Retro Television Review: St. Elsewhere 1.20 “Craig In Love”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Dr. Craig does the unthinkable …. maybe.

Episode 1.20 “Craig In Love”

(Dir by Victor Lobl, originally aired April 12, 1983)

Dr. Craig is indeed in love in this episode.  He’s totally smitten with the Hungarian Dr. Vera Anya and, when his wife Ellen (played by Bonnie Bartlett, real-life wife of William Daniels) goes out of town to visit her mother, Craig makes plans to show Dr. Anya around the town and maybe more….

Ugh.  Seriously, I don’t like the idea of Dr. Craig cheating on his wife and, though this episode leaves it ambiguous as to what actually happened, it totally appears that’s what Craig did over the weekend.  Dr. Craig is pompous and full-of-himself and rude to almost everyone he talks to but it’s always appeared that he totally loved his wife.  The whole idea of him thinking about cheating — much less actually doing it — just doesn’t seem right for his character.  And, quite frankly, Dr. Anya wasn’t really that intriguing of a character so if Craig did share more than just that passionate goodbye kiss with her …. well, I prefer to pretend this entire storyline didn’t happen.

Far more interesting was the malpractice suit brought against Dr. Chandler and Nurse Daniels.  As the hospital’s lawyer explains it, there really isn’t much of a case to be made for malpractice.  Instead, the dead man’s family is just hoping to get a quick settlement out of it.  Most doctors aren’t willing to pay the legal fees and don’t have the time to go to court.  Chandler, however, is personally offended by the suit and pledges to do whatever he has to do fight it.  Yay, Chandler!  Seriously, I hate people who try to bully people into settlements.  After my Dad died, there was this crazy woman who thought she could bully his estate into giving her half a million dollars.  Instead, she received nothing and that’s exactly what she deserved.  Both Denzel Washington and Ellen Bry gave good performances this week.  Ellen  Bry’s Nurse Daniels is quickly becoming one of my favorite characters.  She doesn’t let anyone push her around.

Speaking of pushing people around, Dr. Morrison finally got sick of Dr. White’s drug addiction and the two of them ended up having a fist fight in the men’s room.  Still, when White later crashed his girlfriend’s car and needed to be bailed out of jail, Morrison was the first person that he called.  Morrison, being a saint, got White out of jail.  White, being a jerk, barely even said thank you.  Morrison went to Westphall with his concerns about Dr. White.  Westphall responded that it wasn’t his place to give a fatherly lecture.  That’s cold, Westphall.  What about when he kills a patient because he’s high?  Will you care then?  No wonder St. Eligius is getting sued for malpractice!

Finally, Dr. Samuels had a cold so he spent the entire episode whining about it.  Seriously, Dr. Samuels is one of my least favorite characters of all time.

This episode was uneven for me.  I’m not happy about Dr. Craig being a cheater but I am happy that Dr. Chandler is standing up for himself.  Dr. White appears to be heading to a very dark place.

There’s only two episodes left in the first season so I’m assuming we’re going to get some sort of closure to at least some of these storylines.  We’ll see what happens next week!

 

Retro Television Review: St. Elsewhere 1.19 “Working”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, someone’s getting sued!

Episode 1.19 “Working”

(Dir by Bruce Paltrow, originally aired on April 5th, 1983)

Dr. Morrison becomes upset when he deduces that a patient (Ed Lauter) is trying to drink himself to death so that his family can collect his life insurance.  Dr. Chandler becomes upset when one of his patients dies while being admitted to the hospital and the family ends up suing for malpractice.  For once, Dr. Craig is not upset because he’s been charmed by a visiting surgeon (Rita Zohar) from Hungary.  And, finally, Dr. White continues to be Dr. White as he obsesses over his separation, pops pills, and screws up even the simplest of medical tasks.

It’s just another day at St. Eligius!

This was a pretty good episode.  Dr. Craig’s storyline was probably the weakest but William Daniels is such a good actor and Dr. Craig was such an interesting character that even a weak Craig storyline is still better than average.  (That said, the visiting surgeon’s amazement at visiting at actual McDonald’s was a bit heavy handed.)

