My Aunt, the Worrier”

Posted on March 19, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time to set sail for adventure, your mind on a new romance. The Love Boat promises something for everyone so welcome aboard …. it’s love!

Episode 5.20 and 5.21 “The Musical/My Ex-Mom/The Show Must Go On/The Pest/My Aunt, the Worrier”

(Dir by Roger Duchowny, originally aired on February 27th, 1982)

I tried, everyone. Seriously, I really did try.

This week’s episode was a musical. It’s not just that the crew of the Love Boat was putting together their first annual crew talent show. It’s not just that Ethel Merman appeared as Gopher’s mom while Carol Channing played Julie’s aunt and Della Reese played Isaac’s mom while Ann Miller showed up as Doc’s former mother-in-law. All of that was fine. The episode was called The Musical and, looking at that guest list, I expected that the majority of this super-sized, two hour musical would feature the crew and their relatives rehearsing. I was looking forward to it. I’m a dancer. Ann Miller’s one of my heroes. Bring it on!

The problem was that the crew also sang and danced when they weren’t rehearsing. Every few moments there was a big production number. Some of them were entertaining. Again, Ann Miller was there and I love watching her dance. But most of the production numbers were pretty bad. It quickly became obvious that the Love Boat crew was not made up of natural-born singers and dancers. Fred Grandy tried really hard whenever he had to sing and he earnest dedication was charming but otherwise, most of the musical numbers fell flat. Each number was followed by wild applause but, seeing as how The Love Boat was not shot in front of a live studio audience, it quickly became apparent that the applause — much like the laugh track — was being piped in. Fake applause just made the whole thing feel …. not right.

I really wanted to like this episode but it just didn’t work for me. If it had limited the singing and dancing to the talent show, it would have been fun. But by turning the entire episode into a musical, it just became a bit too much, an experiment that ultimately didn’t work.

Do I sound like a feel guilty for not liking this episode? Well, I guess I do. Of all the shows that I review, The Love Boat is frequently my favorite and I really, really wanted to like this episode. I could tell that the cast was doing their best. I could tell that they probably had fun shooting this episode. But, in the end, it just didn’t work. I wanted it to work but it didn’t.

Oh well. I applaud the show for experimenting, even if it didn’t quite come together. Next week will be better!

Airplane! (1980, directed by David Zucker, Jim Abrahams, and Jerry Zucker)

Posted on January 1, 2025 by Jedadiah Leland

Airplane!, which may be the funniest movie ever made, has made me laugh every time that I’ve watched it. And I’ve watched it a lot!

Whenever I’m getting ready to travel for my day job, I watch Airplane! Whenever I’m going to Baltimore or West Virginia for the holidays, I watch Airplane! Whenever I’m in a bad mood and I need something lighten me up, I watch Airplane! Whenever I’m in a good mood and I want to be in an even better mood, I watch Airplane!

I can’t remember how old I was when I first saw Airplane! but I know I wasn’t yet ten. While a lot of the humor went over my head at that young age, it did not matter because I laughed at all the sight gags, like the heart hopping around on the doctor’s desk and the line of passengers waiting to “calm down” the hysterical woman. I laughed when Ted Stryker (Robert Hays) and Elaine (Julie Haggerty) got covered in seaweed while making out on the beach. I laughed at the people dying while listening to Ted’s story, even though I didn’t fully understand that it was because of Ted boring them to death. I loved it when Kareem Abdul-Jabbar got annoyed with the kid in the cockpit, even though young me really didn’t know who Kareem was other than he was a basketball player. Otto the autopilot was the coolest character around. Stephen Stucker’s Johnny made me laugh with his nonstop energy. “Excuse me, stewardess, I speak Jive.” “And don’t call me Shirley.” “It looks like I picked the wrong time to stop sniffing glue.” Every time I heard them, I laughed at all of those lines. I didn’t have to understand why Lloyd Bridges was suddenly upside down. I just knew it was funny.

