Late Night Retro Television Review: Pacific Blue 3.6 “Sandman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicyclists continue to get in everyone’s way.

Episode 3.6 “Sandman”

(Dir by Terrence H. Winkless, originally aired on Sept. 21st, 1997)

A hitman named Robert “Sandman” Enright (John Michael Bolger) has been released from prison.  Because Enright was previously arrested by TC, TC decides to start harassing him as soon as he gets out of jail.  For a bunch of dorks on bikes, the Pacific Blue folks sure do enjoy abusing their power.

Anyway, Sandman is out for revenge against the three men who framed him.  And, since TC is tailing him everywhere, Sandman is able to manipulate TC into basically becoming his bodyguard.  The main theme of this episode is that TC is an idiot.

Speaking of idiots, Cory’s boyfriend, FBI Agent Tim Stone (David Lee Smith), confessed that he was thinking of getting back together with his ex.  With Chris’s support, Cory fought for her man.  Myself, I just struggled with the fact that Stone, TC, Palermo — and their actors, Smith, Jim Davidson, and Rick Rossovich — all basically looked like the same guy at different stages of his life.

Finally, Palermo, TC, and Victor played volleyball!  That was at the end of the episode and it went on for a while.  The whole scene felt like the show’s way of saying, “Hey, remember when Rick Rossovich was in Top Gun?  That was cool.”

As usual, this episode featured a lot of tough talk and intense looks, all of which were negated by the presence of grown-ups on bicycles.  Even when TC was spying on the Sandman, he did while sitting on his bicycle.  It just looked dumb.

Late Night Retro Television Review: Monsters 1.21 “All In A Day’s Work”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

A lot of talented people came together to create this week’s episode of Monsters!

Episode 1.21 “All In A Day’s Work”

(Dir by Allen Coulter, originally aired on May 6th, 1989)

Steven Rose (James Morrison) is a graduate student whose studies of ancient magic have accidentally summoned a creature who looks exactly like him and who also follows him everywhere that he goes.  Following the advice of a friend, Steven seeks help from a white witch named Fiona (Adrienne Barbeau).  Fiona is willing to help but first, she needs to pick up her son, Ian (Brandon Bluhm), from school.

When she returns to her apartment building with Ian, she discovers that the doppelganger is waiting in the hallway and apparently, it wants Ian’s soul.  Locking herself in her apartment with Steven and Ian, Fiona is forced to do the unthinkable.  She commits a mortal sin by summoning a demon named Belphamelech (Eddie Velez).  As she explains it to Steven, if she can get rid of his doppelganger than she will be forgiven for summoning a demon.  And if she can’t get rid of the doppelganger, it won’t matter what happens.

There were a lot of talented people involved with this episode.  Adrienne Barbeau, of course, is still well-remembered for her appearances in The Fog, Escape From New York, and Creepshow.  Nearly two decades after his appearance here, James Morrison would find fame as Bill Buchanan on 24 and as the prison warden on Twin Peaks: The Return.  Eddie Velez is still a regular on television.  This was one of the first shows to be directed by Allen Coulter, who go on to direct some of the best episodes of The Sopranos and Boardwalk Empire. 

Considering all of talent both in front of and behind the camera, it’s not a surprise that this is one of the better episodes of Monsters, an atmospheric and well-acted 21 minutes that nicely mixes horror with humor.  The episode works best when it contrasts Fiona’s magic powers with the normal activities of her everyday life.  She can get rid of demons and yes, she can cook up a love potion or two and yes, she knows all of the things to say to control a demon.  But, in the end, her main concern is making sure that her son gets to and from school without incident and that everyone has a good dinner in the evening.

Interestingly enough, the episode ends in such a way that makes it feel as if it was meant to be a pilot for a television series that would have featured Fiona dealing with the supernatural on a weekly basis.  She ends the episode with both a new romance and a new assistant and it’s easy to imagine all of the future adventures that they could have all had together.  If this episode was meant to serve as a pilot, it didn’t lead to a series and that’s a shame because it definitely had the potential to be a lot of fun.

Late Night Retro Television Reviews: Gun 1.1 “The Shot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Gun, an anthology series that ran on ABC for six week in 1997.  The entire show is currently streaming on Tubi!

Produced by filmmaker Robert Altman, Gun was an anthology series that followed one gun from person-to-person.  Each week would feature a new cast and a new story.  The show itself didn’t catch on but, because of Altman’s prestige, is still managed to attract some prominent and interesting guest stars during it’s 6-episode run.

The first episode, for instance, brings the gun together with Daniel Stern, Ed Begley, Jr., and model Kathy Ireland.

