All’s Fair in Love and War”

Posted on March 5, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you!

Episode 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”

(Dir by Richard Kinon, originally aired on February 20th, 1982)

Poor Captain Stubing! He’s just returned from burying an old friend named George and now, he’s thinking about his own mortality. When he starts to feel unwell, Stubing goes to Dr. Bricker who tells Stubing that his problems are not physical. The problem is that …. STUBING’S DEPRESSED! Stubing decides to live each day to the fullest and good for him. This was a simple storyline but I liked it. I always appreciate the episodes that allow Stubing to be vulnerable without turning him into a hard-luck doofus. In this episode, Stubing was dealing with something that almost everyone has either had to or will deal with at some point in their life. It was also nice to see Doc Bricker giving good advice for once. Bernie Kopell is so likable in the role that I always appreciate it when he gets to play Doc as being something other than a lech.

As for the other two stories …. agck!

Three New York friends (played by former teen idols Eddie Byrnes, Fabian, and Bobby Sherman) have boarded the cruise. They are members of the Alimony Club. They’re all divorced and they’ve all sworn that they’ll keep each other from marrying again. They are a club that believes all marriages are doomed to failure. But when Sherman’s ex-wife, Annette Funicello, boards the boat, it looks like the Alimony Club might lose a member. And listen, I know that guys have their little rituals and their little clubs and that’s okay. But the Alimony Club just feels weird. It should be called the Misery Club because they seem to be more interested in keeping Bobby Sherman depressed than anything else. I always find it odd when previously divorced couples get back together on The Love Boat. I mean, did they forget why they got divorced in the first place?

Meanwhile, Jill St. John and Ron Ely have been having an affair for four years. Every 12 months, they get together for a romantic getaway. Ron says he can’t marry Jill because he’s married and has children back home. (*cough* jerk *cough*) Jill, who really could do better, insists that Ron leave his wife. She even has her brother board the cruise and flirt with her (*cough* Oh my Gosh, creepy! *cough*) to make Ron jealous. Ron gets jealous, alright. He beats up Jill’s brother and then reveals that he was lying about having a wife. He’s not married …. he’s scared of commitment! And now he’s ready to get married! Uhmmm …. like seriously, WHAT THE HECK IS THAT!? (I gave up cursing for Lent.) Jill — you were a BOND GIRL! You were TIFFANY FREAKING CASE! YOU CAN DO BETTER!

Oy vey, this episode.

Retro Television Reviews: Fantasy Island 4.9 “Sanctuary/My Late Lover”

Posted on January 16, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

Smiles, everyone, smiles!

Episode 4.9 “Sanctuary/My Late Lover”

(Dir by Leslie H. Martinson, originally aired on January 3rd, 1981)

This week brings us two fantasies, neither one of which quite works.

Thomas Henshaw (Bobby Sherman) is a man who does not initially appear to be too happy to be on Fantasy Island. That’s because someone has poisoned him and he only has a day or two to live. His fantasy is to go the Sanctuary, an exclusive resort for killers, and track down his assassin. Henshaw has got one clue, a strand of hair that he found on his clothing. All has to do is find someone who has the same hair. This would make perfect sense in a world where only one person had light brown hair. It make less sense in the real world or, for that matter, even on Fantasy Island.

Mr. Roarke gives Thomas Henshaw a serum that will prolong his life for a few days. Henshaw goes to the Sanctuary, where he immediately finds himself being menaced by Sid Haig! Sid plays the bad guy’s henchman. There’s a scene where Thomas attempts to grab a strand of Sid’s hair and instead pulls off his wig. Sid does not look particularly amused by the whole thing.

Thomas meets and falls for Tessa (Morgan Brittany), who is basically owned by one of the assassins. Thomas changes his fantasy, telling Mr. Roarke that he just wants Tessa to be free, even if that means that he loses his chance to track down the killer. Mr. Roarke agrees to the change but no worries. Thomas still manages to track down his assassin and learn the name of the poison. (He also snatches a strand of hair off of the bad guy’s head and declares, “It’s the same!” DNA testing used to be so simple!) Mr. Roarke and the Fantasy Island cops show up and arrest the killer and also provide an antidote to Thomas. Thomas lives and leaves the Island with Tessa.

