I’m just reminding y’all that the John Woo / Chow Yun-fat classic A BETTER TOMORROW (1986) is playing in movie theaters this week on Sunday, March 1st, Monday, March 2nd, and Wednesday, March 4th. I will be attending the Cinemark in Little Rock, Arkansas on March 1st to watch the film myself. A BETTER TOMORROW is one of the most influential action films in history, and I happily recommend it to everyone who loves action movies. Enjoy, my friends!
Al Lettieri is one of my favorite cinematic bad guys based on his performance in MR. MAJESTYK (1974) with Charles Bronson. I’ll never forget how bad he wanted those Keys in the famous breakout sequence. Check it out!
I was lucky to be part of a recent interview with actor Jordan Rhodes on the “This Week in Charles Bronson” podcast. Jordan worked with Bronson on two separate movies almost twenty years apart, MR. MAJESTYK (1974) and THE INDIAN RUNNER (1991), so he does offer valuable insight to my favorite actor. Jordan also worked with so many great actors like Joe Don Baker, Sean Penn, Andy Griffith, Gregory Peck, etc., etc. One of the most interesting works of his career is a stage play he developed about Ernest Hemingway entitled PAPA: THE MAN, THE MYTH, THE LEGEND. I’ve seen a filmed version of the play on DVD and I can confirm that it’s incredible. He toured this play for over 7 years, with the emergence of Covid in 2020 effectively ending its run. During those Covid years, Jordan did find time to write a biography entitled “The Life of a Blue Collar Actor,” which I also own and have read. It’s such an interesting take on what life is like for your basic working actor who never becomes a star, but somehow carves out a four decade career. I found it very entertaining.
If you’re interested in character actors like Jordan Rhodes, you should enjoy this. You’ll find that we do very little interviewing. He just gets to talking and it goes from there. I did want to point out that he does misspeak about a situation in Bronson’s personal life during the episode. He issued this statement on his Facebook page a few days after we recorded:
“I want to apologize for making a misstatement about the death of Charlie’s son, which I quoted as having shot himself on Charlie’s Vermont farm. I was given that misinformation by a producer prior to working with Charlie on a film, and it was incorrect. Charlie’s adopted son, Jason, died from an overdose, and I apologize for making the misstatement.“
We sincerely thank Jordan Rhodes for taking the time to speak to movie nerds like us! I hope you enjoy!
I’m one of the biggest fans of the San Francisco 49ers. In my 52 years on earth, I’ve been able to celebrate a lot of Super Bowl Sundays that have featured my team. We even won 5 of those Super Bowls. The problem is that all five of those victories came before I reached the age of 22. Over the last 30 years, we’ve reached another 3 Super Bowls and lost each one in heartbreaking fashion. I thought I’d share my main memories of each of those games today!
Super Bowl XVI — January 24, 1982
The 49ers won their first Lombardi trophy when they edged the Cincinnati Bengals 26-21 in a gritty, hard-fought battle at the Pontiac Silverdome. This kicked off the 49ers ‘80’s dynasty where the would win four Super Bowls during the decade. For an eight year old Brad, what I remember the most personally during that year was not the Super Bowl, but rather the victory over the Dallas Cowboys in the NFC Championship, when Joe Montana threw the ball and Dwight Clark made “the catch!” It has justly retained its place over the years as one of the great plays in NFL history.
Super Bowl XIX — January 20, 1985
San Francisco kicked the Miami Dolphins butts, 38–16, in their own backyard, showcasing a team firing on all cylinders and carving their name into NFL lore. My brother Donnie was a huge fan of the Dolphins back at this time. I was eleven years old and he was twelve, and I remember I didn’t want to rub it in, because I didn’t want to hurt his feelings. When I think of that game, I think of Montana throwing TD passes to recent Hall of Fame inductee Roger Craig!
Super Bowl XXIII — January 22, 1989
In a classic showdown in Miami, the 49ers rallied late to beat the Bengals 20–16, a game punctuated by clutch plays and a finish that echoed their championship pedigree. I had reached the age of 15 when the Niners beat the Bengals for a 2nd time in the decade. When I think of this game, I think of Jerry Rice being unstoppable, John Taylor catching the winning TD pass from Montana with 34 seconds to play, and I think of the story Montana told about John Candy as the last drive was about to start. It was awesome stuff!