As I got older and rewatched the film, I started to pick up on the humor that earlier went over my head. I traveled to Turkey when I was twelve and our tour guide spent an hour telling us that Midnight Express was not a fair representation of her country. After that, I suddenly understood why Captain Oveur (Peter Graves) wanted to know if Joey had ever been to a Turkish prison. I came to appreciate Julie Hagerty and Lorna Patterson as the two flight attendants. Airplane! still made me laugh but I came to understand that it was also a love story. What adolescent boy watching Airplane! didn’t want to be Robert Hays, not only landing the plane but also getting kiss Julie Hagerty at the end of the movie?

And then, as I learned more about the movies, I realized that Airplane! was a pitch perfect parody of the disaster genre and I came to understand the brilliance of casting actors like Lloyd Bridges, Robert Stack, Peter Graves, and especially Leslie Nielsen in this film. From the first time I saw the movie, Nielsen always made me laugh because he had the best lines and he delivered them with deadpan perfection. But, as I got older, I came to understand that Nielsen was doing more than just saying funny things. He was sending up his entire career. I’m a part of the generation who grew up laughing at Leslie Nielsen the comedy superstar and it’s always strange for me to see him in one of his older, serious roles. I have Airplane! to thank for that.

There’s so much to say about Airplane! I could write a thousand words just talking about my favorite jokes and one-liners or how much I enjoyed Stryker’s flashbacks. It’s my favorite movie and one that still makes me laugh even though I know all of the jokes by heart. (I’ve always thought Howard Jarvis waiting for Stryker to return to the taxi was one of the best, though underrated, jokes in the movie.) Airplane! is close to 50 years old and it’s still just as funny today as when I first saw it.

In fact, I think I’ll go watch it right now!

Retro Television Review: The Love Boat 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

Posted on December 4, 2024 by Lisa Marie Bowman

This week, we have a two-hour special!

Episodes 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

(Dir by Richard Kinon, originally aired on November 21st, 1981)

The Love Boat crew is back in Australia, sailing from Sydney to Fiji and back again. The Captain remembers his time in the Navy and a lost love who he met while serving in the South Pacific. Julie remembers her love affair with Tony and how he left her at the altar after he discovered that he was dying. Anthony Andrews, who played Tony, is listed as being a guest star on this episode but he only appears in archival footage. Tony, we learn, has died but his brother, David (Brendon Lunney), assures Julie that her letters to him provided him with much comfort during his final days.

(David only appears for a minute or two, when Julie visits the animal preserve where Tony worked. Still, in that minute, he and Julie have so much chemistry that I found myself hoping that David would spontaneously propose to her.)

As for the cruise, the majority of the cabins are populated by the relatives of William Otis Farnsworth (Lloyd Bridges). Farnsworth is one of the richest men in the world and he’s taking a cruise with his entire family because he wants to see who is truly worthy of inheriting his fortune. The ship is full of people looking to get rich, including:

Jenny (Moran Fairchild) and Bud Boyer (Grant Goodeve), who are hoping that William will not discover that they’ve recently gotten divorced,
Hazel (Patti MacLeod) and Frank Fransworth (Russell Newman), who hope that Hazel imitating William’s deceased wife will cause William to mention them favorably in his will,
Marcia (Jessica Walter), who was married to William’s brother and who has basically hired gold digger Jessica Halberson (Linda Evans) to seduce and marry William, and
Burl “Gopher” Smith, who thinks that he might be distantly related to William and who, with Isaac’s encouragement, tries to get close to William. Gopher even calls his mother (Ethel Merman) to find out if he’s a relative. She’s not much help.

Not interested in the money is William’s niece, Eloise (Beth Howland). Eloise, who is William’s administrative assistant, finds herself falling in love with William’s valet, country boy Wayne Burton (Jim Nabors). Words cannot begin to express just how annoying Jim Nabors is in this episode. “Surprise surprise surpise!” Wayne says when he shows up on the boat. “Golly!” Wayne says when a conscience-stricken Jessica tries to break up with William. I found myself covering my ears whenever Nabors appeared on screen.

