Retro Television Review: The Judge and Jake Wyler (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Judge and Jake Wyler!  It  can be viewed on YouTube.

Judge Meredith (Bette Davis) is a retired criminal court judge who has developed a severe case of hypochondria.  She lives in a mansion that she never leaves.  Anyone who comes to see her must be personally vacuumed by her butler before they can be allowed to stand in her presence.  She hates people who take too long to get to the point and she also has little use for people who are rude on the phone.  She especially dislikes cigarettes and refuses to have even an unlit one in her presence.

Jake Wyler (Doug McClure) is an ex-con who is currently on supervised probation.  Despite his criminal past, he’s a likable and amiable guy and, every morning, he wakes up with a new woman in his bed.  Jake enjoys tweaking authority and he always has a pack of cigarettes on him somewhere.

Together, they solve crimes!

They actually do!  The judge is dealing with retirement by running her own detective agency, one that is exclusively staffed by people that she previously sentenced to prison.  Jake does most of the leg work as far as the agency is concerned.  The Judge calls him every morning and demands to know why he’s not working harder.  Jake would rather just sleep-in but working for the judge is a part of his parole.  She could easily send him and everyone else working for her back to prison.  This sounds like a pretty unfair situation to me and the Judge is so demanding that I think it could be argued that she’s an abusive boss.  But, because this is a pilot for a TV show and the Judge is played by Bette Davis, everyone is very loyal to her.

At the start of the film, Jake reveals to Robert Dodd (Kent Smith) that his wife, Caroline (Lisabeth Hush), has been cheating on him with Frank Morrison (Gary Conway).  When Robert is later found dead in a hospital room, the official verdict is that he committed suicide.  However, his daughter, Alicia (Joan Van Ark), claims that her father was murdered.  At first, both Jake and the Judge suspect that Alicia just wants to collect a bigger life insurance settlement but it turns out that Dodd’s beneficiary wasn’t even Alicia.  The money is going to his second wife, the one who was cheating on him.  While the Judge yells at people on the phone, Jake investigates the death of Robert Dodd.

The Judge and Jake Wyler is a mix of comedy and mystery.  Jake has a way with a quip and the majority of the suspects, including John Randolph and Eric Braeden, all have their own eccentricities.  Director David Lowell Rich does a good job of keeping the action moving and the mystery itself is actually pretty interesting.  Surprisingly, the show’s only real flaw is Bette Davis, who seems to be rather bored in the role of Judge Meredith.  Even though the character seems to have been specifically written for her trademark caustic line delivery, Davis delivers her lines with little enthusiasm.  One gets the feeling that she wasn’t particularly happy about the idea of having to do a television pilot.

Davis need not have worried.  The Judge and Jake Wyler did not turn into a series.  That said, the movie is an entertaining and diverting murder mystery.

Scenes That I Love: Christopher George In City of the Living Dead


Today, we celebrate what would have been the 93rd birthday of the rugged American actor Christopher George.

George may have gotten his start in westerns and war movies but he is best remembered for a series of horror films in which he appeared in the late 70s and early 80s.  One of the best of those was Lucio Fulci’s 1980 classic, City of the Living Dead.

In today’s scene that I love, Christopher George plays a reporter who realizes that psychic Catriona MacColl has been buried alive.  He digs her up.  Of course, this is a Fulci film, so things nearly go terribly wrong.

4 Shots From 4 Films: Special Neil Jordan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Irish director Neil Jordan!  It’s time for….

4 Shots From 4 Neil Jordan Films

The Company of Wolves (1984, dir by Neil Jordan, DP: Bryan Loftus)

Interview With A Vampire (1994, dir by Neil Jordan, DP: Philippe Rousselot)

The Butcher Boy (1998, dir by Neil Jordan, DP: Adrian Biddle)

In Dreams (1999, dir by Neil Jordan, DP: Darius Khondji)

Oppenheimer Blows Up The SAG Awards!


The SAG Awards were handed out last night (and televised on Netflix) and there should no longer be any doubt that Oppenheimer is going to have a very good night at the Oscars

Here are the winners!

(And cograts to Pedora Pascal for finally breaking the tyranny of Brian Cox.)

OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE
American Fiction
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE
Annette Bening – Nyad
Lily Gladstone – Killers of the Flower Moon
Carey Mulligan – Maestro
Margot Robbie – Barbie
Emma Stone – Poor Things

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE
Bradley Cooper – Maestro
Colman Domingo – Rustin
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
Penelope Cruz – Ferrari
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE
Sterling K. Brown – American Fiction
Willem Dafoe – Poor Things
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie

OUTSTANDING ACTION PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE
Barbie
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
Matt Bomer – Fellow Travelers
Jon Hamm – Fargo
David Oyelowo – Lawmen: Bass Reeves
Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie
Steven Yeun – Beef

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
Uzo Aduba – Painkiller
Kathryn Hahn – Tiny Beautiful Things
Brie Larson – Lessons in Chemistry
Bell Powley – A Small Light
Ali Wong – Beef

OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A COMEDY SERIES
Abbott Elementary
Barry
The Bear
Only Murders in the Building
Ted Lasso

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES
Brett Goldstein – Ted Lasso
Bill Hader – Barry
Ebon Moss-Bachrach – The Bear
Jason Sudeikis – Ted Lasso
Jeremy Allen White – The Bear

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES
Alex Borstein – The Marvelous Mrs. Maisel
Rachel Brosnahan – The Marvelous Mrs. Maisel
Quinta Brunson – Abbott Elementary
Ayo Edebiri – The Bear
Hannah Waddingham – Ted Lasso

OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A DRAMA SERIES
The Crown
The Gilded Age
The Last of Us
The Morning Show
Succession

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES
Brian Cox – Succession
Billy Crudup – The Morning Show
Kieran Culkin – Succession
Matthew Macfadyen – Succession
Pedro Pascal – The Last of Us

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES
Jennifer Aniston – The Morning Show
Elizabeth Debicki – The Crown
Bella Ramsey – The Last of Us
Keri Russell – The Diplomat
Sarah Snook – Succession

OUTSTANDING ACTION PERFORMANCE BY A STUNT ENSEMBLE IN A DRAMA OR COMEDY SERIES
Ahsoka
Barry
Beef
The Last of Us
The Mandalorian

14 Days of Paranoia #9: Chappaquiddick (dir by John Curran)


On July 18th, 1969, while American astronauts were preparing to land on and then take their first steps on the Moon, a 28 year-old woman named Mary Jo Kopechne attended a party on Chappaquiddick Island in Massachusetts.

A former aide to Robert Kennedy who was reportedly devastated by his assassination, Mary Jo was one of several former campaign workers who gathered at an isolated cabin that night.  According to the others at the party, Mary Jo (who was described as being a devout Catholic who rarely drank) was one of the first people to leave the party.  She left with another guest.  The next morning, that guest’s car was found overturned in Poucha Pond.  Dead in the backseat was Mary Jo Kopechne, who had suffocated as the car slowly filled up with water.  It was later determined that she had been alive and trapped in the car for hours before dying.  The owner of the car was back at his hotel.  He had returned there after crashing his car and, while he had taken a shower and combed his hair and called his father, he had not bothered to call the police.

Normally, a driver in this situation would be in serious legal jeopardy.  Along with having left the scene of the accident, he also left Mary Jo to die.  It was generally agreed that if he had called the police within an hour of the accident occurring, Mary Jo could have been saved.  However, because he was Ted Kennedy and the last remaining of the fabled Kennedy brothers and a man who many expected would someday be president, he was given a slap on the wrist and the death of Mary Jo would be forever described as being a “Kennedy tragedy” as opposed to a Kopechne tragedy.

Not surprisingly, there has been a lot of speculation about what had happened in the moments leading up to the crash.  Like his brothers, Ted Kennedy was a notorious and reckless womanizer.  Unlike his brothers, Ted also had a reputation for being a heavy drinker.  Some went as far as to accuse Ted of deliberately murdering Mary Jo, as if the actions that Ted later admitted to were not, in themselves, already bad enough.  While people may disagree on the circumstances that led to the accident, it is generally agreed that, if Ted had been anyone other than a Kennedy, he would have served time in prison.  The incident ended Ted’s presidential dreams but it didn’t keep him from being described as being the “lion of the Senate” when he died in 2010.  Indeed, when Ted died, many people on twitter expressed their shock as they read or heard about Mary Jo Kopechne for the first time in their lives.

(In 2010, Mary Jo would have been seventy years old.)

