best Documentary
Summer of Soul
Val
The Velvet Underground

Best Foreign Language Film
A Hero
Lamb
Titane

Best Cinematographer
Greig Fraser, Dune
Janusz Kamiński, West Side Story
Claire Mathon, Spencer

Best Newcomer
Jude Hill, Belfast
Emilia Jones, CODA
Rachel Zegler, West Side Story

Gary Murray Award (Best Ensemble)
Don’t Look Up
The French Dispatc