Horror On The Lens: Invitation to Hell (dir by Wes Craven)


There’s one rule in life that should never be forgotten.

Any movie that opens with Susan Lucci casting a hex that causes a man’s head to explode is going to be worth watching.

That’s certainly the case with Invitation to Hell, a 1984 made-for-TV movie that was directed by Wes Craven and which casts Lucci as Jessica Jones, an insurance agent who lives and works in an upper class suburb in Southern California. Jessica not only sells insurance but she also runs the ultra-exclusive Steaming Springs Country Club! Anyone who is anyone in town is a member of Steaming Springs!  That include Matt Winslow (Robert Urich) and his family.  Matt soon comes to suspect that something strange might be happening at the club.  Fortunately, Matt’s spacesuit comes with a flame thrower, a laser, and a built-in computer that can determine whether or not someone is actually a human being. (Wearing the space helmet means viewing the world like you’re the Terminator.) Soon, it’s science vs. magic as Matt dons the suit and tries to rescue his family from country club living!

Totally ludicrous and a lot of fun, this is a film that has a little bit for everyone — familiar television actors, flamethrowers, space suits, demonic possession, exploding cars, and even a little bit of social satire as the film suggests that living in the suburbs is a terror even without weird country clubs and chic spell casters.

 

Late Night Retro Television Review: Highway to Heaven 4.12 “With Love, The Claus”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

Merry Christmas!

Episode 4.12 “With Love, The Claus”

(Dir by Michael Landon, originally aired on December 23rd, 1987)

Jonathan and Mark find themselves working for a lawyer named Paul Burke (John Calvin).  It’s the Christmas season and they help Paul out by taking his son to Newman’s Department Store.  The kid wants to talk to Santa.  What the kid doesn’t know is that there are several Santas at Newman’s.  They work in shifts and they’re pretty cynical.  However, the newest Santa (Bill Erwin) takes his job very seriously because …. he is Santa!

So, why is Santa working at a department store instead of getting things ready up at the North Pole?  This episode never really explains.  Instead, we get Santa taking offense when he’s asked to help the store sell it’s latest toy.

Santa says that there’s no way he’s going to push machine guns.  He’s about peace and love!  His boss, Mr. Grinchley (Robert Casper), threatens to fire him.  Santa doesn’t react well to that.

Santa ends up unemployed and with nowhere to live.  Jonathan arranges for Paul to represent Santa in a lawsuit that Santa has filed against Newman’s Department Store.  The lead counsel for Newman’s just happens to Paul’s ex-wife, Donna (Wendie Malick).

You can probably guess where all this is going, right?  Santa eventually ends up in jail after the chairman of Newman’s files a lawsuit against him.  Santa says that he can’t stay in jail because Christmas Eve is approaching.  Maybe Santa should have thought about that earlier.

This episode owed a lot to one of my favorite Christmas movies, Miracle on 34th Street.  Of course, Miracle on 34th Street featured Edmund Gwenn, who gave a delightful performance as Santa.  This episode features Bill Erwin, who basically plays Santa as being a half-crazed grump who won’t stop complaining.  Seriously, this episode may feature the most unlikable Santa Claus this side of Rudolph The Red-Nosed Reindeer.  I don’t know why Michael Landon directed Erwin to play Santa as if Santa was plotting to kill all of his enemies but it definitely wasn’t the right approach.

Seriously, Santa is really self-righteous in this episode.

I hate to criticize a Christmas episode and, as always, I’m sure that Michael Landon had the best and the sincerest of intentions.  But this episode just didn’t work for me.  Santa was too much of a jerk.

