4 Shots From 4 Films: Special Michael Powell Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, TSL celebrates the 116 anniversary of the birth of Michael Powell, the British visionary who changed the face of cinema, both on his own and through his collaboration with Emeric Pressburger.  It seems appropriate that we pay tribute to Powell on the day before October, as his 1960 film Peeping Tom is considered by many to be the first slasher film.  (It’s not but it’s influence on the genre cannot be overstated.)

In honor of Michael Powell, TSL is proud to present….

4 Shots From 4 Michael Powell Films

The Thief of Bagdad (1940, dir by Michael Powell, Tim Whalen, and Ludwig Berger, DP: George Perinal)

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

The Red Shoes (1948, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

Peeping Tom (1960, dir by Michael Powell, DP: Otto Heller)

 

4 Shots From 4 Films: Special Nicolas Winding Refn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 51st birthday to Danish director Nicholas Winding Refn!  Drive was one of the first films to really be celebrated on this site, receiving reviews from several contributors.  Personally, I preferred The Neon Demon.

In honor of of the man and his work, it’s time for….

4 Shots from 4 Nicolas Winding Refn Films

Bronson (2008, dir by Nicolas Winding Refn, DP: Larry Smith)

Drive (2011, dir by Nicolas Winding Refn, DP: Newton Thomas Sigel)

Only God Forgives (2013,dir by Nicolas Winding Refn, DP: Larry Smith)

The Neon Demon (2016, dir by Nicolas Winding Refn, DP: Natasha Braier)

4 Shots From 4 Films: Special Arthur Penn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

99 years ago today, Arthur Penn was born in Philadelphia.  In the 50s, Penn was one of the new crop of directors who made a name for themselves directing for television.  Like most of his colleagues, he transitioned into film.  Unlike many of his colleagues, he remained a fiercely iconoclastic director, one who was willing to challenge the conventions of Hollywood.  While his early films often struggled at the box office, he was respected by actors and hailed as a visionary by the directors of the French New Wave.

In 1967, he and Warren Beatty changed the course of American cinema with Bonnie and Clyde.  Penn followed up that classic film with movies like Alice’s Restaurant, Little Big Man, Night Moves, and a handful of others.  When he died in 2010, Penn was hailed as one of the most influential (if sometimes underrated) directors of all time.

Today, in honor of the anniversary of his birth, the Shattered Lens offers up….

4 Shots From 4 Arthur Penn Films

Mickey One (1965, dir by Arthur Penn, DP: Ghislain Cloquet)

Bonnie and Clyde (1967, dir by Arthur Penn, DP: Burnett Guffey)

Little Big Man (1970, dir by Arthur Penn, DP: Harry Stradling Jr)

Night Moves (1975, dir by Arthur Penn, DP: Bruce Surtees)

6 Shots From 6 Films: Special Wes Craven Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today would have been Wes Craven’s 82nd birthday.  I have to admit that I was shocked to be reminded that Craven was 76 years old when he tragically passed away in 2015.  I always assumed that he was much younger, perhaps in his late 50s.  Perhaps that’s because Craven himself always seemed so energetic and enthusiastic about both horror and cinema.  He was one of the best ambassadors that the horror genre could have asked for.

Today, in honor of Wes Craven, we present to you….

6 Shots From 6 Wes Craven Films

The Hills Have Eyes (1977, dir by Wes Craven, DP: Eric Saarinen)

Swamp Thing (dir by Wes Craven, DP: Robbie Greenberg)

A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)

The People Under The Stairs (1991, dir by Wes Craven, DP: Sandi Sissel)

New Nightmare (1994, dir by Wes Craven, DP: Mark Irwin)

Scream (1996, dir by Wes Craven, DP: Mark Irwin)

Thank you for the cinematic memories, Wes Craven.

