Cease Fire (1985, directed by David Nutter)


Tim Murphy (Don Johnson, with a huge mustache) is a Vietnam vet who is still haunted by his actions during the war. As a result, he can’t hold down a job, he’s abusive to his wife, and he’s woken up in the middle of the night by constant nightmares.  One day, at the unemployment office, he meets another vet named Luke (Robert F. Lyons) and the two of them bond over their shared experiences.  While Tim tries to come to terms with what happened during the war, his wife Paula (Lisa Blount) tries to keep the household together.

Barely released in 1985, Cease Fire is a largely but unfairly forgotten Vietnam film.  According the film’s imdb page, Don Johnson once told an interviewer that he couldn’t even remember starring in a film called Cease Fire.  That piece of trivia sounded too good to be true and, after doing a google search, I have not been able to come across any interviews where Johnson says that.  In fact, in an interview with the AV Club, Johnson says that he filmed Cease Fire in Miami shortly after doing his first audition for Miami Vice.  According to Johnson this was in the early stages of Miami Vice‘s development, before Michael Mann was even attached to the project.  Since Miami Vice premiered (with Mann producing and Johnson starring) in 1984, that probably means that Cease Fire was filmed in either 1982 or 1983.  Considering that it was a low-budget and talky film about a very unpopular war, it is not surprising to discover that it sat on the shelf for a few years before finally being released in order to capitalize on the sudden stardom of its main actor.

Even though both take place in Miami and feature Don Johnson as a Vietnam vet, Miami Vice and Cease Fire are as different as night and day.  Cease Fire is a low-key and muted character study of a traumatized man who is struggling to face what happened in the past.  There’s not much action but there is a lot of talking.  Some of the dialogue is clumsy and obvious but both Don Johnson and Robert F. Lyons give good performance as the traumatized vets and Cease Fire is honest enough to admit that, even if he does take a few steps in the right direction, Tim still has a long road ahead of him.  Cease Fire, which never got a DVD release but which is available on Amazon Prime, is a sincere look at the reality of PTSD and the struggle that many vets face when they first return home.  It’s not a perfect movie but it’s saved by its own good intentions and Johnson’s sincere performance in the main role.

Cease Fire was also the first film to be directed by David Nutter.  Nutter is today probably best known for directing several episodes of Games of Thrones, a show that has even less in common with Cease Fire than Miami Vice.

Sci-Fi Review: Trancers 5: Sudden Deth (1994, dir. David Nutter)


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Wow! That title card cares about this movie as much as the one for Trancers 4: Jack of Swords did. That is to say, it doesn’t care one bit. And for good reason. This movie sucks! At least it isn’t as depressing as what I’ll mention at the end of this review.

In case you don’t remember the complex and memorable plot of Trancers 4 when you go to watch Trancers 5, it begins with a recap. I’m glad this recap exists. It not only reminds me that nothing happened in Trancers 4, but it also tells me what this lady’s name really is.

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That being “the bitch leader of the rebellious peasants” (Terri Ivens). You see, this is what happens when you get one of the villains of the movie to do your recap. They will resort to name calling. The only new thing it adds is that shortly after Jack Deth (Tim Thomerson) killed Caliban (Clabe Hartley) they used hit and run tactics for a month before launching an attack on the castle. Cut to the attack on the castle and this guy keeps saying “Deth is coming!” Very true, as he learns from Jack’s gun.

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One eye (Mark Arnold) here flees the castle, but first he takes the painting from Ghostbusters II.

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Oh, yeah! That means what you think it means. This movie is that stupid. Meanwhile, it’s time for Jack and Lyra (Stacie Randall) to have another hilarious scene together. Lyra being the girl from the future who was tough and smart, but in the past is super submissive. Jack still isn’t happy about that. Aside from the sex thing.

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Then a scene happens that I’m sure was the inspiration for Stephenie Meyer’s June 2, 2003 dream that inspired the Twilight series.