What really made this episode stand out is that Denzel Washington finally got to do something more than just stand in the background and nod.  For most of the first season, Dr. Chandler has been portrayed as being perhaps the most perfect and ultra-competent resident in the history of medical residences so it was interesting to see him not having all the answers for once.  Washington did a wonderful job portraying Chandler’s transformation from being almost cocky to being worried that he actually was, in some way, responsible for his patient’s death.  (The fact that the other doctors just shrugged off the man’s death made Chandler even more determined to figure things out.)  In the past, Chandler has always been quick to call out other people’s errors and this episode actually features him nearly coming to blows with White over White’s terrible job performance. Seeing Chandler having to critically examine his own job performance brought a bit more depth to the character.

Speaking of Dr. White …. WHAT A JERK!  The first season is nearly over and it seems like the show is building up to something terrible happening to Dr. White.  Whatever it may be, it’s hard not to feel that he brought it on himself.  In a hospital full of dedicated doctors, Dr. White is the guy you never want to see come in your room.  I have no idea what’s going to happen with this doctor but I can’t imagine it will be a good thing.

Finally, Morrison’s storyline left me wondering why Morrison always ends up with the most melodramatic patients.  That said, Ed Lauter was one of the best and his scenes with Norman Lloyd’s Dr. Auschlander were wonderfully acted by both men.

This was a good episode.  We’re approaching the end of season one and I can’t wait to see how things are going to wrap up with the doctors at Boston’s most underrated hospital.

Retro Television Review: St. Elsehwere 1.18 “Dog Day Hospital”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Judith Light has got a gun!

Episode 1.18 “Dog Day Hospital”

(Dir by Victor Lobl, originally aired on March 22nd, 1983)

Finally, Dr. Ehrlich is performing his first solo operation.  Dr. Craig is assisting but Ehrlich is in charge.  He gets to play his music in the OR.  He gets to decide what type of retractor to use.  It’s a simple hernia operation.  The patient (Sam Anderson) is awake and babbling through the whole operation.

Unfortunately, there’s also an angry woman in the OR and she has a gun.  Barbara Lonnicker (Judith Light) is eight months pregnant, despite her husband claiming that he got a vasectomy at St. Eligius.  As she already has several children to deal with, she wants to see the doctor who screwed up the vasectomy but she’s just as willing to shoot any other doctor to get her revenge.  The operation continues while Dr. Craig and Dr. Westphall negotiate with her.

I have to admit that I did find a lot of this episode to be amusing.  Ehrlich’s excitement over getting to do his first operation, Dr. Craig’s stuffy annoyance with being interrupted by a woman with a gun, and the patient’s nonstop rambling all made me smile more than once.  And Judith Light, not surprisingly, was great as the woman with the gun.  I loved the her husband was played by Tom Atkins.  You never know who you might see at St. Eligius!  That said, after the episode ended, I couldn’t help but think about how dumb the whole thing actually was.  How are people always managing to get guns into St. Eligius?  How did Barbara manage to get into an operating room without being stopped beforehand?  (Luther does tell her that she can’t be back there but he’s the only one who seems to notice her before she bursts into the OR.)  How come no one in the hospital seems to be more upset about the fact that there’s a woman waving a gun around an operating room?  At one point, Barbara shoots Ehrlich’s radio and hardly anyone seems to react.  The plot is played for laughs and that’s fine.  But, in this case, the story was a bit too implausible for its own good.

Meanwhile, Nurse Rosenthal returned to work after her mastectomy and struggled to get back into her routine.  Carolyn Pickles did a great job portraying Rosenthal in this episode.  And Fiscus and Shirley Daniels visited an old woman in a nursing home.  The subplots were handled well but, for the most part, this episode still felt as if it was trying a bit too hard.

Retro Television Review: St. Elsewhere 1.17 “Brothers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

Another day, another death in Boston.