(Credit: Gracja Waniewska)

 

 

4 Shots From 4 Films: Special Billy Wilder Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

115 years ago today, Billy Wilder was born in what was-then Austria-Hungary and what is today Poland.  Having started his film career as a screenwriter in Germany, Wilder fled to the United States after the rise of Hitler.  (Many members of Wilder’s family would subsequently die in the Holocaust.)  He went on to establish himself as one of the great studio directors, a filmmaker who could seemingly master any genre and whose films were often distinguished by an irreverent wit and a welcome skepticism when it came to accepting any sort of conventional wisdom.  He made the type of films that could only be made by someone who had seen humanity at its worst but who also understood what people were capable of at their best.  Wilder made dramas that could make you laugh and comedies that could make you cry.  He was a master filmmaker, one whose work continues to influence directors to this day.

Today, in honor of Billy Wilder’s legacy, the Shattered Lens presents….

4 Shots From 4 Billy Wilder Films

Double Indemnity (1944, dir by Billy Wilder, DP: John Seitz)

Sunset Boulevard (1950, dir by Billy Wilder, DP; John F. Seitz)

The Apartment (1960, dir by Billy Wilder, DP: Ernest Laszlo)

The Private Life of Sherlock Holmes (1970, dir by Billy Wilder, DP: Christopher Challis)

 

12 Shots From 12 Films: Special Lucio Fulci Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

94 years ago today, Lucio Fulci — the maestro of Italian genre filmmaking — was born in Rome.  Fulci would go on to direct some of the most visually stunning (and, occasionally, most narratively incoherent) films ever made.  Fulci worked in all genres but he’ll probably always be best remembered for launching the Italian zombie boom with Zombi 2.  His subsequent Beyond trilogy continues to fascinate and delight lovers of both horror and grindhouse filmmaking.

Lucio Fulci, needless to say, is a pretty popular figure here at the TSL.  In honor of the date of his birth, it’s time for….

12 Shots From 12 Lucio Fulci Films

Don’t Torture A Duckling (1972, dir by Lucio Fulci, DP: Sergio D’Offizi)

Four of the Apocalypse (1975, dir by Lucio Fulci, DP: Sergio Salvati)

The Psychic (1977, dir by Lucio Fulci, DP: Sergio Salvati)

Conquest (1983, dir by Lucio Fulci, DP: Alejandro Ulloa)

Murder Rock (1984, dir by Lucio Fulci, DP: Giuseppe Pinori)

Demonia (1990, dir by Lucio Fulci, DP: Luigi Ciccarese)

6 Shots From 6 Films: Special Richard Brooks Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

109 years ago today, Richard Brooks was born in Philadelphia, Pennsylvania. He would go on to become an iconoclastic director, making films that challenged taboos and often dealt with the social issues that most mainstream Hollywood filmmakers refused to touch. With In Cold Blood, he launched the entire true crime genre. With Elmer Gantry, he was one of the first American directors to examine how religion became a big business. Throughout his long career, Brooks was a consistent opponent of bigotry, censorship, and hate. As one of the few independent directors to regularly work and achieve prominence during the studio era, he was a trailblazer for many today’s best directors.

In honor of the date of his birth, it’s time for….

6 Shots From 6 Richard Brooks Films

Blackboard Jungle (1955, dir by Richard Brooks, DP: Russell Harlan)
Cat On A Hot Tin Roof (1958, dir by Richard Brooks, DP: William Daniels)
Elmer Gantry (1960, dir by Richard Brooks, DP: John Alton)
In Cold Blood (1967, dir by Richard Brooks, DP: Conrad Hall)
Bite The Bullet (1975, dir by Richard Brooks, DP: Harry Stradling, Jr.)
Looking for Mr. Goodbar (1977, dir by Richard Brooks, DP: John A. Fraker)

7 Shots From 7 Films: Special Dennis Hopper Edition


Dennis Hopper (1936–2010)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

85 years ago, Dennis Hopper was born in Dodge City, Kansas.

