Here Are The 2025 Nominations of the Las Vegas Film Critics Society


Here are the 2025 nominations of the Las Vegas Film Critics Society.

BEST PICTURE
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

BEST SUPPORTING ACTRESS
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST DIRECTOR
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Clint Bentley – Train Dreams

BEST ORIGINAL SCREENPLAY
Marty Supreme
Sentimental Value
Sinners
Sorry, Baby
Weapons

BEST ADAPTED SCREENPLAY
Bugonia
Frankenstein
No Other Choice
One Battle After Another
Train Dreams

BEST CINEMATOGRAPHY
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Train Dreams

BEST FILM EDITING
F1: The Movie
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST SCORE
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Tron: Ares

BEST SONG
Clothed by the Sun – The Testament of Ann Lee
Drive – F1: The Movie
Golden – KPop Demon Hunters
I Lied to You – Sinners
Train Dreams – Train Dreams

BEST DOCUMENTARY
The Alabama Solution
Come See Me in the Good Light
Cover Up
John Candy: I Like Me
The Perfect Neighbor

BEST ANIMATED FILM
Arco
Demon Slayer: Kimetsu no Yaiba The Movie: Infinity Castle
In Your Dreams
KPop Demon Hunters
Zootopia 2

BEST INTERNATIONAL FILM
It Was Just an Accident
Left-Handed Girl
No Other Choice
Sentimental Value
The Secret Agent

BEST COSTUME DESIGN
Frankenstein
Hamnet
Kiss of the Spider Woman
Sinners
Wicked: For Good

BEST ART DIRECTION
Avatar: Fire and Ash
Frankenstein
Marty Supreme
Sinners
Wicked: For Good

BEST VISUAL EFFECTS
Avatar: Fire and Ash
F1: The Movie
Mission: Impossible – The Final Reckoning
Superman
The Fantastic Four: First Steps

BEST ACTION FILM
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
Superman
The Running Man

BEST COMEDY
Eternity
Friendship
The Ballad of Wallis Island
The Naked Gun
One of Them Days

BEST HORROR / SCI-FI
28 Years Later
Bring Her Back
Frankenstein
Sinners
The Long Walk

BEST FAMILY FILM
How to Train Your Dragon
KPop Demon Hunters
Lilo & Stitch
The Legend of Ochi
Zootopia 2

BEST ANIMAL PERFORMANCE
Bing, the Great Dane – The Friend
Hercules, the Dog – Marty Supreme
Indy – Good Boy
Olga, the Cat – Sorry, Baby
Richard and Baba – The Penguin Lessons

BEST ENSEMBLE
Jay Kelly
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BREAKOUT FILMMAKER
Clint Bentley – Train Dreams
Drew Hancock – Companion
Emilie Blichfeldt – The Ugly Stepsister
Eva Victor – Sorry, Baby
James Sweeney – Twinless

BEST STUNTS
F1: The Movie
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
The Running Man

YOUTH MALE PERFORMANCE (UNDER 21)
Christian Convery – Frankenstein / The Monkey
Jacobi Jupe – Hamnet
John Wren Phillips – Bring Her Back
Mason Thames – How to Train Your Dragon
Miles Canton – Sinners

FEMALE YOUTH PERFORMANCE (UNDER 21)
Helena Zengel – The Legend of Ochi
Maia Kealoha – Lilo & Stitch
Nina Ye – Left-Handed Girl
Shannon Mahina Gorman – Rental Family
Sora Wong – Bring Her Back

WILLIAM HOLDEN LIFETIME ACHIEVEMENT AWARD
Kathryn Bigelow
Barbara Broccoli
Kathleen Kennedy
Delroy Lindo
Sigourney Weaver

Quickie Review: The Monkey (dir. by Osgood Perkins)


Yes, dying is quite fucked up and Osgood Perkins follow-up to his 2024 horror cult-hit Longlegs points and shows this to the audience in spades (and buckets of blood).

The Monkey, based on the Stephen King short story of the same name, tells the story of a drum-playing toy monkey which happens to cause the the deaths of random individuals when it stops playing the drums. Right from the start we see that The Monkey veers away from Perkins usual moody and atmospheric horror language and goes for the absurdist take on the genre.

Anyone who has seen the supernatural horror series Final Destination will recognize the Rube Goldberg-esque ways each kills in that series has become its signature will appreciate how truly absurd some of the kills in The Monkey turns out. To say more would be too much of a spoiler and should be experience by anyone willing to watch this film.