Episode 1.17 “Brothers”

(Dir by Mark Tinker, originally aired on March 15th, 1983)

I swear, St. Eligius must have the worst security guards in Boston.

In this episode, Walter Schaefer (Pat Hingle), a blue collar fisherman, manages to smuggle a freaking hunting rifle into the hospital so that he can use it to kill his brother, Arthur (Richard Hamilton).  Arthur was dying of cancer and didn’t have much time left.  Walter had previously begged Dr. Westphall to cease giving Arthur chemotherapy and to just let his misery come to an end.  Westphall declined to do so so Walter killed his brother.  The episode was designed to make the viewer feel that Walter had no choice but …. eh, I don’t know.  I’m not a fan of euthanasia and I find the enthusiasm for it in television and film to be a bit icky.  This episode’s treatment of the issue was about as heavy-handed as they come.  And seriously, couldn’t Walter have just smothered Arthur with a pillow or something?  Shooting a man is dramatic but now I’m wondering about who had to clean up the room afterwards.  Plus. Arthur was hooked up to a bunch of medical equipment that was probably ruined as well.

(I don’t know, it’s hard for me to judge this storyline.  My Dad died in hospice care and I had to sign a DNR order before he could start it.  The aggressiveness that those people showed in demanding that I sign the order still haunts me.)

On a lighter note, Ehrlich managed to get another date with Shirley, despite the fact that their previous date ended with Ehrlich drunk and making a fool of himself.  Fiscus recommended a nice romantic restaurant.  Of course, when Ehrlich couldn’t make the date due to his work as a doctor, Fiscus took Shirley to the restaurant.  The end result is that Shirley has a crush on Fiscus and Fiscus needs to find a new place to stay because Ehrlich responded by kicking him out of the apartment.

Speaking of relationships, Dr. White is such a sleaze!  He’s separated from his wife so he’s now involved with a nurse.  While talking to that nurse on the phone, White was flirting with another nurse.  But then, Dr. White happened to see his wife out with another man and decided he had the right to get all jealous.  Ugh!  What a jerk!

Finally, the episode ended with Nurse Rosenthal on the operating table, about to undergo a mastectomy.  This was the subplot that actually got to me, not all of the stuff about Walter murdering his brother.  Christina Pickles, who has been such a steady presence during the first season, gave a wonderful performance as Rosenthal tried to keep it together as the day of her surgery approached.  This storyline brought tears to my eyes and that’s really all I have to say about it.

This was an uneven episode.  The stuff with the brothers didn’t do much for me but, when the episode just focused on the doctors and the nurses, it shined.

Retro Television Review: St. Elsewhere 1.16 “The Count”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

It’s time to go under the knife in Boston.

Episode 1.16 “The Count”

(Dir by Kevin Hooks, originally aired March 8th, 1983)

Harold Beaumont (Michael Halsey), an adult film actor better known as The Count, has checked into St. Eligius.  Of course, Dr. Samuels immediately recognizes him because Samuels is obsessed with porn.  Dr. Annie Cavanero does not recognize him but, once she learns what he does for a living, she has to tell him that she finds his work to be offensive because Dr. Cavanero’s entire personality pretty much revolves around getting offended by stuff.

It’s not much of a plot.  There’s a process server (William G. Schilling) who wants to serve the Count with a courts summons so Samuels and Cavanero help the Count hide and disguise his identity.  It’s silly and dumb story that involves the two of the least likable members of the show’s regular cast.

Meanwhile, Dr. Wendy Armstrong (Kim Miyori) comes to suspect that one of the hospital’s heart surgeons, Dr. Larry Andrews (Peter Michael Goetz), is giving pacemakers to people who don’t actually need them.  She takes her concerns to Dr. Craig.  Craig, an old friend of Dr. Andrews, is initially dismissive but he later confronts Dr. Andrews and finds out that Armstrong was correct.  Dr. Andrews explains that it takes a lot of money to fund his lifestyle.  This story was an improvement over the Count but it perhaps would have had more power if it had been someone like Dr. Ehrlich who suspected that Dr. Andrews was giving people pacemakers that they don’t need.  Ehrlich actually has a complicated relationship with Dr. Craig and his own less-than-stellar record as a resident would have added some ambiguity to storyline.  Dr. Armstrong, on the other hand, has been portrayed as being hypercompetent and a bit self-righteous and, if we’re going to be honest, she’s kind of a boring character.