Super Bowl XXIV — January 28, 1990
San Francisco exploded in New Orleans, routing the Denver Broncos 55–10 in one of the most dominant performances in Super Bowl history… a statement that this franchise was at its peak. I was 16 years old when this game was played. I honestly don’t remember that much of the game itself, because I was making out with my girlfriend for most of the game. I do remember paying enough attention to know that we were kicking butt. Once our dominance was firmly established, most of my focus was elsewhere!
Super Bowl XXIX — January 29, 1995
In Miami, the 49ers put the exclamation point on their ‘90s success with a 49–26 victory over the San Diego Chargers, racking up points in every quarter and leaving no doubt who ruled that season. This was one of my favorite Super Bowls and my favorite team’s last win. I was 21 years old and had been married for less than a month. We had a Super Bowl party with friends, and Steve Young threw six TD passes, a record that still stands, as the Niners routed the Chargers. The grilled hamburgers tasted great that night as Young got the Montana legacy “monkey off of his back” and wrote his own Canton story.
Super Bowl XLVII — February 3, 2013
After years away from football’s biggest stage, San Francisco returned but fell just short, losing a tight 31–34 to the Baltimore Ravens in a game defined by momentum swings and near misses. Eighteen years after the 49ers last Super Bowl, we finally made it back. Colin Kaepernick, Frank Gore, Michael Crabtree and Vernon Davis seemed unstoppable going into the Super Bowl, but Joe Flacco and the Ravens had other plans. After falling way behind, a stadium power outage wasn’t enough to save my team as we fell just short in the “Har-Bowl.” The youth group from our church was at our house that night, so I tried to be on my best behavior, but it wasn’t easy when the refs didn’t call a clear holding penalty on the Ravens near the end. This was also my first Super Bowl with my son who was 13 at the time.
Super Bowl LIV — February 2, 2020
In Miami Gardens, the Chiefs outpaced the 49ers 31–20, capping a back-and-forth affair that saw San Francisco’s defense bend and an explosive Kansas City offense take control in the second half. Recently divorced, I watched this game with my 13 year old daughter at Buffalo Wild Wings. It was another heartbreaking loss, where we were ahead by 10 points in the fourth quarter before falling apart. I was trying to enjoy the time with my daughter, and for the most part I was successful, but it still hurt as we lost again.
Super Bowl LVIII — February 11, 2024
In a heartbreaker at Allegiant Stadium, the 49ers fought Kansas City to the wire but fell 25–22 in overtime… a testament to grit even in defeat on football’s grandest stage. As a 50 year old man, this Super Bowl meant something different to me than any Super Bowl before. My wife and I went to my mom and dad’s house and watched the game. My son also joined us. I really just wanted to watch the 49ers win a Super Bowl with my dad and my son. My son, also a huge 49ers fan, had never seen them win the ultimate championship. I thought it would be the perfect night to celebrate. Unfortunately, Brock Purdy and the Niners came up just short against Patrick Mahomes again in overtime. It was another punch to the gut.
With that said, however, and with a little time, that Super Bowl in 2024 is so meaningful to me. My dad, my son and I watched every play together in complete unison as we pulled for the Niners. The night may not have ended the way we wanted it to, but it was still a wonderful and special night. The picture I share here was from that night as the game was about to get started. Nothing that’s meaningful comes without a little bit of pain, and that night was one of the most meaningful of my last few years!
Tonight, I’ll watch the Super Bowl, but I won’t be with my Dad or my son. Either the Seahawks or Patriots will win, but in a few days I won’t ever care again. It does give me some peace knowing that out there somewhere, Dads and sons will be living and dying on every play. That won’t be us tonight, but it wasn’t that long ago that it was!
Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!
I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.
What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!
Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.
Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.
I love the character actor Stuart Margolin. He’s well known for his work as Angel Martin on the James Garner TV series THE ROCKFORD FILES, but I’ll always appreciate him the most for his important performances with director Michael Winner and actor Charles Bronson in the movies THE STONE KILLER and DEATH WISH. Margolin passed away in 2022 but his legacy on film and TV live on forever!
For a bit of 70’s cinema trivia, if anyone ever asks you who gave Paul Kersey his Colt revolver in the original DEATH WISH, the answer is Aimes Jainchill, played by Mr. Margolin. Join me in celebrating his legacy by watching this scene from the vigilante classic!