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That’s Prospero (Ty Miller) who is a Trancer/vampire and the bitch…okay, her name is Shaleen. She is in love with him, but his hunger causes him to need to feed, and she is willing to let him. Nope. Nothing Twilighty going on here. Meanwhile, Jack is in the library trying to understand his contract to make Trancers 4 & 5 which apparently had him paid in money he could only spend in Romania.

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Actually, it’s some random gibberish that talks about inter-dimensional travel or something. Oh, then this happens.

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Yep! Caliban is back. Why? Probably the same reason why Jack getting struck by lightning at the end of the fourth film simply transported him behind Caliban so he could shoot him. Plot convenience. Whatever, it’s back to Jack and Prospero. All you need to know is Jack needs to go get something called the Tiamond. Where does he need to go to get it you might ask? Stupid question! Of course it’s The Castle of Unrelenting Terror. Where did you think he was going to have to go? To a 7-Eleven?

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Now Shaleen’s breasts say goodbye. Jack then tells Lyra he has to go and gives us some words of wisdom: “A woman isn’t a real woman unless she makes you want to smack her in the chops. Not doing it makes you a real man.” Thanks, Jack! I mean I can’t say I really disagree with the point of the line…I think, but that’s certainly an interesting way of putting it. Now Jack and Prospero are off to The Castle Of Unrelenting Bullshit.

Jack and Prospero sit down to let Ty Miller attempt acting before Taylor Lautner shows up.

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They just throw him some food and he leaves. Wait I’m sorry. I forgot that it turns out the food tastes like shit, but Prospero has some drink for Jack that will make him care about its shitty taste less. Very important lines. Then some guy shows up, tries to kill Prospero, and Lautner kills him. Who cares, we need to get through this thing as fast as possible. As Jack puts it, “I’m getting too old for this shit.”

Now we get more scenes of Ty Miller acting. These scenes are just to remind us that Prospero is a good guy, but Jack doesn’t trust him cause he is a Trancer after all. Then we cut to Lyra who wanders somewhere in the castle to start drawing. It really doesn’t matter. Next they arrive at The Castle Of Unrelenting Nonsense.

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They would’ve painted the girls green, but then Roddenberry’s estate would have sued their asses off. They basically serve the same purpose as Orion Slave Girls trying to keep Jack and Prospero in a state of bliss that will cause them to rot away. Makes me wonder though. If two women had arrived at the castle, then would these have been men? Can the castle tell what your sexual preference is and tailor these people to match it? Doesn’t matter. Jack figures it out and gets hit with a giant hand.

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Then he cuts off the arm it’s attached to and throws it on the ground.

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On to the next room of The Castle Of Unrelenting Things From Other Movies And TV Shows.

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Zombies! At least I think they’re zombies. They sound like it and move towards them like they are. However, Jack just tells them to “suck floor”. They do just that, and scene!

Meanwhile, Lyra is back at the castle padding the movie out by drawing things. Back in the actual plot of the film, Jack and Prospero come to a room where Prospero is struck down with noise.

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Then the dumbest scene of the same actor playing themselves twice in the same scene happens. It’s like watching the Disney Channel show Liv and Maddie if they used no special effects at all, but kept cutting to single shots of Dove Cameron pretending to be different characters with an occasional arm reaching towards her. Yep. Jack fights with himself. Here you go.

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Good Jack

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Evil Jack

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Fighting

The whole scene is like that. Evil Jack has the Tiamond and now Please Get Me Out Of This Movie Jack has the Tiamond. The dog is back and transforms into Caliban, but in between we get the dog wearing a vest!

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Needless to say Caliban takes the Tiamond away and uses it to make this happen…

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before going through that vortex, as they call it.

Now the movie has all the characters make a mad dash back to the main set. Back at the castle poor Shaleen’s breasts get squished.

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Why you ask? Because the movie needs to reference Back To The Future now. Isn’t it obvious? No? Let me help you out. She is Lorraine Baines.

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He is Biff Tannen.

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That’s Marty/George McFly AKA Jeff Moldovan who was the stunt coordinator on the film.

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The fight.

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The fist.

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The knockout.

Not perfect, but I have absolutely no doubt that’s what they were referencing with that scene.

