Retro Television Review: St. Elsewhere 1.12 “Release”

Posted on February 14, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, things get dark.

Episode 1.12 “Release”

(Dir by Victor Lobl, originally aired on February 1st, 1983)

The gunshot victim (Tom Hulce) who was saved by Samuels last week has woken up but he has no idea who he is. He is labeled John Doe #12, meaning there’s at least eleven other people at St. Eligius who are suffering from amnesia! That’s a scary thought. There’s a lot of things that I don’t want to suffer from and amnesia is high on the list. I can’t imagine how frightening that would be, not having any idea who you are or where you belong.

Dr. Chandler tries to help John Doe #12 get his memory back but, in this episode at least, neither has any luck. Even an attempt at hypnosis reveals that John can’t remember anything before being rolled into the ER. At one point, an older couple step into the room to discover if John is their son, who has been missing for two years. He’s not, which leaves the couple in tears.

As serious and as heart-breaking as this all is (and both Washington and Hulce give outstanding performances in this episode), there is one moment where Dr. Westphall makes a reference to a “Lt. Gerard,” who is searching for John’s parents. It seems like a throw-away reference, unless you’re familiar with either the 1950s television show The Fugitive or the subsequent 1993 film adaptation. Lt. Gerard was the name of the detective who was hunting for that show’s main character, Dr. Richard Kimble. Ed Flanders delivers the line solemnly and it occurs at a serious moment. There’s no winking at the audience. Instead, it’s simply a reward for the pop culture-literate who might be watching the episode.

For the most part, this was a grim episode. After losing a patient to cancer, Dr. Peter White was ordered to talk his family into signing a release for an autopsy. The autopsy was largely to protect the hospital from getting sued. The family didn’t want an autopsy. Peter didn’t feel the autopsy was necessary. But, having been bullied by his superiors, Peter proceeded to bully and manipulate the dead man’s son into signing the release. In the end, it turned out that Peter was correct. The man did die of cancer. The autopsy was not necessary. Upset over the whole process, Peter said that he felt like he had “raped” a mourning family. The doctor who ordered Peter to get the release merely smiled and said he would see Peter at rounds the next day.

Meanwhile, Dr. Craig was shocked and angered when he discovered that his old friend (played by Andy Romano) had checked into the hospital for gender-affirming surgery. This led to the episode final scene, in which Craig talked about not liking the way the world had changed since he was a young man. The scene was well-acted by William Daniels, who was one of the best when it comes to giving a monologue of frustration.

And finally, Dr. Samuels and Dr. Paxson disagreed on how to treat a patient and this storyline would have been interesting if either Samuels or Paxson had been an interesting character. But they’re not. I don’t care about them. I don’t care about their boring relationship. And, knowing that neither is going to be around once this season ends, I really didn’t care that much about their storyline. With all of the interesting stuff that happened in this episode, I groaned whenever I realized I was going to waste a few minutes watching Samuels and Paxson argue.

This episode left me feeling pretty depressed. Between Peter bullying that family and John Doe searching for his identity, there wasn’t much hope to be found. Still, I have faith that John Doe will find his identity and maybe Peter will even become a better doctor. (He certainly can’t get much worse.) If Lt. Gerard could find Richard Kimble, then anything’s possible!

Retro Television Review: St. Elsewhere 1.11 “Graveyard”

Posted on February 7, 2025 by Lisa Marie Bowman

This week, a handful of doctors save two patients and lose one.

Episode 1.11 “Graveyard”

(Dir by Victor Lobl, originally aired on January 18th, 1983)

It’s the graveyard shift at St. Eligius. The halls and the cafeteria are dark. The ER is oddly calm. There are only a few patients to be looked after and most of the doctors are playing poker and talking about the rather boring subject of Dr. Samuels’s love life.

Only a handful of the series regulars make an appearance in this episode but that’s fine. This episode actually provides a nice break from having to keep track of where everyone is. Unfortunately, as I already said, a lot of this episode is centered around the character of Dr. Samuels. Nothing against the late David Birney, who did a perfectly acceptable job in the role, but Dr. Ben Samuels is just not that interesting of a character. He’s a dedicated surgeon who feels too much, drinks too much, and wants to sleep with his colleagues. That’s fine but I grew up watching General Hospital. I’ve seen a hundred doctors just like Samuels on television.

To me, the far more interesting characters are the people like David Morse’s Jack Morrison or Ed Begley, Jr’s Victor Ehrlich or even Terence Knox’s Peter White. They’re doctors who screw up and aren’t always brilliant and sometimes say the wrong things. They feel like real people whereas Dr. Samuels just feels like a cliche, a holdover from some other medical show. Samuels is not a particularly compelling character and, when I did some research, I was not surprised to discover that David Birney only appeared on one season of the show.

