The Films of 2024: Rebel Moon Part 2 — The Scargiver (dir by Zack Snyder)


In some other galaxy, a bunch of annoying farmers are living on the moon of Veldt.  The evil army of the Motherworld, led by Atticus Noble (Ed Skrein), wants to conquer the moon and steal all of the grain for themselves.  A bunch of rebels — including a long-winded former general named Titus (Djimon Hounsou) and painfully dull former solider of the evil empire named Kora (Sofia Boutella) — are on the moon and help the farmers prepare for battle.  And then the battle happens and the movie ends and somehow, it takes more than two hours to tell this extremely thin story.

Admittedly, I have not seen the first Rebel Moon but I doubt it makes much of a difference.  I’ve seen enough science fiction movies and enough Zack Snyder films that I feel like I can follow this sequel without having seen the first film.  In fact, the only question that I have as a result of not seeing the first film is whether the absolutely ludicrous flashback to Kora’s past was lifted from the first film or was it specifically shot for the sequel?  The flashback reveals that Kora became a rebel after her mentor attempted to frame her for the murder of a good space emperor and his family. I have to admit that the overwrought, slow motion-heavy flashback did inspire a few chuckles on my part.  There was an orchestra playing in the background of the scene and they continued to play, even while the emperor and his family were being murdered.  You have to wonder just what exactly the musicians were thinking while all of that was going on.

As for Rebel Moon Part Two, it has some nice visuals but the story is a mess and there are some moments that simply leave you wondering whether to laugh or sigh with frustration.  There’s the fact that the fearsome imperial spaceships are apparently fueled by men shoveling coal into a furnace.  There’s the fact that fearsome imperial space laser gun takes forever to aim and fire, presumably to give the rebels time to sabotage the ship.  (That seems like a pretty big design flaw.)  There’s the fact that the evil empire turns out to be so inept that it’s hard to feel like the farmers really needed to spend as much time training as they did.  By the end of the film, I felt like I probably could have beaten up the evil empire single-handedly.  They just weren’t that impressive.

The main problem is that the farmers were kind of annoying and, even when they finally did fight the evil empire, it was still hard to feel that they still didn’t have any control over their own fate.  First, they were being ordered around the bad guys.  Then, they were being ordered around by Titus and the rebels.  Titus, himself, is one of those annoying characters who can’t ever say anything without turning it into a speech.  On the one hand, Titus insists that the farmers don’t have much time to get ready.  On the other hand, Titus continually wants to waste what little time they have by giving a monologue.  Kora, meanwhile, rarely speaks.  This has less to do with her being a strong, silent warrior and instead it’s all about her not really having much of a personality.

The majority of the film’s runtime is taken up with the battle and it’s hard not to notice that for all of the explosions and presumed death, most of the main characters somehow manage to survive.  It left me thinking about we were supposed to celebrate the survival of the Daily Planet staff at the end of Man of Steel, despite the fact that thousands of others undoubtedly died while Superman and General Zod were ripping apart Metropolis.

To be clear, there are quite a few Zack Snyder films that I really do like.  I am not, by any means, an anti-Snyder person.  I thought Sucker Punch was a masterpiece.  I admire and respect what he did with Watchmen.  I’m not a fan of his work with the DCEU but then again, with the exception of the first Wonder Woman, I’m not really a fan of anyone’s work with the DCEU.  The important thing is that I think that, with the right material, Zack Snyder can be brilliant and I love the fact that, even in his lesser films, he still goes all out to bring his vision to life.  As a director, Snyder is not scared to go over-the-top with sweeping, dramatic moments.  He’s someone who understands that movies — especially action films — should be big.  But Rebel Moon 2 never really works.  If anything, it sometimes feels like Snyder on auto pilot.  I’ll always be willing to take a chance of Zack Snyder but I hope that doesn’t mean having to watch Rebel Moon 3.

Here’s The Trailer For Midway


Earlier today, the first trailer for Midway was released.  Based on the famous World War II battle, Midway will be in theaters on November 8th.  Judging from the trailer, it would appear that this adaptation has more in common with Michael Bay’s Pearl Harbor than Christopher Nolan’s Dunkirk.

Of course, we shouldn’t be too surprised by that.  Midway is the latest film from Roland Emmerich and that’ll probably mean a lot of action, not a lot of character development, and maybe a half-assed debate about whether or not Shakespeare wrote Hamlet.  (I have to admit that I have never forgiven Emmerich for Anonymous, a film that not only promoted a silly conspiracy theory but which also accused Shakespeare of murdering Christopher Marlowe.)  Of course, Midway could still be a good film, even if it is a typical Emmerich production.  Sometimes, you just want to spend a few hours watching stuff blow up.

Midway does have a big cast: Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Mandy Moore, Dennis Quaid, Darren Criss and Woody Harrelson.  I don’t know if I’d say that was an intriguing cast, if just because Woody Harrelson and Dennis Quaid appear to be legally required to appear in ensemble war films like this.  Still, it’ll be interesting to see if Midway can do for Nick Jonas what Dunkirk did for Harry Styles.

