October True Crime: Drifter: Henry Lee Lucas (dir by Michael Feifer)


In 1983, a one-eyed, illiterate drifter named Henry Lee Lucas was arrested by the Texas Rangers.  Lucas was arrested for unlawful possession of a firearm but, once in custody, he confessed to murdering 82 year-old Kate Rich and his 15 year-old girlfriend, Becky Powell.  Upon being transferred to the Williamson County Jail, Henry Lee Lucas confessed to one murder and then another and then another and then …. well, soon, ol’ Henry Lee Lucas had confessed to over 300 murders.  According to Lucas, he had spent the past decade traveling the country with his friend and lover, Ottis Toole, and killing just about everyone they met.  (Ottis, who was already in prison in Florida, was Becky’s uncle.)  He claimed that he was a member of a nationwide Satanic Cult.  At one point, he even confessed to killing Jimmy Hoffa.

Soon, cops from across the county were traveling down to Texas and asking Lucas if he had killed anyone in their state.  Lucas’s confessed to almost every murder that he was asked about and often times, he provided details that were considered to be close enough to what happened that his confessions were considered to be credible.  The police were happy because they got to take a lot of unsolved murders off the books.  Lucas was happy because he was getting to travel the country, he was getting a lot of media attention, and he was being kept out of the general prison population.  Indeed, many of the Texas Rangers who escorted Lucas from crime scene to crime scene would testify that, the murders aside, Henry Lee Lucas was usually polite, soft-spoken, and genial company.  They would buy him a milkshake.  He would confess to a murder.

It was only after Lucas had confessed to so many murderers that he had gained a reputation for being the most prolific serial killer in history that people started to take a good look at all of Lucas’s confessions.  What quickly became apparent was that it would have been next to impossible for Lucas to have been everywhere that he claimed to be when he claimed to be there.  Many of Lucas’s confessions fell apart under closer investigation.  Lucas may have dropped out of the sixth grade but he was very good at picking up on details and manipulating people.  He told the police what they wanted to hear.  Even worse, it soon turned out that some of the cops were letting him look at their case files before getting his formal confession, allowing Lucas to learn details that only the killer would know.  When confronted with this, Lucas recanted all of his confessions.

How many people did Lucas kill?  It’s know that he killed his abusive mother when he was a teenager.  And, even after he recanted, most legal observers agreed that he killed Kate Rich and Becky Powell.  While some continue to insist that Lucas killed hundreds, it’s actually more probable that Lucas, as sick as he was, only killed three people.  That didn’t stop Henry Lee Lucas and his confessions from serving as the basis of John McNaughton’s terrifying classic, Henry: Portrait of a Serial Killer.

2009 saw the release of another film loosely based on the confessions of Henry Lee Lucas.  Drifter: Henry Lee Lucas opens with Lucas (played by Antonio Sabato, Jr.) being interrogated as to why he confessed to so many murders that he didn’t commit.  The movie then flashes back to Lucas killing Becky Powell (Kelly Curran) before then flashing forward to Lucas confessing to a murder and asking for a milkshake in return and then, once again, it flashes back to Lucas’s Hellish childhood in West Virginia.  That’s a lot of time jumps for just the start of the movie and it’s an early indication of just how jumbled the narrative of Drifter turns out to be.  To a certain extent, the jumbled narrative is appropriate.  It captures the feeling that, in many ways, Lucas is simply making up his life story as he goes along.

Physically, Henry Lee Lucas and Ottis Toole were two incredibly ugly people.  Drifter casts Antonio Sabato as Henry and Kostas Sommer as Ottis, both of whom are notably better-looking than the two men that they’re playing.  Sommer, in particular, is a hundred-time more handsome that Ottis Toole.  (The real Toole looked like one of the toothless hillbillies from Deliverance.)  Even if one overlooks their looks, both Sabato and Sommer are a bit too articulate to be believable as two backwoods murderers.  Sabato does a good job of capturing Lucas’s one-eyed squint but never once do you buy that he’s someone who grew up in the backwoods of West Virginia.  Meanwhile, as Becky, Kelly Curran is shrill and a bit annoying.  A lot of that is due to how Becky is written but still, it doesn’t make any easier to deal with her character.

Narratively, the film avoids taking a firm position on whether or not Lucas was lying.  We do see Lucas commit a few murders but they’re all told as a part of his narration, leaving open the possibility that Lucas could be lying.  Unfortunately, Henry’s stories aren’t that interesting.  What was interesting was that so many people chose to believe his stories, despite the fact that the majority of them fell apart under even the slightest amount of scrutiny.