G.W. Bailey’s Hugh Beale also only appeared in the first season and that’s a shame because Bailey’s performance as Beale has been one of the first season’s real pleasures. Bailey plays Beale as a compassionate man who often pretends to be more naive than he is. As a Southerner, he’s an outsider on this Boston-set show and, being an outsider, he can often relate to the patients in the psych ward. Of course, that still doesn’t stop Dr. Beale’s main patient, Ralph the Birdman, from throwing himself off the roof of the hospital in this episode. To be honest, I already suspected things weren’t going to go well for Ralph on this show but his suicidal jump still upset me. As annoying as the character was, he was also finally making some progress. He finally admitted he wasn’t a bird. And then he proved it by showing that he couldn’t fly.

While Ralph plunged to his death, Dr. Samuels saved a gunshot victim (played by Tom Hulce). And Jack allowed the father (James Hong) of one of his comatose patients to perform a Chinese ritual that led to the patient waking up and eventually walking into the cafeteria, where the doctors were playing poker. “Who ordered the Chinese?” Fiscus asked and …. ugh. Not cool, Fiscus.

It was a night of triumph and tragedy. Ralph died but Dr. Samuels and Dr. Paxton agreed to give their relationship another try which …. eh. I don’t care about Samuels and Paxton. For the most part, though, I liked this episode. The smaller cast made it easier to keep track of things and the poker game banter reminded me that the doctors are all people too. Still, I have to feel bad for Ralph. All he wanted to do was fly.

Retro Television Review: St. Elsewhere 1.9 “Hearts”

Posted on January 31, 2025 by Lisa Marie Bowman

This week, Dr. Ehrlich faints!

Episode 1.9 “Hearts”

(Dir by Mark Tinker, originally aired on January 11th, 1983)

Ralph, the guy who thinks that he’s a bird, is now running around the hospital and checking in on patients and signing his name as “Dr. Bullfinch.” I guess it says something about how big St. Elgius is that Dr. Chandler spends most of this episode asking people if they’ve ever heard of or met Dr. Bullfinch. The show plays this for humor. There’s only two problems.

First off, we’ve already done the fake doctor thing. Dr. Craig spent three episodes searching for Dr. Barnum, the fictional doctor who Mark thought was interested in buying his car. Since Chandler was a part of that whole practical joke, it surprised me that it didn’t occur to him that maybe Dr. Bullfinch also didn’t exist.

Secondly, Ralph is one of those character who was amusing at first but, after episode-after-episode of him disrupting the hospital and making the patients uncomfortable, I can’t help but feel that it’s time for Ralph to at least try to fly off into the sunset, even if it leads to him crashing to the pavement below. Dr. Westphall tells Dr. Beale to keep Ralph locked up in the psych ward or else Westphall will send Ralph to a mental hospital. I think Westphall should have just gone for it. I mean, does Westphall not realize the legal jeopardy that the hospital is now in because of Ralph’s continued presence?

While that was going on, an overweight woman (Conchata Ferrell) checked into the hospital with stomach pains and was shocked to discover that she was pregnant and going into labor. This was a heartbreaking story, largely due to the wonderful performance of Conchata Ferrell. No one — from her father to the nurses at the hospital — has ever treated her with any sort of compassion. In the end, she checks out of the hospital and abandons her baby in the maternity ward.

A new doctor (Dorothy Fielding) came to work at St. Eligius and — hey! — she has a romantic history with Dr. Samuels. *Yawn* Samuels is the most boring character on the show and I tuned out this storyline as soon as I realized he was going to be at the center of it.

Newly separated from his wife, Dr. White is having a nervous breakdown and has to abandon a patient so that he can cry in the stairwell. Dr. Westphall offers him some heartfelt advice but you can tell that Westphall thinks that White doesn’t have what it takes to be a doctor. I think Westphall is right.

Finally, an ill Dr. Erhlich tries to get out of assisting Dr. Craig with an operation. Craig tells Erhlich to man up. Erhlich faints during the operation. Surprisingly, Dr. Craig is not angry with Ehrlich because, as he explains it, the important thing is that the operation was a success. Seeing how sick Ehrlich has become, Craig tells Ehrlich to go home and get some rest.

“Do you have a car?” Dr. Craig asks.

“No, I usually ride the bus,” Ehrlich replies.

“Good,” Craig says, “you shouldn’t be driving in your condition.”

And I have to admit that exchange made me laugh. William Daniels gives such a good performance as the arrogant yet talented Dr. Craig that you can’t help but love the guy, no matter how much of a jerk he is. After knowing him best as the always compassionate Mr. Feeney on Boy Meets World, it’s been interesting to watch William Daniels play a character as thoroughly self-centered and vain as Dr. Craig. On the drama St. Elsewhere, William Daniels often provides some much-needed comedic relief. On the (very silly) sitcom Boy Meets World, Daniels was the dramatic relief. It’s a strange world.