It seems rather appropriate that one of America’s greatest cinematic outlaws was born in a town that will be forever associated with the old west. Dennis Hopper was a rebel, back when there were actual consequences for being one. He started out acting in the 50s, appearing in films like Rebel Without A Cause and Giant and developing a reputation for being a disciple of James Dean. He also developed a reputation for eccentricity and for being difficult on set and he probably would have gotten completely kicked out of Hollywood if not for a somewhat improbable friendship with John Wayne. (Wayne thought Hopper was a communist but he liked him anyways. Interestingly enough, Hopper later became a Republican.) Somehow, Hopper managed to survive both a raging drug addiction and an obsession with guns and, after a mid-80s trip to rehab, he eventually became an almost universally beloved and busy character actor.

Hopper, however, always wanted to direct. He made his directorial debut with 1969’s Easy Rider, a film that became a huge success despite being an infamously chaotic shoot. The success of Easy Rider led to the Hollywood studios briefly trying to produce counter-culture films of their own. Hopper was given several million dollars and sent to Peru to make one of them, the somewhat dangerously titled The Last Movie. Unfortunately, The Last Movie, was such a bomb that it not only temporarily derailed Hopper’s career but it also turned Hollywood off of financing counter culture films. Hopper spent a decade in the Hollywood wilderness, giving acclaimed performances in independent films like Tracks and The American Friend, even while continuing to increase his reputation for drug-fueled instability. Hopper would eventually return to directing with his masterpiece, 1980’s Out of the Blue. (Out of the Blue was so controversial that, when it played at Cannes, Canada refused to acknowledge that it was a Canadian production. It played as a film without a country. Out of the Blue, however, is a film that has stood the test of time.) Unfortunately, even after a newly cleaned-up Hopper was re-embraced by the mainstream, his directorial career never really took off. He directed 7 films, of which only Easy Rider and Colors were financially successful. Contemporary critics often didn’t seem to know what to make of Dennis Hopper as a director. In recent years, however, Hopper’s directorial efforts have been reevaluated. Even The Last Movie has won over some new fans.

Today, on his birthday, we honor Dennis Hopper’s directorial career with….

7 Shots From 7 Dennis Hopper Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)
The Last Movie (1971,dir by Dennis Hopper, DP: Laszlo Kovacs)
Out of the Blue (1980, dir by Dennis Hopper, DP: Marc Champion)
Colors (1988, dir by Dennis Hopper, DP: Haskell Wexler)
The Hot Spot (1990, dir by Dennis Hopper, DP: Ueli Steiger)
Backtrack (1990, dir by Dennis Hopper, DP: Edward Lachman)
Chasers (1994, dir by Dennis Hopper, DP: Ueli Steiger)

4 Shots From 4 Films: Special Orson Welles Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

As I mentioned previously, the great Orson Welles was born 106 years ago today. And that means that it’s time for….

4 Shots From 4 Orson Welles Films

Citizen Kane (1941, dir by Orson Welles, DP: Gregg Toland)
The Stranger (1946, dir by Orson Welles, DP: Russell Metty)
Touch of Evil (1958, dir by Orson Welles, DP: Russell Metty)
The Trial (1962, dir by Orson Welles, DP: Edmond Richard)

4 Shots From 4 Films: Special Wes Anderson and Robert Yeoman Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Wes Anderson celebrated a birthday on May 1st. Unfortunately, on that date, I was still recovering from my post-Oscar exhaustion (and I also had a few live tweet events that I was preparing to host that night) and I let the day slip past without proper observation. I apologize for that because Wes Anderson is one of my favorite directors. Visually, no one makes films like Wes Anderson and his frequent cinematographer, Robert Yeoman.

So, belatedly, here are….

4 Shots From 4 Films Directed by Wes Anderson and Shot by Robert Yeoman

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)
The Darjeeling Limited (2007, dir by Wes Anderson, DP: Robert Yeoman)
Moonrise Kingdom (2012, dir by Wes Anderson, DP: Robert Yeoman)
The Grand Budapest Hotel (2014, dir by Wes Anderson, DP: Robert Yeoman)