HAWKINS: Death and the Maiden (1973) – starring Jimmy Stewart!


In this pilot episode of the TV-Movie series HAWKINS, Jimmy Stewart plays Billy Jim Hawkins from the fictional town of Beauville, West Virginia, who just happens to be the best defense lawyer in the business. A former prosecutor who changed sides, he has a perfect record for getting his clients off. Billy Jim gets a call to come out to Los Angeles when an heiress, Edith Dayton-Thomas (Bonnie Bedelia), is charged with the murder of her dad, stepmom, and stepdaughter. Billy Jim and his team, which is basically just his cousin R.J. Hawkins (Strother Martin), set about getting to know all the people in her life. There’s the family lawyer Carl Vincent (Robert Webber) who’s been dipping his hand in the family till while also carrying on an affair, much to the chagrin of his wife Vivian (Antoinette Bower). There’s Edith’s aunt Julia (Kate Reid), who doesn’t seem to have a very strong opinion of her now deceased brother in law and was seen arguing with him on the day of his murder. And there’s Edith herself, whose diary would indicate that she hated her dad and her stepmom so much that she wanted them dead. She also just happens to have the reputation for being a little strange and / or crazy. The evidence seems to be stacked against Edith, but Billy Jim doesn’t get to charge those extremely high legal fees for nothing. If anyone can get to the bottom of the case, it’s him. 

I’ll just go ahead and say that Jimmy Stewart and the character of Billy Jim Hawkins are a match made in heaven. Any person who has seen him in the classic Otto Preminger film ANATOMY OF A MURDER (1959) knows how great he is at playing a down home defense attorney. He excels in the role, and he’s reason alone to invest in the DVD collection from Warner Brothers Archive like I did several years back. It’s so fun watching him question people in his easy going, slow talking, country boy way which almost always leads to the discovery of exactly what he needs to know. And Strother Martin is perfect as his cousin and associate, one of 174 first cousins, according to Billy Jim himself. You see, one of the interesting things about Billy Jim’s family is that he’s one of 14 kids, with 52 nieces and nephews to go along with all those first cousins. That’s some fun character history for a guy like me, whose mom is one of 15 kids, and I also have tons of first cousins. Stewart and Martin are a perfect duo, and their sharing of different theories as the episodes progress make up some of the best scenes. Add to Stewart and Martin a solid group of guest stars in this episode including Bonnie Bedelia (DIE HARD), Robert Webber (THE DIRTY DOZEN), Kate Reid (THIS PROPERTY IS CONDEMNED), and Antoinette Bower (THE EVIL THAT MEN DO), and you can’t help but have an entertaining show. There’s never any doubt that Stewart is going to uncover the murderer, but the fun of course is in seeing how he puts all the clues together. 

HAWKINS: Death and the Maiden is the first of eight “Hawkins” TV movies starring Jimmy Stewart in 1973 and 1974. The character of Billy Jim Hawkins is a clear pre-cursor to the character of Matlock that Andy Griffith would have so much success with a little over a decade later. In a strange move at the time, CBS chose to alternate HAWKINS on Tuesday nights with a series of SHAFT TV movies. Imagine wanting to watch SHAFT only to turn on your TV to discover Jimmy Stewart and Strother Martin solving murder mysteries, or Vice-Versa. Conventional wisdom suggests that this release strategy was probably confusing to the respective audiences for the shows based on their vastly different demographics. I personally think they both sound awesome, but I can see how pairing such different shows in this way could have been a problem for the ratings. Regardless of its short lived tenure, if you’re a fan of Jimmy Stewart, you need to watch HAWKINS. Each episode is a joy to behold. 

Retro Television Reviews: See The Man Run (dir by Corey Allen)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s See The Man Run!  It  can be viewed on YouTube!

Two criminals have kidnapped the 18 year-old daughter of Dr. Thomas Spencer (Eddie Albert).  They call the number that they have for Dr. Spencer and they tell the man that answers that they are going to kill his daughter unless he pays them a large amount of money.

What the criminals don’t know is that Dr. Spencer has recently changed his phone number and his old number was given to a struggling actor named Ben Taylor (Robert Culp).  When the kidnappers call, Ben has just gotten out of bed and he’s still a bit too groggy to explain to them that they have the wrong number.  Though he suspects that the whole thing might be an elaborate prank, he decides to call the real Dr. Spencer and tell him about the phone call.  However, when the doctor answers, Ben does such a bad job of explaining the situation that Dr. Spencer thinks that Ben is the kidnapper.  Begging Ben not to hurt his daughter, Dr. Spencer says that he’ll pay anything and that he won’t even call the police.