Obviously, no one was going to make a movie about Mary Jo Kopechne’s death while Ted was still living.  Indeed, even after Ted died, it still took seven more years for the story to be turned into a film and producer Byron Allen struggled to even book the film in theaters.  2017’s Chappaquiddick stars Jason Clarke as Ted and, briefly, Kate Mara as Mary Jo.  The film speculates as to what happened that night and it probably gets fairly close to the truth.  The accident is an accident, a result of Ted freaking out when a cop stops him for speeding and sees him with a woman who isn’t his wife.  Ted, who is portrayed as being an immature manchild, turns to his handlers and then his family for help.  His fails to call the authorities because, to Ted, there is no greater authority than his abusive father (Bruce Dern).

For the most part, Ted passively sits by as associates of his late brothers — including Ted Sorenson (Taylor Nichols, giving the film’s strongest performance), Joe Gargan (Ed Helms), and Paul Markham (Jim Gaffigan) — take over his defense and carefully craft his every response.  Ted’s attempts to provide input are shot down and it’s made clear that his job is to shut up and concentrate on returning the Kennedys to the White House.  The film’s best scenes feature Sorenson growing frustrated at all of Ted’s mistakes.  Very little concern is shown for the fact that Mary Jo Kopechne, a Kennedy true believer, is dead due to Ted’s recklessness.  When she was alive, Mary Jo was held up as a symbol of the Kennedy youth.  When she died, she was just viewed as being an obstacle to keeping the Kennedys from reaching the power to which they felt entitled.

As you can probably guess, Ted Kennedy does not come off particularly well in this film.  At his best, he’s a wimp who is struggling with a legacy of which he knows he’s not worthy.  At his worst, he is pathologically self-absorbed and incapable of feeling empathy for the woman he left to drown in the backseat of his car.  Both he and Mary Jo and ultimately the voters who are expected to reelect him even after he leaves Mary Jo to die are ultimately portrayed as just being pawns of the shadowy men who lurk behind the scenes of every political operation.

It’s not a happy film and it certainly has its flaws but it provides an important service, reminding viewers that death of Mary Jo Kopchene was more than just as a “Kennedy tragedy.”

14 Days of Paranoia:

  1. Fast Money (1996)
  2. Deep Throat II (1974)
  3. The Passover Plot (1976)
  4. The Believers (1987)
  5. Payback (1999)
  6. Lockdown 2025 (2021)
  7. No Way Out (1987)
  8. Reality (2023)

Live Tweet Alert: Join #ScarySocial for Black Box!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2020’s Black Box!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Black Box is available on Prime!

See you there!

14 Days of Paranoia #8: Reality (dir by Tina Satter)


One day in 2017, Reality Winner (Sidney Sweeney), a yoga instructor who also works as a government translator, returns home from grocery shopping to discover that the FBI is outside of her house.  Agents Garrick (Josh Hamilton) and Taylor (Marchant Davis) have a search warrant and they explain that they also have some questions to ask her.

At first, both Garrick and Taylor are very friendly.  In fact, they’re almost too friendly.  Whenever Reality asks for more details about what is going on, they ask her about her pets or about whether or not she enjoys her job.  They ask her about her background and about the last trip she went on.  The conversation is cheerful but it’s hard not to notice that, while Garrick is smiling, burly FBI agents are ransacking Reality’s house.  As Reality comes to realize, she actually is in a lot of trouble.  Because she sent classified material to the Intercept, she is about to be arrested and prosecuted under the espionage act.  It’s going to be a while before she sees her house again.

Reality was released last year and aired on HBO.  It’s a film about which I had mixed feelings.  On the one hand, it showed how the government goes about prosecuting its citizens.  From the minute that Reality started talking to the FBI agents, I started yelling at her to shut up and get a lawyer.  No matter how many times they ask about your dog or how interested they seem to be in your recent trip to South America, agents of the FBI are not your friends!  Since the film’s script was largely a transcript of the actual interrogation, Reality presented a lesson in just how exactly law enforcement agencies like the FBI lure people into a false sense of security before dropping the trap on them.

On the other hand, this film also left me wondering just how much of a dumbass one has to be to throw away their career and their freedom for a trash organization like The Intercept.  Reality says that she was 1) upset over the election of Donald Trump (understandable) and 2) she resented being forced to watch Fox News at work when she would have rather watched Al Jazeera.  One needn’t be a fan of Fox to realize how ludicrous it is to suggest that Al Jazeera would somehow be less propagandistic.