MAN WITH A CAMERA (TV Series) – starring Charles Bronson – S1, E2: The Warning


This episode opens with Mike Kovac (Charles Bronson) receiving an anonymous phone call to come to the corner of Myers St. and Brooklyn Ave., and he’s told to bring his camera! When he gets there, he’s forced at gunpoint by two masked man to take a picture as they kill another man. After the killers drive off, Kovac immediately calls the police. We meet Lt. Abrams (Robert Ellenstein), who tells Kovac that the dead man is a new merchant in town named Sam Bartlett (Bill Erwin) who has been refusing to pay the head of the local protection racket, Glenn Markey (Berry Kroeger). Lt. Abrams asks Kovac to let them plant a story in the paper that says they have an eyewitness to the murder, ace photographer Mike Kovac. Worried that he might be the next man to get killed, Kovac turns him down. Not feeling good about refusing to help the police, Kovac goes to see his dad Anton and tells him the story. Shocked to hear that his son has refused to help the police, especially since it could help put an end to Marky’s reign of terror, Anton asks his son if it’s because he’s afraid. Somewhat shamed into it, Kovac finally agrees and calls Lt. Abrams and tells him they can run the story saying he witnessed the murder. Wouldn’t you know it, the next night Glenn Markey and his funky bunch kidnap Anton in order to force Kovac’s hand. Will Kovac be able to save his dad, and his own skin in the process? Will the police be any help? 

“The Warning” seems to be built upon an irrational request from the police of Mike Kovac… let us plant a fake story and put your life in danger so we can hopefully catch the killer as he tries to kill you. When Kovac refuses to be used that way, as any other rational human being would, Lt. Abrams tells him he’d been told that “Mike Kovac doesn’t scare easily. Guess I heard wrong.” It’s bad enough when anyone implies you’re a coward, but when Mike’s own dad seems disappointed that he’s not helping the police out of fear, Mike is almost forced to help. This is not how it would go down if I found myself in this position, and my dad would be on my side! Even though the premise is somewhat flimsy, there are definitely some good moments in the episode. Once Markey has kidnapped his “Pop,” Kovac turns into the badass Bronson we’ve been waiting for. I enjoyed this tough guy exchange as Markey tries to force Kovac to come with him at gunpoint, not knowing Kovac has brought his own gun:

Markey – “This gun says you’re coming along with me.”

Kovac – “This gun says I’m not.”

Markey – “You’re bluffing, Kovak.”

Kovac – “You just think about that when these slugs start ripping into your body. Maybe it’ll be a comfort to you.”

I also like it when Anton admits he was wrong at the end. After somewhat shaming his son into helping the police, and then having to be rescued later, Anton says, “You were right Michael, these things are dangerous. The next time the police ask for your help, you say NO!” It’s a funny, and more realistic, conclusion to the episode! 

Overall, I enjoyed the episode very much, mainly because of Bronson’s strong central performance. I’m looking forward to seeing where the series goes from here! 

Silent Assassins (1988, directed by Lee Doo-yong and Scott Thomas)


Elite cop Sam Kettle (Sam J. Jones) just wants to get out of Los Angeles and live a peaceful life with his girlfriend, Sara (Linda Blair), but the streets have other plans.  The evil Kendrick (Gustav Vintas) has kidnapped Dr. London (Bill Erwin) and is determined to get the code for a deadly bioweapon.  For reasons that are never made clear, Kendrick has also kidnapped young Joanna (Joanna Chong).  Backing Kendrick up is the evil Miss Amy (Rebecca Ferrati).  Backing up Kettle is Joanna’s uncle, Jun Kim (Jun Chong) and Bernard (Phillip Rhee), the son of Oyama (Mako), the owner of the local dojo.  Can Sam save the world, saved the doctor and the girl, and also save his relationship with Sara?

Silent Assassins is a terrifically fun martial arts movie.  The action is well-choreographed.  The film’s plot doesn’t make a bit of sense.  The movie is full of weird throw-away dialogue, like an offended Ms. Amy announcing that she’s “a biochemist too.”  Chong shows off his moves, Rhee plays his character as a playboy having the time of life, and Jones glowers at the camera as only Sam J. Jones can.  There’s an army of loud ninjas (so much for the silent part) and Vintas is so villainous that he even carries around a red rose as some sort of strange trademark.  The movie is full of weird details and no one seems to be taking any of it too seriously.  Movies like this are why people like me always went straight for the direct-to-video releases when we went to Blockbuster back in the day.