The main problem here is that none of these people are remotely likable. Not even William Farnsworth is likable. He’s meant to be likable but really, he comes across as being a judgmental jerk. When Jessica tries to leave the ship and fly back to Sidney, William reacts by buying every single plane ticket on the island. Jessica can’t leave but hey …. neither can anyone else!

Far more likable was Melanie (Margaret Laurence), the daughter of the Captain’s former lover, Madeleine. Melanie is a dead-ringer for her mother and the Captain falls in love with her. Melanie also falls in love with him. She proposes marriage. Awwww! But then she realizes marrying the Captain would mean abandoning her job as a teacher so she calls the wedding off. So now, both the Captain and Julie have had their heart broken in Australia. At least they now have something to bond over.

For a two-hour episode, there really wasn’t much plot to this episode. It was largely a travelogue. There were a lot of kangaroos and koala bears and they were certainly cute. The scenery was lovely. Otherwise, this was a cruise full of rather unlikable people. Australia deserved better.

Retro Television Review: The Love Boat 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”

Posted on December 20, 2023 by Lisa Marie Bowman

This week’s cruise is actually a pretty good one.

Episode 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”

(Dir by Gordon Farr, originally aired on February 9th, 1980)

This week’s episode opens with Gopher in a panic. His mother, Roz (Ethel Merman), is going to be on the cruise. It’s her first big trip after the death of Gopher’s father and Gopher wants her to have fun because she’s been so depressed. However, when Roz boards the ship, Gopher is stunned to see her laughing, singing, and hanging out with a male passenger named Lyle (Gene Rayburn). Roz seems so happy that Gopher starts to worry that she didn’t love his father.

Of course, the opposite is true. Roz is miserable but she doesn’t want Gopher to know how sad she’s feeling. She doesn’t want Gopher to worry about her and she also doesn’t want to make Gopher feel any worse about losing his father.

This storyline handled loss and sadness with an intelligence and a maturity that I don’t think most people would ever expect to see on the show like The Love Boat, with both Fred Grandy and Ethel Merman giving sensitive performances as two people struggling to come to terms with their grief. Gopher comes to realize that he’s been focusing on Roz’s grief so he’ll have an excuse to not think about his own and Roz comes to realize that she’s been doing the same thing to Gopher.

Now, of course, this is still The Love Boat so, of course, Roz ends up performing during the ship’s Passenger Talent Show. And, yes, Gopher doe show up at the last minute and, in order to let her know that he now understands her feelings, sings a duet with her. It’s a bit of goofy ending for an otherwise poignant story but, in its way, it definitely works. It’s a sweet scene.

The Gopher/Roz storyline is so poignant and so well-handled that it pretty much overshadows everything else that happens on the boat.

Korean comic Jimmy Kim (Johnny Yune) finds romance with a reporter named Kendall Park (Momo Yashima) but Kendall is offended by Jimmy’s act (which is full of jokes about life in Korea). However, after Roz talks about how much she enjoyed Jimmy’s humor, Kendall changes her mind and she and Jimmy leave the ship as a couple. This was an interesting story to watch and consider in the midst of our current, scolding, “That’s not funny” culture of 2023. If anything, it showed that debates about what one can or should joke about are hardly new to this century. But it just felt strange that it took a white woman appreciating Jimmy’s humor for Kendall to no longer be offended by jokes about Korea. If anything it would seem that Roz saying that she enjoyed hearing jokes about Korea would leave Kendall feeling even more offended by Jimmy’s act. I’m just glad that all of this didn’t lead to Captain Stubing doing his “I see you’ve been reading about your history” speech again.

Meanwhile, four blue collars friends board the ship. Three of them (played by the Hudson Brothers) announce that they’re going to pretend to be wealthy professionals. However, Paul Stockwood (Nicholas Hammond) announces that he is not going to pretend to be anything than the waiter that he is. That’s before Paul realizes that the wealthy Leila Stanhope (Haley Mills) is on the boat. Paul has waited on Leila several times at the Manhattan restaurant in which he works. When Leila tells Paul that he seems familiar, Paul lies and says that he’s a wealthy writer.