In the end, Drifter reminded me that Henry Lee Lucas is far less interesting than how people reacted to Henry Lee Lucas and his willingness to confess to every crime that he was asked about.  There’s a great film to be made about the people who enabled Henry Lee Lucas’s lies.  Henry, himself, was far less interesting.

2016 in Review: The Best of Lifetime


Today, I continue my look back at the year 2016 with the best of Lifetime!  Below, you’ll find my nominations for the best Lifetime films and performances of 2016!  Winners are starred and listed in bold!

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Best Picture
Bad Sister, produced by Robert Ballo, Timothy O. Johnson, Rukmani Jones, Ken Sanders
The Cheerleader Murders, produced by Sharon Bordas, Arthur Edmonds III, Hannah Pillemer, Fernando Szew, Jennifer Westin
Girl in the Box, produced by Stephen Kemp, Charles Tremayne, Thomas Vencelides
Inspired to Kill, produced by Johnson Chan, Michael Fiefer, Douglas Howell, Stephanie Rennie, Vincet Reppert, Nathan Schwab, Tammana Shah, Shawn Tira
Manson’s Lost Girls, produced by Nancy Bennett, Kyle A. Clark, Lawrence Ducceschi, Joan Harrison, Jonathan Koch, Stephen Kronish, Steven Michaels, Lina Wong
Mommy’s Little Girl, produced by Tom Berry, Steve Boisvert, Neil Bregman, Cinthia Burke, Christine Conradt, Curtis Crawford, Pierre David, Donald M. Osborne, Andrew E. Pecs
*A Mother’s Escape, produced by Sharon Bordas, Lori Bell Leahy, Michael Leahy, Kristofer McNeeley, Fernando Szew
My Sweet Audrina, produced by Dan Angel, David Calvert-Jones, Harvey Kahn, Kane Lee, Tom Mazza, Mike Rohl, Jane Startz
The Night Stalker, produced by Matthew R. Brady, Patrick G. Ingram, Michel Rangel, Alisa Tager
The Wrong Car, produced by Mark Donadio, Miriam Marcus, Molly Martin, Michael O’Neil

Best Director
Doug Campbell for Bad Sister
Megan Griffiths for The Night Stalker
*Blair Hayes for A Mother’s Escape
David Jackson for The Cheerleader Murders
Leslie Libman for Manson’s Lost Girls
Mike Rohl for My Sweet Audrina

Best Actress
*Tara Buck in A Mother’s Escape
India Eisley in My Sweet Audrina
MacKenzie Mauzy in Manson’s Lost Girls
Alyshia Ochse in Bad Sister
Karissa Lee Staples in Inspired To Kill
Addison Timlin in Girl in the Box

Best Actor
Zane Holtz in Girl in the Box
Lou Diamond Phillips in The Night Stalker
*Eric Roberts in Stalked By My Doctor: The Return
Antonio Sabato, Jr in Inspired To Kill
Jason-Shane Scott in The Wrong Roommate
Jeff Ward in Manson’s Lost Girls

Best Supporting Actress
*Toni Atkins in My Sweet Audrina
Eden Brolin in Manson’s Lost Girls
Zoe De Grande Maison in Pregnant at 17
Beth Grant in A Mother’s Escape
Ryan Newman in Bad Sister
Zelda Williams in Girl in the Box

Best Supporting Actor
Blake Berris in Wrong Swipe
Rogan Christopher in Pregnant at 17
*Rhett Kidd in The Wrong Car
Christian Madsen in Manson’s Lost Girls
William McNamara in The Wrong Roommate
James Tupper in My Sweet Audrina

Best Screenplay
Bad Sister, Barbara Kymlicka
*The Cheerleader Murders, Matt Young
Girl in the Box, Stephen Kemp
Mommy’s Little Girl, Christine Conradt
A Mother’s Escape, Mike Bencivenga, Blair Hayes, Kristofer McNeeley
My Sweet Audrina, Scarlett Lacey

Best Cinematography
The Cheerleader Murders, Denis Maloney
Mommy’s Little Girl, Bill St. John
*A Mother’s Escape, Samuel Calvin
My Sweet Audrina, James Liston
The Night Stalker, Quyen Tran
The Wrong Car, Terrence Hayes

Best Costuming
Girl in the Box, Barb Cardoso, Tania Pedro
Manson’s Lost Girls, Dorothy Amos
*My Sweet Audrina, Farnaz Khaki-Sadigh
The Night Stalker, Rebecca Luke
The Red Dress, Sophie Pace
Toni Braxton: Unbreak My Heart, Mary McLeod

