Horror On TV: The Paul Lynde Halloween Special (dir by Sid Smith)


Tonight, from 1976, we have The Paul Lynde Halloween Special.  

In this special, actor and comedian Paul Lynde celebrates Halloween with Betty White, KISS, Donny and Marie Osmond, Florence Henderson, Billy Barty, Margaret Hamilton (the original Wicked Witch of the West), and I’m going to guess a mountain of cocaine that was probably sitting backstage.

This special is definitely a product of a very certain era in America’s cultural history.

Retro Television Reviews: The Love Boat 3.18 and 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a family affair on The Love Boat!

Episodes 3.18 & 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”

(Dir by Roger Duchowny, originally aired on January 19th, 1980)

Well, heck, it’s another double-sized, two-hour episode of The Love Boat.

This is actually the third two-hour episode of the third season, following the season premiere and the episode with the Dallas Cowboy Cheerleaders.  I have to admit that I don’t really look forward to these two hour episodes because they’re usually a bit uneven.  The Love Boat was the perfect hour show, one that featured stories that were specifically designed to be neatly wrapped up in 40 minutes.  The two-hour episodes always seem to lose their narrative momentum after that first hour and that’s certainly the case here.

At the center of the episode is Danny Fields (Donny Osmond), a singer who has been booked to perform on the cruise.  Julie is convinced that Danny is going to be a big star and she’s even convinced a talent scout named Steve Sorrell (Rich Little) to board the ship so that he can see Danny perform.  However, Steve is more interested in Kitty Scofield (Loni Anderson), an innocent West Virginia girl who is eager to see the rest of the world but who is also engaged to marry the unambitious Elmer Fargas (Randall Carver).  Kitty is also Danny’s sister and, in fact, Danny’s entire family (played by Richard Paul, Marion Ross, and Slim Pickens) are on the cruise.  Danny is worried that his hillbilly family will stand in the way of his rock ‘n’ roll career and he goes out of his way to avoid them.  While the rest of the Scofields are willing to accept that Danny doesn’t want to associate with them, Grandpa Luke Scofield (Slim Pickens) lets Danny know that he’s not to happy with Danny and his rock ‘n’ roll ways.  Of course, Luke himself is being courted by Brenda Watts (Eve Arden), a writer who wants to write about the Scofield family and who gets close to them by pretending to be from West Virginia herself.

Fortunately, Danny comes to realize the error of his ways, especially after he sees how Steve has been manipulating his sister.  At his next performance, Danny introduces his family and sings Country Roads especially for them.  Meanwhile, Kitty realizes that she needs to be independent for a while so she dumps both Steve and Elmer, though it’s suggested that she’ll eventually give Elmer a second chance.  Brenda comes clean to Luke about not being a hillbilly and Luke eventually forgives her because he’s in love with her and Brenda’s in love with him.  Even old Steve turns out to be not such a bad guy, though he does tell Danny that his record label just isn’t looking for any new country acts.  Hmmm …. maybe Danny should have stuck with the rock ‘n’ roll.  Oh well!

Got all that?  I hope so because I’m not typing all that out again.

Meanwhile, Frank (Robert Guillaume) and Maura Bellocque (Denise Nicholas) are taking the cruise with their best friends, Dave (Richard Roundtree) and Cynthia Wilbur (Pam Grier).  Frank and Cynthia are having an affair and they aren’t particularly discreet about it.  I was expecting Maura to decide that maybe she and Dave should have an affair of their own but instead, she just spent the entire cruise glaring at Frank.  This was actually a surprisingly dramatic story, one that did not end with the expected positive outcome.  (Is this the first cruise of the Love Boat to end in divorce?)  This is a story that demands at least one big, explosive moment but instead, it was all surprisingly low-key.

Finally, the sprinkler system malfunctioned while the boat was in dock and the cabins of Doc, Gopher, and Isaac were flooded.  So, they move in with the Captain!  The Captain is not amused by Doc’s snoring, Gopher’s New Age chanting, or Isaac’s disco dancing.  And when Doc, Gopher, and Isaac all try to bring different women back to the cabin with them, no one is amused by that.  I’m not really sure I understand why they all had move in together.  Why couldn’t Doc just sleep in his doctor’s office and maybe Isaac and Gopher could have shared an empty passenger’s cabin during the cruise?  (Julie did mention that there were some “small” cabins available.)  Anyway, the important thing is that they all manage to survive the cruise without killing each other.

