The Films of 2024: Reagan (dir by Sean McNamara)


In Reagan, Dennis Quaid stars at the 40th President of the United States.

Framed as a story being told by a former KGB agent (Jon Voight) who is attempting to make a younger politician understand why Russia lost the Cold War, Reagan starts with Reagan’s childhood, includes his time as an actor and as the anti-communist head of the SAG, and then gets into his political career.  Along the way, several familiar faces pop up.  Robert Davi plays a thuggish Russian leader.  Mena Suvari plays Reagan’s first wife while Penelope Ann Miller plays his second.  Xander Berekely plays George Schultz (who was just previously played by Sam Waterston in The Dropout miniseries.)  C. Thomas Howell, Kevin Dillon, Dan Lauria, and Lesley-Anne Down all have small but important roles.  And the usual suspects when it comes to conservative filmmaking — Nick Searcy, Kevin Sorbo, and Pat Boone — are there to compliment Voight and Davi.  I was a little surprised to see that Dean Cain was not present.

As usually happens to films that feature sympathetic Republicans, Reagan was slammed by critic but better-appreciated by the audience for which the film was made.  I wasn’t particularly surprised.  Movie critics tend to be liberal and Reagan is very much not that.  For a professional film critic, a film like Reagan must be met with snark and derision because otherwise, one would risk cancellation.  Don’t get me wrong.  I’m not saying that there aren’t things to criticize about Reagan the film.  I’m just saying that one should always keep in mind that critics have their own individual biases.  One reason why the Rotten Tomatoes score is such an unfortunate development is because it ignores the fact that most films have things that work and things that don’t work and that quality is often in the eye of the beholder.  Instead, it just tells us that a film is either a 90% or a 10%.

As for Reagan, it’s definitely a bit on the heavy-handed side but, then again, I think the same can be said for just about every political film that’s come out over the last few decades.  For those who claim Reagan is somehow more heavy-handed than most, I invite them to sit through Rob Reiner’s LBJ.  Indeed, the only director who has really shown a willingness to admit that a President can be both good and bad was Oliver Stone and when was the last time anyone watched NixonReagan is at its weakness when it tries to recreate Reagan’s time as an actor.  Dennis Quaid gives a good and charming performance throughout the film but he’s also 70 years old and, in the scenes where he plays the youngish Ronald Reagan, all of the soft-lighting and Vaseline on the lens ends up making him look like a wax figure.  Once Reagan gets older, Quaid is allowed to act his age and both he and the film become much more convincing.  I enjoyed the film once Reagan became President, though you should understand that I have biases of my own.  I’m a fan of low taxes and individual freedom, which is why I’m also not a fan of communism or, for that matter, any extreme ideology that attempts to tell people how to live or think.  “Tear down this wall!” Regan says while standing in front of the Berlin Wall and it’s a rousing moment, both in reality and on film.

In the end, Reagan is a film that will be best appreciated by people who already like Ronald Reagan.  Yes, the film is heavy-handed and the framing device is a bit awkward.  But Dennis Quaid’s heartfelt (and, towards the end, heartbreaking) performance carries the film.  The film is not at all subtle but you know what?  I’ve seen a countless number of mediocre films that have portrayed Reagan negatively, often with as little nuance and just as heavy-handed an approach as Reagan uses in its positive portrayal of the man.  I sat through The Butler, for God’s sake.  There’s nothing wrong with having a film that looks at the man from the other side.  Those who like Ronald Reagan will feel vindicated.  Those who don’t will say, “What was up with that Pat Boone scene?”

Lifetime Film Review: Deranged Granny (dir by Jennifer Liao)


Over the course of the last few years, Lifetime has been showing a lot of movies about psychotic grandmothers.

These movies usually follow the same pattern.  A woman, who is either divorced or widowed and who has at least two young children, meets a handsome man who doesn’t like to talk about his past.  After a whirlwind courtship, they get married.  Though it’s a struggle at first, the new blended family finally starts to come together.  Suddenly, the doorbell rings and …. IT’S GRANNY!

Where has grandma been?  Sometimes, she’s been in a mental hospital.  Sometimes, she’s been in jail.  Sometimes, she’s recently escaped from a retirement community.  The important thing is that she’s back and she’s suddenly ready to be a part of the family.  The kids lover her and her daughter-in-law feels threatened.  Everyone tells the new wife that she’s being paranoid and that grandma might be a little eccentric but she’s harmless.  However, the viewers know that the grandma is actually a psycho because we’ve seen her murder at least two people by the fourth commercial break.