Best Editing
The Cheerleader Murders, Eric Potter
Girl in the Box, Julian Hart
Manson’s Lost Girls, Josh Hegard
*A Mother’s Escape, Travis Graalman
My Sweet Audrina, Charles Robichaud
The Night Stalker, Celia Beasley

Best Makeup and Hairstyling
Girl in the Box, Claudia Breckenridge, Jen Fisher, Oriana Rossi, Alex Rotundo, Collette Tolen
Killing Mommy, Cinthia Burke, Christie Capustinsky, Kevin Crawley, Kirsten Fairfield, Margaret Harding-Crawley, Corey J. Stone
*Manson’s Lost Girls, Jenni Brown Greenberg, Randi Mavestrand, Kelly Muldoon, Natalie Thimm
A Mother’s Escape, Jenny Hausam, Toni Mario
My Sweet Audrina, Alannah Bilodeau
Toni Braxton: Unbreak My Heart, Tara Hadden-Watts, Alexandra Holmes

Best Original Score
911 Nightmare, David Findlay
*The Cheerleader Murders, Cladue Foisy
Inspired To Kill, Brandon Jarrett
A Mother’s Escape, Todd Haberman
My Sweet Audrina, Graeme Coleman
The Wrong Car, Ed Grenga

Best Production Design
Bad Sister, Lia Burton, Danielle Lee
Girl in the Box, Andrew Berry, Jere Sallee
*Manson’s Lost Girls, Cynthia E. Hill, Linda Spheeris
A Mother’s Escape, Zackary Steven Graham
My Sweet Audrina, Tink, Janessa Hitsman
Toni Braxton: Unbreak My Heart, James Robbins, Courtney Stockstad, Amanda Christmas

Best Sound
*Center Stage: On Pointe
The Cheerleader Murders
Honeymoon from Hell
I Have Your Children
Inspired to Kill
Toni Braxton: Unreak My Heart

Best Visual Effects
Final Destiny
*Flashback
House of Darkness
The Inherited
Little Girl’s Secret
The Watcher

Congratulations to all the nominees and thank you for keeping us entertained in 2016!

Want to see my picks for the best of Lifetime in 2015?  Click here!

And if you want to see my picks from 2014, click here!

Tomorrow, I’ll continue my look back at 2016 with the 16 worst films of the year!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy

Cleaning Out The DVR Yet Again #9: Inspired To Kill (dir by Michael Feifer)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Wednesday, November 30th!  Will she make it?  Keep checking the site to find out!)

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Wow, it’s Antonio Sabato, Jr. again!

That’s right, Inspired To Kill co-stars Antonio Sabato, Jr.  Interestingly enough, the previous movie that I watched in my effort to clean out the DVR, Remote Paradise, also co-starred Antonio Sabato, Jr.   Also interestingly enough, both Inspired to Kill and Remote Paradise feature Sabato playing an enigmatic, older man who has an affair with a lonely and insecure woman.  In both films, it turns out that Sabato is not exactly who he first appears to be.  (If you want, feel free to insert your own joke about Sabato endorsing Donald Trump here because I’m too lazy to come up with one.)  Perhaps not coincidentally, both films were directed by Michael Feifer and both films premiered on the Lifetime Movie Network.

(For the record, I recorded Inspired To Kill off of LMN on November 13th.)

Inspired To Kill tells the story of Kara (Karissa Lee Staples), a self-described aspiring writer who is recovering from a personal trauma.  (Her boyfriend was murdered, which is definitely one way to get out of a relationship.)  Having fled the painful memories of her former life in New York City, Kara is now living in Los Angeles and everything should be perfect….

Except, it’s not!

Yes, Kara may be living in L.A. but everyone knows that, if you want to be a real writer, you have to live in NYC.

Yes, Kara has been accepted into a prestigious creative writing program but her professor (Jay Pickett) is a total sleaze who keeps trying to hit on her.

Yes, Kara has managed to land a job as a barista but her boss (Daniel Booko) is a demanding jerk.  He even gets upset when she misses work for several days in a row.

Yes, Kara has met the cute and charming Jason (Matthew Atkinson) but Jason sometimes seems oddly hesitant about pursuing a relationship with her.  (Plus, Jason wants to be a lawyer, which means that, when the revolution does come, he might be on the wrong side.)