This was an uneven episode.  The Captain annoyed with everyone as funny because Gavin MacLeod was always amusing whenever he acted annoyed.  The storyline with the cheating couple was well-acted, if dramatically a bit unsatisfying.  But then you get to all the stuff about Danny and his country family.  I know that The Love Boat is not meant to be a realistic or particularly nuanced show but still, Danny’s family was portrayed as being such a bunch of hicks that I was half-expecting them to ask the Captain whether he ever worried about the boat sailing over the edge of the world.  Loni Anderson and Slim Pickens gave likable performances but Donny Osmond was incredibly bland as Danny and the scenes where he “performed” featured some truly abysmal lip-synching.  It was also a bit difficult to buy Rich Little as a swinger.  He came across like he just couldn’t wait to get back home and hang out at the Elks Lodge.

This episode probably would have been fun if it had played out over a compact 60 minutes but, at two hours, things were just stretched a bit too thin.

Retro Television Review: The Brady Bunch Hour 1.1 “The Brady Bunch Variety Hour”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

The year was 1976 and cocaine was very popular.

Well, seriously, how else do you explain the existence of The Brady Bunch Hour?  Produced by Sid and Marty Kroft, The Brady Bunch Hour imagined a world in which the Bradys got their own variety show.  Now, this could have made sense if the show had been hosted by “the stars of the Brady Bunch” but instead, in this show, Mike Brady specifically abandoned his job as an architect so he and the family could move to Hollywood and star on a variety show.

Almost all of the Bradys returned to do the show.  Eve Plumb balked at signing a five-year contract and, as a result, Geri Reischl was cast as Jan Brady.  Barry Williams, who was starring on Broadway in Pippin, returned to play Greg “Music is My Life” Brady.  Maureen “Marcia” McCormick was also excited to get a chance to dance and sing.  Susan “Cindy” Olsen was excited over the prospect of appearing in skits.  (She was told that the skits would be SNL-style skits.)  Both Christopher “Peter” Knight and Mike “Bobby” Lookinland were aware of their own musical limitations.  Knight eventually agreed to return when he was told that he wouldn’t have to do much dancing or singing.  Lookinland tried to get out of appearing in the show by demanding a lot of money.  To his surprise, the producers not only paid him what he asked for but his demands led to everyone else getting a bigger paycheck as well.  Ann B. Davis had left acting to work for a church but she appeared on the show as a “guest star.”  Florence Henderson, who had the most singing and dancing experience of anyone in the original cast, was not enthusiastic about The Brady Bunch Hour but she agreed to give it a shot for the fans and the kids.

Actually, the most enthusiastic member of the cast was Robert Reed.  Reed, who rarely had a good word to say about his time on The Brady Bunch (though he did get along with the rest of the cast), was surprisingly enthusiastic about getting to dance and sing despite not being very good at either one of those things.  Alone amongst the cast, he reportedly never lost his enthusiasm for the Brady Bunch Hour.

But enough background!  Let’s take a look at this bizarre, only in the 70s type show!

Episode 1.1 “The Brady Bunch Variety Hour” 

(Dir by Art Fisher, originally aired on November 28th, 1976)

We open with a line of dancers doing kicks in a front of a swimming pool.  On the screen behind the dancers, the faces of the Brady Bunch are projected.  We immediately notice that Jan is now played by Geri Reischl and she’s the only one of the kids who appears to be sincerely happy to be there.  While the other members of the Bunch are obviously struggling to smile, Fake Jan can’t wait to get out on stage and perform.  And she quickly gets that opportunity when the family comes out to perform Baby Face.  While the Bunch sings an off-key rendition of the song, the dancers dive into the pool.  The audience goes crazy as the announcer says, “Ladies and gentleman, the Brady Bunch!”

This performance only lasts for two minutes but it’s hard not to notice that all of the members of the Bunch appear to be totally exhausted by the time it’s over.  Robert Reed especially looks like he’s on the verge of fainting.

With the performance over, the Bradys argue over who will be the first to speak.  Carol reveals that the Bradys are each assigned a number, like at the DMV, and the Bradys are now serving “Number 27!”  “Who has number 27!?” Mike demands.  “Mike, check your number,” Carol says.  Yes, you guessed it!  Mike is 27 and he explains that he’s an architect but his family is forcing him to star on a variety show.  “I didn’t want to do this,” Mike tells us.  “We’re all very excited!” Carol shouts.