The appeal of these films is pretty easy to understand.  It comes down to two things.

Number one, like many Lifetime films, it features a very universal fear at the heart of its melodrama.  Every parent worries about how they’re going to live up to (or, in some case, improve upon) the example of the grandparents.  Kids tend to love their grandparents, largely because they provide an escape from having to deal with mom and dad and all of their hangups about going to bed on time, not watching too much TV, and doing their homework.  The grandparents get all of the good parts of parenting without any of the bad parts, or so it seems.  Even more importantly, there’s always the fear that grandma is silently judging everything that her daughter-in-law is doing.  This is something that almost everyone can relate to.

Number two, these films always manage to find the best actresses to play grandma.  Usually, these are actresses who, because Hollywood is a terrible place, no longer seem to get the type of roles that they deserve.  In the tradition of Joan Crawford and Bette Davis in almost every film they made after Whatever Happened To Baby Jane?, these actresses usually give wonderfully over-the-top performances as the psycho grandma.

Wendie Malick is the latest actress to star as one of Lifetime’s psycho grandmas.  In Deranged Granny, she plays Barbara.  Barbara never really recovered from the death of her son’s first wife and her grandchild.  Now that Ethan (Josh Ventura) has remarried and has two stepchildren, Barbara is determined to be a part of their lives.  Unfortunately, Barbara’s new daughter-in-law, Kendall (Amanda Righetti), comes to feel that Barbara is trying to push her out of her family’s life.  Is Kendall being paranoid or is she correct in her suspicion that the main reason that Barbara is always cooking is because she’s obsessed with poisoning people?  You can probably guess the answer to that question by the fact that the movie is called Deranged Granny and not Deranged Daughter-in-Law.

Not surprisingly, the main reason to watch Deranged Granny is for the performance of Wendie Malick.  That we usually tend to associate Malick with comedic roles only makes it all the more effective when she suddenly starts poisoning everyone who looks at her the wrong way.  Even when she’s not specifically trying to kill people, Malick delivers all of her faux friendly lines with just the perfect amount of passive aggressive condescension.  What I especially liked about the film is that Barbara seemed to be having a lot of fun with her evil schemes.  She may have been the granny from Hell but she still came across like she would be the fun grandma as well.  Just don’t eat her cookies, especially if you have a food allergy.

Disgruntled Granny was a fun deranged grandma film.  Watch it the next time you feel like you’re being silently judged.

Movie Review: Captain America – The First Avenger (dir. by Joe Johnston)


This won’t be the only review for Captain America: The First Avenger here on the Shattered Lens. This may very well be considered an editorial on the film, depending on whether I can stay on topic (I gush a lot in this one). Once they see it, both Arleigh and Lisa Marie will probably make their own posts. Either way, you’ll have more than one perspective on the film.

Addendum: Arleigh’s review is up.

Many years ago, Marvel Comics decided that with all of it’s key franchises spaced around various film production companies, they’d create a series of films that would culminate to one big “Team Up” story. That team is known as The Avengers and it’s members (for the sake of the films, anyway) are Iron Man, Thor, The Incredible Hulk, The Scarlett Witch, Hawkeye and Captain America. The project really went into high gear when Marvel Studios was born and Disney purchased Marvel.

I didn’t have a lot of hope for Captain America: The First Avenger. I know very little about the character save for the comics my older brother used to read. He was an army guy given something to make him super and he had a really cool shield that he’d throw and have return to him.. That was basically the bulk of my knowledge. When taken into account the announcement that Joe Johnston was directing the film, after his somewhat disappointing turn in The Wolfman and that Chris Evans was playing the role, I was certain the film was going to fail. I mean, wasn’t he just playing the Human Torch in The Fantastic Four?

Now, you need to understand that hearing Joe Johnston’s name attached to this left a mixture of feelings. I absolutely love The Rocketeer (1991) and period pieces in general. He was able to give it a nice ‘30s feel, right down to the old war serials that used to be shown before films. Hell, even the poster to that film was something grand. My little brother had a Rocketeer toy and I used to film home movies with it, holding the character just in front of the camera and running around the house as if it were flying. Unfortunately, it didn’t quite work out as well for Johnston or Disney then – but that’s another story.