I love Don Knotts. I’m one of those people who have watched every episode of THE ANDY GRIFFITH SHOW (1960-1968) multiple times. And while it’s true that there are good episodes in the last three seasons, the series was at its best when Sheriff Andy Taylor and his sidekick Barney Fife were serving the townsfolk of Mayberry, North Carolina during the first five seasons. In Barney Fife, Don Knotts created one of the best characters in television history, earning five Emmy Awards in the process. When Don Knotts left the series at the height of its popularity, the first movie he made was THE GHOST AND MR. CHICKEN!
In THE GHOST AND MR. CHICKEN, Knotts plays Luther Heggs, a meek typesetter at a small-town newspaper in Rachel, Kansas, who dreams of being a serious reporter but is treated like a joke by nearly everyone around him. When the town prepares for the 20-year anniversary of an unsolved murder at the supposedly haunted Simmons Mansion, Luther unexpectedly gets a chance to prove himself. He volunteers to spend the night alone in the mansion to see if it really is haunted. As you might expect, Luther is scared out of his mind as he hears banging on the walls, discovers secret passageways, and observes blood-stained organs playing themselves. The night culminates with Luther seeing a portrait of poor Mrs. Simmons with gardening shears piercing her throat! By surviving the night, and then telling the truth about what he experienced, Luther just may uncover a real crime being committed behind all of this “supernatural” activity!
Since Don Knotts left THE ANDY GRIFFITH SHOW to pursue a movie career, I’m glad to report that his decision to star in THE GHOST AND MR. CHICKEN was a really good choice. His performance is a masterpiece of physical comedy. Sure, Knotts trembles, shakes and delivers his lines in his awkward, nervous way for a lot of laughs, but he also provides a vulnerability that really makes you root for him. Knotts knew how to play lovable losers in a way that shows a quiet decency. He may actually be scared, and he may seem like a real pushover, but he also finds the courage to do the right thing even when it’s not easy. This was true for Barney Fife, and it’s also true for Luther Heggs in THE GHOST AND MR. CHICKEN.
Aside from Don Knotts, THE GHOST AND MR. CHICKEN has a solid supporting cast! Joan Staley is very beautiful as Luther’s love interest, Alma. Staley was a Playboy Playmate in 1958, so I can definitely see why Luther is in love. I like the fact that her Alma is more than just a pretty face. Rather, she’s one of the few people who sees Luther as more than a joke, which makes her even more appealing. Meanwhile, Luther’s newsroom boss (Dick Sargent) and office rival (Skip Homeier) never miss an opportunity to be condescending. The director Alan Rafkin directed 27 episodes of THE ANDY GRIFFITH SHOW, so he definitely knows how to get the best comedy out of Knotts and the rest of his cast. He also keeps the tone light, with the haunted house set pieces playing out like gentle, kid-friendly chills rather than anything truly scary. The blood-stained organ / garden shears sequence in the mansion is especially effective, with Don Knotts perfectly walking the line between raging fear and slapstick comedy. Signaling that there was a big audience for Don Knotts in the movies, THE GHOST AND MR. CHICKEN proved to be a box office hit, taking the number one spot during its first week of release, and grossing about eight times its budget!
Ultimately, THE GHOST AND MR. CHICKEN endures because it understands the special qualities of its star. Don Knotts is funny, and he’s also human. He may be scared out of his mind, but he also has decency and an ability to find courage when he must. In that way, it’s a comfort movie, a should-be Halloween staple, and finally, a reminder that sometimes the bravest person in the room is the one who can’t quit shaking.
Taylor Sheridan has become a fairly big part of my life over the last decade. It started when I saw HELL OR HIGH WATER in the movie theater back in 2016. It was one of my favorite movies of the year, and it was written by a guy named Taylor Sheridan. Well, the next year brought us WIND RIVER, which was both written and directed by Taylor Sheridan, and it was one of my favorite movies of 2017. Then came the series YELLOWSTONE, which was created by Taylor Sheridan and began airing in 2018. I didn’t watch the first couple of seasons, but I thought it looked good and even bought the first season on DVD when I saw it for sale at Wal Mart. When my wife Sierra came home from performing her nursely duties at the hospital and told me that everyone was saying that we needed to watch YELLOWSTONE, I informed her that I just so happened to own Season 1 on DVD. So, we popped it in the DVD player, and we were soon obsessed with the world of the Duttons. My wife took special joy in the characters of Beth (Kelly Reilly) and Rip (Cole Hauser), while John Dutton (Kevin Costner) and Rip kept my attention. I’ll admit that it scared me a little bit that Sierra enjoyed Beth so much, and I’m glad to report that, up to this point, she has not started trying to emulate her actions in real life!