This episode had a few too many plotlines that I either didn’t care about or which felt a bit played out (like Ralph the Birdman). It wasn’t St. Elsewhere at its best but William Daniels and Conchata Ferrell still saved the episode.

Film Review: The Pursuit of D.B. Cooper (dir by Roger Spottiswoode and Buzz Kulik)

Posted on January 5, 2025 by Lisa Marie Bowman

The story of D.B. Cooper has always fascinated me.

D.B. Cooper is the name assigned to a man who, in 1971, hijacked an airplane, demanded $200,000, and then jumped off the plane after he got the money. Reportedly, he was well-dressed and unfailingly polite during the entire hijacking. When he jumped off the plane, he was about 10,000 feet over the Washington wilderness. After he jumped, no further trace was found of him. Over 50 years after the incident, the identity and the location of D.B. Cooper remains a mystery.

It’s been said that, even though Cooper had a parachute with him when he jumped, there’s no way that he could have survived the jump. And yet, no body has ever been found. (Of course, finding a body in the wilderness is not as easy as some people assume.) Nine years after the the skyjacking, some of the money that Cooper received was found on the banks of the Columbia River, which was several miles away from the area that Cooper jumped over. Did Cooper survive the jump and lose the money? No one can say for sure.

Over the years, many people have come forward to say that they know the identity of D.B. Cooper. Many distant fathers and secretive boyfriends and long lost friends have been accused of being D.B. Cooper. Some of those suspects are more likely than others. Even John List, the murderer who inspired the Stepfather films, was suspected at one point.

D.B. Cooper remains a fascinating character precisely because he’s never been captured and the mystery itself will probably never be solved. Because he remains an enigma, it’s easy to project your own pet obsessions on him and his story. Myself, I always imagine D.B. Cooper as being some sort of clever, fun-loving international rogue, even though there’s not really any evidence to back that up. But, the fact of the matter is that I have a weakness for clever, fun-loving international rogues so, of course, that’s who I’m going to imagine D.B. to be.

I certainly would never imagine him to be like the character at the center of 1981’s The Pursuit of D.B. Cooper.

In this film, D.B. Cooper turns out to be Jim Meade (Treat Williams), a Vietnam vet and all around jackass who steals the money so that he can get back together with his estranged wife, Hannah (Kathryn Harrold). Hannah does take him back because, seriously, who is going to say no to that much money? Jim and Hannah spend the entire film running from one wilderness location to another. They steal cars. They steal trucks. Meade steals an airplane at one point. Hannah gets worried often and Jim tends to yell, “Woo hoo!” whenever he gets excited about anything. At one point, Jim and Hannah are chased across some white water rapids. When Hannah and Jim reach dry land, Jim gives the finger to the river. I will say that, as someone who grew up in the South, Jim is a type of character who seems very familiar to me. I’ve known a lot of Jim Meades and Treat Williams doesn’t do bad job playing Meade as being an impulsive, loud-mouthed good old boy. The only problem is that, at no point, does Jim Meade come across like someone who could have pulled off what D.B. Cooper pulled off.

Jim is being pursued by two old army buddies. The scruffier of the two is Remson (Paul Gleason), who somehow manages to keep popping up like a cartoon character at the most inopportune of times. No matter what bad thing happens to Remson, he still shows up good-as-new a few minutes later. Paul Gleason gives an energetic performance as Remson, a character who has little in common with the uptight authority figures that Gleason later played in The Breakfast Club and Die Hard.

The other person chasing Jim is Bill Gruen (Robert Duvall), who served with Meade in Vietnam but who is now working as an insurance investigator. Gruen says that he knew Meade had to be D.B. Cooper because only Meade could survive jumping out of a plane over wilderness terrain. Gruen wants some of the money for himself. Despite his greed, it’s hard not to like Gruen because he’s played by Robert Duvall. The best scene in the film is one where Duvall and Williams, exhausted from chasing each other, have a weary but friendly conversation. It’s the one moment where Williams actually calms down and provides some hint that there’s actually something going on underneath Meade’s manic exterior. Acting opposite Duvall brings out the best in him.

The Pursuit of D.B. Cooper had a notoriously troubled production and apparently, there was never a completed script during shooting. Reportedly, bits of the film were directed by Robert Mulligan, John Frankenheimer, and Buzz Kulik before Roger Spottiswoode took over. It’s a film that was obviously inspired by 70s chase films like Smokey and the Bandit but it also somehow managed to attract actors like Robert Duvall, who does his best to class up the joint. The action quickly gets repetitive and the movie never seems to know if it wants to be a comedy or a drama. On the plus side, Treat Williams and Kathryn Harrold make for a cute couple.

When this picture first came out, Universal Pictures offered a million dollar reward for any information that would lead to the capture and arrest of the real D.B. Cooper. No one collected.