Late Night Retro Television Review: CHiPs 4.21 “A Special Operation”

Posted on November 17, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, the fourth season comes to an end.

Episode 4.21 “A Special Operation”

(Dir by Leslie H. Martinson., originally aired on May 17th, 1981)

Season 4 comes to an odd end with A Special Operation.

Getraer is injured when he crashes his motorcycle. He takes a piece of metal to the face and he nearly loses his eyesight. Luckily, the abrasive but brilliant Dr. Patterson (James Sloyan) is able to save both Getraer’s eye and his ability to see with it. However, the idealistic young Dr. Rhodes (A Martinez) worries that Patterson may have missed something. Can Patterson set aside his ego long enough to listen to his younger colleague?

Hey, wait a minute, isn’t this CHiPs?

I don’t have any way to prove this but there’s a part of me that strongly suspects the season finale of CHiPs was also a backdoor pilot for a medical show. So much time is spent with Patterson, Rhodes, and the nurses at the local hospital that it just feels like there was some hope that viewers would call in and demand to see more of Dr. Rhodes. A Martinez even gives a very Erik Estrada-style performance in the role of Rhodes.

Speaking of Estrada, he’s barely in this episode. (Ponch, we’re told, is preparing for to testify in a big court case.) It largely falls to Jon Baker to stop the assassin (Eugene Butler) who has been hired to try to take Getraer out of commission. This, of course, leads to the assassin stealing an ambulance and Baker chasing him. The ambulance flips over in slow motion but somehow, the assassin survives to that Baker can arrest him.

It was a strange end for a season that’s largely been dominated by Erik Estrada and his performance as Ponch. (Larry Wilcox, I will say, looked happy to have the finale to himself.) For the most part, Season 4 was an uneven season. The writing so favored Estrada over Wilcox that the show sometimes felt like it was turning into a parody of itself. The show that started out about two partners on motorcycles became a show about how Ponch could literally walk on water and do no wrong.

Next week, we start season 5!

Retro Television Review: St. Elsewhere 1.16 “The Count”

Posted on March 21, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

It’s time to go under the knife in Boston.

Episode 1.16 “The Count”

(Dir by Kevin Hooks, originally aired March 8th, 1983)

Harold Beaumont (Michael Halsey), an adult film actor better known as The Count, has checked into St. Eligius. Of course, Dr. Samuels immediately recognizes him because Samuels is obsessed with porn. Dr. Annie Cavanero does not recognize him but, once she learns what he does for a living, she has to tell him that she finds his work to be offensive because Dr. Cavanero’s entire personality pretty much revolves around getting offended by stuff.

It’s not much of a plot. There’s a process server (William G. Schilling) who wants to serve the Count with a courts summons so Samuels and Cavanero help the Count hide and disguise his identity. It’s silly and dumb story that involves the two of the least likable members of the show’s regular cast.

Meanwhile, Dr. Wendy Armstrong (Kim Miyori) comes to suspect that one of the hospital’s heart surgeons, Dr. Larry Andrews (Peter Michael Goetz), is giving pacemakers to people who don’t actually need them. She takes her concerns to Dr. Craig. Craig, an old friend of Dr. Andrews, is initially dismissive but he later confronts Dr. Andrews and finds out that Armstrong was correct. Dr. Andrews explains that it takes a lot of money to fund his lifestyle. This story was an improvement over the Count but it perhaps would have had more power if it had been someone like Dr. Ehrlich who suspected that Dr. Andrews was giving people pacemakers that they don’t need. Ehrlich actually has a complicated relationship with Dr. Craig and his own less-than-stellar record as a resident would have added some ambiguity to storyline. Dr. Armstrong, on the other hand, has been portrayed as being hypercompetent and a bit self-righteous and, if we’re going to be honest, she’s kind of a boring character.

Speaking of Dr. Ehrlich, he is getting fed up with living with Fiscus. Howie Mandel is driving someone crazy? Who could have seen that coming?

This week’s episode was pretty forgettable. The story involving Dr. Andrews had potential but choosing to make the show’s least interesting characters the center of an entire episode was a decision that really didn’t pay off.

Back to School Part II #18: Not My Kid (dir by Michael Tuchner)

Posted on September 3, 2016 by Lisa Marie Bowman

Not My Kid, a made-for-television from 1985, opens with 15 year-old Susan Bower (Viveka Davis) in a car with her friends. They’re drunk. They’re stoned. They’re laughing. And soon, they’re screaming as the driver loses control and the car ends up getting overturned! (I’ve had that happen before. It wasn’t fun but I survived with only a few cuts and bruises.) Susan isn’t seriously hurt but, at the hospital, it’s discovered that she has alcohol and drugs in her bloodstream.

“NOT MY KID!” her father, surgeon Frank Bower (George Segal), declares.

“NOT MY KID!” her mother, Helen Bower (Stockard Channing, totally wasted in a thinly written role), agrees.

“Totally your kid!” her younger sister, Kelly (Christa Denton), says before then revealing where Susan hides her drugs. This leads to Kelly getting beaten up by Susan and her drug addict boyfriend, Ricky (Tate Fuckin’ Donavon, decades before playing a hostage in Argo.).

Anyway, neither Frank nor Helen want to admit that Susan has a drug problem so instead, they go to see a smug family counselor who tells them that they are both being too hard on their daughter and that they need to just let Susan be Susan. That sounds like a good (and easy) plan but then Susan runs away and disappears for two days. After she’s finally found, stoned and hiding out in the family’s boat, her parents finally decide to send her to rehab.

The rehab is run by Dr. Royce. Dr. Royce is played by Andrew Robinson and it took me a while to recognize him as being the same actor who played the Scorpio Killer in Dirty Harry. Perhaps that explains why Dr. Royce came across as being such a creepy character. As I watched this movie, I kept waiting for the big reveal where Dr. Royce would turn out to be a murderer or something. That never happened, of course. In the world of Not My Kid, the harsh and confrontational Dr. Royce is the only thing keeping the entire teenage population for shooting up heroin.

The majority of the film takes place at the rehab and it gets annoying pretty quickly. This is one of those places where everything is done as a group activity. Whenever someone says something, everyone in the group replies with, “We love you, so-and-so.” When Susan doesn’t act properly ashamed of herself, the group gangs up on her. “You’re a phony!” someone says. “You’re full of crap!” another person adds. “We love you, Susan,” the group chants.

AGCK! Seriously, the rehab scenes totally freaked me out because it came across less like therapy and more like brainwashing. I spent the entire movie waiting for Susan to escape and when she did, I was happy for her. She may have been a self-destructive drug addict but at least wasn’t a mindless zombie like everyone else in the movie! But then she ended up getting caught by her father and taken back to the rehab.

Meanwhile, her parents are going through therapy as well. Again, it’s all group therapy. When Frank tries to talk about how Susan’s behavior makes him feel, someone says, “You’re a phony!’ Another person adds, “You’re full of crap!” And the group chants, “We love you, Frank.” Okay, to be honest, I’m taking some dramatic license with the dialogue here but hopefully, you get the general idea.

I mean, seriously — I understand that I was supposed to be like, “Yay rehab!” while watching the movie but the rehab came across more like some sort of creepy cult. It reminded me of both a Canadian film called, Ticket To Heaven and a Texas film called Split Image. As I watched Not My Kid, I kept waiting for James Woods to show up as a cult deprogrammer.

Anyway, don’t worry. Everything turns out well in the end. This was a made-for-TV movie, after all. Not My Kid is way too heavy-handed for its own good and it lacks a certain self-awareness. On a more positive note, George Segal does a good job in the role of Frank.

You can watch Not My Kid below!