Anyways, Prospero shows up and lifts the styrofoam off of her body. However, Caliban shows up and starts making impressive use of The Force to do more than just open up doors this time.

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Caliban has a showdown with Jack and Prospero. After knocking Jack down, Prospero stabs him, then Jack shoots the Tiamond saying, “Back to L.A. you son of a bitch!” They turn yellow and disappear. I love what follows.

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There’s this shot of Shaleen looking around in amazement for a full 10 seconds. It’s hilarious. Now we cut back to the future. Oh, and past Lyra is pregnant. Doesn’t matter.

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Initially they think they have lost Jack and talk about him in the past tense. The problem is that before they start talking about him, Jack and Prospero come through the door. It means Lyra and the guy banging Jack’s ex-wife didn’t hear the door open up right behind them. Then Jack is reunited with Lyra and iris shot!

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So, you want to watch something depressing? Watch Trancers 3, 4, and 5. Want to crank it up a notch? Watch the behind the scenes featurette on the Trancers 5 DVD where it’s obvious that Thomerson was having none of this movie. Not sad enough? I can make it worse. Actor Clabe Hartley now owns a restaurant in Venice Beach, California. This year a homeless person came into his restaurant, harassed some customers, then BIT PART OF HARTLEY’S FINGER OFF! And they couldn’t reattach it. Instead of our usual look on Thomerson’s face, I have embedded the news story below.

Sci-Fi Review: Trancers 4: Jack of Swords (1994, dir. David Nutter)


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Yes, there’s more of these. And three more after this one. At least this one is sort of a step up from the third one in that they let Tim Thomerson do more comedy and self aware jokes than the particularly lousy Trancers III. The movie opens up with a castle followed by this picture of Jack Deth and someone says, “now it begins”. Unfortunately, it doesn’t end with this movie because this one and the fifth film are really one movie divided into two.

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Then cut to Los Angeles where Jack gives his usual voiceover only this time it’s to tell us that he’s basically just a time cop now because all the Trancers have been dealt with. Thomerson now walks through a brightly lit door and proceeds to do a little standup routine. Makes sense, he was once a standup comedian. Remember that fish head cyborg thing that he was paired up with at the end of Trancers III? Well…

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he didn’t make it. And neither did anyone else from the previous Trancers movies except Tim and one of the guys who was on the council at the end of the previous film. Thomerson has some humorous lines about this. This is when you realize the movie is going to be self aware, which is a welcome return since the first one did that as well. Then we cut to a bar to be introduced to Jack’s love interest for this movie. If you can call her that. Afterwards we see Jack, a gun, and an awesome lamp.

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I wonder what contest I need to win in order to get that lamp. Now Jack goes to get his mission and of course it’s the same lady he ran into at the bar. Oh, and here’s every man’s worst nightmare.

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Apparently, this knife will cut through anything. That will come in use later. She has also improved the long second watch so that it can recharge. That will also come in use later for a comedy bit. He also gets an RBG-7. It’s the Trancers version of the BFG. Do I need to spell it out for you: Really Big Gun. It can recharge like Mr. Fusion from Back To The Future. Just shove things up it’s butt as she says. Oh, I’m sorry, “shove it up your butt”. She says she would have made an inflatable doll of herself for him, but she didn’t have the time. Considering the lines he has later with a different version of her, his lines about her being a smart ass here are kind of funny. Anyways, after Jack tells his boss he doesn’t appreciate that he’s been “fucking” his wife, a plot device grabs him, and he’s sent somewhere in time and space.

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Jack was originally supposed to go to Topeka, Kansas, but he winds up…who cares cause look, a Trancer!

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Sorry, I mean a “fucking Trancer!” This movie has more cursing and some tits for it’s R rating. Well, as you might have guessed, his Really Big Gun doesn’t do Jack Shit (Jack’s nickname in this). So Jack just stabs him and after changing colors a few times, he disappears like any good Trancer should. Here’s our bad guy.