The main problem with this fantasy is that Bobby Sherman was extremely miscast, giving a performance that was so mild that you never once believed he could be at the center of a murder-for-hire scheme. Michael Cole, who plays one of the assassins, perhaps would have been believable as Thomas Henshaw. For that matter, if the show’s producers and writers had really been willing to think outside the box, it would have been interesting to see Sid Haig play a sympathetic role on Fantasy Island. But Bobby Sherman is just too bland for this type of story.

The other fantasy is also, sad to say, a bit bland. Anastasia Decker (Eva Gabor) is a wealthy widow who is trying to choose between three suitors. Complicating matters is the ghost of Anastasia’s husband, the charming Dex (Gene Barry). Dex keeps popping up and pointing out all of the flaws in the men who want to replace him. Anastasia cannot emotionally move on. Finally, Anastasia decides she wants to be with Dex so she tries to drive her car over a cliff! Luckily, Ghost Dex is able to magically stop the car in mid-air and return it to the road. Anastasia realizes that, of her suitors, nerdy-but-nice Walter (Craig Stevens) is the one who truly loves her and that’s who she leaves the Island with. Dex returns to the afterlife, happy in the knowledge that Anastasia will be able to move on.

I like it when Fantasy Island deals with the supernatural but this particular fantasy was so bland that not even a tap-dancing ghost could liven things up. Eva Gabor tried her best but this fantasy was the type of story that the show had already done several times in the past. Despite effective performances from Gabor, Barry, and Stevens, it was just a bit too familiar to be effective.

Well, this was a disappointing trip to the Island. Hopefully, the plane will bring something more interesting next week!

Retro Television Reviews: The Love Boat 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

Posted on December 21, 2022 by Lisa Marie Bowman

This week, things get awkward as we set sail on The Love Boat!

Episode 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

(Dir by Jack Arnold, originally aired on January 28th, 1978)

It’s the most awkward cruise ever!

A beauty contest is being held on the ship! The winner becomes Ms. Pacific Princess and, along with getting a lot of money, she also sacrifices a year of her life so that she can go on free cruises and promote the Pacific Princess line. Along with being beautiful, the winner is also expected to be “virtuous.” Of course, judging from The Love Boat, the cruise line seems to specifically cater to people who are desperately looking to get laid so the rules seem to be a bit hypocritical.

The head of the contest, Waldo Linden (Graham Jarvis), recruits Captain Stubing to act as host. Unfortunately, after Stubing gets a few laughs from the jokes that Waldo has written for him, the Captain turns into a prima donna. He starts punching up the script on his own. Waldo, however, has even more to worry about than the captain. Suzy (Maureen McCormick), one of the contestants, is secretly traveling with her boyfriend, Rick (Bobby Sherman). When Waldo tries to disqualify Suzy for not being “virtuous,” another contestant, the klutzy Jeanette (Priscilla Barnes), asks that Waldo help her zip up her dress and, after Waldo kisses her, she points out that Waldo hasn’t been living up to his own standards. Due to Jeanette’s blackmail, Suzy is allowed to compete and she wins! But then she refuses the crown so that she can marry Rick and, as a result, Jeanette becomes Miss Pacific Princess.

While that’s going on, scandal-plagued Congressman John Whitcomb (Dick Van Patten) falls in love with Robin Brandt (Vickie Lawrence). What the Congressman doesn’t know is that Robin works for a tabloid newspaper and Robin’s editor expects Robin to report on whether or not allegations of an affair are going to led to Whitcomb resigning his seat.

All of that is certainly awkward but it’s nothing compared to the third storyline. Almost everyone loves passenger Virgil Gibson (played by the engaging Scatman Crothers), who is always the life of the party and who loves to make people laugh. The only person who doesn’t like him is Prof. Stephanie Hayden (Vernee Watson), who is on the cruise to work on a study about African-American history. Hayden feels the Virgil is acting like a fool and playing into all of the demeaning stereotypes that white people have about black people. Hayden encourages Isaac to learn more about his background and soon, Isaac is being rude to Virgil and telling him not to call people “boss.”

Captain Stubing notices this. He approaches Isaac — while Isaac is working — and says, “I notice you’ve been reading a lot of black history.”

AGCK! As soon as the very white Captain Stubing says those words to Isaac, the cringing begins.

Stubing goes on to explain that Virgil was a pitcher in the Negro Baseball Leagues and that, if not for him, blacks would never have made it into the major leagues. “And I wouldn’t be serving drinks on this cruise,” a remorseful Isaac says. “And I wouldn’t be teaching,” Stephanie agrees. Stubing goes on to explain that Virgil is acting the way he acts because that’s the way blacks were expected to behave when Virgil was a young man. After being chastised by the ship’s white authority figure, Isaac and Stephanie agree that they were wrong to judge Virgil.