Speaking of Dr. Ehrlich, he is getting fed up with living with Fiscus.  Howie Mandel is driving someone crazy?  Who could have seen that coming?

This week’s episode was pretty forgettable.  The story involving Dr. Andrews had potential but choosing to make the show’s least interesting characters the center of an entire episode was a decision that really didn’t pay off.

Elvis (1979, directed by John Carpenter)


Elvis, not to be confused with the later film starring Austin Butler, is a historically-interesting film for a number of reasons.

Made for television, it was the first of many biopics to be made about the King of Rock and Roll.  Seeing as how it went into production just a year after Elvis’s death and that its script was vetted and approved by Priscilla Presley herself, it’s not surprising that Elvis doesn’t really delve into the darker aspects of his life.  Elvis shoots a television, gets frustrated with his bad movies, and wonders who he can trust but we don’t see him get fat nor do we see him popping pills.  The movie ends with Elvis making his comeback in 1969, allowing a happy ending for the title character.

The film was directed by John Carpenter.  It was his first film to be released after the monster success of Halloween, though Carpenter actually started work on Elvis before Halloween was released.  Though the film’s television origins means there aren’t many examples of Carpenter’s signature style in Elvis, Carpenter does a good job recreating Elvis’s performances and, most importantly, he comes up with a film that holds your interest for three hours.

Finally, the role of Elvis is played by Kurt Russell, who was at the time still struggling to prove himself as being something more than just a Disney star.  Russell, who made his film debut kicking Elvis in the shins, throws himself into playing the role and captures the look, the swagger, and the voice of Elvis without ever descending into caricature.  His singing voice is dubbed for the performances but Russell is still convincing as the King.  It takes skill to wear that white jumpsuit without looking like you’re wearing a bad Halloween costume.  While this film showed that Russell was capable of more than just Disney films, it even more importantly launched his friendship with John Carpenter.  Escape From New York, The Thing, and Big Trouble In Little China all began with Elvis.

The movie doesn’t really tell us anything that we didn’t already know about Elvis but its entertaining and it has a big, colorful cast that include Pat Hingle as Tom Parker, Shelley Winters as Elvis’s mother, and Bing Russell (Kurt’s father) as Elvis’s father.  Priscilla is played by the beautiful Season Hubley, who married Kurt Russell shortly after filming.  (They divorced in 1983.)  Joe Mantegna, Ed Begley Jr., Ellen Travolta, and Dennis Christopher all appear in small roles and do their part to bring Elvis’s world to life.  Elvis is a fitting tribute to the King of Rock and Roll, one that gave Elvis a happy ending and started a great collaboration between a director and his star.

I Watched The Strongest Man In The World (1975, Dir. by Vincent McEveety)


Dexter Riley (Kurt Russell) is back, again!  He still hasn’t graduated from Medfield College and Medfield is still on the verge of going broke.  Dean Higgins (Joe Flynn) discovers that the reason Medfield can never get out of the red is because the science class and students like Dexter are spending so much money on their experiments.  The Dean fires the science professor and threatens to expel Dexter!  But when Dexter’s latest experiment develops a type of milk that gives the drinker super strength, the Dean might have to change his mind.

A cereal company wants to buy the supermilk, which would get Medfield out of the hole.  But a rival cereal company just wants to steal the formula for the milk so they hire disgraced businessman and gangster A.J. Arno (Cesar Romero) to once again try to thwart the best laid plans of Medfield College.  Meanwhile, Dexter competes in a contest to prove that the supermilk has truly made him into the strongest man in the world.

