The Florida Film Critics Circle Honors The Beast


On the 20th, the Florida Film Critics Circle announced its picks for the best of 2024!

Best Film
Anora
The Beast
The Brutalist
Conclave
Hundreds of Beavers

Best Actress
Carol Kane (Between the Temples)
Léa Seydoux (The Beast)
Marianne Jean-Baptiste (Hard Truths)
Mikey Madison (Anora)
Nicole Kidman (Babygirl)

Best Actor
Adrien Brody (The Brutalist)
Daniel Craig (Queer)
Josh O’Connor (Challengers)
Kieran Culkin (A Real Pain)
Ralph Fiennes (Conclave)

Best Supporting Actress
Anna Baryshnikov (Love Lies Bleeding)
Aunjanue Ellis-Taylor (Nickel Boys)
Isabella Rosellini (Conclave)
Margaret Qualley (The Substance)
Zoe Saldaña (Emilia Pérez)

Best Supporting Actor
Yura Borisov (Anora)
Willem Dafoe (Kinds of Kindness)
Adam Pearson (A Different Man)
Jeremy Strong (The Apprentice)
Denzel Washington (Gladiator II)

Best Cast
All We Imagine As Light
Anora
Conclave
Challengers
Saturday Night

Best Director
Sean Baker (Anora)
Bertrand Bonello (The Beast)
Luca Guadagnino (Challengers)
Payal Kapadia (All We Imagine As Light)
RaMell Ross (Nickel Boys)

Best Original Script
Anora (Sean Baker)
A Real Pain (Jesse Eisenberg)
Challengers (Justin Kuritzkes)
Evil Does Not Exist (Ryusuke Hamaguchi)
I Saw The TV Glow (Jane Schoenbrun)

Best Adapted Script
The Beast (Bertrand Bonello, Benjamin Charbit & Guillaume Bréaud)
Conclave (Peter Straughan)
Dune: Part Two (Denis Villeneuve & Jon Spaihts)
Nickel Boys (RaMell Ross & Joslyn Barnes)
Queer (Justin Kuritzkes)

Best Cinematography
The Brutalist (Lol Crawley)
Challengers (Sayombhu Mukdeeprom)
Conclave (Stéphane Fontaine)
Dune: Part Two (Greig Fraser)
Nickel Boys (Jomo Fray)

Best Visual Effects
Dune: Part Two
Hundreds of Beavers
Tuesday
The Substance
Wicked

Best Artistic Direction/Production Design
The Beast
The Brutalist
Conclave
Dune: Part Two
Maria

Best Score/Soundtrack
The Brutalist (Daniel Blumberg)
Challengers (Trent Reznor & Atticus Ross)
Conclave (Volker Bertelmann)
Dune: Part Two (Hans Zimmer)
Flow (Gints Zilbalodis & Rihards Zalupe)

Best International Film
All We Imagine As Light
Do Not Expect Too Much From The End Of The World
Emilia Pérez
I’m Still Here
The Seed of the Sacred Fig

Best Animated Film
The Colors Within
Flow
Inside Out 2
Memoir of a Snail
The Wild Robot

Best Documentary
Daughters
No Other Land
Soundtrack to a Coup d’Etat
Super/Man: The Christopher Reeve Story
Will and Harper

Best First Movie
Hundreds of Beavers
Janet Planet
The People’s Joker
Stress Positions
Tuesday

Breakthrough Performance
Brigette Lundy-Paine (I Saw The TV Glow)
Katy M. O’Brian (Love Lies Bleeding)
Mikey Madison (Anora)
Ryland Brickson Cole Tews (Hundreds of Beavers)
Zoe Zigler (Janet Planet)

Golden Orange Award for a remarkable contribution to Cinema:
Mountains by Monica Sorelle – A film shot in Miami that paints a loving and critical portrait of what it is like to live there.

