Fargo (1996, dir by the Coen Brothers, cinematography by Roger Deakins)
Today, we wish a happy birthday to one of the great character actors, William H. Macy.
Today’s scene that I love comes from the film that I feel features Macy’s greatest performance, 1996’s Fargo. In this scene, hapless car salesman-turned-wannabe-criminal mastermind Jerry Lundegaard (played by Macy) discovers that his get rich quick scheme has one major flaw. Absolutely no one, not even his fearsome father-in-law, wants to give Jerry a dime of money. In this scene, you can’t help but feel sorry for Jerry, even though most of his problems are his own fault.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!
Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.
This week …. well, we’ll get to it in a minute.
Episode 2.5 “Off the Deep End”
(Dir by Gary Shimokawa, originally aired on November 6th, 1999)
Well, this is embarrassing. I sat down, ready to face my weekly chore of watching the next episode of Malibu CA, and I promptly discovered that the fifth episode of season two has never been upload to YouTube.
Now, to be honest, this isn’t exactly a tragedy. I don’t particularly like this show and it’s not like my reviews of an obscure sitcom from the 90s are responsible for much of this site’s daily traffic. It does bother me as a completist. If I ever find a free copy of this episode, I’ll review it. But, to be honest, I’m not going to spend that much time looking.
Here’s the plot summary, via the imdb:
Peter has been ignoring Scott’s swim meets and now only three are left before the Olympic trials. Fearing that he’s doing the same thing to Scott now that he did to him when he was younger, Peter now tries to get as involved as possible. He’s taking care of Scott’s diet, hiring a masseuse, and making Jason do all the chores.
It’s tempting to try to review this episode without even watching it. I’ve seen enough of these Peter Engel-produced teen sitcoms that I can imagine almost everything that probably happens in the episode, from Scott getting angry at Peter for being overbearing to Peter apologizing for not having been there for Scott in the past to Jason coming up with some crazy scheme to try to get Murray to do all the chores for him. I’m pretty sure all of this happened to someone on Saved By The Bell: The New Class as well.
But no, I have my ethics. I’ll wait until I can actually watch the episode and I say that with the full knowledge that I may never see the episode. And I’m kind of okay with that.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens celebrates director Henry Hathaway, born 127 years ago today! It’s time for….
4 Shots From 4 Henry Hathaway Films
Kiss of Death (1947, dir by Henry Hathaway, DP: Norbert Brodine)
Call Northside 777 (1948, dir by Henry Hathaway, DP: Joseph MacDonald)
Niagara (1953, dir by Henry Hathaway, DP: Joseph MacDonald)
True Grit (1969, dir by Henry Hathaway, DP: Lucien Ballard)
Much as with my Love Boat reviews, I am preempting my review of the next episode Monsters until next week so that I can focus my energies on our upcoming St. Patrick’s Day/Kurt Russell’s birthday extravaganza.
Monsters, “our favorite show,” will return next week with a review of a Monsters take on A Christmas Carol.
In the late 60s, The Velvet Underground often performed at the Boston Tea Party, a concert venue in — you guessed it! — Boston. Lou Reed described the Boston Tea Party as being the band’s favorite place to play and the Velvets’ performances at the venue would eventually become legendary. The Velvet Underground would attract an audience made up of bikers, Harvard students, MIT Students, Northeastern Students, celebrities, and a young Jonathan Richman.
In 1967, artist Andy Warhol attended a performance and filmed the show. He got 33 minutes of footage, one that doesn’t quite work as a concert film but which does work marvelously as a time capsule. While the music itself is often distorted (and this is not the film to watch if you’re wanting to hear your favorite songs performed live), Warhol’s camera does capture the feel of the psychedelic 60s, complete with strobe lights, sudden zoom shots, and an audience that alternates between moving to the music and standing still in a state of stoned contemplation. Warhol films like someone who has just gotten his first camera and can’t wait to experiment and see what it can do. The end result is actually rather likable, even if it is often incoherent. The enthusiasm and the excitement of filmmaking and capturing history comes through. When you’re first learning and experimenting with film, there’s nothing cooler than a sudden close-up or a sudden pull back to reveal the size of the crowd. The film finds Warhol having fun with the camera and the footage is ultimately rather hypnotic.
It’s a true time capsule. Here is The Velvet Underground in Boston.
