Film Review: The Final Countdown (dir by Don Taylor)


1980’s The Final Countdown opens with a series of stunning overhead shots of Pearl Harbor.  Warren Lasky (Martin Sheen), a systems analyst for Tideman Industries, is sent by his mysterious employer to observe operations on the USS Nimitz.  Captain Yelland (Kirk Douglas), the commanding officer of the Nimitz, is polite to Lasky, even if he doesn’t quite understand why he’s been sent.  For that matter, Lasky’s not sure what he’s supposed to do either.  When the Nimitz is surrounded by a sudden storm and programs from 1941 start playing over the radio, Yelland suspects that it’s some sort of test and that Lasky has been sent to see how they react.  However, when two Japanese airplanes are spotted overhead, it becomes clear that the Nimitz has somehow traveled through time.  The date is December 6th, 1941 and, in just 24 hours, the Japanese are going to attack Pearl Harbor.

Commander Dick Owens (James Farentino) argues that it would be dangerous to try to change history by attacking the approaching Japanese fleet.  However, it appears that the Nimitz has already changed history by saving the life of U.S. Senator Samuel Chapman (Charles Durning), who Owens believes would have been Roosevelt’s running mate in 1944 if he hadn’t been killed the day before Pearl Harbor.  With Chapman demanding that Pearl Harbor be warned and Lasky arguing that the Nimitz should try to change history by preventing the attack, Captain Yelland has a decision to make.

The Final Countdown was made with the full support of the U.S. Navy.  The production was allowed to film on the Nimitz and, outside of the main stars, the crew of the Nimitz played themselves.  As a result, there’s a lot of awkward line deliveries amongst the minor characters but there’s also an authenticity to the film that elevates the story.  Even when it becomes obvious that the Nimitz has traveled back to 1941, the crew handles things in a professional manner.  One comes into the film expecting a good deal of panic and freaking out and instead, the movie offers up a ship of people who play it cool and who get the job done and it’s kind of nice to see.  As for the professional actors, they all play their parts well enough.  Charles Durning gets to bluster a bit as the senator and Katharine Ross (playing the senator’s secretary) looks like she’d rather be anywhere but on a aircraft carrier but Kirk Douglas, Martin Sheen, James Farentino, and Ron O’Neal all give solid, if not particularly memorable, performances.

The film asks an interesting question.  Would you change history?  For that matter, can history actually be changed?  If the Nimitz prevented the attack on Pearl Harbor, would it have changed history for the better (as Lasky suggests) or would it have just kept America out of the war for a longer period of time?  Would Japan have given up its plans to attack America or would its leaders have tried again?  On a personal note, I’ve been to Pearl Harbor and it’s a moving experience.  It’s hard not to look down at the remains of the USS Arizona and not feel something.  I remember that, when I looked down at the Arizona, the first thing that I felt was anger that a ship that was sunk in an unprovoked attack also served as the tomb so many men who served their country.  But then I felt a certain pride in the fact that, in the 1940s, America didn’t take that attack lying down.  America didn’t make excuses or surrender.  America stood for itself and kicked some ass and the world was and is better for it.

As for The Final Countdown, Don Taylor’s direction is fairly stolid (Taylor was no visual stylist) and there’s never really any explanation as to why the Nimitz went into the past in the first place.  That said, I enjoyed the film.  The premise is an intriguing one and the final twist works far better than one might expect.  The Final Countdown is a good film that gets the job done.

Retro Television Review: Miami Vice 4.2 “Amen …. Send Money”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Miami Vice takes an unwelcome detour.

Episode 4.2 “Amen …. Send Money”

(Dir by James Quinn, originally aired on October 2nd, 1987)

This was pretty dumb.

Tubbs, working undercover, busts Leona Proverb (Anita Morris), who just happens to be the wife of Billy Bob Proverb (Brian Dennehy).  Billy Bob is a television preacher who continually asks his followers to send him cash so he can live the lifestyle that he says God wants him to live.  On paper, this sounds like a great role for Brian Dennehy but this episode’s script lets him (and, for that matter, everyone else in the cast) down.  Somehow, the fact that the guy is named Billy Bob Proverb is the least heavy-handed aspect of this episode.

Faye Nell (Jo Anderson), who is one of Billy Bob’s followers, calls Tubbs to the studio and says she has information on what the Proverbs are doing.  As soon as Tubbs shows up, Faye tosses herself on him, rips her dress, and starts to yell, “Rape!”  Tubbs finds himself being investigated by Internal Affairs while Faye claims that God told her to call Tubbs down to the studio and she even passes a lie detector test.

