Retro Television Review: Malibu, CA 1.17 “The Game Show”

Posted on November 7, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

Why do I do this to myself?

Episode 1.17 “The Game Show”

(Dir by Gary Shimokawa, originally aired on February 14th, 1999)

Scott has been promoted! His father has made Scott the new weekend manager of his restaurant, The Lighthouse. Jason is offended, even though Jason regularly comes to work late and is rude to the customers. Strangely enough, though, the other workers at The Lighthouse, the majority of whom have probably been working there longer than both Jason and Scott, are not offended that a major promotion was given to the boss’s inexperienced jerk of a son. Seriously, Scott has only been in Malibu for a few months and he’s gotten in just as much trouble with Jason. Neither one of them deserves a promotion.

Jason and Scott are selected to appear on Blind Date, a dating game show that airs on Malibu’s public access channel. (Not surprisingly, the show is hosted by Tracy.) Jason makes a $300 bet with Scott that he can win the date. Jason’s plan is to cheat by sneaking a look at the audition tape of the girl who will be selecting her date. Scott discovers that Jason is cheating so he cheats by convincing Tracy to invite a different girl on the show. During the show, Jason realizes what Scott has done and calls him out. Tracy disqualifies both of them, which means that Murray wins the date.

I got a headache just writing that paragraph.

Meanwhile, Stads puts on a fat suit so that she can research how people treat the obese. A lifeguard named Darren (Brody Hutzler) asks Stads out while she’s in disguise. Stads is excited to finally have a date but will Darren still want to date her when he finds out that Stads is thin?

Every Peter Engel-produced sitcom did at least one episode where one of the main characters found themselves being forced to either go on a date or work with a fat person. Usually, these episodes ended with the standard message of “It’s what’s inside that counts,” and then the fat character, having served their purpose, would never be seen or mentioned again. The theme of this episode of Malibu, CA seems to be that some people don’t care about physical appearances and seriously, what the Hell’s wrong with those people? Stads learns that not everyone is turned off by a few extra pounds and wow, those people are weird! It’s not a great message for a sitcom aimed at teen girls, to be honest.

As usual, this episode struggles because almost everyone on the show comes across as being a sociopath. Scott is promoted for no good reason and immediately gets an attitude. Jason breaks the fourth wall to brag to the audience about how he’s going to lie, cheat, and steal. Stads may not be a sociopath but she is remarkably shallow in this episode. It’s always strange the way that this show insists that Stads, who is blonde, pretty, and athletic, can somehow never get a date. Maybe it would help if she had a better name. Stads probably sounds a bit too much like Stabs.

Murray and Tracy are, at this point, is the only decent characters on the show, largely because they’re both open and honest about who they are and they’re not ashamed of their quirks. Brandon Brooks and Priscilla Inga Taylor both seemed to have understood that it was pointless to try to give “real” performances on this show and their willingness to full embrace the over-the-top silliness of their characters went a long way towards making them tolerable.

Next week, the agony continues!

Cleaning Out The DVR: Stage Fright (dir by Fred Olen Ray)

Posted on January 2, 2018 by Lisa Marie Bowman

(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 188 things recorded! I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only have a month to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded Stage Fright off of the Lifetime Movie Network on January 29th, 2017!)

(aka Stage Fright)

Right above this sentence, you’ll see the original “poster art” for the film that was eventually broadcast on the Lifetime Movie Network as Stage Fright. Even though the title changed (and personally, I think Stage Fright does carry a bit more oomph than Her Final Bow), I love this poster. It’s just so melodramatic and I like how the stalker’s blue eye is staring straight at the viewer. Even though the scene itself never actually occurs in the film, the poster still tells you everything that you need to know about this movie. If I saw a paperback novel with this poster as the cover, I would definitely buy it and probably read it in one sitting.

