October Positivity: The Climb (dir by John Schmidt)


2002’s The Climb is about two mountain climbers who begin as rivals and end up as friends.

Derrick Williams (Jason George) is an arrogant and cocky climber, the type who enjoys conquering mountains for his own personal glory.  (See where this heading?)  Even though his girlfriend’s father (Clifton Davis) does not approve of him, Derrick still says that he’s planning on marrying her.  Or at least, he does until he finds out that she’s pregnant and he realizes that being a father will require him to take on a lot of new responsibilities.

Michael Harris (Ned Vaughn) is a selfless climber who sees every climb as a team effort and who does everything for the Glory of God.  (Again …. see where this heading?)

Businessman Mack (Dabney Coleman, bringing a villainous edge to a character who I don’t necessarily think was meant to come across as being villainous) hires Derrick and Michael to climb a notorious mountain, all as a way to promote his business.  At first, Derrick doesn’t want to climb with anyone else but when his girlfriend tells him that she’s pregnant, he decides that he could use some time away from her and promptly heads off to the mountain.  Michael, on the other hand, is reluctant to climb because he doesn’t trust Mack’s company to keep all of their promises.  Michael feels that climbing the mountain for Mack would be the same as endorsing the company and telling people that the company is an honest company.

You can probably guess what happens.  Michael and Derrick climb the mountain.  They talk.  They bond.  They discuss they’re differing views on religion.  And then one of them tragically dies and the survivor is forced to reconsider his life.  It’s not a surprise when one of them dies because a movie like this can only really work if one of the two friends has tragically passed away before the end credits.  And it’s not really a surprise as to who passes away because it’s not like a faith-based movie is going to kill the guy who needs to learn a lesson about taking responsibility and being a father.  From the start, it’s obvious who among the two is doomed and, as such, there’s not much suspense to be found in The Climb.

On the plus side — and yes, I realize that I do always go out of my way to find something positive to say about nearly every movie I review but that’s just because I think every movie has something about it that can be appreciated — some of the climbing sequences are visually impressive.  It’s obvious that the film’s producers decided to spend a little money on the mountain scenes and, as a result, the scenery is nice to look at.  I’m a fan of nice scenery and I’ve sat through more than a few bad films just to see a pretty mountain.

Personally, and this won’t come as a surprise to anyone who knows me, I’ve never felt the need to climb a mountain.  If I can see what the top looks like from the ground, that’s enough for me.

Playing Catch-Up: The Accountant, Carnage Park, The Choice, The Legend of Tarzan


Continuing my look back at the films of 2016, here are four mini-reviews of some films that really didn’t make enough of an impression to demand a full review.

http://www.youtube.com/watch?v=wmKtb-Pvpf4

The Accountant (dir by Gavin O’Connor)

2016 was a mixed year for Ben Affleck.  Batman v. Superman may have been a box office success but it was also such a critical disaster that it may have done more harm to Affleck’s legacy than good.  If nothing else, Affleck will spend the rest of his life being subjected to jokes about Martha.  While Ben’s younger brother has become an Oscar front runner as a result of his performance in Manchester By The Sea, Ben’s latest Oscar effort, Live By Night, has been released to critical scorn and audience indifference.

At the same time, Ben Affleck also gave perhaps his best performance ever in The Accountant.  Affleck plays an autistic accountant who exclusively works for criminals and who has been raised to be an expert in all forms of self-defense.  The film’s plot is overly complicated and director Gavin O’Connor struggles to maintain a consistent tone but Affleck gives a really great performance and Anna Kendrick reminds audiences that she’s capable of more than just starring in the Pitch Perfect franchise.

http://www.youtube.com/watch?v=6iVQLAGKPPE

Carnage Park (dir by Mickey Keating)

I really wanted to like Carnage Park, because it was specifically advertised as being an homage to the grindhouse films of the 1970s and y’all know how much I love those!  Ashley Bell plays a woman who gets kidnapped twice, once by two bank robbers and then by a psycho named Wyatt (Pat Healy).  Healy chases Bell through the desert, hunting her Most Dangerous Game-style.  There are some intense scenes and both Bell and Healy are well-cast but, ultimately, it’s just kind of blah.

http://www.youtube.com/watch?v=EmdHVSKhxhM

The Choice (dir by Ross Katz)

The Choice was last year’s Nicholas Sparks adaptation.  It came out, as all Nichols Sparks adaptations do, just in time for Valentine’s Day and it got reviews that were so negative that a lot of people will never admit that they actually saw it.  Benjamin Walker and Teresa Palmer play two people who meet, fall in love, and marry in North Carolina.  But then Palmer is in a car accident, ends up in a coma, and Walker has to decide whether or not to turn off the life support.

As I said, The Choice got terrible reviews and it’s certainly not subtle movie but it’s actually better than a lot of films adapted from the work of Nicholas Sparks.  Walker and Palmer are a likable couple and, at the very least, The Choice deserves some credit for having the courage not to embrace the currently trendy cause of euthanasia.  That alone makes The Choice better than Me Before You.

The Legend of Tarzan (dir by David Yates)

Alexander Skarsgard looks good without his shirt on and Samuel L. Jackson is always a fun to watch and that’s really all that matters as far as The Legend of Tarzan is concerned.  It’s an enjoyable enough adventure film but you won’t remember much about it afterward.  Christoph Waltz is a good actor but he’s played so many villains that it’s hard to get excited over it anymore.