Linda Blair is second-billed.  When Lisa and I watched this movie, she kept track of Linda’s screentime.  Linda’s onscreen for a total of ten minutes and she spends most of that time doing the worried girlfriend thing.  It’s a sad waste of Linda Blair, the one misstep of an otherwise great experience.

Late Night Retro Television Review: Highway to Heaven 3.7 and 3.8 “Love and Marriage”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, we’ve got a two-hour episode of Highway to Heaven.

Episode 3.7 and 3.8 “Love and Marriage”

(Dir by Michael Landon, originally aired on November 12th, 1986)

It’s Mark and Jonathan’s four-year anniversary!

For four years, they have been traveling around the country and helping people out.  Mark is so excited that he makes a cake and decides not to watch the football game so that he and Jonathan can talk about old times.

“I remember the first time I met you,” Mark says at one point.

Later, Jonathan laughs and says that he remembers one really funny adventure they had.

Still later, Mark says, “Remember when Scotty proposed?”

Yay!  I thought as I watched all of this unfold.  It’s a clip show!  This will be easy to review!

However, it turned out that only first 20 minutes of the episode was a clip show.  Soon, Mark got a phone call telling him that his niece was getting married and that she wanted Mark to be the head usher.  Meanwhile, Jonathan put on his collar and became Rev. Smith, the man who would perform the ceremony.

Unfortunately, not all is well at the wedding rehearsal.  When the grandparents of the bride — Clarence (Bill Erwin) and Rose (Mary Jackson) — decide to get a divorce, this leads to the parents of the bride — Frank (Robert Mandan) and Carla (Barbara Stuart) — splitting up as well.  Seeing her elders splitting up, Trish Kelly (Anne Marie Howard) decides that there is no way she could marry Brad (Dean Scofield).

It falls to Jonathan and Mark to bring all of the couple back together.  Mark invades Clarence’s dreams and shows him how empty his life would have been if he had never married Rose.  Jonathan appears to Carla and explains that he’s an angel.  He gives Carla a chance to appear to Frank as a totally different woman.  Calling herself Ono, Carla dates Frank for a week but Frank eventually tells her that he loves his wife too much to be unfaithful to her.  Frank says that dating Ono made him realize how much he loved Carla.  It’s a good thing that Carla actually was Ono or Frank probably would have gotten the heck slapped out of him.

Seeing all of the members of her family getting back together inspires Trish to go ahead and give marriage a try.  Jonathan performs the wedding but now it’s a triple wedding as the grandparents and their parents join their daughter and renew their vows.  Wow, you all,  way to hog the spotlight on Trish’s special day.

This episode was a bit too cutesy for its own good.  I think if Jonathan and Mark has only been repairing one or two relationships, it would have been fine.  But three just felt like showing off and, more importantly, it left the episode feeling a bit overcrowded and overstuffed.

Fortunately, next week’s episode is one that I’ve actually seen before and I can promise you that it’s going to be a huge improvement!

Horror on The Lens: Invitation to Hell (dir by Wes Craven)


Today’s horror on the lens is a made-for-tv movie directed by Wes Craven.

First televised in 1984, Invitation to Hell is a wonderfully over-the-top depiction of what happens when an engineer (Robert Urich) sells out and goes to work for a big evil corporation.  Long story short, Satan (in the form of Susan Lucci) takes over his family.  Admittedly, this film does start slowly but, in the end, it’s a lot of fun.

Embracing the Melodrama Part II #22: The Cry Baby Killer (dir by Joe Addis)


That's Jack Nicholson with the gun.

That’s Jack Nicholson with the gun.

Two years ago, there was a rumor that Jack Nicholson had announced his retirement from acting because he was starting to suffer from memory loss.  Even though Nicholson’s people later claimed that this was false and that Jack was actively reading scripts, that rumor still left me feeling very depressed.  Jack Nicholson is such an iconic actor that it’s difficult to think that there will be a time when he’ll no longer be arching his eyebrows and delivering sarcastic dialogue in that signature voice of his.  When you look at a list of his films, you find yourself looking at some of the best and most memorable films ever made.  Chinatown, The Shining, The Departed, The Shooting, Easy Rider, One Flew Over the Cuckoo’s Nest; Nicholson has appeared in some truly great films.

