Here Are The 2024 Nominations of the Alliance of Women Film Journalists!


The Alliance of Women Film Journalists have announced their nominations for the best of 2024!  And here they are:

BEST FILM 
ANORA
CONCLAVE
EMILIA PÉREZ
NICKEL BOYS
SING SING
THE BRUTALIST
THE SUBSTANCE
WICKED

BEST DIRECTOR
JACQUES AUDIARD – EMILIA PÉREZ
SEAN BAKER – ANORA
EDWARD BERGER – CONCLAVE
BRADY CORBET – THE BRUTALIST
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT

BEST SCREENPLAY, ORIGINAL
ALL WE IMAGINE AS LIGHT – PAYAL KAPADIA
ANORA – SEAN BAKER
A REAL PAIN – JESSE EISENBERG
HARD TRUTHS – MIKE LEIGH
THE SUBSTANCE – CORALIE FARGEAT
THE BRUTALIST – BRADY CORBET AND MONA FASTVOLD

BEST SCREENPLAY, ADAPTED
CONCLAVE – PETER STRAUGHAN, ROBERT HARRIS
EMILIA PÉREZ – JACQUES AUDIARD, THOMAS BIDEGAIN, LEA MYSIUS
NICKEL BOYS – RaMell ROSS, JOSLYN BARNES, COLSON WHITEHEAD
NOSFERATU – ROBERT EGGERS
SING SING – JOHN H. RICHARDSON, BRENT BUELL, CLINT BENTLEY
THE WILD ROBOT – CHRIS SANDERS, PETER BROWN

BEST DOCUMENTARY
BLACK BOX DIARIES – SHIDORI ITO
DAHOMEY – MATI DIOP
DAUGHTERS – ANGELA PATTON, NATALIE RAE
THE LAST OF THE SEA WOMEN – SUE KIM
SUGARCANE – EMILY KASSIE, JASON BRAVE NOISECAT
WILL & HARPER – JOSH GREENBAUM

BEST ANIMATED FILM
FLOW
HUNDREDS OF BEAVERS
INSIDE OUT 2
MEMOIR OF A SNAIL
THE WILD ROBOT
WALLACE & GROMIT: VENGEANCE MOST FOWL

BEST ACTRESS
CYNTHIA ERIVO – WICKED
KARLA SOFIA GASCON – EMILIA PÉREZ
MARIANNE JEAN-BAPTISTE – HARD TRUTHS
MIKEY MADISON – ANORA
DEMI MOORE – THE SUBSTANCE
JUNE SQUIBB – THELMA

BEST ACTRESS, SUPPORTING
JOAN CHEN – DIDI
DANIELLE DEADWYLER – THE PIANO LESSON
AUNJANUE ELLIS-TAYLOR – NICKEL BOYS
MARGARET QUALLEY – THE SUBSTANCE
ISABELLA ROSSELLINI – CONCLAVE
ZOE SALDANA – EMILIA PÉREZ

BEST ACTOR
ADRIEN BRODY – THE BRUTALIST
DANIEL CRAIG – QUEER
COLMAN DOMINGO – SING SING
RALPH FIENNES – CONCLAVE
HUGH GRANT – HERETIC
SEBASTIAN STAN – THE APPRENTICE

BEST ACTOR, SUPPORTING
YURA BORISOV – ANORA
KIERAN CULKIN – A REAL PAIN
CLARENCE MACLIN – SING SING
GUY PEARCE – THE BRUTALIST
STANLEY TUCCI – CONCLAVE
DENZEL WASHNGTON – GLADIATOR II

BEST ENSEMBLE CAST AND CASTING DIRECTOR
ANORA
CHALLENGERS
CONCLAVE
EMILIA PÉREZ
SATURDAY NIGHT
WICKED

BEST CINEMATOGRAPHY
CONCLAVE
DUNE: PART TWO
NICKEL BOYS
NOSFERATU
THE BRUTALIST
WICKED

BEST EDITING
ANORA
CONCLAVE
EMILIA PÉREZ
FURIOSA: A MAD MAX SAGA
THE BRUTALIST
THE SUBSTANCE

BEST INTERNATIONAL FILM
ALL WE IMAGINE AS LIGHT
DAHOMEY
EMILIA PÉREZ
FLOW
LA CHIMERA
THE SEED OF THE SACRED FIG

EDA FEMALE FOCUS AWARDS

EDA FEMALE FOCUS: BEST WOMAN DIRECTOR
ANDREA ARNOLD – BIRD
GIA COPPOLA – THE LAST SHOWGIRL
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT
MEGAN PARK – MY OLD ASS
ALICE ROHRWACHER – LA CHIMERA

