Celebrate Easter With Andy Warhol and Edie Sedgwick!


To those who observe the holiday, happy Easter!

Above, we have a picture of Edie Sedgwick and Andy Warhol posing with two rabbits.  I’m not really sure whether or not this picture was actually taken for Easter but let’s pretend like it was.  Andy certainly doesn’t look very happy with his rabbit.

Fortunately, he appears to be in a better mood in the picture below, which also features both Edie and Catherine Deneuve.

And, finally, in this next picture, Andy is finally actually smiling.  How couldn’t you smile with that many rabbits around?  Seriously, rabbits are incredibly cute.

Finally, let’s end this with Andy Warhol’s 1982 painting, Eggs:

Artwork of the Day: America 3000


America!

Back toe beginning?  Of just the country or of humanity itself?  Judging from this poster, it looks like both.  Are there any post-nuke adventures that aren’t outrageous?  It’s a legitimate question, I think.

Anyway, this is a poster for a film that came out in 1989.

Artwork of the Day: You Will Always Have A Full House When You Show Fantomas!


I was doing some research on the history of French cinema for an upcoming series of reviews and I came across this charming little advertisement from 1916. I guess this was sent to theater owners to encourage them to show Fantomas.

Would  I show Fantomas is I got this in the mail?  I sure would!  I’d even hire someone to dress up like Fantomas and deal cards outside the theater.  If only I had been born 100 years earlier…

 

Artwork of the Day: 101 Acts of Love


The hour is late so I won’t say too much about this poster for this 1971 film.  According to the Grindhouse Database, this movie only has a 46 minute running time so it must have been 101 very quick acts of love.

I like the fact that the quote from “Dr. Ann Foster” doesn’t actually say anything about the movie, just the subject matter.  Why, it’s almost as if Dr Foster was just some randomly quoted person who, in all probability, never actually saw the movie!

Artwork of the Day: Flag With Legs


(Andy Warhol, 1985)

Originally, when I was thinking about what I wanted to say in this post, I was going to open by saying that, right after the 4th of July, Thanksgiving is the most American of all holidays.

But, actually, that’s not totally true.  Though Thanksgiving may have been first been celebrated in the States, many nations have days specifically set aside for giving thanks.  Canadian Thanksgiving has been celebrated since 1879.  Some people in The Netherlands, from which many of the pilgrims originally came, celebrate the holiday.  Liberia observes Thanksgiving on the first Thursday of November.  In Grenada, a Thanksgiving holiday is observed on October 25th.

That said, Thanksgiving always makes me think of America.  Later today, I’ll be at my uncle’s, having a huge meal.  Because the weather’s getting cold, we’ll probably eat inside.  If we did happen to go outside to eat, we’d be eating in the shadow of an American flag, one that’s much larger than the one in this picture.  That’s right — on Thanksgiving, my uncle actually lowers his Texas flag and replaces it with an American flag.  That’s the power of this holiday.

(Rest assured, at midnight exactly, the Texas flag will go back up.)

As for today’s artwork of the day, this picture was taken by Andy Warhol in 1985, two years before he passed away.  As with much of Warhol’s work, it somehow manages to be both earnest and satiric at the same time.  It was this combination that made Warhol such a uniquely American artist.

Enjoy this uniquely but not solely American holiday!

 

Artwork of the Day: Terror From Under The House


This poster is for a 1971 film called Terror From Under The House.  I haven’t actually seen this film.  Normally, I would look at this poster and assume that it must be about a monster living in a basement but this is 70s exploitation that were talking about.  Just because its featured on the poster doesn’t mean that it’s necessarily going to be in the film.

Apparently, Terror From Under The House was just one of the many titles used by this film.  It’s also known as:

  1. Revenge
  2. Behind the Cellar Door
  3. After Jenny Died
  4. Inn of the Frightened People
  5. I ekdikisis (which means “The Revenge” in Greek)
  6. Il passo dell’assassino (which means “The Killer Steps” in Italian)
  7. Miedo sangriento (“Bloody Fear” in Spanish)
  8. Violence en Sous-Sol (“Violence in the Basement” in French)

The main thing that I noticed about this poster was that apparently, audiences were forced to accept the “Free Screaming Teeth of Terror” as proof that this movie was so frightening that watching it could lead to death.  I’m not sure what exactly that means but this film was rated PG so, honestly, how scary could it be?

Someday, I’ll watch it and let you know.

