Cleaning Out the DVR Pt 12: Too Much Crime On My Hands


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And too many crime films in my DVR, so it’s time for another housecleaning! This edition of “Cleaning Out the DVR” features bank robbers, thieves, murderers, and other assorted no-goodniks in films from the 30’s to the 70’s. Here we go:

PRIVATE DETECTIVE (Warner Bros 1939; D: Noel Smith) Girl gumshoe Jane Wyman (named “Jinx”!) solves the murder of a divorced socialite embroiled in a child custody case, to the consternation of her cop fiancé Dick Foran. Maxie Rosenbloom plays his usual good-natured lug role as Foran’s partner. The kind of movie for which the term “programmer” was coined, furiously paced and clocking in at a swift 55 minutes. No wonder they talk so fast! Fun Fact: The Warner Brothers Stock Company is well represented with Familiar Faces Willie Best, Morgan Conway, Joseph Crehan, Gloria Dickson, John Eldredge, Leo Gorcey , John Ridgley, and Maris Wrixon all packed into it…

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Cleaning Out the DVR Pt 11: Five from the Fifties


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The 1950’s were a time of change in movies. Television was providing stiff competition, and studios were willing to do anything to fend it off. The bigger budgeted movies tried 3D, Cinerama, wide-screen, and other optical tricks, while smaller films chose to cover unusual subject matter. The following five films represent a cross-section of nifty 50’s cinema:

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BORDERLINE (Universal-International 1950; D: William A. Seiter)

BORDERLINE is a strange film, straddling the borderline (sorry) between romantic comedy and crime drama, resulting in a rather mediocre movie. Claire Trevor plays an LAPD cop assigned to Customs who’s sent to Mexico to get the goods on drug smuggler Pete Ritchey (Raymond Burr , being his usual malevolent self). She’s tripped up by Ritchey’s rival Johnny Macklin (Fred MacMurray , channeling his inner Walter Neff), and taken along as he tries to get the dope over the border. What she doesn’t know is he’s also…

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Cleaning Out the DVR Pt 10: Halloween Leftovers


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Halloween has come and gone, though most people have plenty of leftovers on hand, including your Cracked Rear Viewer. Here are some treats (and a few tricks) that didn’t quite make the cut this year:

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ISLE OF THE DEAD (RKO 1945, D: Mark Robson)

Typically atmospheric Val Lewton production stars Boris Karloff as a Greek general trapped on a plague-ridden island along with a young girl (Ellen Drew) who may or may not be a vorvolaka (vampire-like spirit). This film features one of Lewton’s patented tropes, as Drew wanders through the woods alone, with the howling wind and ominous sounds of the creatures of the night. Very creepy, with another excellent Karloff performance and strong support from Lewton regulars Alan Napier, Jason Robards Sr, and Skelton Knaggs. Fun Fact: Like BEDLAM , this was inspired by a painting, Arnold Bocklin’s “Isle of the Dead”.

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THE BOWERY BOYS MEET THE MONSTERS (Allied Artists 1954, D: Edward…

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Cleaning Out the DVR Pt 9: Film Noir Festival Redux


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Welcome back to the decadently dark world of film noir, where crime, corruption, lust, and murder await. Let’s step out of the light and deep into the shadows with these five fateful tales:

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PITFALL (United Artists 1948, D: Andre DeToth) Dick Powell is an insurance man who feels he’s stuck in a rut, living in safe suburbia with his wife and kid (Jane Wyatt, Jimmy Hunt). Then he meets hot model Lizabeth Scott on a case and falls into a web of lies, deceit, and ultimately murder. Raymond Burr  costars as a creepy PI who has designs on Scott himself. A good cast in a good (not great) drama with a disappointing ending. Fun Fact: The part of Scott’s embezzler boyfriend is played by one Byron Barr, who is not the Byron Barr that later changed his name to Gig Young.  

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THE BRIBE (MGM 1949, D:Robert Z. Leonard) Despite an…

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Cleaning Out the DVR Pt 8: All-Star Comedy Break


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Tonight I’ll be watching the Major League Baseball All-Star Game, but for those of you non-baseball fans, here’s a look at five funny films from the 1930’s & 40’s:

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IT’S A GIFT (Paramount 1934, D: Norman Z. McLeod) The Great Man himself, W.C. Fields , works his magic in this delightfully demented domestic comedy about hen pecked grocer Harold Bissonette, who dreams of owning an orange grove in California. His wife (Kathleen Howard) is a domineering battle-axe, his kid (Tommy Bupp) an obnoxious, roller skating brat, and daughter Mildred (Jean Rouveral) doesn’t want to leave her “true love”. This sets the stage for some of Fields’ funniest surrealistic scenes, including his grocery store being demolished by blind Mr. Mickle and perennial nemesis Baby Leroy; poor W.C. trying to get some sleep on the porch while being constantly disturbed by noisy neighbors, a wayward coconut, a man looking for “Carl LeFong”, and…

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Cleaning Out the DVR Pt 7: Film Noir Festival


Now that Lisa’s finished cleaning out her DVR, it’s time once again for me to clean mine, featuring five fabulous films noir:

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I first got my DVR service from DirecTV just in time for last year’s TCM Summer of Darkness series, and there’s still a ton of films I haven’t gotten around to viewing… until now! So without further ado, let’s dive right into the fog-shrouded world of film noir:

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RAW DEAL (Eagle-Lion 1948, D: Anthony Mann)

This tough-talking film seems to cram every film noir trope in the book into its 79 minutes. Gangster Dennis O’Keefe busts out of prison with the help of his moll ( Claire Trevor ), kidnaps social worker Marsha Hunt, and goes after the sadistic crime boss (Raymond Burr) who owes him fifty grand. Director Mann and DP John Alton make this flawed but effective ultra-low budget film work, with help from a great cast. Burr’s nasty, fire-obsessed kingpin is scary, and John Ireland as his torpedo has a great fight scene with O’Keefe. The flaming finale is well staged…

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Cleaning Out the DVR Pt 6: All-Star Horror Edition!


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As many of you Dear Readers know by now, classic horror has always been my favorite genre. From the Universal Monsters to Bug-Eyed Aliens to Freddie Krueger and friends (fiends?), a good scary movie is a good time! Even a bad scary movie can be fun, if I’m in the right mood. So here are six (count ’em), yes six horror films I’ve recently watched, with some great horror actors and directors at their best (and worst!):

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MIRACLES FOR SALE

(MGM 1939, D: Tod Browning)

The first great horror director, Browning teamed with Lon Chaney Sr. in the silent era to shock audiences with films like LONDON AFTER MIDNIGHT and THE UNHOLY THREE. He kicked off the Golden Age of Sound Horror with DRACULA, followed by the controversial FREAKS. MIRACLES FOR SALE was his last film, and while it’s more of a locked-room mystery, it’s loaded with those bizarre Browning…

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