As for Captain America, the movie floored me. The story isn’t as complex as say, The Dark Knight or as full of itself as Green Lantern, but it’s hands down the best story in the whole Avengers arc that Marvel’s worked on. From my viewpoint, only Iron Man comes close to competing with this film.

The premise of the story is pretty straightforward. Steve Rogers (Chris Evans) is a frail man with just about every problem you can think of. He’s short, he’s asthmatic, and he can’t do a pull up to save his life. Yet, as his parents were in the Army, he felt it was right that he do his part. Every time he tries to enlist, however, he’s told he can’t. This doesn’t sway him from the belief that he can do it, it just forces him to find other ways in. When a scientist overhears Steve’s reasoning behind wanting to join, he gives him a big chance to become the first of many Super Soldiers. The process does indeed work, but a mishap leaves Steve as the only Super Soldier the Allies have, and thus, Captain America is born.

Now, I’m kind of summarizing things there as the story’s just a little bigger than that, but it really needs to be noted just how great a job Chris Evans did in this. He portrays Steve Rogers as one of the most noble characters I’ve seen since Superman. The character never loses that drive or passion, and it came across so well that on reflection, I can’t recall ever thinking once about the Human Torch (something I fully expected to do here). I found myself really wanting this character to succeed, which is more than I could say about Hal Jordan in Green Lantern despite loving the comic. Evans truly was the right person for this film, in my opinion. Again, die hard Captain America fans that have grown up with the character may disagree.

Captain America also has a rich supporting cast. Hayley Atwell, coming over off a great role in the Starz Miniseries The Pillars of the Earth plays Peggy Carter, a tough as nails Army Officer that helps to motivate Rogers toward the path he’s destined to take. Atwell is beautiful, demure at times and responsive at others, every bit as she was when playing Alienna. Also from Pillars of the Earth is Anatole Taubman as one of Johan Schmidtt’s (Hugo Weaving’s) Officers. Tommy Lee Jones’ Colonel has some of the funnier lines in the film. Weaving does a great job as always at playing the villian. There’s really very little I can say on that other than the make up job they gave Weaving’s Red Skull was nice, right down to the visible seams just under his ears. Sebastian Stan has a good role in Rogers’ best friend, Bucky, but I think he could have used a little more. Even Natalie Dormer (Cassanova, The Tudors) and Amanda Righetti (Friday the 13th) have cameos. If the film has two supporting anchors other than Atwell, it would be Stanley Tucci (Easy A) and Dominic Cooper (The Devil’s Double). As Abraham Erskine and Howard Stark, respectively, they both almost steal the show from Evans. They both have a few key moments in the film.

If Captain America suffers from any problems, it may be that it gets from Point A to Point B a little quicker than I’d have liked it to. Some of the pacing is done in Montages, which is okay for showing the audience that the Captain is making progress, but I would have liked to have seen another mission or two before the finale. The buildup to Steve Rogers becoming the Captain is fast, and everything else moves pretty quickly from there on in. The last battle sequence could have been stronger – I’m reminded of the tank sequence in Indiana Jones and the Last Crusade – but considering the era in which the story was told, I wasn’t really expecting lightsabers or anything along those lines. It wasn’t bad, but it was over sooner than I expected. I should also point out that it really does help to have seen the other Avenger related movies. It’s not really a requirement, but the larger puzzle really comes into view on seeing this film.

Visually, the film is great. Johnston really catches that sense of old New York, though it may not be as nuanced as Jackson’s in King Kong. The colors are a little muted in some places, but I’m thinking that’s part of the tone that was set. There’s even a musical number that’s somewhat cute. The 3D effects in this are okay for some scenes. The end credits in particular were nice, but over all it’s really nothing to write home about. I’m still of the notion that 3D should really be restricted to animated features.

Overall, Captain America was a fun film in the vein of Joe Johnston’s earlier film, The Rocketeer and is easily the best of the Marvel Studios Avenger prequels. I’ll be heading back to see it again on Sunday.

And remember, when the movie is done, don’t leave. After the credits comes something definitely worth seeing (at least the yelling and cheers from my audience seemed to deem it so).