The plot of the last Dexter Riley movie somehow manages to be even dumber than the first two and it was high time for Dexter to graduate and get on with his life but The Strongest Man In The World did make me laugh a few times.  Because this entry in the series involved super strength instead of invisibility or merging with a computer, it allowed for more physical comedy and it felt less dates than the other two movies.  The action is pretty much nonstop, as Dexter gets into one scrape after another and the cast is likable even if they all were getting a little old to still be playing college students.  Like the other Dexter Riley films, The Strongest Man In The World is too innocent and good-natured not to enjoy on some level.

I guess Dexter finally graduated after this movie.  Both he and Kurt Russell went on to better things.

Life’s A Beach: Superdad (dir by Vincent McEveety)


In 1973’s Superdad, Disney takes on the generation gap.

Charlie McCready (Bob Crane) just can’t understand what’s going on with his daughter, Wendy (Kathleen Cody).  She’s smart, pretty, and has the potential for a great future ahead of her but all she wants to do is hang out with her friends on the beach.  Eccentric Stanley Schlimmer (Bruno Kirby) drives everyone around in a souped-ambulance.  Ed Begley, Jr. (who plays a character who doesn’t even get a name) joins in whenever the group sings a folk song.  Wendy’s boyfriend, Bart (young and likable Kurt Russell), is a surfer and water skier.  Charlie is truly convinced that this extremely clean-cut group of teenagers is going to lead his daughter astray.  In fact, Wendy wants to marry Bart!  Charlie attempts to hang out with Wendy, Bart, and his friends on the beach and he can’t keep up.  He can’t water ski, he can’t play football, he can’t play volleyball.  All he can do is scream in this weird high-pitched voice.  The entire time is Bart is extremely nice to him and doesn’t even make fun of him for not being able to hit a volleyball over a net.  I mean, even I can do that!  But because Charlie’s not dealing well with becoming middle-aged, he decides that Bart is a threat.

(I’m going to assume that Charlie also teams up with a creepy friend and starts filming himself having threesomes with groupies, though we don’t actually see that happen in the film.  The subtext is there, though!)

Charlie decides that he has to get Wendy away from this group and the best way to do that would be to trick her into thinking she’s received a scholarship to …. Yes, this is just that stupid …. a scholarship to a prestigious university.  While Bart and his healthy, non-smoking, non-drinking friends are all going to City College and living at home with their parents, Wendy will be miles away at a college where she can do anything that she wants. Charlie thinks this is a great plan.  One gets the feeling that Charlie, for all of his overprotectiveness, hasn’t read a newspaper in 20 years.  Seriously, has he not been keeping up with what was happening on most college campuses in the late 60s and early 70s?

The main problem with this film is that Charlie is an incredible jerk.  It’s one thing to be overprotective.  Fathers are supposed to be overprotective of their daughters.  It’s one thing to worry about his daughter not having a good deal of ambition.  I can even understand him getting annoyed with Stanley because Stanley is kind of annoying.  (Watching this film, it’s hard to believe that Bruno Kirby was just one year away from playing the young Clemenza in The Godfather, Part II.)  But seriously, Charlie is freaking out over his daughter dating KURT RUSSELL!  In this film, Kurt Russell plays a character who is always polite, mild-mannered, sensible, and remarkably understanding of Charlie’s attempts to keep him from marrying Wendy.  There is one scene where Bart gets upset and he barely even raises his voice.  He’s incredibly likeable and, for all of this film’s flaws, it’s still easy to see why Kurt Russell became a star.

Of course, what really makes this film a cringe-fest is that it stars Bob Crane as a family man with a secretly manipulative side and, the whole time I was watching, I kept having flashbacks to Greg Kinnear in Auto-Focus.  Wendy, to make her dad really angry, gets engaged to an actual hippie named Klutch (Joby Baker) and there’s a scene in which Klutch and Charlie get into a fight in Klutch’s artist studio.  Every time Klutch swung anything near Charlie’s head, I definitely cringed a bit.  Red paints get spilled everywhere, though luckily it ends up on Klutch and not Charlie.  Still, watching the film, I couldn’t help but think that there are worse things that could happen to someone than having their daughter marry Kurt Russell.