But every actor, no matter how iconic he may be, had to start somewhere.  For Jack Nicholson, that somewhere was the 1958 Roger Corman-produced film, The Cry Baby Killer.  The good news is that the 21 year-old Nicholson starred in his very first film.  The bad news is that there’s absolutely nothing about Jack’s performance that would give you any reason to believe that he would eventually become one of the best known and most-honored actors of all time.  It’s not that Jack gives a bad performance.  In fact, it’s somewhat disappointing that Jack doesn’t do a terrible job in the role.  When you’re seeing the obscure film debut of a cinematic icon, you always hope that the first performance will either be amazingly good, shockingly bad, or just embarrassingly inappropriate.  But, in Jack’s case, he’s neither good nor bad and he doesn’t really embarrass himself.  Instead, he’s just bland.

Yes, you read that right.

Jack “HEEEEEEEEEERE’S JOHNNNNNNNY!” Nicholson was bland in his debut film.

As for the film itself, Jack plays Jimmy.  We’re told that Jimmy is 17 years-old and he’s still in high school.  (Since Jack Nicholson’s hairline was already receding at 21, we automatically have a difficult believing him in the role of Jimmy.)  Jimmy’s a good kid but he’s kind of stupid.  Also, his ex-girlfriend Carole (Carolyn Mitchell) is now dating an 18 year-old gangster named Manny Cole (played by Brett Halsey, who would later have a prolific career in Italian exploitation films as well as appearing in The Godfather, Part III).  Jimmy confronts Manny.  Manny has two of his thugs beat up Jimmy.  Jimmy grabs a gun off a thug and shoots someone.  Scared of going to jail, Jimmy runs into a store and takes three hostages — a stocker and a young mother with a baby.

The rest of the 70-minute film consists of an understanding policeman (Harry Lauter) trying to convince Jimmy to surrender while the crowd of reporters and observes outside the store hope for a violent confrontation.  The film does make a still-relevant point about how the media exploits the potential for tragedy but, for the most part, it’s pretty forgettable.

As I stated above, Jack is adequate but forgettable.  If I had seen this movie when it first came out in 1958, I would have expected handsome and charismatic Brett Halsey to become a huge star while I would have predicted that Nicholson would spend the rest of his career in television.

However, we all know that didn’t happen.  Jack Nicholson became an icon.  Sadly, Jack hasn’t appeared in a film since 2010.  Hopefully, he’ll give us at least one more great performance.  Who knows?  Maybe some aspiring screenwriter will write as script for Cry Baby Killer 2: Jimmy’s Revenge.

It could happen.

Cry_Baby_Killer

Horror on The Lens: Invitation to Hell (dir by Wes Craven)


Much like yesterday’s offering of Summer of Fear, today’s horror on the lens is a made-for-tv movie directed by Wes Craven.

First televised in 1984, Invitation to Hell is a wonderfully over-the-top depiction of what happens when an engineer (Robert Urich) sells out and goes to work for a big evil corporation.  Long story short, Satan (in the form of Susan Lucci) takes over his family.  Admittedly, this film does start slowly but, in the end, it’s a lot of fun.

Horror on TV: Twilight Zone 2.28 “Will The Real Martin Please Stand Up?”


 

TheTwilightZoneLogo

Tonight’s episode of The Twilight Zone examines what happens when a freak snow storm breaks out, a bus makes a stop at a late night diner, and reports come in of a UFO landing somewhere in the area. The fun starts once the bus driver realizes that he has an extra passenger. Who is the alien? Or, any other words: Will the real Martian please stand up? This episode is a classic example of how a group of strangers trapped in one location can be used to generate a lot of suspense. It has a great ending as well!

This episode was originally broadcast on May 26th, 1961. It was written by Rod Serling and directed by Montgomery Pittman.