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He knows it’s important to show the girl’s breast to the camera before you kill her. Seriously, he opens up a girl’s dress just to show her breasts to the camera then vampire kills her. After the bad guy and bad guy, jr. have an exposition conversation, we cut back to Jack for comedy.

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Jack hops into hay. He doesn’t hide under the hay or anything, but the guy driving the thing doesn’t notice. He’ll fall right out of that hay later and no one notices then either. Love it! After we meet people who we don’t care about, we meet this guy who is here to splice this movie into two.

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I’d say he’s rocking the Star Wars Emperor look here, but there’s already a Star Wars thing coming in this. He has another picture of Jack in which he is holding up the gun which is going to get struck by lightning or something. I don’t really care. Where’s Jack!

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Jack falls out of the hay and gets into a fight. Jack’s jacket gets hit with an arrow…

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and then it’s time for more plot. Look, all you need to know is this is some sort of medieval place with medieval Trancers that have to feed on people to stay alive. That’s it! Oh, and here’s the lady from the future who is someone different in this past other world.

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Cause of course she is. Now Jack runs into character actor Lochlyn Munro who at the time of writing this has amassed close to 200 acting credits on IMDb.

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He’s here to heal Jack and then turn him in. There’s also some plot injected in here before they come to capture him. The bad guy has a son who needs to be initiated and thus needs to kill someone. Who cares. Back with Jack, he discovers that the long second doesn’t exactly work the same way in this world.

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The long second actually slows him down instead of everyone else. This is a funny scene as Thomerson moves in slow motion while everyone around him is fascinated till they decide to just knock him out. Jack wakes up a little confused with the love interest who has been told to satisfy him.

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Jack gets laid. After the other characters get in the way of us having fun watching Thomerson, he finishes having sex and immediately starts chewing her out for being so submissive. Part way through this Jack realizes the humor of his situation. In the future he was chewing her out for being a bitch and here for putting out at the drop of a hat.

After grabbing a guy out of a painting who must have been watching them the whole time, Jack is led into the bad guy’s castle and captured. Meanwhile, other actors are taking up quality Jack time. The bad guy talks about Jack’s weapons to pad the movie out while Jack is chained against a wall, but Jack says fuck you!

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After the girl he just had sex with manages to get the indestructible knife to Jack, he is left alone, and breaks out of his chains by cutting through them using the knife. Now the movie is just a series of action scenes as Jack hooks up with rebels I didn’t bother to mention before and the bad guys search for Jack. Oh, and Jack learns his destiny.

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But just before that, bad guy opens a door using The Force.

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Then more stuff nobody watching this movie cares about happens. I do love this scene though.

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The bad guys stumble upon them and stop. Are they surprised they’re just standing there? Do they think they’re are going to make out or something? Who knows? Who cares. The bad guys end up in traps and die. After more stuff we don’t care about…

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this guy falls from the sky to kill somebody with a sword. Now we get the sword battle between Jack and the bad guy. To quote Jack: “En garde, motherfucker!”

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Sadly, Jack really doesn’t know how to handle a sword at all. He swings it around in a ridiculous fashion before the guy simply takes it from him and lets Jack run away. Jack finally decides to accept his destiny by going to get struck by lightning. Well, that is after The Wizard Of Oz shows up.

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Then he gets struck by lightning.

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And what happens you ask? The bad guy goes up to investigate where Jack was and apparently Jack had just teleported behind him. Jack shoots him and after changing colors, he’s dead. Then they say things to tell us there is another movie before posing.

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So ends Trancers 4: Jack of Swords. A movie that, while it did have better jokes and lines than the third film, is instantly forgettable and really does have a lot of scenes with actors we don’t care about. I’m not sure why they couldn’t have spent more time with Jack. He’s still very funny. This is the last of the Trancers movies I had already seen. The remaining three are going to be brand new to me.

Well, let’s end this the same as the last three reviews. By that I mean with a great Tim Thomerson look. This time it’s probably the look he gave when he was told he would not be back for Trancers 6.