EDA FEMALE FOCUS: BEST FEMALE SCREENWRITER
ANDREA ARNOLD – BIRD
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT
MEGAN PARK – MY OLD ASS
ALICE ROHRWACHER – LA CHIMERA
ERICA TREMBLAY, MICIANA ALISE – FANCY DANCE

EDA FEMALE FOCUS: BEST ANIMATED/VOICED PERFORMANCE
AYO EDEBIRI – INSIDE OUT 2
MAYA HAWKE – INSIDE OUT 2
LUPITA NYONG’O – THE WILD ROBOT
AMY POEHLER – INSIDE OUT 2
SARAH SNOOK – MEMOIR OF A SNAIL
JACKI WEAVER – MEMOIR OF A SNAIL

EDA FEMALE FOCUS: BEST WOMEN’S BREAKTHROUGH PERFORMANCE
NYKIYA ADAMS – BIRD
KARLA SOFIA GASCON – EMILIA PÉREZ
MIKEY MADISON – ANORA
KATY O’BRIAN – LOVE LIES BLEEDING
JUNE SQUIBB – THELMA
MAISY STELLA – MY OLD ASS

EDA FEMALE FOCUS: BEST STUNT PERFORMANCE
NIKKI BERWICK – STUNT COORDINATOR ON GLADIATOR II
ALEX JAY (for ZENDAYA) – DUNE: PART TWO
HAYLEY WRIGHT (for ANYA TAYLOR-JOY) – FURIOSA: A MAD MAX SAGA
KATY O’BRIAN – LOVE LIES BLEEDING
CAILEE SPAENY – ALIEN: ROMULUS
JUNE SQUIBB – THELMA

Here’s What’s Coming To The 2023 Cannes Film Festival


The initial line-up for the 2023 Cannes Film Festival was announced today.  Usually, films are added (and occasionally even withdrawn) after the initial announcement so this list will probably be added to in the days and weeks to come:

COMPETITION:

Club Zero, Jessica Hausner
Asteroid City, Wes Anderson
The Zone of Interest, Jonathan Glazer
Fallen Leaves, Aki Kaurismaki
Les Filles D’Olfa (Four Daughters), Kaouther Ben Hania
Anatomie D’une Chute, Justine Triet
Monster, Kore-eda Hirokazu
Il Sol Dell’Avvenire, Nanni Moretti,
La Chimera, Alice Rohrwacher,
About Dry Grasses, Nuri Bilge Ceylan,
L’Ete Dernier, Catherine Breillat,
The Passion of Dodin Bouffant, Tran Anh Hung,
Rapito, Marco Bellocchio,
May December, Todd Haynes,
Firebrand, Karim Ainouz,
The Old Oak, Ken Loach,
Perfect Days, Wim Wenders,
Banel Et Adama, Ramata-Toulaye Sy,
Jeunesse, Wang Bing,

OUT OF COMPETITION:

Killers of the Flower Moon, Martin Scorsese
The Idol, Sam Levinson
Cobweb, Kim Jee-woon
Indiana Jones and the Dial of Destiny, James Mangold
Jeanne du Barry, Maiwenn

MIDNIGHT SCREENINGS:

Omar la Fraise, Elias Belkeddar
Kennedy,” Anurag Kashyap
Acide, Just Philippot

SPECIAL SCREENINGS:

Retratos Fantasmas (Pictures of Ghosts), Kleber Mendonca Filho
Anselm, Wim Wenders
Occupied City, Steve McQueen
Man in Black, Wang Bing

CANNES PREMIERE:

Le Temps D’Aimer, Katell Quillevere,
Cerrar Los Ojos, Victor Erice,
Bonnard, Pierre et Marthe, Martin Provost,
Kubi, Takeshi Kitano

For Oscar watchers, the big news is probably that both Asteroid City and Killers of The Flower Moon will be premiering at Cannes.  Asteroid City is the latest from Wes Anderson and, to be honest, I have my doubts about it as an Oscar contender.  The trailer indicates that it’s very, very quirky.  While Anderson did receive some Oscar recognition for Grand Budapest Hotel, a good deal of that film’s success was due to Ralph Fiennes’s lead performance.  Fieness kept Grand Budapest rooted in a stylized reality.  I’m not sure if anyone in the cast of Asteroid City is going to perform the same duty.  If Asteroid City is going to become an Oscar contender, a good showing at Cannes would definitely help.

As for Killers of the Flower Moon, it’s being shown out of competition.  I can understand the logic.  With all of the high expectations that come along with being Martin Scorsese’s latest film (as well as being the first Scorsese film to feature both De Niro and Di Caprio), it’s best not to run the risk of being snubbed by the unpredictable Cannes jury.  The last thing anyone wants is for the narrative to shift from “sure-fire contender” to “late career disappointment.”

