October True Crime: Karla (dir by Joel Bender)


When it comes to true crime cases, few are as disturbing as the story of Paul Bernardo and Karla Homolka.

Paul and Karla were a young, married couple who lived in Ontario.  They were both attractive.  They were both popular.  They were both superficially charming, in the style of someone who you might have taken a class with but the only thing you can really remember about them is their smile.  And they were both killers.  Paul Bernardo, a wannabe rapper who had previously made his money by smuggling cigarettes and who was also a serial rapist, murdered at the least three teenage girls, including Karla’s sister, Tammy.  When Paul was arrested, Karla told prosecutors that she had helped Paul with his murders but only because he threatened and abused her.  Prosecutors, perhaps moved by a picture that Karla’s friend took of her bruised face after one of Paul’s beatings, made a deal with her for her testimony.  In return for testifying against Paul Bernardo, Karla was convicted only of manslaughter and given a 12-year prison sentence.  (She was 23 at the time and would only be 35 when released from prison, assuming that she served the full sentence.)  However, during the trial, video tapes of the murders were uncovered and showed that Karla had been a far more active participant in the murders than she had originally admitted.  That included the murder of her sister, Tammy.

There were calls to rescind Karla’s plea bargain and to try her for murder but since her plea bargain had only required her to provide enough evidence to convict Paul, it was ruled that she had upheld her end of the bargain.  While Paul Bernardo is currently serving his life sentence, Karla Homolka is now free and living somewhere in Canada.

Needless to say, the case drew international attention, both due to the circumstances of Karla’s plea bargain and also to Paul and Karla’s image of being the “Ken and Barbie Of Serial Killers.”  It’s a case that continue to haunt Canada, an example of how the accused was ultimately treated with more respect than the victims.  For her part, Karla continues to claim that it was all Paul and that she was forced into helping.  Paul claims that he and Karla were equal partners and that the actual murders were all committed by Karla.  Personally, I think they’re both lying.

2006’s Karla stars Laura Prepon as Karla Homolka.  The film opens with her already in prison and being interviewed by a psychiatrist (Patrick Bauchau) who has been assigned to determine if there’s a risk of her reoffending.  As Karla tells her story, we see flashbacks of Karla’s life with Paul (Misha Collins).  Prepon and Collins are both chillingly believable as the soulless Paul and Karla.  Laura Prepon plays Karla as being a narcissistic sociopath who is incapable of understand that she’s not the victim in this story.  I imagine that Prepon’s performance probably captures the essence of the real Karla, even if Prepon doesn’t really look like her.

That said, the film itself is largely a surface level exploration of the case.  The film’s script attempts to maintain some ambiguity as to whether or not Karla Homolka was a voluntarily participant in the murders or if she actually was just too scared of Bernardo to stop him.  Prepon plays her as being a sociopath but the script still tries to play both sides of the debate and, as a result, the film falls flat.  The film may be called Karla but it doesn’t really get into her head and, as a result, it has all the depth of an Investigative Discovery special.  In the end, the film feels like it’s trying to exploit the notoriety around a famous case without taking a firm position on the case’s biggest controversy.  When it comes to the crimes of Karla Homolka, that’s not an option.

October True Crime: Freeway Killer (dir by John Murlowski)


The 2010 film, Freeway Killer, opens with a desperate woman named Ruth (Debbon Ayer) visiting a man named William Bonin (Scott Anthony Leef).

Bonin, who has a quick smile and a mustache that makes him look like a wannabe porn star, is an inmate on California’s Death Row.  In just a few days, Bonin is scheduled to be the first man to be executed by lethal injection in the state of  California.  Ruth explains that she has done everything that she can to try to save Bonin’s life.  She has written to the review board.  She had written to the governor.  She has asked that Bonin be spared and she’s even used the exact words that Bonin suggested that she use in her letters.  However, she’s gotten no response.  Still, she now wants Bonin to uphold his side of the bargain.  She wants to know if her son was among the thirty-six men that Bonin is suspected of having murdered.

William Bonin merely smirks and points out that he never actually agreed to tell Ruth anything.  He suggested that Ruth write the letters but never did he say that he would actually do anything in return.  That was just something that he allowed Ruth to assume.  Even while sitting on Death Row and facing an inevitable execution, Bonin enjoys the power that he gets from manipulating people.  Instead of telling Ruth about her son, he tells the story of his life as a serial killer.

The film flashes back to 1980, when William Bonin has already started his career as a murderer.  A Vietnam vet who has a war story for every occasion, he cruises the freeways of California and picks up young hitchhikers.  Sometimes, he is accompanied by an accomplice.  Vernon Butts (Dusty Sorg) is a self-styled occultist who wears a wizard hat at home and who knows more about Dungeons and Dragons than real life.  When they’re not killing hitchhikers, Bonin and Vernon tend to bicker.  Vernon constantly points out that Bonin was not the great war hero that he claims to have been.  Bonin makes fun of Vernon’s hobbies.  At times, they seem to genuinely despise each other but one of the few times that Bonin shows any emotion is when Vernon tries to kill himself in a pique of hurt feelings.