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Review: Game of Thrones S2E07 “A Man Without Honor”


“It’s hard to put a leash on a dog once you put a crown on it’s head.” — Tyrion Lannister

“A Man Without Honor” is the name of tonight’s episode which also happens to be the season’s seventh. How time flies when one is enjoying a series, but this is amplified when it’s a series that only runs ten episodes a season. Considering that HBO’s other hit series in True Blood gets twelve episodes a season makes giving the channel’s biggest hit and moneymaker only ten a season an interesting choice. Having ten episodes a season definitely allows for the series to not dawdle on too many subplots, but it also means certain characters and events in the book source either got dropped (some for the better and others not so well-handled) or amalgamated with others to create something wholly different. Tonight we got some great examples of how changes from book-to-screen made for a better narrative.

Tonight’s episode moved from place to place. We get to spend some time with Jon Snow north of the Wall with his wildling prisoner Ygritte. There’s some definite sexual tension between these two young people as Ygritte constantly baits Jon about their night spent close together (only for warmth as Jon kept trying to tell the young lass) and how Snow and his brother Crows must either be having congress with each other (something Jon denies very loudly) or with the local goat population (for some reason his denials about this weren’t as loud). Throughout their exchanges Jon continues to act the honorable man he was brought up to be by his father Ned Stark and he even tells Ygritte this though something he wishes he kept to himself if her reaction to the information was any indication.

Jon’s honorable behavior during his time with Ygritte and the consequence of it at the end of their part in tonight’s episode was a constant reminder about how Ned Stark’s brand of honor and intractable principles really has no place in the world created by George R.R. Martin. It’s idealism that masks the truth of the reality around them and Jon Snow, like his father before him, might be too late in learning the true costs of his idealism.

The same could be said about Daenerys over at Qarth as she has to deal with more of her followers dead because they decided to trust and follow her. Then there’s the little thing about her dragonlings still missing and taken by one of the Thirteen. It’s easy enough to surmise that the warlocks of Qarth had taken her dragons, but as to the reason other than wanting them still eludes the young Targaryen Queen-to-be. It’s left to her guardian knight and close adviser Ser Jorah Mormont to try and talk some sense into her, but as her experiences in Essos has clearly been teaching her it’s trust that she can’t afford to have anymore. Whether it’s others offering their trust or her being asked to trust in others. Here we see Ser Jorah testing the boundaries of Daenerys’ trust towards him and we see even more clearly that he has had and continues to have some very strong feelings towards his khaleesi that even Daenerys begins to suspect.

Unlike Jon up North, at least Daenerys has begun to shed some of the idealism she started this series with and looking towards learning how to truly become a ruler of people. Once again idealism was the casualty in this part of the episode but one that might help Daenerys survive a little longer in this deadly game of thrones.

Tonight’s episode also sees the return of the Kingslayer. He still remains a captive of the Starks, but now has a jailhouse companion in a distant relative the young Alton Lannister who once squired for him in years past. This section of the episode was really one extended exposition done well as we get a deeper look into the backstory of Jaime Lannister. He’s much more than the male half of the twincest pairing of the show, but unlike Cersei he seems to have accepted his lot in life and the sort of figurative bastard he has turned out. His reminiscing to Alton about his own time as a young squire was quite honorable in putting the young man at ease, but once again Jaime continues to be this show’s rare survivor in that he uses everyone he thinks could be of use to help him survive one day longer even if it means killing several young men in less than a night and throwing the hypocrisy of the Stark honor back at Catelyn’s face.

Jaime might be a villain, but he’s one who doesn’t blame his lot in life for turning him so and sees clearly how those who try to look down on him might be just as sullied and dishonorable as he is. He just happens to admit to it.

The best part of tonight’s episode once again come from one of the major changes from book-to-tv. It’s an extended scene between Tywin Lannister and Arya as the two sit down for a meal and talk. It never happened in the novel, but the fact that the showrunners thought this peculiar relationship between the elder Lannister and the young Stark daughter would make for some strong scenes and dialogue was a change that I fully accept. The back and forth between Charles Dance as Tywin and Maisie Williams as the young Arya was great. Whenever Tywin makes mention of how observant and learned his cupbearer seem to be Arya would have a ready-made reply. Even when Tywin makes it known that he believes her to be more than a local peasant girl but more akin to a noble-born Arya doesn’t break stride and continues her charade.