I Watched Now You See Him, Now You Don’t (1972, Dir. by Robert Butler)


Dexter Riley (Kurt Russell) is back and just in time because Medfield College is on the verge of getting closed down again.

In The Computer Wore Tennis Shoes, buying a computer was supposed to be the solution to all of Medfield’s financial problems.  I guess it didn’t work because Medfield is broke again and corrupt businessman A.J. Arnoe (Cesar Romero) is planning on canceling the school’s mortgage so that he can turn it into a casino.

There is some hope.  Dexter has accidentally created an invisibility spray.  Not only does it tun anything that it touches invisible but it also washes away with water so there’s no risk of disappearing forever.  Dexter and his friend Schuyler (Michael McGreevey) know that they can win the science fair with their invention but the science fair doesn’t want to allow small schools like Medfield to compete unless they really have something big to offer.  Dexter tells the Dean (Joe Flynn) that he has a sure winner but Dexter also refuses to reveal what it is because he doesn’t want word to leak before for the science fair.  The Dean decides to raise the money to pay off the mortgage by becoming a golfer, as one does.  Schulyer works as the Dean’s caddy while Dexter uses the invisibility spray to help the Dean cheat.  That’s a good message for a young audience, Disney!  But when Arno finds out about the spray, he wants to steal it so he can rob a bank.

This was even dumber than The Computer Wore Tennis Shoes but it was also hard to dislike it.  The comedy was too gentle, Kurt Russell and the rest of the cast were too likable, and the special effects were too amusingly cheap in that retro Disney way for it to matter that the movie didn’t make any sense.  When a bunch of college kids learn the secret of invisibility and use it to cheat at golf, you know you’re watching a Disney film.

I Watched The Computer Wore Tennis Shoes (1969, Dir. by Robert Butler)


Medfield College has a problem.  No one takes the college seriously.  Maybe if the college could win the big college quiz show, people would finally stop laughing at Medfield but the students are not academically talented.  Professor Quigley (William Schallert) thinks that the college needs to finally buy a new-fangled device called a computer.  The Dean (Joe Flynn) says that there’s no way any college can afford something as expensive as that!  Luckily, businessman and gangster A.J. Arno (Cesar Romero) is willing to donate one of his computers.  It takes several students to move the computer into the lab because the computer is huge.

Medfield finally has a computer but are the students smart enough to win that quiz show?  Popular jock Dexter Riley (Kurt Russell) happens to be in the lab during a freak thunderstorm.  When both he and the computer get struck by lightning at the same time, it leads to Dexter becoming a human computer.  He suddenly knows everything.  He can speak any language and solve any equation.  He can answer any question/  Whenever anyone shines a light into Dexter’s ear, they see circuit boards.  No one really cares that none of this makes sense.  Medfield is going to win that quiz show for sure!  But first, Dexter is going to have to escape from Arno, who fears Dexter now knows all the details about his gambling ring.

Watching this Disney film was a real eye-opener for me.  Computers are such a part of my everyday life that it was strange seeing a college making such a big deal about getting one.  The computer that Medfield got looked more like the type of computer that NASA used to go to the moon than the ones that were in my high school computer lab.  I was worried that no one seemed to care that Dexter had a circuit board in his head.  Not even Dexter seemed to care.  It was also funny to me that all he had to do was get struck by lightning while standing near a computer and suddenly, he knew how to speak every language and solve every problem.  I use a computer everyday and I can still only speak English and Spanish.  I feel like I’m getting cheated.

The whole movie was absolutely ludicrous but I did enjoy watching this movie.  It was too sweet, innocent, and good-natured not to enjoy.  There was nothing realistic about the movie but it was nice to imagine a world where everyone gets along, the bad guys are all too buffoonish to really be dangerous, and a serious knock on the head leads to thing returning to normal instead of permanent brain damage.  Kurt Russell was only 18 when he made The Computer Wore Tennis Shoes but he could already carry a movie.