(Again. in real life, Robert Reed was the only member of the Bunch who wanted to do the show, despite the fact that he could neither dance or sing.)

Carol introduces the members of the Bunch.  Greg says music is his life.  The audience goes crazy for Marcia.  Peter flirts with dancer.  Jan complains, though the naturally cheerful Geri Reischl is a bit less convincing when it comes to playing bitter as Eve Plumb was.  Bobby announces that he grew 2 and a half inches this year.  Cindy announces she grew 3 inches.  Carol explains that Mike is the first architect to have his own variety show.  Maybe there’s a reason why architects are not typically given this opportunity.

Suddenly, everyone starts singing Baby Face again.  Mike falls in the pool.  The audience loves it.

After a commercial break, we find the Bradys (sans Mike) at the family’s new Hollywood home.  The kids agree that Mike has to be dumped from the show because, as Greg puts it, “he’s not very good.”  Carol tells them that Mike is their father and that he will always be a part of the act.  Carol points out that Mike doesn’t enjoy wearing tights and that he’s only doing the show for his ungrateful children.  Carol has a point.  These kids suck.

The doorbell rings and Tony Randall, looking like he’s already realizes this is a mistake, steps into the living room.  He says that he needs a script.  Bobby calls him “Tony.”  Randall replies, “You can call me Mr. Randall.”  Bobby suggests that Tony Randall could be the family’s new father.  Mike comes down the stairs, just in time to hear his family begging Tony Randall to become their new father.  AWKWARD!  Anyway, Tony refuses to steal Mike’s role.  To me, it seems like the kid owe Mike an apology but he doesn’t get one.  However, everyone does eventually agree that they love him.  Then Bobby suggests Burt Reynolds could be their father.

We then cut to the Brady Bunch performing One from A Chorus Line.  Mike takes center stage for this performance, wearing a glittery white suit and a hat.  The viewer gets the feeling that this was all done to show that Robert Reed really could perform and dance but it has the opposite effect for both him and the entire family.

At the Brady Bunch home, Greg plays his guitar.  Marcia comes in and wonders if Mike and Carol were ever young.  This leads to a flashback to the 1950s, with young Mike and his gang (played by the Brady boys) hanging out at the roller rink and hitting on four girls, played by Carol and the Brady Daughters.

Now, you may think that things couldn’t possibly get worse than the Brady Bunch paying tribute to Grease.  (Actually, Grease wouldn’t come out for another two years so I’m not really sure what the point of this skit was.)  Well, it does get worse because Donnie and Marie Osmond roll up on a motorcycle and everyone sings Splish Splash.  It’s not so much that the Bradys (with the exception of Fake Jan and Florence Henderson) can’t dance or sing.  It’s that the audience applauds every little thing that they do, in much the same way that parents give out pity applause at a talent show at an elementary school.

Once the flashbacks ends, Greg welcomes the audience to the second half of the show.  Peter pushes Greg into the pool.  Greg grabs Peter and throws him in the pool.  The audience loves it but, judging from the way their bodies hit the water, it’s obvious that neither Greg nor Peter were trained stuntmen and they were both risking injury for a joke that wasn’t really that funny.  Oh well, no matter!  It’s time for the show’s dancer to put on clown makeup and do an aquatic dance number.

Cut to the Brady Bunch’s Hollywood home, where Mike is playing Risk with the kids and bitching about how he “always lands on Yugoslavia.”  You know, I felt bad for Mike when the kids were trying to replace him with Tony Randall but now I see that the kids had a point and that Mike is always whining about something.

Meanwhile, Marcia is talking on the landline about how much she loved The Boy In The Plastic Bubble.  “Barbarino in a bubble!”  Excuse me, Marcia …. his name is Travolta!

Continuing to play the game, Mike announces, “I just landed on East Germany and your mother already owns it!”  “With three hotels,” Carol says.  Uhmmm …. okay, are we playing Risk or Monopoly?  WHAT THE HELL IS GOING ON!?

Peter, meanwhile, call his girlfriend and breaks their date because “My Dad is being held prisoner in East Germany.”  It turns out that Peter is interested in another girl, which leads to Mike and Carol reprimanding him and teaching him an important lesson about honesty.  This skit goes on forever.  It’s almost bad enough to make me wish for another musical number….

