October Positivity: Me Again (dir by David A.R. White)

Posted on October 23, 2025 by Lisa Marie Bowman

In 2011’s Me Again, David A.R. White stars as Rich.

Rich is a typical David A.R. White character. He’s a preacher with a young family and he has lost his ability to excite his congregation. His sermons are dry and boring and show little connection with the concerns or lives of those listening. Rich is burned out and his wife, April (Ali Landry), is tired of listening to him complain. When they were children, April promised Rich that they were meant to be together. Now that they are adults and married, April and Rich are separated and April wants to make the divorce final.

Poor Rich! No one respects him and he’s about to lose his family. His one friend, Tony (Tommy Blaze), tries to offer some good advice but Rich doesn’t want to hear it. Rich just wants to feel sorry for himself and watch an odd infomercial hosted by Big Earl (Bruce McGill). Big Earl says that if you call his number, he can change your life. Rich doesn’t call the number but his life gets changed anyways.

Rich finds himself being transported from one body to another. When he wakes up, he’s a wealthy man who has no friends and who has a heart condition. Just as quickly, he finds himself in the body of Chloe (Andrea White Logan), an insecure super model with an eating disorder. Then, suddenly, he’s in the body of a fish floating in a fish tank in Tony’s restaurant. Then he’s his daughter’s teen boyfriend, who is pressuring her to start taking birth control. (AGCK!) Then he’s in his wife’s body. Briefly, he takes control of Della Reese. He even spends some time in jail, talking to Big Earl.

And I guess the idea is that, from going to body to body, Rich learns why he needs to stop feeling sorry for himself and actually make the effort to make his marriage work. He also comes to understand the problems of a few other people. The rich man needs to go to church. The model needs to do something about all the disparaging post-it notes that she has hanging around her house. Her daughter’s boyfriend needs to be handcuffed with a sock in his mouth. The fish need as new home. You get the idea.

This movie …. well, let’s give credit where credit is due. David A.R. White is not a bad actor and his comedic timing is adequate. There were a few moments when he did make me smile. I laughed out loud when he suddenly became a fish. As a director, though, White goes a bit overboard. The whole thing with Rich becoming a model starts out as relatively humorous but then it just goes on and on. As well, I appreciated the message of taking care of other people but I’m not sure that the best way to communicate that message was for the very white Rich to briefly inhabit the body of a black housekeeper. The intentions may have been good but the execution often left me cringing.

Me Again is like a lot of faith-based comedies. There are a few humorous moments but, in the end, it’s just too uneven to really work.

October Positivity: Meant To Be (dir by Bradley Dorsey)

Posted on October 20, 2025 by Lisa Marie Bowman

2012’s Meant To Be tells the story of …. well, it tells a few stories.

Tori (Erin Sossamon) is a teenage girl who has a bright future but only if she can survive her less-than-wonderful present. She has an abusive boyfriend. Her parents seem to be absent. She’s a photographer and her high school counselor (Michael Gross) has helped her to find a scholarship but Tori has recently discovered that she’s pregnant!

Linda Dickson (Erika Eleniak) is a social worker, who lives in a nice house and who has a wonderful husband (Dean Cain) but who also seems to be struggling with an overwhelming depression. Maybe it’s because her 18 year-old daughter has recently left home for college. She obsesses on finding newspaper stories about 20 year-olds doing wonderful things. She cuts them out of the paper and puts them in a shoebox. (I do the same thing with well-written obituaries.) When a call comes in about a loud argument at Tori’s house, Linda is the one who investigates. When she realizes that Tori is pregnant, Linda becomes a part of Tori’s life, giving her advice. Linda is determined to convince Tori to not get an abortion, even if it means that Tori will lose her scholarship.

And finally, there’s Nathan (Bradley Dorsey), a twenty year-old aspiring writer who doesn’t know what he should write about. In a voice-over, he says that he’s learned that writing about only what you know can be a trap so he’s decided to write about what he doesn’t know. (By that logic, my next short story should be about trigonometry.) Nathan grew up in the foster system. He doesn’t know who his mother was. He’s not even fully sure where he was born. But he’s still going to search for her so he can discover not only where he came from but also why he was abandoned.

Nathan finds himself staying at a mysterious hotel, one where all of the other guests also appear to be people who never knew their mother. Even though Nathan puts a do-not disturb sign on his door, the motel maid (Della Reese) still regularly enters his room and encourages him to get out of bed and continue his search. With the help of two other guests, Shelly (Kristen Renton) and Becky (Colleen Foy), Nathan is able to track down his mother and her address….

Can you guess who she is?