Episode 11 of Shane opens with a group of outlaws making their way across the valley after pulling off a lucrative robbery. Needing a couple of days to lay low and rest their horses, they decide to take over Sam Grafton’s bar to drink and blow off some steam. They reason it’s a safe place to stay since there doesn’t appear to be any law in the area. Their leader is Reno (J.D. Cannon), with Augie (Skip Homeier) as his right-hand man, Grant (Daniel J. Travanti) as his enforcer, and a couple of others for good measure. Shane (David Carradine) and Marian (Jill Ireland) happen to be shopping in Sam’s general store when Reno and his men come into the bar. They can hear them breaking bottles and bullying Sam around in the next room. Sam comes into the general store and asks his employee Ben (Owen Bush) to ride out to Rufe Ryker’s ranch and ask him if he will come help with these guys. Soon the outlaws walk into the general store, where Shane and Reno immediately recognize each other. It seems the two gunslingers grew up together under the tutelage of an old man they called “The Wolf,” who taught them everything they know. Because Shane knows how skilled and dangerous Reno is, he asks Sam to let them stay for the next couple of days, and Reno agrees to pay Sam well for his trouble. Sam reluctantly agrees and Shane and Marian head back to the ranch.
A little later Rufe Ryker (Bert Freed) and his men ride into town and enter Sam’s bar. Reno gets the drop on them and sends them back out with their tails between their legs. They regroup back at Ryker’s ranch and decide to go back to town and try force the outlaws out of the bar. On the way, Ryker stops off at the Starett’s ranch to try to convince Shane to help. Shane tells Ryker that the best thing he can do is leave Reno and his men alone and wait for them to leave in a couple of days. With his pride hurt, Ryker is in no mood for listening and heads to town anyway. When the shooting starts, Ryker and his men are caught in a deadly crossfire. Trying to retreat, Ryker is shot and severely injured by Reno. While Ryker tries to recover, his men decide they are going to stake out the bar so they can be in position to kill Reno and his men when they try to leave. Feeling trapped, Reno instructs a couple of his guys to go to the nearest ranch and get a hostage to help them with their escape. When the guys grab a local girl named Shirley and Marian, who was in the area looking for their cow Katrina at the same time, Shane finally decides to enter the fight against Reno. Their old mentor “The Wolf” always predicted that their relationship would end with one of them killing the other. It looks like he just may be right.
“The Day the Wolf Laughed” is my favorite episode of the TV series SHANE so far, as it really leans into Shane’s skills as a gunfighter and pits him against a man in Reno who’s every bit as skilled. When the two men first see each other in Sam’s general store you can tell that they really do respect each other. Reno goes so far as to tell Marian that “you have a good man. He’ll fight for you.” As soon as you hear those lines, you know Shane will end up having to prove those words to be true. Even though Shane spends most of the episode trying to convince other people that they just need to leave Reno alone, he doesn’t hesitate to take matters into his own hands the moment Marian is put in danger. This is the first episode of the series where Shane really lives up to the reputation that is always being hinted at in the series, and I loved it!
Episode 11 is also elevated by its game cast of guest stars. J.D. Cannon (DEATH WISH II) is an especially strong adversary for Shane. He can be extremely cold blooded, but he’s also respectful, somewhat likable, and you believe that his word means something. You almost hate it when the two end up squaring off at the end. Daniel J. Travanti (HILL STREET BLUES), with a thick mustache, is quite intimidating as the enforcer of the gang. He seems quiet and laid back until he’s called upon by Reno. His countenance then completely changes, and you don’t really want to be on the other side of his gun at that point in time. It was also nice seeing Skip Homeier show up as Reno’s right-hand man, Augie. Homeier appeared in the excellent 1957 Budd Boetticher/Randolph Scott western THE TALL T, and he provides good support here as well. As far as the main cast, David Carradine and Bert Freed take center stage in this episode, with both men doing a great job. Freed, in particular, has created a strong, complex character in Ryker over the course of the first 11 episodes, and I’ve actually grown to like him.
Overall, for a fan of badass western action, this episode was right down my alley. Shane and Marian may not have shared any long, lustful looks, but Shane proves his love by putting his life on the line for her against Reno’s gang. We only have 6 more episodes to go, and it will be fun to see where we go from here.
Though I may have had to preempt this week’s review of The Love Boat, I can still express my love for the show with today’s song of the day! As this performance shows, the Love Boat really does have something for everyone.
Hi, everyone! I’ve been doing weekly reviews of The Love Boat for a while. I really enjoying the series but I’m going to have to hold off on posting my next review until next week. That’s because the next episode is a two-hour musical spectacular and, as I’m busy getting things set up for our big St. Patrick’s Day/Kurt Russell’s birthday celebration on the 17th, I’m not going to have time to watch the whole thing until next week.
So, The Love Boat is preempted this week but it will return next week! We’ll set sail then!