Artwork of the Day: The Bonnie Parker Story


 

This poster is for the 1958 film, The Bonnie Parker Story.  That’s right — this film predates the better known Bonnie and Clyde by about 9 years.  Dorothy Provine was cast in the title role and, judging from this poster, it looks like her Bonnie was even more dangerous than Faye Dunaway’s!  Apparently, in this film (which I haven’t seen yet), Clyde was renamed Guy.

(Bonnie and Guy doesn’t quite have the right ring to it, does it?)

Anyway, it’s a good poster, one that is direct and in your face.  That’s something I always appreciate about any film poster.  Plus, there’s that tag line!

Cigar smoking hellcat of the roaring twenties!

Hell yeah!  Now that’s a tag line!

Artwork of the Day: Pay or Die


(Hi everyone!  Usually, my sister — the Dazzling Erin Nicole — tracks down and selects the images that we feature in our Artwork of the Day feature.  However, Erin is taking the week off — and November 24th is not only the day after Thanksgiving but her birthday as well!, so be sure to wish her a happy one! — so, for the next few days, I’ll be selecting our artwork of the day! — Lisa Marie)

Look at those bricks fly!

Listen, I really can’t tell you a thing about whether or not Pay or Die is a good movie or not.  All I know is that the film was released in 1979, it was rated R, and this was the poster.  It’s a tremendously effective poster, though.  I don’t know if it’s a fair representation of what happens in the movie, of course.  But I hope it is.  I hope there’s at least one scene featuring two men and a woman kicking the Hell out of a brick wall.

Posters like this are actually a huge reason why I enjoy researching grindhouse films.  Just looking at it is enough to inspire you to create your own movie in your head.  Why are they kicking through the wall?  Why are they even working together?  Why is the movie called Pay or Die?  Do they own someone money?  Does someone owe them money?  Maybe they’re kicking through the wall of a bank.  The possibilities are endless!

I will say this, though.  If I ever did use my bare hands to smash through a brick wall, I’d probably try to make sure that my boobs were a little better protected when I did it.  Seriously, I imagine breaking through a wall, especially one made of bricks, is not as safe as they make it look in the movies.  Considering all of the kicking that appears to be involved, I would also probably not wear open-toed sandals while doing it either.  That just seems like common sense to me.

Artwork of the Day: Marilyn Monroe


mm

Tomorrow, Erin will be back and running this feature so I’m going to share one final image.

I’m not sure who took the picture above.  A lot of sites incorrectly credit Otto Bettmann.  I nearly made the mistake of crediting old Otto myself.  However, Otto was not a photographer.  Otto was an archivist and the picture above was a part of his collection.  But regardless of who took the picture, it’s an iconic image.

Two more things to say:

First off, I have to say thank you to Erin for trusting me with Artwork of the Day.  When I first told her that I’d be willing to fill in for her while she spent this week cataloging our mom’s doll collection, I’m sure that there was a part of her that worried I’d use it as an excuse to spend the whole week posting Degrassi screenshots.  I’ve seen firsthand the amount of time and thought that Erin puts into finding and selecting each day’s image.  But she took a chance on me and I had a lot of fun doing it!

Secondly, from me and everyone else here at the Shattered Lens: HAPPY BIRTHDAY, ARLEIGH!

 

Artwork of the Day: New York Movie


new-york-movie

New York Movie (1939, Edward Hopper)

I could never work in a movie theater.

Don’t get me wrong.  I love movies, as anyone who has spent any time reading this site should know.  I consider both the Alamo Drafthouse and the Dallas Angelika to be a second home.  But, even if I didn’t have a degree and I was totally alone in the world and I desperately needed a job, I could never work at either one of them.  I would be scared that, if I did, the act of going to the movies would lose its magic.  My love of film would be destroyed by the drudgery of employment.  (For that same reason, I could also never work in a book store.)

That’s something that I find myself thinking about as I look at Edward Hopper’s New York Movie.  As a writer, it’s impossible for me to look at any painting or photograph without immediately trying to turn it into a short story.  While the theater’s the audience is sucked into the fantasy of cinema, the usher stands to the side and appears to be lost in thought.  Much as I’ve looked at John French Sloan’s Movies, Five Cents and subsequently spent hours considering who the woman in the audience is looking at, New York Movie has inspired me to spend hours wondering what the usher is thinking about while the audience watches the movie.  Is she bored or is she sad?  Is she thinking about the movie or the audience or about what she’s going to do when she gets off work?  Does she like the movie, does she hate the movie, or has she reached the point where she doesn’t even notice the movie?

Edward Hopper’s best known work was Nighthawks, that famous painting of four people in an all-night diner.  Hopper’s model for New York Movie‘s usher was his wife, Jo, who posed under a lamp outside of their apartment.