What’s great about this scene is how we’re able to believe Arya’s deft ability to stay in character even when she knows she might have been found out. She’s learned to play the part to help her survive and even gotten better to hide her true feelings from her face. Even Tywin seem to be quite impressed by Arya and even though he might have some suspicions about her true upbringing he’s still not fully sure about the truth of it so he bides his time. The two characters really look like they would’ve made the perfect father and daughter if not for their present situation.

Finally, we see just how low a man without honor can go. Back in Winterfell we see “Prince” Theon blaming everyone but himself for allowing the two young Stark boys to escape the castle. We see how he’s turned to violence as a way to court respect from his men when all it does is just show just how much a child playing at ruler he truly looks. What’s worst is how the episode ends with what looked like two young figures burnt beyond recognition and hanged above the castle gates and Theon looking like he had a hand in it. If people had any sort of sympathy for the Greyjoy son tonight’s episode did much in burning those bridges.

Tonight’s episode did much to grow some of the characters in the show, but also show how the war between the five kings have shown particular characters faults and virtues. With just three more episodes remaining in the season we’re getting close to the culmination of the war or, at the very least, narrowing down even more pretenders to the rule of Westeros before we look towards season 3 of HBO’s Game of Thrones.

Review: Game of Thrones S2E06 “The Old Gods and the New”


“Gods help you Theon Greyjoy. Now you’re truly lost.” — Ser Rodrik Cassel

Tonight we saw season 2 of HBO’s Game of Thrones series hit it’s second half running towards what could only be a climactic season ender of epic proportions. The show took a sort of misstep with an wheel’s turning previous episode that was mostly set-up. The show has been that way from the very start of the season, but last week’s entry was even moreso. Tonight’s sixth episode was titled “The Old Gods and the New” and it was a theme of faith that ran throughout the episode.

When I say faith I don’t mean of the religious kind but the faith one puts into the actions of others. Whether that faith is deserving or not is irrelevant. We see the youngest characters of the series with their faith tested from beginning to end. While it was mostly the Stark kids both legitimate and illegitimate who had to suffer in tonight’s episode we also got to see Daenerys Stormborn tested as her stay in the city-state of Qarth begins to turn for the worst and her inability to think with her mind instead of her heart has put her in a precarious situation.

The episode begins with Bran’s dream from last week finally coming into fruition as the seas has come to Winterfell and gone over the walls. It’s Theon Greyjoy and his merry band of Ironborn reavers who have taken advantage of a defenseless Winterfell. Any lingering doubts as to which house his loyalty lies now ends with his taking of Winterfell and imposing himself as it’s lord. Theon has bought into his biological father’s Ironborn way of life as he’s taken his own lordship through the “iron price” and not gold. Yet, this part of the episode also show’s that Theon has much to learn about being a ruler as some of his petty behavior comes to the forefront in his treatment of Rodrick Casell and being fooled by the wildling Osha. Just like Renly Baratheon before him, Theon likes to play at being a lord and someone who thinks they have power over the people when it’s all just in his head.

The same goes for King Joffrey over at King’s Landing who witness first-hand that his maniacal, iron-fisted rule of the realm has weakened what had been a strong realm and which is now ripe for all-out rebellion from within the city’s walls and not just from without. A riot of his own making doesn’t end even with his shouts to his Kingsguard and the Gold Cloaks to kill everyone when they’re outnumbered despite their armor and weapons. Joffrey begins to see what his Hand has seen and that’s the people of King’s Landing don’t see him as their rightful ruler and would rip the city and those who follow him apart (like the poor Maester who got the zombie feeding frenzy treatment) even if they die doing so.