There’s a moment, at the start of the film, where Reality — while standing outside of her house — stares at a toy truck on the other side of the street.  The toy has a big Confederate flag decal on it and the symbolism is so heavy-handed that it almost made me laugh out loud.  It leaves the viewer with no doubt that the film is very much on Reality Winner’s side and the film does her a great favor by casting the instantly likable Sydney Sweeney in the title role.  (Oddly, we occasionally see pictures of the actual Reality Winner over the course of the film, all of which invertedly serve to remind us that the real person is not as appealing as the actress playing her.)  Josh Hamilton and Marchant Davis are both appropriately menacing as the passive aggressive FBI agent and the scene where Hamilton goes from being friendly to being serious is truly jolting.

Since the film’s script is based on the actual transcripts of the interrogation, director Tina Satter inserts a film glitch whenever the characters mention anything that has been redacted.  The film’s best moment comes when a particularly big redaction causes the FBI agents to vanish all together and, for a few moments, Reality can actually catch her breath and is free from their questions.  The film did not make me any more sympathetic to Reality Winner (and, for all of its claims to historic veracity, it leaves out the moment she told her father that she wouldn’t be prosecuted because she was pretty and blonde) but it did make me feel empathy for anyone who has ever been targeted by the government.  When the film’s epilogue suggests that Reality Winner was prosecuted and imprisoned for a relatively minor offense solely to scare off other whistleblowers, it’s hard not to disagree.

14 Days of Paranoia:

  1. Fast Money (1996)
  2. Deep Throat II (1974)
  3. The Passover Plot (1976)
  4. The Believers (1987)
  5. Payback (1999)
  6. Lockdown 2025 (2021)
  7. No Way Out (1987)

Live Tweet Alert: Join #FridayNightFlix For Sinbad of the Seven Seas!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got an action classic, 1989’s Sinbad Of The Seven Seas!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Sinbad of the Seven Seas is available on Prime!  See you there!

Scenes That I Love: Paul Morrissey’s Mixed Blood


Today, the Shattered Lens wishes a happy 86th birthday to the one and only Paul Morrissey!

Though he may not be as well known as some of his contemporaries, Paul Morrissey is one of the godfathers of independent film.  He first came to notice as a collaborator of Andy Warhol’s.  Morrisey’s first films were shot at the Factory and starred the members of Warhol’s entourage.  At a time when the indie film scene barely even existed, Morrissey was making boldly transgressive films and distributing them largely on his own.  In fact, it could probably be argued that, if not for Paul Morrissey, the American independent film scene would never have grown into the impressive artistic and financial force that it is today.

There’s always been some debate over how much influence Warhol had over Morrissey’s films.  Morrissey has always said that Warhol had next to nothing to do with the films, beyond occasionally taking a producer’s or a co-director’s credit.  Others have disagreed.  What can be said for sure is that, even after Warhol retreated from directly involving himself in the cinematic arts, Morrissey continued to make fiercely independent films.

Paul Morrissey made films about outsiders.  While other directors were telling stories about the middle and upper classes, Morrissey was making movies about junkies, prostitutes, and people simply trying to make it from one day to another.  His films also frequently satirized classic Hollywood genres.  In fact, his two best-known films, Flesh for Frankenstein and Blood for Dracula, not only satirized the old Universal horror films but also the Marxist-themed films being made in Europe.  A devout Catholic and a political conservative, Morrissey took a particular delight in tweaking the left-wing assumptions of the counterculture.  Who can forget Joe Dallesandro’s gloriously shallow revolutionary in Blood for Dracula?

Today’s scene of the day comes from Paul Morrissey’s 1985 Mixed Blood, a film about a war between a Brazilian gang and a Puerto Rican gang that is fought almost entirely by underage soldiers.  (The film compares the street soldiers to the members of the boy band Menudo, in that they are rotated out once they reached the age at which they could be tired as adults.)  In this scene, a police officer visits a drug operation that is almost entirely staffed by children.

4 Shots From 4 Films: Special Terence Fisher Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the 120th anniversary of the birth of the great British film director, Terence Fisher.  Though Fisher worked in all genres, he is best remembered for the horror films that he directed for Hammer Studios.  Along with proving that there was still an audience for horror, he also helped to make stars out of Peter Cushing and Christopher Lee.

It’s time for….

4 Shots From 4 Terence Fisher Films

The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)

Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

The Mummy (1959, dir by Terence Fisher, DP: Jack Asher)

The Devil Rides Out (1968, dir by Terence Fisher, DP: Arthur Grant)