Osgood Perkins still brings to the table his own brand of horror comedy by exploring the ideas and themes of death’s inevitability and randomness, but also childhood trauma and how it impacts the lives of those children even to their adulthood. Where some films would be more subtle in exploring these themes, Perkins decides on drumming it on thickly which, at time, does come off as cringe.

Yet, despite the heavy-handedness of Perkins’ screenplay (he also wrote the screenplay adaptation of King’s tale), The Monkey still succeeds in delivering an early horror hit for 2025 that should be seen with a crowd. this is a film that is actually better when seen as part of a collective experience rather than with a small group.

Film Review: Cocaine Bear (dir by Elizabeth Banks)


Cocaine Bear is the story of a duffel bag full of cocaine and the bear that gets into it.  It’s loosely based on a true story.  I say loosely because, in real life, the bear promptly overdosed and died.  In the film, the bear not only survives eating a bag of cocaine but it also subsequently goes on a coke-fueled rampage.

The film opens in 1985, with a series of anti-drug commercials airing on television and a drug smuggler flying high above Georgia.  The smuggler kicks his shipment of cocaine out of the plane, so that it can later be retrieved from the mountains below.  Unfortunately, for him, he also manages to slip and plummets out of the plane to his death.  A day later, in Georgia’s Chattahoochee–Oconee National Forest, two hikers are debating which band they should hire to play for their wedding when they happen to come across a black bear.  The hikers decide to snap a picture of the bear.  The bear, whose face is coved in cocaine, decides to eat the hikers.

Yep, both the bear and her two adorable cubs have discovered the joys of cocaine.  It would probably be best to close down the park until someone can hold an intervention but, unfortunately, more and more people keep showing up.  For instance, there’s a detective named Bob (Isiah Whitlock, Jr.) who is determined to track down the cocaine and use it to finally take down the St. Louis’s drug kingpin, Syd (Ray Liotta, in his final film role).  Syd, meanwhile, has sent his son Eddie (Alden Ehrenreich) and his employee Daveed (O’Shea Jackson, Jr.) to retrieve the drugs.  Daveed is determined to get the job done while Eddie, who is mourning the death of his wife, just wants to leave the family business behind.  Local criminal Stache (Aaron Holliday) wants to deal the drugs himself but instead ends up bonding with Eddie.  Park ranger Liz (Margo Martindale) wants to pursue her crush on animal inspector Peter (Jesse Tyler Ferguson).  Finally, two kids, Dee Dee (Brooklynn Prince) and Henry (Christian Convery) have skipped school and are lost in the park.  Dee Dee’s mother (Keri Russell) is determined to rescue them and then ground them for the rest of their lives.

Yes, there’s a lot of people in this film.  I haven’t even mentioned Stace’s partners-in-crime or the paramedics who pick an inopportune time to show up.  The majority of the people in this film end up getting ripped apart by the bear and, make no mistake about it, the bear is the true heroine of the film.  All of the actors do well with their roles, though I do wish that Liotta could have ended his career playing something other than just another psycho criminal.  Keri Russell, Margo Martindale, Isiah Whitlock, Jr., and Alden Ehrenreich all deserve a lot of credit for bringing their characters to life.  But the bear is the true star here.  The bear kills a lot of people and most of the deaths are pretty bloody but, at the same time, the bear doesn’t really mean any harm.  It just really likes cocaine and the majority of the people who the bear kills are killed precisely because they either got cocaine on their clothes (or face) or they allowed themselves to become a part of the cocaine trade.  The bear ultimately becomes a satirical representation of every anti-drug commercial that has ever aired.  If you’re not worried about overdosing, how do you feel about getting torn apart by a bear?  Not so much fun being a rebel now, is it?

Cocaine Bear is an admittedly dark comedy, one in which almost all of the human characters have at least one bizarre quirk to make them memorable.  Usually, I’m not a huge fan of gory comedies but the humor in Cocaine Bear has an appealingly weird edge to it.  Eddie, Stache, and an annoyed Daveed playing twenty questions while looking for a duffel bag full of drugs is amusing but it becomes hilarious when combined with scenes of the bear joyfully finding more cocaine.  As well, Henry and Dee Dee’s reaction to finding a brick of cocaine is every parent’s nightmare but also one to which everyone should be able to relate and maybe even chuckle at.  I laughed, even as I thought, “OH MY GOD, DON’T DO THAT!”

Finally, in a time when so many movies are full of unnecessary padding, Cocaine Bear deserves a lot of credit for telling its story in 90 quickly placed minutes.  The film doesn’t waste any time getting to the point and it doesn’t overstay its welcome.  A lot of filmmakers could learn a lesson from Cocaine Bear.