When YELLOWSTONE ended its run at the end of 2024, the Paramount network was putting a major marketing push into their latest “Taylor Sheridan” series, that being LANDMAN, which had started its first season around the same time YELLOWSTONE was wrapping up its final season. I’m a huge fan of actor Billy Bob Thornton, so the fact that he was headlining a series set in Texas oil country automatically piqued my curiosity. Not ready to commit to 10 hours’ worth of LANDMAN episodes quite yet, we put the show on the backburner for a bit, knowing that we could jump in and watch it whenever we wanted to. Well, this past weekend, we got snowed in here in Central Arkansas, so I asked Sierra if she’d like to watch a few episodes of LANDMAN. Needless to say, over the course of the day we watched every episode of Season 1. I really enjoyed the first season and decided to share some of my thoughts with you.
First off, if I’m going to commit to watching 10 hours’ worth of anything, I need to really like at least some of the characters. I don’t just like Billy Bob Thornton’s portrayal of the “Landman” of the title, his Tommy Norris is now one of my favorite characters that he’s ever played. He’s the ultimate realist, because no matter what situation he finds himself in, whether he’s dealing with the head of a drug cartel, the head of his oil company, or his ex-wife, he tackles every situation by uniquely framing the specific issues in a matter of moments and then providing solutions that appeal to his audience’s most base instincts. Alternatively hilarious, serious, heartbreaking and genius, Thornton gives a masterful performance that I don’t think anyone else could have pulled off any more effectively. His ex-wife Angela (Ali Larter) is probably the toughest of all for him to deal with as his own sense of self-preservation seems to go out the window whenever she’s around. Ali Larter’s performance as Angela is loud, brash, attention-seeking, hypersexual, and every so often, just vulnerable enough that you can kind of like her. I think she’s great, and quite sexy, in the role. Michelle Randolph and Jacob Lofland get a lot of screen time in the first season as their children, Ainsley Norris and Cooper Norris. Michelle is cute and spunky, definitely her mother’s daughter, but she also loves her dad so much. I like her. Lofland, who, like Thornton, is from my state of Arkansas, has a meatier role, having to deal with tragedy from the very beginning and then serious family drama as the season plays out. It’s not a showy role, but he does a solid job. The other performance that I really enjoy throughout season 1 comes from Jon Hamm as the head of the oil company, Monty Miller. I kept referring to him as J.R. Ewing as I watched because he’s the big boss. He’s the person that Tommy Norris calls when he can’t solve their problems. Unlike J.R. Ewing, although Miller is a tough businessman, he’s also a committed family man who tries to be there for his wife Cami (Demi Moore) and their daughters when they need him. He is as hard-nosed as it gets in his business dealings, though, and it’s easy to see why he had emerged as the main guy over Tommy. I did want to shout out the actors Colm Feore, James Jordan and Mustafa Speaks as various employees of the oil company who provide different elements of humor and toughness to the proceedings over the course of the season. Finally, as far as the primary cast, while prominently credited throughout the first season, Demi Moore has relatively little to do until the very end of season 1. If you’re a big fan of hers, just know that going in. Her character seems primed to be a big part of season 2, though, so it will be interesting to see where that goes.
Second, like with any popular dramatic TV series, LANDMAN Season 1 contains some storylines that I really enjoy, while there are some that I don’t really care for. Where LANDMAN really works for me is when it features Billy Bob Thornton’s Tommy Norris as a fixer of some sort. It was in these storylines that we get to see his ability to use his intelligence, communication skills, and understanding of human nature to come up with solutions that are best for everyone. It might not always be easy, and he might have to take a beating every now and then, but Tommy knows how to get things done, and the show is at its best when it’s focused on him. We see this throughout season 1 as Norris deals with a variety of cartel henchmen, hotshot attorneys, and unhappy leaseholders in order to advance his company, M-Tex’s interests. There are also a few badass moments when it becomes clear that talking won’t get the job done, and even more direct methods will have to be used to get his point across. This usually happens when Tommy’s feeling the need to protect his children. If there is a weakness to the show, for me, it’s the fact that when Tommy Norris isn’t part of the proceedings, I don’t like it nearly as much. For example, while scenes involving Jacob Lofland’s character, Cooper, and the recently widowed young mother Ariana (Paulina Chavez), whose husband was an employee of the company, ramp up the melodrama, they also take up a lot of time, and I don’t find them very appealing. The same can be said when Ali Larter’s character, Angela, and her daughter Ainsley, decide they’re going to volunteer at a nursing home, and then proceed to hook the residents up with alcohol and even take them to a strip club. While I smiled at some of the proceedings, they weren’t realistic and didn’t really add anything to the story. I even found myself worrying about some of the residents, I mean, I’m sure some of their medication was NOT compatible with tequila! I’m guessing that these quibbles really just come down to a matter of personal preference, as I’m sure there are some who enjoy these moments more than I do. I will admit that these scenes are well-acted and performed even if they’re not advancing my favorite parts of the story.