And, in many ways, Captain Stubing does have a point about judging people and Isaac and Stephanie were being a bit harsh in their dismissal of Virgil. But that doesn’t change the fact that this episode features the extremely white Captain Stubing explaining black history to not only the ship’s only black employee but also a black college professor who has spent her entire academic career researching and writing about black history. Stubing is essentially telling two black people how they should interpret and feel about black history. It’s incredibly weird to watch and one has to wonder why the writers thought that Stubing — as opposed to Virgil himself — was the correct character to explain Virgil’s past and Virgil’s character. It just doesn’t feel right, at all.

That said, there was a lot to like about this episode. Scatman Crothers shows the same charm here that he showed in The Shining. As cringey as Captain Stubing is when he lectures on black history, the plotline of him turning into a diva was actually pretty funny and Gavin MacLeod seemed to be having fun playing up the pompous side of the character. The beauty pageant subplot was dumb but Maureen McCormick actually gave a pretty good performance as Suzy. This episode had its moments though, in the end, it will always be defined by the awkwardness.

Shattered Politics #26: Wild In The Streets (dir by Barry Shear)

Posted on January 22, 2015 by Lisa Marie Bowman

I am really not looking forward to turning 30.

Seriously, the great thing about being in your 20s is that everything is set up to specifically appeal to you. Everyone wants your attention, your money, your tweets, your ideas, you love, and everything else. And, yes, I understand that most people neither like nor respect my generation but oh well and whatever. Trust me, the generation coming up behind mine is a hundred times worse.

2008 was a great time to be a politically knowledgeable millennial. Everyone running for President was desperate to get our vote and they were willing to promise us anything. And, since my age group voted overwhelmingly for Obama, all of the old elitists in the national media briefly fell in love with us. (The genius of Obama’s 2008 campaign was to tell us that we were the people that we were waiting for. Technically, it’s a bit nonsensical but never doubt what you can accomplish by appealing to the ego of the electorate.)

Of course, over the past few years, my generation has essentially been fucked over by both political parties and, since we dared to complain about it, nobody likes us anymore. But, oh well and whatever. American culture is basically built around our whims so we really don’t need anyone else’s love.

And, if all this sounds a little bitter or angry, I would point that young people and old people have been at war since time began. Generational conflict is nothing new. And if you need proof of that, I suggest watching a film from 1968 called Wild In The Streets.

Wild in the Streets tells the story of Max Frost (Christopher Jones), a rock star who lives in a gigantic mansion with his band and his groupies. When Max is asked to perform at a campaign appearance for senate candidate Johnny Fergus (Hal Holbrook), he agrees to do so because Fergus supports lowering the voting age. (When Wild In The Streets was made, you had to be 21 to vote. So, if your birthday fell on election day, you could cast your first vote and then go have your first legal drink.) However, at the rally, Max announces that he wants 14 year-olds to have the vote and then performs a song called “14 or fight!”

Max’s song is such a sensation and leads to so many protests that, in a compromise, the voting age is lowered to 15. Johnny Fergus is elected to the Senate and, before you can say “Blue dog,” promptly starts to ignore the will of the people who supported him. So, Max arranges for his girlfriend Sally (Diane Varsi) to be elected to the U.S. House. After spiking the water supply of Washington D.C. with LSD, Sally gets a bill passed and the age requirement for holding political office is lowered to 14!

Of course, in the next election, 24 year-old Max Frost is elected President of the United States. Soon, anyone over the age of 35 is being sent to re-education camps where they are force-fed LSD. Max is so ruthless that he even sends his own mother (Shelley Winters) off to re-education.

And, with all the old people gone, everything is perfect for Max. Except for that fact that 10 year-olds are now demanding the vote…

In many ways, Wild in the Streets feels like a film that could have only been made in 1968. From the psychedelic direction to the costumes to the hair to music, everything about this movie screams late 60s. But, at the same time, it’s still a genuinely amusing satire, largely because generational conflict is timeless. We all think that those older than us are clueless and that those younger are spoiled. There’s a lot of things in your life that can control. Sadly enough, getting older is not one of them.

Wild in the Streets is a fun and amusing time capsule. See it now before the younger generation comes of age and totally fucks up the world.

http://www.youtube.com/watch?v=gs-xc1CKnzY