Be careful what you wish for because this skit is followed by Cindy and Bobby introducing “our big brother,” and saying that they think he’s very talented.  As if to specifically humiliate them, Greg comes out on stage and oversings Corner of the Sky.  (Corner of the Sky comes from Pippin, a show that Greg left so that he could co-star on the Brady Bunch Hour.)  Perhaps the most interesting thing about this sequence is that Bobby and Cindy both appear to have joined a cult.

This is followed by a skit in which a disgruntled Mike and Bobby show up on stage dressed as a rabbit and a chicken.  They are soon joined by Greg, who is dressed as a bear, and Tony Randall, who is dressed as himself.  Tony announces that he’s going to sing a song about animals but he doesn’t want any of the Bradys to be involved.  (Considering that he was the show’s “special guest star,” it’s interesting that Tony Randall only appears twice on the show and, both times, he makes it clear that he holds the Brady Bunch in complete and utter disdain.)

After Tony does his song, Alice the Maid (Anne B. Davis) appears and says that she watched the Bradys grow up.  This leads to a montage of old Brady Bunch clips and Florence Henderson singing The Way We Were and, believe it or not, it actually works.  For once thing, Florence Henderson could actually sing and The Way We Were is exactly the right song for her performance style.  I mean, make no mistake.  It’s silly and schmaltzy but it’s also kind of touching.

Finally, it’s time for the big finale!  The Bradys are on stage, dressed in white, but they can’t decide what medley they want to perform.  Greg wants to do music from “that Rocky Horror show!”  “This is a family show!” Mike yells.  Carol suggests something from The Sound of Music.  The kids don’t want to do old stuff.  “We’re young and we want to do young music,” Marcia says.  Alice runs on to the stage and tells them to just sing something.

Greg takes her words to heart and performs Attitude Dancing, while wearing an outfit that makes it look like he’s about to jump a motorcycle over a line of school buses.

Mike and Carol sing Cheek to Cheek and then the kids sing Dance With Me.  Carol responds by singing I Could Have Danced All Night, which is another good song for her.  Unfortunately, the kids start to sing Do The Hustle and eventually segue into Shake Your Booty.  All the Bradys dance, including an embarrassed-looking Alice.  Fake Jan gets a solo and proves that, unlike the other Brady kids, she actually has a pretty good voice.

In the final comments, Carol thanks the audience.  “Without you, there would be Brady Bunch,” she says.  “I think I had something to do with it,” Mike says, which …. I mean, I know it’s awkward to point this out but Mike can really only take credit for half of the kids.  So, really, Mike didn’t have much to do with it beyond the fact that he quickly moved on from his first wife’s death.  (Or is Mike the one who got divorced?  I can never keep track of who was divorced and who was widowed.)

Anyway, on that cheery note, the show ends.

Wow, that was exhausting.  My main impression of the pilot of The Brady Bunch Hour is that it wasn’t good but it was impossible to look away.  It was fun to watch but I can already tell that the show’s corny humor and badly-choreographed musical numbers are going to get tiresome pretty quickly.  Fortunately, this thing only ran for 9 episodes so this is only going to cost me nine weeks of my life.  Yay!

Music Video of the Day: Sacred Emotion by Donny Osmond (1989, directed by Michael Bay)


I don’t know what amuses me more about this video, the fact that it suggests Donny Osmond can bring rain to the desert or that it was directed by the master of bombast, Michael Bay?

This song was the second single to be released off of Osmond’s 1989 album, Donny Osmond, and it was a part of an attempt to rebrand Osmond as a contemporary rocker.  Despite the popularity of both this song and Soldier of Love, that attempt failed because once an Osmond, always an Osmond.

The video is pure Michael Bay.  Donny, several hot women, and a group of construction workers drive out to the middle of the desert.  While Donny looks over blue prints and gives orders, the models and the day laborers start carrying boards and hammering nails.  Are they building a house or a temple?  No, it turns out that they’re building a stage so that Donny can perform in front of an audience that spontaneously shows up.  Donny does such a good job performing that it starts to rain and the video goes from being in black and white to being in color.  Bay directs with the same style that he would later bring to Armageddon and the Transformers franchise, except that instead of meteors and robots, he’s showcasing Donny Osmond.

It would be easy to mistake this video for being the most wholesome beer commercial ever made.