Horror Film Review: Dogs (dir by Burt Brinckerhoff)


I’ll admit it right now.  I’ve never really been a dog person.

That’s the way it’s been my entire life.  According to my sisters, I was bitten by a dog when I was two years old.  Needless to say, I don’t remember that happening but that still might explain why, when I was growing up, I was scared to death of dogs.  Seriously, if I was outside and I heard a dog barking or if I saw a dog running around loose (or even on a leash), I would immediately start shaking.  It didn’t help that, for some reason, I always seemed to run into the big dogs that wanted to jump and slobber all over me.  (“Don’t be scared,” one dog owner shouted at me, “that’ll just make him more wild,” as if it was somehow my responsibility to keep his dog under control.)

Then there was that time when was I was ten and I was visiting Lake Texoma with my family.  There was another family there and they had a big black dog with them.  When I first saw him, the dog was very friendly.  He ran up to me and, tentatively and with my sisters standing beside me for moral support, I even patted his head,.  He seemed so nice!  Finally, I had met a dog that didn’t scare me.  My family was really happy.  We went down to the lake and everyone told me how proud they were that I had managed to face a dog without running away.  As we came back from the lake, I saw the dog laying down next to his family’s van.  I smiled at the sight of him.  He raised his head, looked at me, and started to growl.  He wasn’t growling at my sisters or my parents.  He was growling at me.  Terrified, I went over to my family’s car and I ducked down behind it.  I could hear my Dad telling the dog to stop and then I heard the loudest barking and saw the dog running towards me.  I jumped in the car and locked the doors.  The dog’s owners eventually grabbed their dog and took him back to their van.  They said that I probably looked like someone who had been mean to it a few weeks earlier.  One thing that they did not really do was apologize.  Instead, they just made me feel like it was somehow my fault.  They didn’t seem sympathetic when my Mom explained that I was terrified of dogs.  When they realized my Dad was on the verge of punching someone, they retreated to their van and quickly left.  At that time, I decided that 1) I would never trust another dog and that 2) dog owners are the most selfish people on the planet.  I know that sounds harsh but seriously, I was traumatized!

As I grew up, I mellowed a bit.  I met nice dog owners who actually made the effort to control their pets.  I even met some friendly dogs and slowly realized that not all of them were going to try to kill me.  I became less scared of dogs but they still definitely make me nervous.  I still cringe when listening to the barking and I still reflexively step back whenever I see a big dog anywhere near me.  Now that I know more about dogs, I have to admit that I feel a little bit guilty about not liking them more.  Knowing that dogs actually blame themselves for me not liking them is kind of heart-breaking and I have been making more of an effort to be, if nothing else, at least polite to the canines who lives in the neighborhood.  That said, I’m a cat person and I’ll always be cat person.  Cats don’t care if you like them or not nor do they blame themselves if you’re in a bad mood, which is lot less of an emotional responsibility to deal with.

1977’s Dogs is a film that seems like it was especially made to give people like me nightmares.  It’s a pretty simple movie.  At a college in Southern California, the students and the faculty find themselves under siege from a bunch of dogs that have been driven mad by pheromones being sprayed into the atmosphere by a nearby, top secret government experiment.  Two professors (David McCallum and George Wyner) attempt to convince everyone to evacuate the college and the town but, in typical Jaws fashion, no one wants to admit the truth about what’s happening.  By the end, nearly everyone is dead (and the final scene of all the dead bodies spread across campus is genuinely haunting) and the cats are starting to hiss at humans.

Dogs is a low-budget drive-in flick but it’s still a frightening film, largely because the dogs are relentless and the victims may be largely stupid but they’re all stupid in realistic ways.  A group of college students is told to wait inside until George Wyner comes back for them but Wyner takes so long in returning that the terrified students decide to make a run for it themselves.  It doesn’t end well but it’s the sort of thing that I can actually imagine happening.  No one likes being told to wait and, with no idea of what’s actually going on, making a run for it might actually seem like as good an idea as any.  Even when the movie recreates the Psycho shower scene (with dogs instead of Norman Bates), it’s far more effective than it perhaps has any right to be.

Would this film be as effective from the point of view of someone who doesn’t have a history of being scared of dogs?  It’s a legitimate question.  Dogs aren’t like sharks.  Most people like dogs.  But when they’re barking and growling and determined to bite your throat, they can be pretty scary!  I’ll just say that Dogs is a film that seemed to be uniquely designed to give me nightmares.

I, Daniel Blake Wins At Cannes And Americans Ask, “Who Is Ken Loach And Who Does He Play For?”


The winners of this year’s Cannes Film Festival have just been announced!

As I look over these winners and think about the rather muted reviews that came out of Cannes this year, I have to ask: Is it just me or is 2016 shaping up to be a fairly blah year for the movies?

I mean, just think about last year at this time.  Everyone at the Cannes Film Festival was excited over Carol.  People were still talking about how much they loved Brooklyn and End of The Tour at Sundance.  Both Mad Max: Fury Road and Ex Machina were playing in theaters.  Inside Out was on the verge of being released and people were whispering that Straight Outta Compton might actually be a great movie.  There was a lot to be excited about!

This year, however, it’s just like, “Who cares?”  Even the excitement that some people have for Nate Parker’s Birth of a Nation and Martin Scorsese’s Silence feels more obligatory than sincere.