Playing Catch-Up: Manchester By The Sea (dir by Kenneth Lonergan)


manchester-by-the-sea-sundance-2016

Manchester By The Sea is the latest Oscar contender to be set in Massachusetts.  I’m not exactly sure why but it appears that if you want your film to get some sort of Oscar consideration, it’s always good idea to set it some place in New England.

Consider some of the films nominated for Best Picture since the 1992:

1992′ Scent of a Woman featured a New England prep school.

1994’s The Shawshank Redemption took place in Maine.

1997’s Good Will Hunting took place in Boston.

1999’s The Cider House Rules was set in Maine.

2001’s In The Bedroom took place in Maine.

2003’s Mystic River was set in Boston.

The 2006 winner The Departed was also a Boston-set film.

2010’s The Fighter also set in Boston.  For that matter, The Social Network started at Harvard.

2013’s Captain Phillips featured Tom Hanks speaking with Boston accent.

And, finally, last year’s Spotlight was as much a celebration of Boston as anything else.

As of this writing, it appears that Manchester By The Sea will continue the long tradition of New England-set films being nominated for best picture.  Interestingly, of all those films, Manchester By The Sea is probably the most low-key.  Though it’s a film that deals with death, it’s a natural death as opposed to the violent executions that dominated The Departed and Mystic River.  And though there are two bar fights, there’s very little violence to be found in Manchester By The Sea.  As opposed to Spotlight, Manchester By The Sea is not about moral crusaders battling against the corrupt establishment.

Instead, it’s the story of an intelligent but irresponsible man named Lee Chadler (Casey Affleck).  When Lee was a young man living in the town of Manchester-By-The-Sea, he was someone.  He was a high school hockey star.  He made an okay living, he had a lot of friends, and he was very close to his older brother, Joe (Kyle Chandler).  He was married to Randi (Michelle Williams) and he had two daughters.

And then he lost everything.  He lost his daughters, through a stupid accident for which he blamed himself.  Randi divorced him.  His friends abandoned him.  The only thing that prevented him from shooting himself was the intervention of Joe.  Lee eventually ended up in Quincy, Massachusetts, working as a maintenance man and keeping to himself.

And that’s probably what Lee would have done his entire life, if Joe hadn’t died.  Lee returns to Manchester-By-The-Sea and, to his shock, he discovers that he’s been named the guardian of Joe’s sixteen year-old son, Patrick (Lucas Hedges).  Still struggling with his own feelings of guilt, Lee now finds himself thrust into the role of being a father.

Patrick, of course, doesn’t think he needs a guardian and sometimes, it almost seems as if Patrick might be right.  At times, it’s hard not to feel that Patrick is a hundred times more mature than his uncle but occasionally, Patrick’s grown-up mask will slip.  When he learns that his father cannot be buried until the spring and the body will be kept in a freezer, Patrick stays calm until he opens up the freezer at home.  That’s when the reality of it all hits him and it’s an amazingly powerful moment.

Manchester By The Sea is not an easy film to describe.  There’s not much of a plot.  Instead, it’s just a portrait of people living from day-to-day, trying to juggle handling tragedy with handling everyday life.  Conditioned by previous films, audiences watch something like Manchester By The Sea and wait for some gigantic dramatic moment that will magically make sense of the human condition but, by design, that moment never comes.  That’s not what Manchester By The Sea is about.  If there is any great lesson to be found in Manchester By The Sea, it’s that life goes on.

Despite being full of funny lines, it’s a sad film but fortunately, it’s also a well-acted one.  I have to admit that I’m not as crazy about Manchester By The Sea as some of the critics who are currently declaring Manchester to be the best film of 2016 are but I can’t disagree with those who have praised Casey Affleck’s lead performance.  Lucas Hedges also does a good job as Patrick and Michelle Williams gets one revelatory scene in which she happens to randomly run into her ex-husband on the street.

As I said, I liked Manchester By The Sea but I didn’t quite love it.  It’s a well-made and well-acted film and, if it’s not as brilliant as some have claimed, it’s still worthy of respect.

http://www.youtube.com/watch?v=rn–zOO8LN8