The Cannes Film Festival runs from May 16th to May 27th!

Here’s What Won At Cannes 2018!


This year’s strangely low-key Cannes Film Festival has come to a close!  Here’s what won at Cannes this year:

In Competition

Palme d’Or: Shoplifters by Hirokazu Kore-eda
Grand Prix: BlacKkKlansman by Spike Lee
Best Director: Paweł Pawlikowski for Cold War
Best Screenplay:
Alice Rohrwacher for Happy as Lazzaro
Jafar Panahi for 3 Faces
Best Actress: Samal Yeslyamova for Ayka
Best Actor: Marcello Fonte for Dogman
Jury Prize: Capernaum by Nadine Labaki
Special Palme d’Or: Jean-Luc Godard

Un Certain Regard

Un Certain Regard Award: Border by Ali Abbasi
Un Certain Regard Jury Prize: The Dead and the Others by João Salaviza and Renée Nader Messora
Un Certain Regard Award for Best Director: Sergei Loznitsa for Donbass
Un Certain Regard Jury Award for Best Performance: Victor Polster for Girl
Un Certain Regard Award for Best Screenplay: Meryem Benm’Barek-Aloïsi for Sofia

Cinéfondation

First Prize: The Summer of the Electric Lion by Diego Céspedes
Second Prize:
Calendar by Igor Poplauhin
The Storms in Our Blood by Shen Di
Third Prize: Inanimate by Lucia Bulgheroni

The question that we ask every year is whether the Cannes Film Festival will have any effect on the Oscar race.  We especially ask that whenever an American film wins the Palme d’Or or an American or British performer takes home one of the acting prizes.  This year, BlacKkKlansman was the highest rewarded American film, though it didn’t pick up the Palme.  That said, even if it didn’t win the top prize, BlacKkKlansman did receive rapturous reviews, certainly enough justify it’s current status as a possible Oscar nominee.

So, in the end — who knows?

Here Are The Winners of the 2014 Cannes Film Festival


Winter Sleep

It’s debatable what type of effect a victory of Cannes will have when it comes to the Oscars.  Indeed, because of the festival’s international nature, it’s often the case that some of the most acclaimed films at Cannes aren’t even eligible to be nominated.  Blue Is The Warmest Colour was one of the best films to released in the United States last year but its victory at Cannes certainly did not translate into Oscar nominations.  However, at the same time, there’s probably some truth to the theory that winning the Palme d’Or allowed some of the more mainstream-minded Academy voters to consider The Tree of Life as a legitimate Oscar possibility, as opposed to just an art house indulgence.

So, in other words — who knows?

One thing is for sure.  Winning at Cannes will definitely not hurt the Oscar chances of Bennett Miller, Timothy Spall, and Julianne Moore.  In fact, the only film that truly seems to have been knocked out of Oscar consideration by its Cannes reception would appear to be Grace of Monaco(Well, okay — Lost River, too.  But was anyone expecting Lost River to be an Oscar nominee before it premiered at Cannes?)

Anyway, enough of me pretending to be an expert on how the Oscars work!  Here are the winners from Cannes:

In Competition

  • Palme d’Or – Winter Sleep by Nuri Bilge Ceylan
  • Grand Prix – The Wonders by Alice Rohrwacher
  • Best Director – Bennett Miller for Foxcatcher
  • Best Screenplay – Andrey Zvyagintsev and Oleg Negin for Leviathan
  • Best Actress – Julianne Moore for Maps to the Stars
  • Best Actor – Timothy Spall for Mr. Turner
  • Jury Prize – Mommy by Xavier Dolan and Goodbye to Language by Jean-Luc Godard
Un Certain Regard[39]
  • Un Certain Regard Award – White God by Kornél Mundruczó
  • Un Certain Regard Jury Prize – Force Majeure by Ruben Östlund
  • Un Certain Regard Special Prize – The Salt of the Earth by Wim Wenders and Juliano Ribeiro Salgado
  • Un Certain Regard Ensemble Prize – The cast of Party Girl
  • Un Certain Regard Award for Best Actor – David Gulpilil for Charlie’s Country
Cinéfondation[40]
  • First Prize – Skunk by Annie Silverstein
  • Second Prize – Oh Lucy! by Atsuko Hirayanagi
  • Third Prize – Sourdough by Fulvio Risuleo and The Bigger Picture by Daisy Jacobs
Golden Camera
  • Caméra d’Or – Party Girl by Marie Amachoukeli, Claire Burger and Samuel Theis
Short Films[41]
  • Short Film Palme d’Or – Leidi by Simón Mesa Soto
  • Special Mention:
    • Aïssa by Clément Trehin-Lalanne
    • Yes We Love by Hallvar Witzø

Goodbye to Lanugage