It all seems to be working well, until Paul decides to bring Leila breakfast. The sight of Paul carrying a tray of food is all it takes for Leila to remember who he is. At first, Paul calls Leila a snob and Leila calls Paul a liar. But then they fall in love anyway, which means that Paul will probably never have to work as a waiter again. Yay! Unfortunately, this storyline was hampered by the lack of chemistry between Nicholas Hammond and Hayley Mills. They were both attractive but they were also difficult to buy as a couple.

Even though two of the storylines were somewhat flawed, the story about Gopher and his mother elevated this entire episode and it made it one of the best episodes of The Love Boat that I’ve watched so far. This was a cruise to remember!

Retro Television Reviews: The Love Boat 2.27 “Third Wheel/Grandmother’s Day/Second String Mom”

Posted on August 9, 2023 by Lisa Marie Bowman

This week, the second season of The Love Boat comes to a close.

Episode 2.27 “Third Wheel/Grandmother’s Day/Second String Mom”

(Dir by Gordon Farr, originally aired on May 12th, 1979)

It’s time for a special Mother’s Day cruise!

Gopher is excited because his mother, Roz (Ethel Merman), and his father, Eliot (an unwell-looking Robert Cummings), will be on the ship. As quickly becomes clear, Gopher takes after his mother. Like her son, Roz is impulsive, loves show business, and has issues with recognizing boundaries. As soon as she boards the boat, she and Gopher are singing songs and imitating the Marx brothers. Eliot, on the other hand, is quiet and reserved. Interesting enough, Eliot has quite a bit in common with Captain Stubing. Seeing Eliot and Stubing interact, the viewer suddenly understands why Gopher is always looking for the Captain’s approval. Gopher and Eliot have a distant relationship and Gopher now sees Stubing as being more of a father figure to him than his own father. Awwwww, how sad!

What’s even more sad is that it is easy to see that Eliot would like to be closer to his son. He just doesn’t know how to go about it and he knows that he can’t compete with Roz’s carefree personality. When Gopher and Roz agree to perform a number at a special Mother’s Day variety show, Eliot becomes jealous. He claims that he’s worried that Roz is somehow going to embarrass Gopher in front of his co-workers but it’s obvious that Eliot is the one who is embarrassed by his lack of a relationship with his son. It all works out in the end, of course and Gopher becomes closer to both of his parents.

Meanwhile, Mac O’Brian (Barry Nelson, best-known for being the first actor to play James Bond and for playing Mr. Ullman in Kubrick’s The Shining) is looking forward to a life of retirement. Except, his wife, Maggie (Nanette Fabray), keeps having dizzy spells. Doc examines her and announces that, despite the fact that she’s nearly 60, Maggie’s pregnant! Maggie worries about how tell her husband, who has made it clear that he feels that he’s earned a rest from worrying about children. At first, Mac doesn’t take the news well but never fear. Things work out in the end because it’s The Love Boat!

Finally, Mary Noble (Michele Tobin) and her sister, Judy Noble (Shelly Juttner), are on their cruise with their father (Ken Berry) and his new wife (Beth Howland). At first, they go out of their way to be rude to their new stepmother but eventually, they realize how happy she makes their father and they come to accept her. Once again, everyone gets a happy ending on The Love Boat.

Despite the fact that it featured Gopher’s parents and offered up some insight into what made one of the show’s main characters tick, this episode of The Love Boat was pretty forgettable. The success or failure of a show like this all comes down to chemistry and none of the guest stars on this particular episode seemed to have any. Robert Cummings, in particular, looked absolutely miserable throughout the entire cruise while Barry Nelson and Nanette Fabray seemed more like strangers having a random hook-up than a longtime married couple. I did like the storyline about the stepparent but that’s just because I could relate to the two sisters because I know me and my sisters had a tendency to get a bit bratty whenever we felt anyone was trying to take our mom away from us. But, in the end, even this storyline felt like something The Love Boat had done better in the past.

Sadly, the second season of The Love Boat came to end with not a bang but a whimper. Next week, we start season 3!