Here’s the trailer:

Film Review: Deadpool (2016, directed by Tim Miller)


Deadpool_posterWade Wilson (Ryan Reynolds) is a mercenary with a sense of humor and a heart of not quite gold.  When he is diagnosed with terminal cancer, he leaves his girlfriend, Vanessa (Morena Baccarin), and agrees to allow a secret organization to experiment on him.  They will cure his cancer but, in return, they expect him to serve as a super powered slave for their own clients.  After being severely disfigured by the sadistic Ajax (Ed Skrein), Wilson develops a super human healing ability.  Eventually, Wilson escapes but now fears that he’s too twisted to return to Vanessa.  Taking on the identity of Deadpool, Wilson tries to track down and get his revenge on Ajax (real name: Francis).

From the moment I heard that 20th Century Fox was producing a Deadpool film, I had only one request: “Don’t fuck it up.”

After all, there is a reason why Deadpool is one of the most popular characters to come out of Marvel’s later period.  He’s certainly the best thing that Rob Liefeld has ever had a hand in creating.  First introduced in New Mutants and subsequently used in the various X-books before getting his own ground-breaking series, Deadpool has earned the right to be known as “the merc with a mouth.”  Deadpool was popular because, out of all the characters in the Marvel Universe, he alone understood that he was in a comic book.  He would frequently break the fourth wall and talk about how ridiculous life as a comic book antihero was.  At a time when almost all other super powered characters were presented as being grim and troubled, Deadpool was the often vulgar antidote to comic books that took themselves too seriously.

(My favorite Deadpool moment was when Deadpool had been once again incorrectly assumed dead.  When Blind Al told Weasel that Deadpool was dead, the footnote at the bottom of the panel read, “Guess the series is over!”)

dp

I saw Deadpool last weekend.

They did not fuck it up.

My biggest fear was that the Deadpool movie would present a neutered or toned down Deadpool but there was no need to worry.  Though the film’s plot may be a standard origin story with a revenge subplot tossed in, Deadpool distinguishes itself by staying true to the character’s anarchistic and self-referential humor.  This is not a case of Dolph Lundgren putting on a trenchcoat, driving a motorcycle, and calling himself the Punisher.  And it is certainly not a case of the strange character that Ryan Reynolds played in X-Men Origins who was supposed to be Deadpool but definitely was not.  Deadpool allows Deadpool to be Deadpool, right down to the red uniform, the broken fourth wall, and the R-rated humor and violence.  Deadpool earns its R rating and wears it as a badge of honor  This is not a movie for children.  Everything that most heroes do and say off-camera, Deadpool does and says for the entire audience to see and hear.

That's not Deadpool!

That’s not Deadpool!

That's Deadpool!

That’s Deadpool!

Deadpool ends with the promise of a sequel, perhaps one that will include Cable.  Since Cable is one of my least favorite Marvel characters, I hope that the sequel will at least see the return of Colossus (rendered by CGI and voiced by Stefan Kapicic) and Negasonic Teenage Warhead (Briana Hildebrand), both of whom make welcome appearances here.  Negasonic Teenage Warhead especially deserves her own spin-off film.  Let her blow up shit for two hours.  I’ll watch.

Also, if the sequel has to feature Cable, I hope it will also include Dr. Bong.  Deadpool needs all the help he can get!

1988445-doctor_bong_diagnosis_deadpool_26

A Very Red Band Deadpool Trailer for Christmas


Deadpool

Twentieth Century Fox has had a stranglehold on the film rights to one of Marvel Comics’ biggest properties: the X-Men and every character associated with them. So far, the studio has only taken the core X-Men and Wolverine properties and adapted them onto the big-screen to mixed results. Some fans of the properties have even come to see the Fox vision for these mutant characters as tame and water-down version of the classic comic book characters.

One such mutant character which had languished in development hell within Fox was the character of Deadpool. The so-called “Merc with a Mouth” had an off and on development cycle throughout the years. The character finally appeared in the forgettable Wolverine stand-alone film, X-Men Origins: Wolverine. The character was played by Ryan Reynolds and just like another superhero film (this time for DC as the classic character of Green Lantern) he starred in, this one bombed and he was starting to be seen as a curse on superhero projects his named gets attached to.

If there was one major effect that Marvel Studios’ success with their Marvel Cinematic Universe has had with the rest of the Hollywood studios was to force them to treat their comic book property licenses seriously. They had to embrace the comic book nature of the properties they held the license to and work with it instead of against it.

It looks like Fox might be doing just that with their R-rated attempt at the Deadpool live-action adaptation starring the star who campained long and hard to produce and star as the title character: Ryan Reynolds. If the tone we’ve seen with the Comic-Con trailer and this latest red band trailer is any indication then the Ryan Reynolds superhero curse could be ending in early February of 2012.

Deadpool is set for a February 12, 2016 release date.