One night, Bonin sees a teenager named Kyle (Cole Williams) being yelled at by both his boss and his girlfriend.  As he does with all of his victims, Bonin pulls up in his van and asks Kyle if he wants a ride.  However, when Kyle gets in the van, it turns out that Bonin doesn’t want to kill him.  Instead, he sees Kyle as a kindred spirit and soon, he’s recruited Kyle as his second accomplice.  Unlike Vernon, Kyle believes all of Bonin’s stories.  However, Kyle grows more confident with each murder and soon, he’s even suggesting that Bonin should kill Vernon.  Frustrated with both Kyle and Vern, Bonin search for a third accomplice, an act that ultimately leads to his downfall.

Watching Bonin, Vern, and Kyle, I was reminded of a creepy group of older men who always seemed to be hanging out on campus when I was in college.  Though none of them were enrolled in classes and all of them were notably older than the majority of the people on campus, they still spent all of their time hanging out around the student union, smoking cigarettes, and trying to impress people who were half their age.  They approached me and my friend a few times, making awkward comments about whatever we happened to be talking about or studying at the moment.  One thing that I quickly learned was that being rude would not get rid of them.  Instead, you had to literally stand up and walk somewhere else to get away from them.  (They had no problem approaching people but were too lazy to follow after them.)  At the time, my friends and I used to joke that they were probably serial killers.  Most realistically, they were probably just three losers who didn’t want to have to grow up.  Still, they definitely gave off a bad vibe.

Based on a true story, Freeway Killer focuses on the relationship between Bonin, Vernon, and Kyle.  Though he’s their self-declared leader, Bonin is incapable of doing anything without the help of Vernon and Kyle.  At the same time, the film leaves us to wonder if Vernon and Kyle would have become killers if they hadn’t fallen under William Bonin’s influence.  One gets the feeling that if Bonin and Vernon had never met each other, they both would have spent the rest of their lives as obscure losers, living alone and working a dead-end job.  Certainly, if Bonin and Vernon had never met, Bonin would never have subsequently felt the need to recruit Kyle into their activities.  But, because they did meet, at least 30 innocent people were murdered in California.  The film is unsettling, not just because of the murders (of which only a few are discreetly portrayed) but because of the feeling that the murders themselves would never have happened if only William Bonin had not served an earlier prison sentence at the same time as Vernon Butts.

Scott Anthony Leet gives a good performance as William Bonin, playing him as man whose quick smile is just a cover for the raging feelings of inadequacy that are churning just below the surface.  Dusty Sorg and Cole WIlliams are also well-cast as, respectively, Vernon and Kyle.  Sorg, especially, makes Vernon into a monster who is frightening because it’s very easy to imagine running into him (or someone like him) in everyday life.  Michael Rooker brings his quiet intensity to a small role as the detective who investigates the Freeway Killer murders.

The real-life William Bonin was executed in 1996.  I’m against the death penalty because I don’t think we should normalize the idea of the government killing anyone but that still doesn’t mean that the world isn’t better off without William Bonin in it.

Clownado: Movie preview, review and trailer.


Yes, you saw that movie title correctly: Clownado

And if you don’t believe it is a real movie: Here is the poster to prove it.

poster

WARNING: This movie contains extreme language, nudity, strong sexual content, and very intense scenes of gore. Not at all recommended for people who are sensitive to that!

Credits:

Directed by: Todd Sheets (Zombie Bloodbath franchise)

Stars:

Rachel Lagen, Joel D. Wynkoop Linnea Quigley and Eileen Dietz

Preview:

Cursed demonic circus clowns set out on a vengeful massacre using tornadoes. A stripper, Elvis impersonator, truck driver, teen runaway, and a dude get caught in the supernatural battle between femme fatal and the boss clown from hell.

Review:

Seriously, as some one who suffers from coulrophobia, I could not help but laugh at this movie. The plot is so ridiculous. The acting is beyond bad. The clowns are no more than juggalo wannabes in bad makeup. The writing seemed like it was made up on the spot by a really bad improve troop. The special effects were neither special nor effective. It, however, could have been a quality horror movie if they had spent a bit more money on the movie than they did on the opening credits.

I guess, as the press release says, “The Joke’s on you when Clownado blows in” and I did spend 1 hour and 34 minutes of my life watching this movie. pic

When can you see Clownado?

Wild Eye Releasing along with Extreme Entertainment will let the clowns blow thru your VOD September 3rd and touch down on your DVD’s September 17th!

Oh, you are still reading this preview / review and want to see the trailer for Clownado? Ok, but don’t say I didn’t send you a Clownado warning!