This gives Ben and his wife, Joanne (Angie Dickinson), an idea.  When the kidnappers call back, Ben pretends to be Dr. Spencer.  After the kidnappers tell Ben the amount of money that they want, Ben then calls Dr. Spencer and, pretending to be the kidnapper, relays the message but he also adds an extra $50,000 to the ransom demand.  Ben and Joanne’s plan is to collect the ransom from Dr. Spencer, take their cut, and then deliver the ransom to the kidnappers.

It’s a complicated plan and, throughout the course of the day, both Ben and Joanne have their moments of doubt.  But they stick with it, because Joanne wants the money and Ben wants the chance to not only prove himself as an actor but to also show Joanne that he’s not the loser that she insists that he is.  Complicating matters, though, is that Dr. Spencer’s wife (June Allyson) has called the police without telling Dr. Spencer.  Though Dr. Spencer doesn’t know it, the cops are determined to be there when he hands off the ransom to the man who claims to have his daughter.

Clocking in at a briskly-paced 73 minutes, See The Man Run is an enjoyable thriller, one that is full of unexpected twists and which features a fierce performance from Angie Dickinson and a rather poignant one from Robert Culp.  Culp is convincing rather he’s playing a kidnapper, a doctor, or just an out of work actor who doesn’t realize that he’s gotten in over his head.  As smart as he may be, Ben cannot escape from his own insecurities and his fear of being betrayed.  It all leads to a diabolically clever surprise ending, one that proves that you can run only so far before you stumble.

A Movie A Day #303: The Evil That Men Do (1984, directed by J. Lee Thompson)


Clement Molloch (Joseph Maher) is a doctor who uses his medical training to torture journalists and dissidents in an unnamed South American country.  Holland (Charles Bronson) is a former  CIA assassin, who is content with being retired.  But when Molloch kills a journalist who was also an old friend of Holland’s, it all becomes about revenge.  No one’s more dangerous than Charles Bronson seeking revenge.  Working with the dead journalist’s widow (Theresa Saldana), Holland heads down to South America.  Since Molloch is always surrounded by bodyguards, it is not going to be easy to get him.  But who can stop Charles Bronson?

Bronson was 62 years old when he made The Evil The Men Do and he was still the toughest, coolest killer in the movies.  The Evil That Men Do is a rarity, an 80s Bronson film that was not produced by Cannon.  It still feels like a Cannon production, even if it is a little more interesting than some of the other films that Bronson was making at that time.  Dr. Molloch was clearly based on the notorious Nazi Klaus Barbie and Joseph Maher plays Molloch as being a dignified sadist.  Molloch also has a strange relationship with his equally cruel sister (Antoinette Bower).  That Molloch is so extremely evil makes the film’s final scenes all the more satisfying.

The Evil That Men Do is one of the best of Bronson’s later films.  Charles Bronson, man.  No one got revenge better than Bronson.

Horror on TV: Thriller 2.16 “Waxworks” (dir by Herschel Daugherty)


In this episode of the Boris Karloff-hosted anthology series, Thriller, murders are being committed all over Europe.  What do all of the murders have in common?  They have all happened outside of the same traveling wax museum!

Is it a coincidence or are the wax figures coming to life and committing murder?

This episode was written by Robert Bloch of Psycho fame and originally aired on January 8th, 1962.

http://www.youtube.com/watch?v=4zBYLUP_Pu8

Horror on TV: Thriller 2.12 “The Return of Andrew Bentley” (dir by John Newland)


For tonight’s televised horror, we have another episode of the Boris Karloff-hosted anthology series, Thriller!

Like many of the Thriller episodes that we’ve shared this month, this episode deals with an inheritance and a possibly haunted house.  Ellis Corbett (John Newland, who also directed) promises his uncle that, after his uncle’s death, Ellis will never leave the family mansion and that he will always check to make sure that the crypt has not been disturbed.  The uncle promptly kills himself and Ellis soon discovers just why exactly he cannot leave the mansion.

This atmospheric episode features a script by Richard Matheson and a frightening performance from Reggie Nalder, who is best known for his roles in both The Man Who Knew Too Much and Salem’s Lot!

Enjoy!

http://www.youtube.com/watch?v=3-iXTnoXCrc

Horror On The Lens: Time Walker (dir by Tom Kennedy)


Today’s horror on the lens is 1982’s Time Walker!

Time Walker tells the story of what happens when a mummy that’s actually an alien awakens on a college campus.  As you might guess, mayhem and bad fashion choices ensue.  To be honest, Time Walker is not the best horror film ever made.  In fact, it’s actually pretty bad.  However, it is definitely a time capsule of the era in which it was produced and it has one of those WTF endings that you kind of have to see for yourself.

Enjoy!