(Did Sasha Stone go to Cannes this year?  I know I could check the Awards Daily web site but, as of late, reading Awards Daily has become almost as tedious as reading the Daily Kos.  But I mention Stone specifically because she epitomizes something that I’ve noticed about almost all of the big names in the online film community. They are currently more concerned with bitching about this meaningless and stupid election than in talking about movies.  Even when they do talk about movies, it’s always in relation to this election.  BLEH!  Political situations are only temporary.  Movies are forever.)

Anyway, just from what I did hear back from Cannes, I’m looking forward to seeing Personal Shopper, Elle, The Neon Demon, Toni Edrmann, and American Honey.  I doubt I’ll get a chance to see the Palme D’or winner because it’s a Ken Loach film and Ken Loach films rarely get much distribution in the U.S.

In fact, when Ken Loach won the Palme d’Or (and this is his second time to win), he immediately started trending on twitter.  In the UK, he was trending because people were saying, “Ken Loach won!”  In the US, he was trending because everyone who is not a member of Film Twitter was saying, “Who is Ken Loach and who does he play for?”

(As for how this will affect the upcoming Oscar race, it probably won’t.  With the exception of the year that Tree of Life won the Palme d’Or and then went on to to score a best picture nomination, Cannes is usually ignored by the Oscar voters.)

Anyway, here’s the winners!

COMPETITION

Palme d’Or: “I, Daniel Blake” (Ken Loach, U.K.)

Grand Prix: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

Director (tie): Olivier Assayas, “Personal Shopper” (France), and Cristian Mungiu, “Graduation” (Romania)

Actor: Shahab Hosseini, “The Salesman” (Iran)

Actress: Jaclyn Jose, “Ma ‘Rosa” (Philippines)

Jury Prize: Andrea Arnold, “American Honey” (U.K.-U.S.)

Screenplay: Asghar Farhadi, “The Salesman” (Iran)

OTHER PRIZES

Palme d’Honneur: Jean-Pierre Léaud

Camera d’Or: “Divines” (Houda Benyamina, France-Qatar)

Short Films Palme d’Or: “Timecode” (Juanjo Jimenez, Spain)

Special Mention – Short Films Palme d’Or: “The Girl Who Danced With the Devil” (Joao Paulo Miranda Maria, Brazil)

Ecumenical Jury Prize: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

UN CERTAIN REGARD

Un Certain Regard Prize: “The Happiest Day in the Life of Olli Mäki” (Juho Kuosmanen, Finland)

Jury prize: “Harmonium” (Koji Fukada, Japan)

Director: Matt Ross, “Captain Fantastic” (United States)

Screenplay: Delphine and Muriel Coulin, “The Stopover” (France)

Special Jury Prize: Michael Dudok de Wit, “The Red Turtle” (France-Japan)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “Wolf and Sheep” (Shahrbanoo Sadat)

Society of Dramatic Authors and Composers Prize: “The Together Project” (Solveig Anspach)

Europa Cinemas Label: “Mercernary” (Sacha Wolff)

CRITICS’ WEEK

Grand Prize: “Mimosas” (Oliver Saxe)

Visionary Prize: “Album” (Mehmet Can Mertoğlu)

Society of Dramatic Authors and Composers Prize: “Diamond Island” (Day Chou)

FIPRESCI

Competition: “Toni Erdmann” (Maren Ade, Germany-Austria)

Un Certain Regard: “Dogs” (Bogdan Mirică, Romania-France)

Critics’ Week: “Raw” (Julia Ducournau, France-Belgium)

Horror On The Lens: Dogs (dir by Burt Brinckerhoff)


dogs

Today’s horror film comes to use from 1976.  In Dogs, man’s best friend decides to terrorize an isolated college campus and the fate of the student body is in the hands of two professors (bearded David McCallum and non-bearded George Wyner).

In many ways, Dogs is a pretty basic revenge-of-nature film but it still made me nervous when I watched it on YouTube.  As our regular readers may know, I used to be terrified of dogs.  In just the past few years, I’ve managed to overcome a lot of my phobia but, on the whole, dogs still make me nervous.  And this movie definitely played on those nerves!

Interesting note: according to the trivia section over at the imdb, Dogs was originally going to be followed up by a sequel called Cats.  However, Dogs failed at the box office and, as a results, Cats was cancelled.

The Return of the 6 Trailers


Well, it took a nice, long weekend up at Lake Texoma (I actually got in the water and practiced swimming which is a big deal for a drowningphobe like me but then I ended up cutting my foot on a rock on the lakefloor — agck!) and another few nights of a little bit more sleep than usual but I am happy to say that I am back and I’ve brought the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers with me!  So, without further ado, let’s get started…

1) Killer Fish (1979)

In honor of my weekend at the lake, let’s start out with this trailer for a little film called Killer Fish

2) Dogs (1976)

Now, I may have conquered my fear of swimming for like 10 minutes at the lake but I have yet to conquer my fear of dogs and this trailer shows why.  Seriously, dogs are freaking scary!

3) The Doberman Gang (1972)

Dogs don’t just kill people.  They rob banks too.

4) King Frat (1980)

Wow!  Those dogs are scary, aren’t they?  Let’s take a break from scary dogs with another breed of dog — the American frat boy.

5) Chain Gang Women (1971)

I love trailers that brag about how the characters in the movie live by only “one rule.”  (Speaking of chain gangs, I recently saw an excellent film from 1932 that was called I Am A Fugitive From A Chain Gang.  But that’s something I’ll save for a future post…)

6) The Stranger and the Gunfighter (1974)

Yes, between the chain gangs, the killer fish, the dogs, and the frat boys, it’s a scary world out there.  Luckily, protection is right around the corner because here comes “(a) savage…a saint…a stranger…”