Yes, Kara is renting a room from the fun-loving Charlie (Olivia d’Abo) but Charlie is also a heavy drinker and can be a bit self-absorbed.  Charlie’s solution to every problem is to go out, get drunk, and pick up a college student … actually, Charlie might have the right idea…

And yes, Kara has finally managed to meet her idol, the true crime writer P.K. Reese (Antonio Sabato, Jr) but there seems to be something a little bit off about him.  He’s supportive of her as a writer but, at the same time, he gets upset if anyone other than him reads her work.  He says that he wants to meet her friends and yet, he goes out of his way to avoid them.  And when more and more people in her life start to suddenly die, Kara finds herself wondering if maybe her new lover was somehow involved…

You’re probably thinking that you’ve got Inspired To Kill all figured out but there’s a big twist that occurs towards the end of the film.  Now, I have to admit that I figured out the twist, largely because I’ve seen so many Lifetime films that it is now basically impossible to fool me.  But, even with that in mind, the twist was still pretty clever and actually, a lot of fun in its wonderfully implausible way.  I mean, if you’re expecting the twist to actually make any sense than you have no business watching a Lifetime movie in the first place.  Don’t worry about logic.  Just sit back and enjoy the film.

Anyway, I rather liked Inspired To Kill.  It’s an enjoyable and well-acted little thriller, one that will keep you entertained.  It’s the type of unapologetically crazed and lurid melodrama that reminds me why I fell in love with the Lifetime Movie Network in the first place.  Inspired To Kill is a lot of fun.  Keep an eye out for it!

Cleaning Out The DVR Yet Again #8: Remote Paradise (dir by Michael Feifer)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Thanksgiving, November 24th!  Will she make it?  Keep checking the site to find out!)

remote-paradise

I recorded Remote Paradise off of the Lifetime Movie Network on October 30th.  As is often the case with Lifetime movies, Remote Paradise was actually produced under a different title: Dark Paradise.  I’m not sure why, exactly, Lifetime decided that Remote was somehow more appealing than Dark.  But regardless, Paradise is Paradise, right?

Anyway, as this film started, I thought I might be able to relate to its story.  I say this despite the fact that, in the starring role, poor Boti Bliss was occasionally forced to wear some of the most unflattering outfits that I’ve ever seen in a Lifetime film.  Seriously, a huge reason why I watch Lifetime films is because I like seeing what people are wearing and how they decorate their homes.  At the start of the movie, Tamara (played, of course, by Boti Bliss) not only wears horrid overalls but she also lives in a pretty small and cramped house.  That was definitely a red flag.

However, once I got over her house and her sense of style, I started to relate to Tamara.  At the start of the film, she’s informed that her father has died and she’s inherited close to 8 million dollars!  A shocked Tamara mentions that she and her father didn’t even get along.

Hey! I thought, I used to fight with my Dad too!

Since Tamara has just broken up with her boyfriend, she decides to invest the money by going on a trip with her two best girlfriends.

Hey!  I thought, I’m close to my girlfriends too!

So, they got to Hawaii.

OH MY GOD!  I yelled I’VE BEEN TO HAWAII!

While in Hawaii, Tamara meets a sexy boat captain who claims that his name is Dario (played by Antonio Sabato, Jr).  Dario says that he’s from Italy.

ARE YOU FREAKING KIDDING ME!?  I’VE BEEN TO ITALY!

Soon, Tamara is swept off her feet by the handsome but mysterious Dario.  She spends all of her time with him, dreaming of their future together.

OH MY GOD, I HAVE A WEAKNESS FOR HANDSOME AND MYSTERIOUS TOO!

Meanwhile, one of her friends is beat into a coma by an unknown attacker….

Okay, I can’t relate to that.  I guess I should be happy about that…

One morning, Tamara wakes up to discover that not only is Dario gone but so is her bank account.  That’s right, Dario stole all of her money and then fled Hawaii!

Sorry, Tamara, can’t relate…

And — oh my God! — Dario’s not even Italian!  Tamara learns that Dario has been overheard speaking in Portuguese!  OH MY GOD — HE’S BRAZILIAN!

Okay, I’ve lost the ability to relate to the movie…

And so, Tamara and her non-coma friend go to Brazil, looking for revenge.  And I will say this for “Dario.”  He may be sleazy.  He may be evil.  He may be every woman’s worst nightmare.  But damn!, he’s got a nice house!

I like nice houses!  But … no, sorry, still no longer relating…

Anyway, Remote Paradise is okay.  Boti Bliss has been in several Lifetime films and she always tends to overact but that actually worked to her advantage here as Tamara seemed to be an overly dramatic person in general.  (I especially enjoyed the way she spat out the word “bastard,” when she saw Dario’s car.)  The story’s predictable but there’s a last minute twist that will not take you by surprise but, fortunately, the film does shy away from letting the Tamara pursue her vengeance.  In the end, what’s important is that the beach looked good and so did Brazil and so did Antonio Sabato, Jr.

And, most importantly, so did his house!