Brad reviews YOU’VE GOT MAIL (1998), starring Tom Hanks and Meg Ryan!


Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!

I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.

What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!

Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.

Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.

Lisa Reviews An Oscar Nominee: A Star Is Born (dir by Bradley Cooper)


Happy birthday, Bradley Cooper!

Bradley Cooper is 45 years old today.  With all the recent talk about how people’s lives have changed over the past decade, let’s take a minute to appreciate just how spectacularly things have gone for Bradley Cooper, career-wise.  Ten years ago, Bradley Cooper was probably best-known for playing the smarmiest member of The Hangover‘s quartet of friends.  Now, Cooper is known for not only being one of the best actors working today but also for making an acclaimed directorial debut with the 2018 Best Picture nominee, A Star Is Born.

Cooper not only directed A Star is Born but he also starred in it.  He played Jackson Maine, a country musician who has been drinking for as long as he can remember.  He used to drink with his father and when his father died, Jackson continued to drink alone.  (At one point, Jackson says that he was a teenager when his father died.)  Managed by his older brother, Bobby (Sam Elliott), Jackson became a star but his career has been in decline for a while.  For all of his talent and for all of his belief that he has something worth saying, Jackson is drinking his life away.  He stumbles from show to show and is often dependent upon Bobby to tell him what he missed while he was blacked out.

When Jackson stumbles into a drag bar and sees Ally (Lady Gaga, making her film debut) singing a song by Edith Piaf, he is immediately captivated by her talent.  Ally, whose father (Andrew Dice Clay) is a limo driver who once aspired to be bigger than Sinatra, is at first weary of Jackson but he wins her over.  After she punches a drunk and he takes her to a grocery store to construct a makeshift cast for her hand, she sings a song that she wrote and Jackson decides to take her on tour.  Soon, they’re in love and, before you know it, they’re married!

Unfortunately, Jackson’s alcoholism threatens both their happiness and their future.  While Ally’s star rises, his continues to dim.  Will Ally sacrifice her career for Jackson or will Jackson sacrifice his life for Ally?

It’s a familiar story, one that’s been told many times.  The first version was 1932’s What Price Hollywood, which featured aspiring actress Constance Bennett falling in love with an alcoholic director played by Lowell Sherman.  In 1937, What Price Hollywood? was unofficially remade as A Star Is Born, with Janet Gaynor as Esther, the actress who falls in love with faded matinee idol, Norman Maine (Fredric March).  The next version came out in 1954 and featured Judy Garland as Esther and James Mason as Norman.  Significantly, the 1954 version added music to the plot, with Judy Garland singing The Man That Got Away.  

In 1976, the story was told a third time.  This version of A Star is Born starred Barbra Streisand as singer Esther Hoffman and Kris Kristofferson as a self-destructive rock star named John Norman Howard.  The 1976 version was terrible, largely because there was zero chemistry between Streisand and Kristofferson.  And yet, one gets the feeling that the 1976 version is the one that had the most influence on the 2018 version.  Not only does Bradley Cooper’s version of A Star Is Born make the story about aspiring singers but one gets the feeling that Cooper watched the 1976 version, saw the lack of chemistry between Kristofferson and Streisand, and said, “There’s no way that’s going to happen in my movie!”

Indeed, it’s the chemistry between Bradley Cooper and Lady Gaga that makes the latest version of A Star Is Born so compulsively watchable.  I mean, we already know the story.  From the minute that Jackson and Ally meet for the first time, we know what’s going to happen.  But Cooper and Lady Gaga have got such an amazing chemistry, that it almost doesn’t matter whether the movie surprises us or not.  There’s a scene where Ally says that she’s always been told that her nose is too big and Jackson responds by nonchalantly touching her nose and, with that one simple and very naturalistic gesture, the film convinces us that Jackson and Ally are meant to be together, even if just for a while.  It also makes it all the more upsetting when a drunk and jealous Jackson later uses Ally’s insecurities against her.

(Of course, I should admit that I’ve always been insecure about my own nose so, at that moment, I totally understood what Ally was feeling.)

It’s an unabashedly romantic and sentimental film but it works because, as a director, Cooper brings just enough of an edge to the story.  Cooper, who has been sober since 2004, has been open about his past struggle with alcoholism and, as both an actor and director, he’s smart enough not to romanticize Jackson’s addictions.  In many ways, Jackson Maine is a pain in the ass to be around.  We watch as he goes from being a fun drunk to a sad drunk to a mean drunk, all the while lashing out at anyone who gets too close to him.  At the same time, Cooper also captures the spark of genius and the hints of inner goodness that would explain why he is never totally rejected by those that he’s hurt.  Cooper offers up hints of who Jackson could have been if he hadn’t surrendered to pain and addiction.  We understand why Ally and Bobby stick with him, even if we wouldn’t blame either one of them if they refused to have anything more to do with him.

Lady Gaga, meanwhile, gives a performance is that is down-to-Earth and instantly relatable.  Anyone who has ever been insecure or who has ever felt as if she was being punished for being independent or thinking for herself will understand what Ally’s going through.  At some point, we’ve all been Ally and we’ve all had a Jackson Maine in our lives.  Sadly, these stories rarely have happy endings.

For most of 2018, it was assumed that A Star Is Born would be the film to beat at the Oscars.  While it was eventually nominated for 8 Oscars, Bradley Cooper did not receive a nomination for Best Director.  (Cooper, Lady Gaga, and Sam Elliott were all nominated in the acting categories.)  In the end, Green Book won Best Picture while A Star Is Born only won one award, for Best Original Song.

Of course, Bradley Cooper and Lady Gaga’s performance of that song was perhaps the highlight of the entire Oscar ceremony.

That’s the power of good chemistry.

 

 

Guilty Pleasure No. 1: Half Baked


Half Baked

“Abba Zabba….You’re my only friend” — Thurgood

With the first month of January 2013 almost coming to an end I thought it was high time to introduce a new feature to the site. This one shall be called “Guilty Pleasure” and it will encompass all sorts of entertainment examples that I and those who on the site who wish to participate that they consider a personal guilty pleasure. It could be any film, music, book or games that one considers a personal favorite despite not being highly accepted by critics and the general population, at large.

The first entry to “Guilty Pleasure” is a stoner comedy that I always end up stopping whatever activity I’m doing at the moment to watch. I have it on DVD, will watch it on cable whenever it’s on and if a Blu-Ray version ever gets released I probably would buy it just to have it. This guilty pleasure film is 1998’s Half Baked starring Dave Chappelle and…well let’s just say all one needs to know is that it stars Dave Chappelle. It’s a mary jane flick that’s reached the levels of the Cheech and Chong flicks of the 70’s and 80’s.

My brother and I have seen this film so many times that we could quote scenes from it almost perfectly. I may not be quite the pothead that the characters in this film end up being, but anyone who has seen Half Baked knows at least one or two who fit the different type of stoners we find in it.

In the immortal words of Sampson Simpson: “YES! Cuban B!”