Of course, you can! Now, in all fairness to the movie, it doesn’t present the fact that Linda is Nathan’s mother as some sort of surprise twist. From the moment that Nathan figures out that his mother was named Linda and then Becky comes across an old glamour shot of Erika Eleniak in a high school yearbook, it’s pretty clear that Linda Dickson gave up Nathan and she’s never stopped thinking about him and that’s why she’s so obsessed with Tori. That’s not the twist.

But there is a twist and here it is….

Are you ready?

Nathan and all the residents at the hotel and most of the passengers on the flights that Nathan takes in and out of town are …. ABORTION GHOSTS! That’s right. Linda had an abortion. Nathan was the son she was meant to have but didn’t.

Is it heavy-handed? Yes. Is it effective? Well, the answer to that question probably depends on how you feel about abortion. That’s one thing about all of these abortion movies. It’s hard for me to imagine that any of these films — whether it’s the church-produced Pro-Life films or the studio-produced Pro-Choice films — have ever changed anyone’s mind about abortion. As such, movies about abortion largely exist to preach to the choir. Abortion movies, regardless of which side they come down on, are largely movie that people watch so that they can nod and think to themselves, “My side really is the only correct one.”

As for the film itself, it’s rather slow and the voice-over tends to get rather portentous. Dean Cain was probably on the set for one day. Colleen Foy gave the best performance while Erika Eleniak was a bit bland in the lead role. On the plus side, it looked like a real movie, which is more than one can say for a lot of faith-based films. Again, how you react to the film will largely depend on whether or not you agree with its message.

Retro Television Review: The Love Boat 5.20 and 5.21 “The Musical/My Ex-Mom/The Show Must Go On/The Pest/My Aunt, the Worrier”

Posted on March 19, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time to set sail for adventure, your mind on a new romance. The Love Boat promises something for everyone so welcome aboard …. it’s love!

Episode 5.20 and 5.21 “The Musical/My Ex-Mom/The Show Must Go On/The Pest/My Aunt, the Worrier”

(Dir by Roger Duchowny, originally aired on February 27th, 1982)

I tried, everyone. Seriously, I really did try.

This week’s episode was a musical. It’s not just that the crew of the Love Boat was putting together their first annual crew talent show. It’s not just that Ethel Merman appeared as Gopher’s mom while Carol Channing played Julie’s aunt and Della Reese played Isaac’s mom while Ann Miller showed up as Doc’s former mother-in-law. All of that was fine. The episode was called The Musical and, looking at that guest list, I expected that the majority of this super-sized, two hour musical would feature the crew and their relatives rehearsing. I was looking forward to it. I’m a dancer. Ann Miller’s one of my heroes. Bring it on!

The problem was that the crew also sang and danced when they weren’t rehearsing. Every few moments there was a big production number. Some of them were entertaining. Again, Ann Miller was there and I love watching her dance. But most of the production numbers were pretty bad. It quickly became obvious that the Love Boat crew was not made up of natural-born singers and dancers. Fred Grandy tried really hard whenever he had to sing and he earnest dedication was charming but otherwise, most of the musical numbers fell flat. Each number was followed by wild applause but, seeing as how The Love Boat was not shot in front of a live studio audience, it quickly became apparent that the applause — much like the laugh track — was being piped in. Fake applause just made the whole thing feel …. not right.

I really wanted to like this episode but it just didn’t work for me. If it had limited the singing and dancing to the talent show, it would have been fun. But by turning the entire episode into a musical, it just became a bit too much, an experiment that ultimately didn’t work.

Do I sound like a feel guilty for not liking this episode? Well, I guess I do. Of all the shows that I review, The Love Boat is frequently my favorite and I really, really wanted to like this episode. I could tell that the cast was doing their best. I could tell that they probably had fun shooting this episode. But, in the end, it just didn’t work. I wanted it to work but it didn’t.

Oh well. I applaud the show for experimenting, even if it didn’t quite come together. Next week will be better!

Retro Television Review: Welcome Back, Kotter 4.19 “The Gang Show”

Posted on March 8, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.

Gabe and Julie are gone but life continues at Buchanan High.

Episode 4.19 “The Gang Show”

(Dir by Norman Abbott, originally aired on March 17th, 1979)

It’s time for the annual Buchanan High talent show and this year, Epstein and Washington are totally convinced that their lame mid-reading act is going to win. They’ve lost every year that they’ve entered and, considering that both Epstein and Washington appears to be pushing 40, that’s a lot of failure! Horshack and Beau talk about how their friends came in dead last during the previous show. How does Beau know? Beau’s the new kid. Beau was in Louisiana or wherever he’s supposed to be from when the last talent show was held.

Epstein and Washington think that they’ve got this contest in the bag. The judges are Horshack, Beau, and their classmate, Wilbur (Bob Harcum). Their dedicated teacher, Jean Tremaine (Della Reese), is a bit concerned that the judges won’t be mature enough to set aside their friendships and truly honor the best act. Maybe Mr. Kotter should talk to them….