Overall, I really enjoyed season 1 of LANDMAN, and I’m looking forward to jumping into season 2 soon, which is now streaming. The last couple of episodes of season 1 introduced or elevated some very interesting characters who will have more prominent roles moving forward (played by Andy Garcia and Demi Moore), and peaking ahead, season 2 also appears to have some interesting additions to the cast (I’m looking at you Sam Elliott). I’m looking forward to the next 10 hours of fun!
My wife and I are iced and snowed in here in Central Arkansas this weekend, so we’re watching movies. I was browsing Tubi when I came across the 1991 made-for-TV movie BUMP IN THE NIGHT. Knowing nothing about the film other than the fact that Christopher Reeve is prominently featured on the poster, I hit play and got a movie I really wasn’t prepared for, emotionally or morally!
The film opens with a young schoolboy named Jonathan (Corey Carrier) leaving his home, where his alcoholic mother Martha (Meredith Baxter Birney) is passed out on the couch. Jonathan is on his way to have breakfast with his dad Patrick (Wings Hauser). Rather than finding his dad, however, he’s met by the mysterious Lawrence Muller (Christopher Reeve) who claims he was sent by his dad to pick him up. When Patrick and Martha, divorced well before the opening of the film, discover that Jonathan is missing, the two must try to put aside their differences to find their son, who’s been targeted by both a pornographer and a pedophile.
We’ve been watching a lot of made-for-TV thrillers around my house lately that deal with people with various psychological issues, but I was not expecting a film that dealt with child pornography and pedophilia. And I certainly wasn’t expecting that pedophile to be played by Christopher Reeve. Reeve gives an effective and chilling performance, as his character starts out as kind and soft spoken to the boy, before eventually showing himself to be violent and emotionally unstable as he’s rejected and the walls start closing in on him. Meredith Baxter Birney and Wings Hauser are also effective as the divorced couple who carry a lot of emotional baggage, but try to put that aside while they’re looking for their son. Birney is especially good as she’s an alcoholic, and we see her fighting her own personal demons throughout the search. Hauser, who’s always so good when he plays the psycho in his movies, gets the straight role as the concerned dad and he brings a needed calm and steadying presence to the explosive material.
You have to give BUMP IN THE NIGHT some credit for tackling some very difficult material, whether it be alcoholism, pornography or pedohilia, and it takes them head on. Based on the 1988 novel of the same name from author Isabelle Holland, there are limits to how far this TV production can take the material, but in some ways those limits make the film even more disturbing. We see bedrooms with multiple cameras set up for recording illicit activities with children. We see grainy VHS tapes from pornographers that show young boys holding hands and walking down the street. We’re told things like, “just make sure he’s ready for filming! It begins at 10:00!” Director Karen Arthur uses these types of images and thoughts to manipulate our emotions, with our own minds filling in the blanks with the worst fears that we can imagine. This gave me a strong rooting interest for the local law enforcement and parents to rescue their son before he’s exploited and abused.
Even with its excellent cast, I may not have watched BUMP IN THE NIGHT if I had realized the sordid nature of the material. I’ll be honest, with its title, I was expecting a more straightforward thriller. However, having now seen the film, I will give it credit for its effective handling of the material and its fine performances. I won’t ever watch it again though.
Happy Birthday in Heaven to one of my all time favorite actors, Rutger Hauer. I was so happy when his career hit a resurgence in 2005 with roles in SIN CITY and BATMAN BEGINS. Today, I’m celebrating my wife’s birthday, and I’m also celebrating Rutger’s birthday by sharing this scene from the amazing SIN CITY.
Enjoy my friends, and Happy Birthday Rutger! You have brought me so much joy over the years!
Through the Shattered Lens 