Cleaning Out The DVR: Bad Girl (dir by Fin Edquist)


When is a Lifetime film not a Lifetime film?

When it’s an Australian film, of course!

Bad Girl takes place in rural Australia.  A family has just bought a new home.  Peter (Ben Wispear) and Michelle (Felicity Price) are minor celebs, the type whose houses are often featured in magazines.  They have a 17 year-old, adopted daughter named Amy (Sara West).  When the film begins, Amy is the bad girl of the title.  She has a bad attitude, she dressed in all black, she considers smoking crack as soon as they arrive at the news house, and she’s continually told that she’s being given “one more chance.”  Amy takes one look around the house and decides that she doesn’t want that chance.  Soon, she’s trying to run away.

Fortunately, it appears that Amy has made a new friend!  Chloe (Samara Weaving) says that she lives next door.  Chloe appears to be everything that Amy isn’t.  Chloe is polite.  She’s respectful.  She doesn’t smoke crack cocaine.  She doesn’t try to run away.  She doesn’t regularly threaten to commit suicide.  I mean, is she even a teenager!?  At first, Peter and Michelle are happy that Chloe is Amy’s friend.  Chloe might just be the good influence that Amy needs.  But — wait a minute!  What if …. what if Chloe is the bad girl!?

Well, you can probably already guess the answer to that one.  Here’s one thing that I’ve learned from both the movies and real life: anyone who appears to be perfect is secretly screwed up.  Chloe appears to be such an idealized friend that she might as well have psycho written across her forehead.  In other words, it’s no spoiler to tell you that Chloe has an agenda of her own and soon, Amy is going to be faced with the unenviable task of trying to convince her parents that the perfect girl is actually the bad girl.

There’s a lot about Bad Girl that’s predictable and the parents aren’t particularly sympathetic.  Even though Amy has, admittedly, given them reason to be concerned, they’re still way too quick to side against her as far as I’m concerned.  It’s totally possible that may have been intentional on the part of the filmmakers but it still makes it difficult to really care about what happens to Peter and Michelle.

That said, Bad Girl does work when it just focuses on the relationship between Amy and Chloe.  They have an interesting dynamic.  Chloe wants to live what she believes Amy’s life to be while Amy secretly wants to be the person who she initially believes Chloe to be.  However, neither Amy nor Chloe are really who everyone assumes that they are.  Trapped out in the middle of nowhere, Amy and Chloe have both built up fantasies about what life is like out in the rest of the world.  The only difference is that Amy, for all of her problems, can tell the difference between reality and fantasy while Chloe is so determined to live the fantasy that she’s willing to destroy reality.  Sara West and Samara Weaving both do a great job of bringing Amy and Chloe to life.  In fact, they do such a good job acting opposite each other that you kind of regret that their friendship is going to have to end.  You find yourself wishing that all of their fantasies could have come true.

Bad Girl has its flaws but it worth watching for the performances of West and Weaving.

Lisa Reviews An Oscar Nominee: Bad Girl (dir by Frank Borzage)


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Seeing as how I started this day by watching Fifty Shades Darker, it seemed appropriate to end the day by watching yet another film about the difficulty of finding love and commitment.  This film came out a little bit earlier than Fifty Shades of Grey.  In fact, it even predates the whole concept of fan fiction.  This film came out in 1931 and it would probably be totally forgotten today if not for the fact that, 85 years ago, it was nominated for Best Picture.

Of course, that’s not to say that Bad Girl is particularly well-known.  Until I came across it on my list of best picture nominees, I didn’t know that it even existed.  According to Wikipedia, it was based on a novel and a play and it did rather well at the box office.  The Academy apparently liked it, awarding it Oscars for both Best Director and Best Adapted Screenplay.  It’s currently available on YouTube.  That’s where I saw it.  But, despite all of that, it definitely appears to be one of the more obscure films to have ever been nominated for best picture.

Bad Girl opens with Dorothy Hailey (Sally Eilers) in a wedding gown.  However, she’s not getting married.  Instead, she’s a store model and, in a rather surreal little sequence, Dorothy and her co-workers walk through the store in their bridal gowns while sleazy men leer at them.  As Dorothy complains to her best friend, Edna Diggs (Minna Gombell), men are “only interested in one thing.”  When Dorothy’s boss propositions her, Dorothy claims to have a prizefighter husband waiting for her at home.  In truthfulness, Dorothy lives with her overprotective brother (William Pawley), a judgmental brute who accuses her of being a tramp if she stays out too late.

At Coney Island, Edna makes a bet that Dorothy won’t be able to get surly Eddie Collins (James Dunn) to talk to her.  Dorothy takes the bet and then proceeds to go over to Eddie and play a ukulele, until Eddie gets annoyed enough to tell her to be quiet.  Eddie claims to not like women  and he accuses Dorothy of being a tease.  “Listen, sister,” he tells her, “if you don’t want guys to salute, take down the flag.”

Wow, Eddie sure does seem to be a jerk, doesn’t he?

Well, don’t worry.  It turns out that Eddie isn’t as bad as he seems, it’s just that he’s often in a bad mood because he doesn’t have much money and he wants to open up his own radio store.  However, Eddie and Dorothy quickly fall in love and soon, they’re married…

But, of course, things never go that smoothly.  It turns out that Eddie is proud and stubborn.  Fortunately, he’s played by a charming actor named James Dunn because, without Dunn’s considerable working class charm, Eddie would probably be insufferable.  Dorothy, meanwhile, fears letting Eddie know that she’s pregnant…

And you know what?

I liked Bad Girl.  

On the one hand, Bad Girl is definitely a dated film.  Any film released in 1931 is going to seem dated when watched in 2017.  But, at the same time, that also means that Bad Girl works as a nice little time capsule.  Watching Bad Girl was like stepping into a time machine.  And it turns out that the 1930s weren’t that bad!  Everyone wore nice clothes and talked like James Cagney.

But, dated it may be, there is also an almost timeless quality to Bad Girl.  Even decades after the film was originally released, the likable chemistry between James Dunn and Sally Eilers feels real and you really do care about what happens to them.  You feel like they belong together and it’s hard not to worry when they fight or when they misunderstand each other’s intentions.  (This happens rather frequently.)  Furthermore, Bad Girl is a film about people who, often times, are struggling just to make ends meet.  That’s something to which everyone can still relate.  It certainly sets it apart from a lot of the other films made both then and today.

Bad Girl was nominated for best picture but it lost to a film that was almost its total opposite, Grand Hotel.  Unlike most of the other old best picture nominees, I have never seen Bad Girl on TCM but it is on YouTube and you can watch it below!

Artist Profile: Joe Chiodo


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Joe Chiodo is a name not unknown to comic book aficionados. The youngest of four boys, Chiodo would grow up to be one of the comic book industry’s most sought after cover illustrators and colorists. His popularity rose during the 1990’s as he contributed cover illustrations for the group of artists who would form the indie publishing, creator-owned company of Image Comics (especially the Wildstorm and Cliffhanger brands).

Chiodo’s pin-up style lends well to the so-called “bad girl” style of comic book characters such as Vampirella, Lady Death, Witchblade and a host of others. His pin-up style was reminiscent of classic pin-up and cheesecake artists such as Dave Stevens and Gil Elvgren. He would add a certain Disney cartoon-style to the mix that would become the unique Chiodo-style fans have come to admire and love.

Joe Chiodo continues to do cover illustrations and coloring for comic book artists and companies. He has also released his own series of artbooks that focuses on his cover works and original art and painting throughout the years.

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