Oh wait, Gabe isn’t in this episode.

Maybe Julie needs to cross her arms and tell the judges, “This is not funny….”

Oh wait, Julie’s not here either.

That’s right, this is another Welcome Back Kotter episode that doesn’t feature or even mention a single Kotter. Woodman is there, making odd comments and carrying two hardboiled eggs. (Woodman’s so cool.) But the Kotters are gone and, for some reason, everyone’s acting like Ms. Treamaine has always been their teacher.

As for the talent show, Epstein and Washington’s act sucks. Far more impressive is Carvelli (Charles Fleischer), who sings a blues song about peanut butter and jelly and show that there’s more to him than just being a bully. Remember when Carvelli and Wilbur first appeared on the show and they were members of a rival gang and the implication was that both Carvelli and Wilbur had killed multiple people? Now, suddenly, Carvelli is the king of the talent show and Wilbur is one of the judges. It’s amazing how things change. All they really had to do was get rid of Julie and suddenly, Carvelli is revealing himself to be a sensitive soul.

Horshack and Beau do the right thing. They vote for Carvelli. Wilbur votes for Washington and Epstein because he genuinely liked their dumb act. Apparently, there were no other acts. What a lame talent show! Tremiane is proud of Horshack and Beau for doing the right thing. She encourages Washington and Epstein to try again next year …. NEXT YEAR!? Epstein’s going gray and Washington has laugh lines. If they’re still in school next year, Buchanan needs to be shut down!

This was a weird episode. I used to make fun of Gabe’s corny jokes but they would have been useful in this episode. Seriously, this whole fourth season just feels wrong. Kotter without Kotter just doesn’t work.

Retro Television Review: Welcome Back, Kotter 4.17 “Come Back, Little Arnold”

Posted on February 15, 2025 by Lisa Marie Bowman

This week, Horshack’s not going to take it anymore.

Episode 4.17 “Come Back, Little Arnold”

(Dir by Norman Abbott, originally aired on February 24th, 1979)

Arnold Horshack’s a drunk!

Well, not quite. He’s not an alcoholic. He does buy a bottle of cheap whiskey from Carvelli because he has a date coming up with Mary (Irene Arranga) and he’s nervous about it. To the shock of everyone, Horshack gets mean when he drinks. He calls the other Sweathogs out for always making fun of him. He tells his teachers to leave him alone. He throws all the money from the school store out into the hallway. He starts wearing a leather jacket. Horshack is out of control!

It’s a good thing that Vinnie is around to serve as a mentor…. oh wait, Travolta became a movie star and Vinnie Barbarino is no longer on the show.

It’s a good thing that Gabe has a good relationship with Arnold Horshack and …. oh wait, Gabe Kaplan was angry with the show’s producers and only appeared in a handful of episodes this season. And this is not one of those episodes!

Maybe Julie could …. Marcia Strassman isn’t in this episode either!

Mr. Woodman could …. oh, who are we kidding? Woodman doesn’t care.

Instead, it falls to Jean Tremaine (Della Reese) to gather all the Sweathogs together and let them know that Horshack needs help. Jean Who? Well, apparently, Ms. Tremaine has been around for a while and she’s as much of a mentor to the Sweathogs as Gabe ever was! Oddly, we’ve never heard about or seen Ms. Tremaine before. In fact, I thought the whole idea of the Sweathogs was that they weren’t allowed to attend regular classes, like the one taught by Ms. Tremaine.

It’s easy to see what happened here. With Gabe Kaplan determined to leave and Marcia Strassman also tiring of the show, the show’s producers were trying to figure out how to continue Welcome Back Kotter without any Kotters. With this episode, we saw one possible way to keep the show going. Della Reese would be the new teacher and hopefully, she would have eventually gotten some new students. It was time to let the Sweathogs graduate. As I watched this episode, I noticed that Ron Palillo, the actor who played Horshack, actually had gray in his hair.

Surprisingly enough, this was actually a pretty good episode. After spending the past two seasons playing Horshack as just being a weirdo with a strange voice, Ron Palillo finally got another chance to play the angry, misadjusted Horshack who we first met during the show’s first season. Palillo really got into the scenes where Horshack told off the Sweathogs, dropping the funny voice and delivering his lines with authentic anger. Watching the episode, it’s hard not to get the feeling that Palillo was acting out some of his own frustrations in this episode. It can’t be easy to play Arnold Horshack day-after-day.

And you know what? As clumsily as she was introduced, Della Reese did a good job as Ms. Temaine. The idea of her as the new regular teacher was not a crazy one, though it was one that was probably suggested too late to save the show.

This was a good episode. I’m as surprised as anyone.