For a moment Sansa Stark doesn’t understand why the people hate her as much as Joffrey and season 1 Sansa petulantly peeks out after her close brush with rape and death at the hands of the mob. It takes some wise counsel from her handmaiden Shae to educate her as to why they hate her so. Whether Sansa will learn from tonight’s events or not will show whether her character has grown from the shallow, fashion plate and status obsessed young teen or season 1 to the more savvy and leery young lady who has been quite adept at steering through the maze that makes up the game of thrones within the castle walls. One thing for sure is that she seems to have gained herself a protector in The Hound.

Over and north of the Wall we find Jon Snow and the small band of Rangers led by Qhorin Halfhand doing a sort of long-range recon patrol deeper into wildling territory to find out just exactly what’s going on with the wildlings and their self-proclaimed king Mance Rayder. We see Jon get a lesson in the importance of being a Crow delivered not so delicately by the veteran Qhorin who also seem to see something important about Jon, but who also sees an idealist who may not survive the Wall if he continues to think like someone who lives South of the Wall instead of on and North of it. It’s easy to say that Jon learns his lesson, but as we see after a successful ambush of a wildling patrol Jon still hangs onto too much of the chivalry and nobility of the the southern realms instead of the reality of the Wall and the North. He’s been a frustrating character since the first season and his steadfast “Ned Stark-ness” almost gets him killed and has saddled him with a pretty, wild redhead who may just be the death of him before he reaches his potential.

We now come to the Arya and Daenaerys portion of tonight’s episode. These are two young girls who have been thrust into situations not of their making and trying to make the best of it.

At Harrenhal we see Arya continue her indentured servitude to Tywin Lannister who seem to treat her with more respect than he does his own commanders. Whether he suspects who Arya truly is he does seem to treat her less a servant and more like an unofficial sounding board. The conflict of emotions this treatment from Tywin was quite evident in Arya’s face as she smiles behind Tywin and his council’s back when he compliments her and berates one his generals. Her situation gets really precarious as one Littlefinger appears in Harrenhal to talk shop with Tywin. This scene was masterfully done by veteran tv director David Nutter who milks the tension Arya feels at the prospect of being found out by the duplicitous, but observant Littlefinger. Her faith in the enigmatic Jaqen H’ghar seems well-deserved as she gives him a second name and sees that name given over to Death as Jaqen has promised. With each day in Harrenhal it looks like Arya looks to be the one of the all the youngsters in Game of Thrones who has begun to see the reality of the world instead of the ideals she has been taught growing up.

Far across the Narrow Sea we come to Daenaerys who is still trying to fend off the advances of Xaro Xhoan Daxos and the other merchant lords of Qarth who wish to put their hooks into her if she ever wants their help in getting across to Westeros to take back the Iron Throne she sees as rightfully hers. Where Arya has learned to think with her head instead of her heart to put herself into situations to her advantage the same cannot be said about Daenerys who still believes that her rightful claim to the Iron Throne and being the Mother of Dragons would make everyone bow at her young feet and give her everything she needs to get what she wants. When diplomacy doesn’t get her what she wants she reverts back to threats and actually sounding more and more like her dead brother Viserys who also used too much empty threats to try and get what he thinks was due to him. The episode sees her with even less retainers than what she had going into Qarth and worst yet minus the three dragonlings.

While “The Old Gods and the New” was still a set-up episode it also contained much character growth for the young cast. We see them learn the hard way that being a ruler of a realm and of men doesn’t come easy or come across as a game without consequences. Idealism gets tested and for most of the episode comes off less a virtue and more of a near-fatal flaw that cannot survive in the war-torn lands of Westeros let alone the intrigues of the city-states of Essos across the Narrow Sea. Faith has been tested as Bran sees firsthand as he sees what he thought was a brother to him and his family turn against them in a fit of pettiness and need to prove himself to his biological sire.

With more pieces being moved across the board it’s getting much clearer now that the war for the Iron Throne is close to being decided, but it doesn’t mean peace will come to Westeros. While the elders fight the wars begun by a child and being won by another it looks like tonight’s episode also shows that no matter how things turn out this season it’s the children of the series who have been forced to grow up by the war who will have to pick up the pieces. Tonight we see that some look ready to do so while most still look ill-equipped to survive it.