Episode 1.1 “The Shot”

(Dir by James Foley, originally aired on April 12th, 1997)

The first episode of Gun opens with an unnamed dumbass purchasing a pearl-handed, .45 semi-automatic pistol.  When he takes it home, his kids are impressed but his wife threatens to kick him out if he ever fires the gun in the house.  Next thing you know, the dumbass is pretending to be Robert De Niro in Taxi Driver and pointing the gun at the television.  The final shoot-out from The Good, The Bad, and The Ugly leads to the TV getting shot.  The dumbass returns the gun.  Later, that night, someone breaks into the gun store and steals the gun.

Who stole it?  It turns out that it was just a guy who spends his time holding up convenience stores.  Unfortunately, his next attempt at a convenience store robbery does not go well, largely due to one aggravated customer.  Harvey Hochfelder (Daniel Stern) is already in an agitated state before the robbery even begins.  He just wants to leave Los Angeles for Virginia but, before he can leave, he had to stop off at the slowest convenience store in L.A.  Harvey loses it as soon as he realizes that the robbery is going to mean his escape to Virginia is going to be even further delayed.  When Harvey’s wife (Kathy Baker) enters the store, the robber is startled into first shooting at Harvey and then dropping the gun.  The robber runs outside and tries to steal Harvey’s car, with Harvey’s son and dog in the back seat.  Harvey grabs the gun and chases the robber down.  The robber crashes the car and Harvey holds him at gun point until the police arrive.

Harvey becomes a celebrity.  He even appears on the cover Newsweek, with the simple headline, “American Hero.”  Hollywood wants to make a made-for-TV movie about what happened in the convenience store, with Harvey playing himself and Kathy Ireland playing his wife.

Unfortunately, the friends of the robber are not happy that Harvey “fingered our homie” (yes, that’s actual dialogue) and they decide that they want to get revenge on Harvey.  When they force his car off the road and then pull guns of their own on him, Harvey diffuses the situation by offering them roles the movie.  Everyone wants to be a star!

Finally, the day of filming has arrived.  Under the guidance of the film’s director (Ed Begley, Jr.), Harvey prepares to climb into bed with a lingerie-clad Kathy Ireland….

Suddenly, Harvey is back in the convenience store, getting shot multiple times by the robber and expiring as a security camera records his final moments.  His entire time as a Hollywood star was just a dying fantasy which, honestly, was kind of obvious just by how cartoonish all of the Hollywood scenes were.

Well, as far as first episodes are concerned this was really, really …. bad.  Anthology shows are always a bit hit-and-miss and this episode was definitely almost all miss and no hit.  As good a character actor as he may be, Daniel Stern overacts to such an extent in this episode that it’s difficult to really have much sympathy for Harvey and the episode’s final twist largely fell flat.

The first episode of Gun is an almost entire …. dare I say it? …. misfire.

A Movie A Day #164: Split Decisions (1988, directed by David Drury)


Craig Sheffer seeks symbolic revenge and Gene Hackman picks up a paycheck in Split Decisions!

Ray McGuinn (Jeff Fahey) is a contender.  Ever since he let his father’s gym and signed with a sleazy boxing promoter, Ray has been waiting for his title shot.  His father, an ex-boxer turned trainer named Dan (Gene Hackman), has never forgiven Ray for leaving him.  Meanwhile, his younger brother — an amateur boxer and Olympic aspirant named Eddie (Craig Sheffer) — worships Ray and is overjoyed when Ray returns to the old neighborhood to fight “The Snake” Pedroza (Eddie Velez).  But then Ray is told that if he doesn’t throw the fight, he’ll never get a shot at a title bout.  When Ray refuses, The Snake and a group of thugs are sent to change his mind and Ray gets tossed out of a window.

Eddie is determined to avenge his brother’s death.  Does he do it by turning vigilante and tracking down the men who murdered his brother?  No, he turns pro and takes his brother’s place in the boxing ring!  Dan reluctantly trains him and Eddie enters the ring, looking for symbolic justice.  Symbolic justice just doesn’t have the same impact as Charles Bronson-style justice.

The idea of a barely known amateur turning professional and getting a chance to fight a contender feels just as implausible here as it did in Creed.  The difference is that Creed was a great movie so it did not matter if it was implausible.  To put it gently, Split Decisions is no Creed.  The boxing scenes are uninspired and even the training montage feels tired.  Look at Craig Sheffer run down the street while generic 80s music plays in the background.  Watch him spar in the ring.  Listen to Gene Hackman shout, “You’re dragging your ass out there!”  In the late 80s, Gene Hackman could have played a role like Dan in his sleep and he proves it by doing so here.  Underweight pretty boy Craig Sheffer is actually less convincing as a boxer than Damon Wayans was in The Great White Hype.

Split Decisions is another boxing movie that should have taken Duke’s advice.