Stage Fright tells the story of Sarah Conrade (Jordan Ladd). At one time, Sarah was one of the most popular and famous opera singers in the world. But then she was attacked by an obsessed fan. Though he was subsequently gunned down by the police, he left Sarah with scars that are both physical and mental. After she had a nervous breakdown, Sarah retired from performing and devoted her time to raising her daughter, Haley (Savannah Osborn). However, one day, Sarah gets a call from a producer, letting her know that another singer is planning to perform Sarah’s signature songs and claim them as her own. Though Sarah may be frightened of stepping back out on the stage, she’s a performer and she has her pride. Sarah agrees to make a comeback and perform for one night only.

A lot of people are happy to hear this but it’s debatable whether any of them are as happy as Kevin (Peter Stickles). Kevin works in a music store and he is one of Sarah’s biggest fans. When she happens to step into the store, he not only tells her that he listens to her voice regularly but he also contrives to take a quick look in her purse. Of course, Kevin also has a shrine to her in his house. That’s … well, that’s a little bit creepy…

Audiences have waited for years for Sarah to make a comeback and now that she’s making it, the people around her are mysteriously dying. The police even suspect that Sarah might have something to do with it. Of course, we suspect the truth…

State Fright was directed by Fred Olen Ray, who is a veteran of these type of thrillers and who specializes in giving the audience what it wants. In this case, the audience wants melodrama and Stage Fright certainly delivers that. (Ray also delivers some effectively creepy shots of characters running around in the dank, lower levels of the opera house.) Personally, I would have liked it if there had been a little more mystery about the identity of Sarah’s stalker but Jordan Ladd gave a good performance as Sarah and the mother-daughter relationship between Sarah and Haley felt real. This is an entertaining little Lifetime movie that delivers exactly what it promises.

What Lisa Watched Last Night #151: Marriage of Lies (dir by Danny J. Boyle)

Posted on May 22, 2016 by Lisa Marie Bowman

Last night, after I got home from my aborted attempt to celebrate Memorial Day a week early (read the previous post for details), I watched the latest Lifetime premiere, Marriage of Lies!

Why Was I Watching It?

Well, the obvious answer is that not only was it on Lifetime but it also had one of the most stereotypically Lifetime titles ever.

Marriage of Lies!

It just screams Lifetime melodrama, doesn’t it?

There I was, still feeling embarrassed over getting the date of Memorial Day wrong, and what do I see listed in guide? Marriage of Lies! As soon as I saw that title, I knew everything was going to be okay.

What Was It About?

Call it Gone Guy.

One morning, Rachel Wilson (April Browlby) wakes up to discover that her husband, popular teacher Tye Wilson (Brody Hutzler), is gone. Because their marriage is already troubled because of a past infidelity on Tye’s part, Rachel thinks that Tye has just temporarily gone off on his own. She doesn’t report him missing for two days and, after she does, she suddenly finds that she’s the number one suspect.

Everyone thinks that Rachel murdered her missing husband, including a world-weary detective named Gus (played by Corin Nemec). At first, it seems like Rachel’s only ally is her best friend (Virginia Williams) but soon, Rachel starts to doubt even her.

With reporters camping out in her front yard and the entire world convinced of her guilt, Rachel starts to wonder if Tye’s actually been abducted and/or murdered or if maybe there’s something even stranger going on…

What Worked?

Marriage of Lies was fairly well-done. The actors all did a good job. Among those of us who were live-tweeting the film on twitter, Detective Roper (played by Zachary Garred) quickly emerged as our favorite character. Roper was Gus’s partner. Whereas Gus was cynical and beaten-down by life, Roper seemed to actually be having fun with his job. Of course, he was also pretty quick to assume that Rachel was guilty but that was just Roper being Roper!

The ending, with its suggestion that the truth means nothing and that sensation-seeking observers have no real interest in reality, was properly cynical and nicely done.

What Did Not Work?

The movie played a bit too slowly and the pacing definitely felt a bit off. (Of course, it’s difficult to judge these things when the action has to stop every 17 minutes or so for a commercial break.)

After all of the build up, I was hoping that the eventual solution to Tye’s disappearance would turn out to be totally fucked up and weird but instead, it pretty much played out the way that I predicted it would after the first five minutes of the film.