“I’m being set up by a preacher!” an angered Tubbs says but it turns out that Billy Bob Proverb is not the one behind all of Tubbs’s problems.  In fact, Billy Bob is actually sincere, in his own strange way.  Instead, the villain turns out to be another television preacher, Mason Mather (James Tolkan).  Mather has the ability to make himself go into a coma, which makes it difficult to arrest him.

Before I started watching this season, I read online that season 4 featured some of Miami Vice‘s worst episodes.  Amen …. Send Money feels almost like a parody of Miami Vice.  The episode itself is meant to be largely comedic and perhaps if this episode had centered on Switek and Zito instead of Crockett and Tubbs, it would have worked.  Unfortunately, the show killed off Zito last season so instead, it’s Crockett and Tubbs making odd jokes and rolling their eyes in shock.  The thing is, Miami Vice has — up until this episode — been a show about ruthless dealers and the futility of the War on the Drugs.  The thing that set Miami Vice apart from other 80s cop shows was that it was thematically dark, the endings were frequently unhappy, and Crockett and Tubbs were always the epitome of cool, no matter what happened.  This episode features cartoonish villains and a silly plot and both Crockett and Tubbs come across as being a little …. well, dorky.

(On the plus side, the show does continue its tradition of featuring future stars by giving Ben Stiller a small role as a con artist.)

Oh well.  Not every episode can be a great one.  Hopefully, next week will be an improvement.

14 Days of Paranoia #3: The Lincoln Conspiracy (dir by James L. Conway)


When it comes to conspiracy theories involving presidential assassinations, the theories surrounding JFK may get all the attention but it’s the theories surrounding the death of Abraham Lincoln are usually far more plausible.

Unless, of course, it’s the theories that are pushed in the 1977 docudrama, The Lincoln Conspiracy.

A mix of documentary-style narration and really cheap-looking historical reenactments, The Lincoln Conspiracy essentially indicts almost everyone who was alive in 1865 as being a part of either the conspiracy or the subsequent cover-up.  Really, it’s remarkable how many historical figures are implicated in this film.

With the Civil War coming to a close, President Lincoln (John Anderson) hopes to pursue a generous reconstruction policy for the former Confederate States.  Secretary of War Edwin Stanton (Robert Middleton), Senator Ben Wade (Dick Callinan), and a host of other are all opposed to this plan, both because they want vengeance and they also want to make as much money as possible off of the Southern cotton fields.  They come up with a plan to impeach Lincoln but, in order to draw up the articles, they have to make sure that Lincoln is not seen for a few days.  When Col. Lafayette Baker (John Dehner) discovers that an actor named John Wilkes Booth (Bradford Dillman) is planning on kidnapping Lincoln, Stanton and his conspirators decide to give Booth their unofficial support.  However, when the plan changes at the last minute and Stanton decides that it would actually be a bad idea to kidnap Lincoln, an angry Booth decides to just kill Lincoln, Andrew Johnson, and William Seward.

Booth succeeds in shooting Lincoln and making his escape.  The other members of Booth’s group all fail in their assignments.  Andrew Johnson becomes president.  Though grievously wounded, William Seward survives.  Booth flees to Canada and …. oh, you thought Booth died?  No, that was just a look alike who was shot by a bizarre soldier named Boston Corbett.  By allowing everyone to believe that Booth was killed, Stanton is able to cover up any role he and his allies played in inspiring the assassination.  Unfortunately, Col. Baker keeps a diary and it seems like he might be planning on revealing the truth but he dies mysteriously before he can.

(And, to give the film some credit, Col. Baker’s sudden death at 41 was an odd one.  And, though it’s not really explored in the film, Boston Corbett, the man who shoot Booth, really was a weirdo who was described by contemporaries as being a religious fanatic who castrated himself and claimed to hear the voice of God.)

It’s a big conspiracy theory that is presented in The Lincoln Conspiracy.  In fact, it’s a bit too big to really be taken seriously.  The film pretty much accuses everyone in Washington of having a part in the assassination.  The film itself has the cheap look of a community theater production and the use of Dr. Samuel Mudd as a narrator only adds to the film’s silliness.  If you’re a fan of gigantic and thoroughly implausible conspiracy theories, as I am, the film is entertaining in its way.  If nothing else, Bradford Dillman certainly looks like how most people probably imagine John Wilkes Booth to have looked.  Otherwise, The Lincoln Conspiracy is far-fetched and not at all realistic, which is why I assume that a lot of people in 1977 probably believed every word of it.

Previous entries in 2025’s 14 Days Of Paranoia:

  1. The Fourth Wall (1969)
  2. Extreme Justice (1993)