“Oh my God! Just like me!” Moments

I have to admit that I related to the character of Kinna (Madison Iseman), who was one of Mr. Wilson’s students and who had a huge crush on him. I felt that way about some of my teachers when I was in high school. Also, much like Kinna, I would probably be totally useless as a member of a search party.

Lessons Learned

It’s easier to vanish than you might think.

Let’s Talk About Mega Shark vs. Kolossus!

Posted on July 21, 2015 by Lisa Marie Bowman

Looking forward to seeing who @LisaMarieBowman kills next with her tweets #megasharkvskolossus

— Kelly Thul (@kellythul) July 19, 2015

It was while watching Mega Shark vs. Kolossus that I discovered that, apparently, I have the power to kill fictional characters with my tweets. As soon Dr. Sergie Abramov (Patrick Bauchau) first appeared on screen, I tweeted out my prediction that he was “doomed,” largely because he was “eccentric and old.” 15 minutes later, a group of gun-toting mercenaries showed up and gunned Dr. Abramov down.

AGCK!, I thought, I didn’t really mean to kill him…

Now, normally, I would have to admit that discovering that I possessed that much power would lead to a lot of thought and reflection on my part. But you know what? I was enjoying myself way too much to really feel that bad about getting Dr. Abramov killed. That’s the type of film that Mega Shark vs. Kolossus is. It’s a lot of fun and, if the cost of that fun is that Dr. Abramov had to die … well, so be it.

http://www.youtube.com/watch?v=5f78-ga4bgs

Produced by the Asylum and directed by Christoper Douglas-Olen Ray (who also directed A House Is Not A Home and Shark Week), Mega Shark vs. Kolossus premiered on SyFy right after Roboshark. I have to admit that, when the film began, I wasn’t sure that anything could successfully follow the brilliance that was Roboshark.

But, Mega Shark vs. Kolossus proved my doubts wrong.

Mega Shark vs. Kolossus is not only a good SyFy film and a worthy entry in the Mega Shark franchise but it’s also a lot of fun. If I could only pick a handful of movies to justify my love of SyFy and Asylum films, Mega Shark vs. Kolossus would definitely be right there with End of the World and Jersey Shore Shark Attack. Mega Shark vs. Kolossus has everything — from the knowing humor to the over-the-top action to the flamboyant monsters — that you could possibly want from a SyFy film.

At heart, Mega Shark vs. Kolossus is a delirious homage to the old school Godzilla films where Godzilla would have to reluctantly save humanity from yet another giant monster. (Kolossus is even reminiscent of the robotic Godzilla from Godzilla vs. MechaGodzilla.)

As the film starts, the world has been thrown into chaos as the result of all of the previous Mega Shark attacks. Admiral Jackson (Ernest Thomas) is determined to track down and destroy Mega Shark but Dr. Alison Gray (Illeana Douglas) argues that if we would just leave Mega Shark alone then Mega Shark would leave us alone. Billionaire Joshua Dane (Brody Hutzler) claims to agree with her but is it possible that he has ulterior motives of his own? Well, consider this: has there even been a truly benevolent billionaire in an Asylum film?

Meanwhile, in the Ukraine, Kolossus — a giant robot that was created during the Cold War — has accidentally be activated. Can secret agent Moria King (Amy Rider, who totally kicked ass and who deserves to appear in every subsequent Mega Shark film) and CIA analyst Spencer (Edward DeRuiter, who also wrote the film’s script) figure out how to control Kolossus?

And, finally, will Kolossus and Mega Shark meet and fight? Well, the answer to that one is right in the title of the film.

Mega Shark vs. Kolossus is delirious fun, a surprisingly well-acted and entertaining homage to the great monster movies of the past. Obviously, Mega Shark is the top-billed star here but, for me, the film is really stolen by Kolossus. This behemoth of robotic mayhem dominates almost every scene in which he appears and hopefully, he’ll return for a future movie. Could Sharktopus vs. Kolossus or Roboshark Meets Kolossus be in the future? I certainly hope so!

Mega Shark vs. Kolossus is terrific and entertaining. If you missed it the first time, keep an eye out for a future showing. You will not be disappointed!